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Trope (cinema)

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A "Mexican standoff" is a common film trope
A "Mexican standoff" is a common film trope

In cinema, a trope is what The Art Direction Handbook for Film defines as "a universally identified image imbued with several layers of contextual meaning creating a new visual metaphor".[1]

A common thematic trope is the rise and fall of a mobster in a classic gangster film. The film genre also often features the sartorial trope of a rising gangster buying new clothes.[2]

Etymology

The term has the same origin as that of "trope" in the sense of literature, and derived from this. In turn, this came from the Greek τρόπος (tropos), "turn, direction, way", derived from the verb τρέπειν (trepein), "to turn, to direct, to alter, to change".[3] Tropes and their classification were an important field in classical rhetoric. The study of tropes has been taken up again in modern criticism, especially in deconstruction.[4] Tropological criticism (not to be confused with tropological reading, a type of biblical exegesis) is the historical study of tropes, which aims to "define the dominant tropes of an epoch" and to "find those tropes in literary and non-literary texts", an interdisciplinary investigation of which Michel Foucault was an "important exemplar".[4]

The use of the term in relation to cinema may be more common in American English than in other dialects.[5]

Discover more about Etymology related topics

Trope (literature)

Trope (literature)

A literary trope is the use of figurative language, via word, phrase or an image, for artistic effect such as using a figure of speech. Keith and Lundburg describe a trope as, "a substitution of a word or phrase by a less literal word or phrase." The word trope has also come to be used for describing commonly recurring or overused literary and rhetorical devices, motifs or clichés in creative works. Literary tropes span almost every category of writing, such as poetry, film, plays, and video games.

Rhetoric

Rhetoric

Rhetoric is the art of persuasion, which along with grammar and logic, is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate particular audiences in specific situations. Aristotle defines rhetoric as "the faculty of observing in any given case the available means of persuasion" and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he calls it "a combination of the science of logic and of the ethical branch of politics". Rhetoric typically provides heuristics for understanding, discovering, and developing arguments for particular situations, such as Aristotle's three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric or phases of developing a persuasive speech were first codified in classical Rome: invention, arrangement, style, memory, and delivery.

Deconstruction

Deconstruction

Deconstruction is any of a loosely-defined set of approaches to understanding the relationship between text and meaning. The concept of deconstruction was introduced by the philosopher Jacques Derrida, who described it as a turn away from Platonism's ideas of "true" forms and essences which take precedence over appearances. Since the 1980s, these proposals of language's fluidity instead of being ideally static and discernible have inspired a range of studies in the humanities, including the disciplines of law, anthropology, historiography, linguistics, sociolinguistics, psychoanalysis, LGBT studies, and feminism. Deconstruction also inspired deconstructivism in architecture and remains important within art, music, and literary criticism.

Tropological reading

Tropological reading

Tropological reading or "moral sense" is a Christian tradition, theory, and practice of interpreting the figurative meaning of the Bible. It is part of biblical exegesis.

Exegesis

Exegesis

Exegesis is a critical explanation or interpretation of a text. The term is traditionally applied to the interpretation of Biblical works. In modern usage, exegesis can involve critical interpretations of virtually any text, including not just religious texts but also philosophy, literature, or virtually any other genre of writing. The phrase Biblical exegesis can be used to distinguish studies of the Bible from other critical textual explanations.

Michel Foucault

Michel Foucault

Paul-Michel Foucault was a French philosopher, historian of ideas, writer, political activist, and literary critic. Foucault's theories primarily address the relationship between power and knowledge, and how they are used as a form of social control through societal institutions. Though often cited as a structuralist and postmodernist, Foucault rejected these labels. His thought has influenced academics, especially those working in communication studies, anthropology, psychology, sociology, criminology, cultural studies, literary theory, feminism, Marxism and critical theory.

American English

American English

American English, sometimes called United States English or U.S. English, is the set of varieties of the English language native to the United States. English is the most widely spoken language in the United States and in most circumstances is the de facto common language used in government, education and commerce. Since the 20th century, American English has become the most influential form of English worldwide.

In film studies

A trope is an element of film semiotics and connects between denotation and connotation. Films reproduce tropes of other arts and also make tropes of their own.[6] George Bluestone wrote in Novels Into Film that in producing adaptations, film tropes are "enormously limited" compared to literary tropes. Bluestone said, "[A literary trope] is a way... of packed symbolic thinking which is specific to imaginative rather than to visual activity... [when] converted into a literal image, the metaphor would seem absurd."[7]

Source: "Trope (cinema)", Wikipedia, Wikimedia Foundation, (2021, August 25th), https://en.wikipedia.org/wiki/Trope_(cinema).

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See also
  • TV Tropes, a website that catalogues cinematic tropes as well as literary tropes
References
  1. ^ Rizzo, Michael (2014). The Art Direction Handbook for Film (2nd ed.). Focal Press. p. 513. ISBN 978-0-415-84279-2.
  2. ^ McDonald, Tamar Jeffers (2010). Hollywood Catwalk: Exploring Costume and Transformation in American Film. I.B. Tauris. p. 41. ISBN 978-1-84885-040-8.
  3. ^ "trope", Merriam-Webster Online Dictionary, Springfield, Massachusetts: Merriam-Webster, 2009, retrieved 2009-10-16
  4. ^ a b Childers, Joseph; Hentzi, Gary (1995). "Trope". The Columbia Dictionary of Modern Literary and Cultural Criticism. New York: Columbia UP. p. 309. ISBN 9780231072434.
  5. ^ "Trope definition and meaning | Collins English Dictionary". Collins Dictionary. Retrieved 2019-12-18.
  6. ^ Monaco, James (1981). How to Read a Film: The Art, Technology, Language, History, and Theory of Film and Media. Oxford University Press. p. 140. ISBN 978-0-19-502802-7.
  7. ^ Bluestone, George (1957). Novels Into Film. Johns Hopkins University Press. p. 22. ISBN 978-0-8018-7386-7.
Further reading
  • Ehrat, Johannes (2005). Cinema and Semiotic: Pierce and Film Aesthetics, Narration, and Representation. Toronto Studies in Semiotics and Communication (2nd ed.). University of Toronto Press. ISBN 978-0-8020-3912-5.


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