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Tonstartssbandht

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Tonstartssbandht
Andy and Edwin White
Andy and Edwin White
Background information
OriginOrlando, Florida, U.S.
Genres
Years active2007–present
Labels
MembersAndy White
Edwin White
Websitebandcamp.com

Tonstartssbandht (pronounced Tahn-starts-bandit[1] or Tone-starts-band-hut[2]) is an American psychedelic, noise rock band consisting of brothers Andy (guitar and vocals) and Edwin (drums and vocals) White.[3] Based in Orlando (Edwin) and New York City (Andy), they originate from Orlando, Florida, and formed c. 2008 when Edwin was 20 years and Andy was 18.[4] Their influences include the Beach Boys, The Velvet Underground demos, and Can live recordings. As of December 2017, the band has released 17 live and studio albums,[5] as well as a series of solo recordings and collaborations.

Tonstartssbandht is known for their dynamic live shows, consisting of long often improvisational psychedelic jams coupled with krautrock elements.[6] Their studio recordings are characterised by a deliberately lo-fi and DIY approach, while also incorporating post-production effects achieved through both analogue and digital means.

Discover more about Tonstartssbandht related topics

Psychedelic rock

Psychedelic rock

Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.

Noise rock

Noise rock

Noise rock is a noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement.

New York City

New York City

New York, often called New York City or NYC, is the most populous city in the United States. With a 2020 population of 8,804,190 distributed over 300.46 square miles (778.2 km2), New York City is the most densely populated major city in the United States and more than twice as populous as Los Angeles, the nation's second-largest city. New York City is located at the southern tip of New York State. It constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the U.S. by both population and urban area. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous megacities, and over 58 million people live within 250 mi (400 km) of the city. New York City is a global cultural, financial, entertainment, and media center with a significant influence on commerce, health care and life sciences, research, technology, education, politics, tourism, dining, art, fashion, and sports. Home to the headquarters of the United Nations, New York is an important center for international diplomacy, and is sometimes described as the capital of the world.

Orlando, Florida

Orlando, Florida

Orlando is a city in the U.S. state of Florida and the county seat of Orange County. In Central Florida, it is the center of the Orlando metropolitan area, which had a population of 2,509,831, according to U.S. Census Bureau figures released in July 2017, making it the sixth-largest metropolitan area in the Southern United States and the third-largest metropolitan area in Florida behind Miami and Tampa. Orlando had a population of 307,573 in the 2020 census, making it the fourth-largest city in Florida behind Jacksonville, Miami, and Tampa; it is the state's largest inland city.

The Velvet Underground

The Velvet Underground

The Velvet Underground was an American rock band formed in New York City in 1964. The original line-up consisted of singer/guitarist Lou Reed, multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise. MacLise was replaced by Moe Tucker in 1965, who played on most of the band's recordings. Their integration of rock and the avant-garde achieved little commercial success during the group's existence, but they are now recognized as one of the most influential bands in rock, underground, experimental, and alternative music. The group's provocative subject matter, musical experiments, and often nihilistic attitudes also proved influential in the development of punk rock and new wave music.

Can (band)

Can (band)

Can was a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group used several vocalists, most prominently the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene.

Krautrock

Krautrock

Krautrock is a broad genre of experimental rock that developed in West Germany in the late 1960s and early 1970s. It originated among artists who blended elements of psychedelic rock, avant-garde composition, and electronic music, among other eclectic sources. Common elements included hypnotic rhythms, extended improvisation, musique concrète techniques, and early synthesizers, while the music generally moved away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can, Faust, Tangerine Dream, Kraftwerk, Cluster, Ash Ra Tempel, Popol Vuh, Amon Düül II and Harmonia.

Lo-fi music

Lo-fi music

Lo-fi is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved throughout the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music.

Post-production

Post-production

Post-production is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after principal photography or recording individual program segments.

Style

According to Edwin, "Our style of music definitely goes all over. When we sit down with a drum kit and a guitar, we like to do psychedelic boogie rock. When we're composing songs in the studio or something, rather than our bedrooms, we tend more towards the Brian Wilson vocal-pop stuff. Psychedelic boogie rock and experimental pop . . . those are the two core loves of ours."[4] They have described their influences as including "classic rock, delta/piedmont blues, noise, experimental improv, free jazz, blues/boogie rock, drone, classical."[7] They are also heavily influenced by Japanese noise rock, directly covering the style in their High Rise tribute band, High Rise II.[8]

Andy plays a Danelectro 12-string electric guitar, which, in the context of a two-man band, allows him to "fill the range of low-to-high frequencies well, especially if I can write tunes with finger-picking figures that have a bass and high end." Previously he has used a Coral electric sitar.[9] The vocals are often subject to heavy effects, especially the use of short echo.[10]

Commenting on their prolific output, they have said, "Even a shitty recording can possibly be salvaged or used in a different way, but we generally just record record record. Just hit that button and don't worry about it. Do it or never do it."[11] Andy has a long term interest in archiving and documenting the band's live shows, which he began recording with a 4-track. Recently he has been recording most of their tours, including dates across Europe, Russia, South East Asia, and Australia.[12] When recording "studio" albums, they aim for a warm, room sound, using the close mic technique, and usually recording in their own apartments, with ambient sounds (including microwaves being turned on) apparent in instances.[12]

Discover more about Style related topics

Brian Wilson

Brian Wilson

Brian Douglas Wilson is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. Often called a genius for his novel approaches to pop composition, extraordinary musical aptitude, and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century. His best-known work is distinguished for its high production values, complex harmonies and orchestrations, layered vocals, and introspective or ingenuous themes. Wilson is also known for his formerly high-ranged singing and for his lifelong struggles with mental illness.

Drone music

Drone music

Drone music, drone-based music, or simply drone, is a minimalist genre that emphasizes the use of sustained sounds, notes, or tone clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism". Elements of drone music have been incorporated in diverse genres such as rock, ambient, and techno.

Noise rock

Noise rock

Noise rock is a noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement.

High Rise (band)

High Rise (band)

High Rise was a noise rock band from Tokyo, Japan formed in 1982. The core of the band has consisted of bassist Asahito Nanjo and guitarist Munehiro Narita. The group named themselves after the 1975 novel High Rise by J. G. Ballard. Their music draws from psychedelic music, free jazz, and improvisational music.

Danelectro

Danelectro

Danelectro is a brand of musical instruments and accessories, founded in Red Bank, New Jersey in 1947. The company is known primarily for its string instruments that employed unique designs and manufacturing processes. The Danelectro company was sold to the "Music Corporation of America" (MCA) in 1966, moving to a much larger plant in Neptune City, New Jersey, employing more than 500 people. Nevertheless, three years later Danelectro closed its plant.

Electric sitar

Electric sitar

An electric sitar is a type of electric guitar designed to mimic the sound of the sitar, a traditional musical instrument of India. Depending on the manufacturer and model, these instruments bear varying degrees of resemblance to the traditional sitar. Most resemble the electric guitar in the style of the body and headstock, though some have a body shaped to resemble that of the sitar.

Delay (audio effect)

Delay (audio effect)

Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo.

Multitrack recording

Multitrack recording

Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized.

Microphone practice

Microphone practice

There are a number of well-developed microphone techniques used for recording musical, film, or voice sources or picking up sounds as part of sound reinforcement systems. The choice of technique depends on a number of factors, including:The wish to capture or avoid the collection of extraneous noise. This can be a concern, especially in amplified performances, where audio feedback can be a significant problem. Alternatively, it can be a desired outcome, in situations where ambient noise is useful. Degree of directionality of pickup: in some settings, such as a home video of a birthday party, the person may wish to pick up all the sounds in the room, which would make an omnidirectional mic desirable. However, if a TV news crew is filming a reporter at a noisy protest, they may only wish to pick up her voice, making a cardioid mic more desirable. Choice of a signal type: Mono, stereo or multi-channel. Type of sound-source: Acoustic instruments produce a sound very different from amplified electric instruments, which are again different from the human voice. Sound pressure levels: a mic that is recording Baroque lute will not face high sound pressure levels, which could lead to distortion; on the other hand, a mic being used to record heavy metal drumming or low brass may face extreme sound pressure levels Situational circumstances: Sometimes a microphone should not be visible, or having a microphone nearby is not appropriate. In scenes for a movie the microphone may be held above the pictureframe, just out of sight. In this way there is always a certain distance between the actor and the microphone. Processing: If the signal is destined to be heavily processed, or "mixed down", a different type of input may be required. The use of a windshield as well as a pop shield, designed to reduce vocal plosives.

Members

  • Andy White – guitar, vocals, electronics
  • Edwin M. White – drums, vocals, electronics

Songwriting is shared equally between the brothers, who for long periods lived in different cities due to work and studying. Songs are often constructed by swapping demo recordings via email, megaupload, and mediafire. Both are prolific songwriters and have maintained a series of side and solo projects. Andy also records under the name 'Andy Boay', while Edwin's main solo project is titled Eola.[13]

Band name

Tonstartssbandht is a made up word. According to Edwin, it comes from "a word collage that I made cutting up letters and words and I pasted it down and I loved how it looked. Because it's made up, it confused people, people get thrown off by consonants, they take one look at it and sometimes they're disgusted, they're like 'That's not a word anyone could pronounce!'"[4]

Discography

The following are a mixture of live recordings and studio albums [1][14][15]

  • Water Buffalo (2008)
  • An When (2009, Does Are)
  • Maihama (2009)
  • Dick Nights (2009)
  • Parson Sounds (2009, Black Cheeks)
  • Midnite Cobras (2010)
  • Hymn (2011)
  • Now I Am Become (2011, Arbutus)
  • Sinkhole Storm and Sandwich (2011)
  • God Speed, Mans (2013, Spacebridge)
  • Nantes (2014)
  • Overseas (2014)
  • Hanoi (2015)
  • Christchurch (2016)
  • Sorcerer (2017)
  • Petunia (2021)

Source: "Tonstartssbandht", Wikipedia, Wikimedia Foundation, (2023, February 2nd), https://en.wikipedia.org/wiki/Tonstartssbandht.

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References
  1. ^ a b "Tonstartssbandht". Allmusic. Retrieved December 28, 2017.
  2. ^ Brown, Emma. "Discovery: Tonstartssbandht". interviewmagazine.com, January 17, 2012. Retrieved December 28, 2017.
  3. ^ Trewn, Pranav. "Tonstartssbandht – “Sorcerer”". stereogum.com, January 24, 2017. Retrieved December 28, 2017.
  4. ^ a b c "A short chat with Andy White of Tonstartssbandht on radioactivity, Freebird, and Stereolab!" never-nervous.com, June 29, 2017. Retrieved December 30, 2017
  5. ^ Beta, Andy. "Sorcerer". Pitchfork, March 27, 2017. Retrieved December 28, 2017.
  6. ^ "Aquarium Drunkard". Tonstartssbandht :: Sorcerer // Eola :: Dang. Retrieved December 30, 2017
  7. ^ Hilmi, Muhammad. "A Talk with Tonstartssbandht". whiteboardjournal.com, November 24, 2014. Retrieved December 30, 2017
  8. ^ Locke, Jesse. "Interview with: Andy and Edwin White". weirdcanada.com. Retrieved April 8, 2018.
  9. ^ "Interview: Tonstartssbandht". Genjing Records. Retrieved December 30, 2017
  10. ^ Minsker, Evan. "Tonstartssbandht: Overseas". Pitchfork, July 11, 2014. Retrieved December 30, 2017.
  11. ^ Fuamoli, Sosefina. "The AU interview: Edwin Mathis White of Tonstartssbandht (US) on playing CMJ, touring Australia and more!". The AU review, November 26, 2014. Retrieved December 30, 2017
  12. ^ a b Canino Gary. "Tonstartssbandht on learning to do things yourself". thecreativeindependent.com, April 25, 2017. Retrieved December 30, 2017
  13. ^ Campbell, Alana. "Intersection: Tonstartssbandht". wmfe.com, August 4, 2017. Retrieved December 30, 2017.
  14. ^ "Tonstartssbandht" Tonstartssbandht. Retrieved December 30, 2017.
  15. ^ "Tonstartssbandht – Mexican Summer". Mexican Summer. Retrieved December 30, 2017.
External links

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