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Thriller (genre)

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Thriller is a genre of fiction with numerous, often overlapping, subgenres, including crime, horror and detective fiction. Thrillers are characterized and defined by the moods they elicit, giving their audiences heightened feelings of suspense, excitement, surprise, anticipation and anxiety.[1] This genre is well-suited to film and television.

A thriller generally keeps its audience on the "edge of their seats" as the plot builds towards a climax. The cover-up of important information is a common element.[2] Literary devices such as red herrings, plot twists, unreliable narrators, and cliffhangers are used extensively. A thriller is often a villain-driven plot, whereby they present obstacles that the protagonist or hero must overcome.

Some examples of thrillers are the films of Alfred Hitchcock around the mid 20th century.[3] Some popular modern mainstream examples include the books and films in the Millennium series by Stieg Larsson and The Girl on the Train book and film.

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Genre

Genre

Genre is any form or type of communication in any mode with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility.

Fiction

Fiction

Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose – often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games.

Crime fiction

Crime fiction

Crime fiction, detective story, murder mystery, mystery novel, and police novel are terms used to describe narratives that centre on criminal acts and especially on the investigation, either by an amateur or a professional detective, of a crime, often a murder. It is usually distinguished from mainstream fiction and other genres such as historical fiction or science fiction, but the boundaries are indistinct. Crime fiction has multiple subgenres, including detective fiction, courtroom drama, hard-boiled fiction, and legal thrillers. Most crime drama focuses on crime investigation and does not feature the courtroom. Suspense and mystery are key elements that are nearly ubiquitous to the genre.

Horror fiction

Horror fiction

Horror is a genre of fiction that is intended to disturb, frighten or scare. Horror is often divided into the sub-genres of psychological horror and supernatural horror, which are in the realm of speculative fiction. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society.

Detective fiction

Detective fiction

Detective fiction is a subgenre of crime fiction and mystery fiction in which an investigator or a detective—whether professional, amateur or retired—investigates a crime, often murder. The detective genre began around the same time as speculative fiction and other genre fiction in the mid-nineteenth century and has remained extremely popular, particularly in novels. Some of the most famous heroes of detective fiction include C. Auguste Dupin, Sherlock Holmes, and Hercule Poirot. Juvenile stories featuring The Hardy Boys, Nancy Drew, and The Boxcar Children have also remained in print for several decades.

Anxiety

Anxiety

Anxiety is an emotion which is characterized by an unpleasant state of inner turmoil and includes feelings of dread over anticipated events. Anxiety is different than fear in that the former is defined as the anticipation of a future threat whereas the latter is defined as the emotional response to a real threat. It is often accompanied by nervous behavior such as pacing back and forth, somatic complaints, and rumination.

Climax (narrative)

Climax (narrative)

The climax or turning point of a narrative work is its point of highest tension and drama, or it is the time when the action starts during which the solution is given. The climax of a story is a literary element.

Cover-up

Cover-up

A cover-up is an attempt, whether successful or not, to conceal evidence of wrongdoing, error, incompetence, or other embarrassing information. Research has distinguished personal cover-ups from relational cover-ups.

Cliffhanger

Cliffhanger

A cliffhanger is a storytelling device which consists of ending a chapter, book, episode, TV show, movie or scene right before or after its climax in order to maximise the viewer's interest in what happens next.

Hero

Hero

A hero is a real person or a main fictional character who, in the face of danger, combats adversity through feats of ingenuity, courage, or strength. Like other formerly gender-specific terms, hero is often used to refer to any gender, though heroine only refers to women. The original hero type of classical epics did such things for the sake of glory and honor. Post-classical and modern heroes, on the other hand, perform great deeds or selfless acts for the common good instead of the classical goal of wealth, pride, and fame. The antonym of hero is villain. Other terms associated with the concept of hero may include good guy or white hat.

Alfred Hitchcock filmography

Alfred Hitchcock filmography

Alfred Hitchcock (1899–1980) was an English director and filmmaker. Popularly known as the "Master of Suspense" for his use of innovative film techniques in thrillers, Hitchcock started his career in the British film industry as a title designer and art director for a number of silent films during the early 1920s. His directorial debut was the 1925 release The Pleasure Garden. Hitchcock followed this with The Lodger: A Story of the London Fog, his first commercial and critical success. It featured many of the thematic elements his films would be known for, such as an innocent man on the run. It also featured the first of his famous cameo appearances. Two years later he directed Blackmail (1929) which was his first sound film. In 1935, Hitchcock directed The 39 Steps; three years later, he directed The Lady Vanishes, starring Margaret Lockwood and Michael Redgrave.

Millennium (novel series)

Millennium (novel series)

Millennium is a series of best-selling and award-winning Swedish crime novels, created by journalist Stieg Larsson. The two primary characters in the saga are Lisbeth Salander, an asocial computer hacker with a photographic memory, and Mikael Blomkvist, an investigative journalist and publisher of a magazine called Millennium.

Characteristics

Writer Vladimir Nabokov, in his lectures at Cornell University, said:

In an Anglo-Saxon thriller, the villain is generally punished, and the strong silent man generally wins the weak babbling girl, but there is no governmental law in Western countries to ban a story that does not comply with a fond tradition, so that we always hope that the wicked but romantic fellow will escape scot-free and the good but dull chap will be finally snubbed by the moody heroine.[4]

Thrillers may be defined by the primary mood that they elicit: suspenseful excitement. In short, if it "thrills", it is a thriller. As the introduction to a major anthology says:

...Thrillers provide such a rich literary feast. There are all kinds. The legal thriller, spy thriller, action-adventure thriller, medical thriller, police thriller, romantic thriller, historical thriller, political thriller, religious thriller, high-tech thriller, military thriller. The list goes on and on, with new variations constantly being invented. In fact, this openness to expansion is one of the genre's most enduring characteristics. But what gives the variety of thrillers a common ground is the intensity of emotions they create, particularly those of apprehension and exhilaration, of excitement and breathlessness, all designed to generate that all-important thrill. By definition, if a thriller doesn't thrill, it's not doing its job.

— James Patterson, June 2006, "Introduction," Thriller[5]

Suspense

Suspense is a crucial characteristic of the thriller genre. It gives the viewer a feeling of pleasurable fascination and excitement mixed with apprehension, anticipation, and tension. These develop from unpredictable, mysterious, and rousing events during the narrative, which makes the viewer or reader think about the outcome of certain actions. Suspense builds in order to make those final moments, no matter how short, the most memorable. The suspense in a story keeps the person hooked to reading or watching more until the climax is reached.

In terms of narrative expectations, it may be contrasted with curiosity and surprise. The objective is to deliver a story with sustained tension, surprise, and a constant sense of impending doom. As described by film director Alfred Hitchcock, an audience experiences suspense when they expect something bad to happen and have (or believe they have) a superior perspective on events in the drama's hierarchy of knowledge, yet they are powerless to intervene to prevent it from happening.

Suspense in thrillers is often intertwined with hope and anxiety, which are treated as two emotions aroused in anticipation of the conclusion - the hope that things will turn out all right for the appropriate characters in the story, and the fear that they may not. The second type of suspense is the "...anticipation wherein we either know or else are fairly certain about what is going to happen but are still aroused in anticipation of its actual occurrence."[6]

According to Greek philosopher Aristotle in his book Poetics, suspense is an important building block of literature, and this is an important convention in the thriller genre.[7]

Thriller music has been shown to create distrust and ominous uncertainty between the viewer of a film and the character on screen at the time when the music is playing.[8]

Themes and characters

Common methods and themes in crime and action thrillers are ransoms, captivities, heists, revenge, and kidnappings. Common in mystery thrillers are investigations and the whodunit technique. Common elements in dramatic and psychological thrillers include plot twists, psychology, obsession and mind games. Common elements of science-fiction thrillers are killing robots, machines or aliens, mad scientists and experiments. Common in horror thrillers are serial killers, stalking, deathtraps and horror-of-personality. Elements such as fringe theories, false accusations and paranoia are common in paranoid thrillers. Threats to entire countries, spies, espionage, conspiracies, assassins and electronic surveillance are common in spy thrillers.[9]

Characters may include criminals, stalkers, assassins, innocent victims (often on the run), menaced women, psychotic individuals, spree killers, sociopaths, agents, terrorists, cops and escaped cons, private eyes, people involved in twisted relationships, world-weary men and women, psycho-fiends, and more. The themes frequently include terrorism, political conspiracy, pursuit, or romantic triangles leading to murder. Plots of thrillers involve characters which come into conflict with each other or with outside forces.[10]

The protagonist of these films is set against a problem. No matter what subgenre a thriller film falls into, it will emphasize the danger that the protagonist faces. The protagonists are frequently ordinary citizens unaccustomed to danger, although commonly in crime and action thrillers, they may also be "hard men" accustomed to danger such as police officers and detectives. While protagonists of thrillers have traditionally been men, women lead characters are increasingly common.[11] In psychological thrillers, the protagonists are reliant on their mental resources, whether it be by battling wits with the antagonist or by battling for equilibrium in the character's own mind. The suspense often comes from two or more characters preying upon one another's minds, either by playing deceptive games with the other or by merely trying to demolish the other's mental state.[11]

Story and setting

An atmosphere of menace and sudden violence, such as crime and murder, characterize thrillers. The tension usually arises when the character(s) is placed in a dangerous situation, or a trap from which escaping seems impossible. Life is threatened, usually because the principal character is unsuspectingly or unknowingly involved in a dangerous or potentially deadly situation.[12]

Hitchcock's films often placed an innocent victim (an average, responsible person) into a strange, life-threatening or terrorizing situation, in a case of mistaken identity or wrongful accusation.[13]

Thrillers take place mostly in ordinary suburbs and cities, although sometimes they may take place wholly or partly in exotic settings such as foreign cities, deserts, polar regions, or the high seas. These usually tough, resourceful, but essentially ordinary heroes are pitted against villains determined to destroy them, their country, or the stability of the Free World (especially if it is set during the Cold War). Often in a thriller movie, the protagonist is faced with what seem to be insurmountable problems in his mission, carried out against a ticking clock, the stakes are high and although resourceful, they face personal dilemmas along the way forcing them to make sacrifices for others.

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Cornell University

Cornell University

Cornell University is a private Ivy League statutory land-grant research university based in Ithaca, New York. The university was founded in 1865 by Ezra Cornell and Andrew Dickson White with the intention of teaching and making contributions in all fields of knowledge from the classics to the sciences and from the theoretical to the applied.

James Patterson

James Patterson

James Brendan Patterson is an American author. Among his works are the Alex Cross, Michael Bennett, Women's Murder Club, Maximum Ride, Daniel X, NYPD Red, Witch & Wizard, Private and Middle School series, as well as many stand-alone thrillers, non-fiction, and romance novels. His books have sold more than 425 million copies, and he was the first person to sell 1 million e-books. In 2016, Patterson topped Forbes's list of highest-paid authors for the third consecutive year, with an income of $95 million. His total income over a decade is estimated at $700 million.

Film director

Film director

A film director is a person who controls a film's artistic and dramatic aspects and visualizes the screenplay while guiding the film crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking.

Hierarchy

Hierarchy

A hierarchy is an arrangement of items that are represented as being "above", "below", or "at the same level as" one another. Hierarchy is an important concept in a wide variety of fields, such as architecture, philosophy, design, mathematics, computer science, organizational theory, systems theory, systematic biology, and the social sciences.

Hope

Hope

Hope is an optimistic state of mind that is based on an expectation of positive outcomes with respect to events and circumstances in one's life or the world at large. As a verb, its definitions include: "expect with confidence" and "to cherish a desire with anticipation".

Aristotle

Aristotle

Aristotle was an Ancient Greek philosopher and polymath. His writings cover a broad range of subjects including physics, biology, zoology, metaphysics, logic, ethics, aesthetics, poetry, drama, music, rhetoric, psychology, linguistics, economics, politics, meteorology, geology, and government. As the founder of the Peripatetic school of philosophy in the Lyceum in Athens, he began the wider Aristotelian tradition that followed, which set the groundwork for the development of modern science.

Crime film

Crime film

Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir.

Hostage

Hostage

A hostage is a person seized by an abductor in order to compel another party, one which places a high value on the liberty, well-being and safety of the person seized—such as a relative, employer, law enforcement, or government—to act, or refrain from acting, in a certain way, often under threat of serious physical harm or death to the hostage(s) after expiration of an ultimatum. The Encyclopædia Britannica Eleventh Edition defines a hostage as "a person who is handed over by one of two belligerent parties to the other or seized as security for the carrying out of an agreement, or as a preventive measure against certain acts of war."

Heist film

Heist film

The heist film or caper film is a subgenre of crime film focused on the planning, execution, and aftermath of a significant robbery.

Kidnapping

Kidnapping

In criminal law, kidnapping is the unlawful confinement of a person against their will, often including transportation/asportation. The asportation and abduction element is typically but not necessarily conducted by means of force or fear: the perpetrator may use a weapon to force the victim into a vehicle, but it is still kidnapping if the victim is enticed to enter the vehicle willingly.

Mystery film

Mystery film

A mystery film is a genre of film that revolves around the solution of a problem or a crime. It focuses on the efforts of the detective, private investigator or amateur sleuth to solve the mysterious circumstances of an issue by means of clues, investigation, and clever deduction.

Detective fiction

Detective fiction

Detective fiction is a subgenre of crime fiction and mystery fiction in which an investigator or a detective—whether professional, amateur or retired—investigates a crime, often murder. The detective genre began around the same time as speculative fiction and other genre fiction in the mid-nineteenth century and has remained extremely popular, particularly in novels. Some of the most famous heroes of detective fiction include C. Auguste Dupin, Sherlock Holmes, and Hercule Poirot. Juvenile stories featuring The Hardy Boys, Nancy Drew, and The Boxcar Children have also remained in print for several decades.

History in literature

Ancient epic poems such as the Epic of Gilgamesh, Homer's Odyssey and the Mahābhārata may have used similar narrative techniques to modern thrillers. The Three Apples, a tale in the One Thousand and One Nights (Arabian Nights), is a murder mystery[14] with multiple plot twists[15] and detective fiction elements.[16] In this tale, a fisherman discovers a heavy, locked chest on the banks of the Tigris river and sells it to the Abbasid Caliph, Harun al-Rashid, who has it broken open - only to discover inside it the dismembered body of a young woman. Harun then orders his vizier, Ja'far ibn Yahya, to solve the crime and find the murderer within three days. This whodunit mystery has also been considered a detective story, though it lacks a sleuth.[14][17]

The Count of Monte Cristo (1844) is a swashbuckling revenge thriller about a man named Edmond Dantès who is betrayed by his friends and sent to languish in the notorious Château d'If. His only companion is an old man who teaches him everything from philosophy to mathematics to swordplay. Just before the old man dies, he reveals to Dantès the secret location of a great treasure. Shortly after, Dantès engineers a daring escape and uses the treasure to reinvent himself as the Count of Monte Cristo. Thirsting for vengeance, he sets out to punish those who destroyed his life.

The first recognizable modern thriller was Erskine Childer’s The Riddle of the Sands (1903), in which two young Englishmen stumble upon a secret German armada preparing to invade their homeland.[18]

Fritz Lang's M is regarded as a groundbreaking psychological thriller, introducing innovative suspense-enhancing audiovisual techniques that have become standard and ubiquitous ever since.[19]

The Thirty-Nine Steps (1915) is an early thriller by John Buchan, in which an innocent man becomes the prime suspect in a murder case and finds himself on the run from both the police and enemy spies.

The Spy Who Came in from the Cold (1963) by John le Carré is set in the world of Cold War espionage and helped to usher in an era of thriller fiction based around professional spies and the battle of wits between rival spymasters.

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Epic poetry

Epic poetry

An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants.

Epic of Gilgamesh

Epic of Gilgamesh

The Epic of Gilgamesh is an epic poem from ancient Mesopotamia. The literary history of Gilgamesh begins with five Sumerian poems about Bilgamesh, king of Uruk, dating from the Third Dynasty of Ur. These independent stories were later used as source material for a combined epic in Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit, Shūtur eli sharrī. Only a few tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit Sha naqba īmuru. Approximately two-thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BC Assyrian king Ashurbanipal.

Odyssey

Odyssey

The Odyssey is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the Iliad, the poem is divided into 24 books. It follows the Greek hero Odysseus, king of Ithaca, and his journey home after the Trojan War. After the war, which lasted ten years, his journey lasted for ten additional years, during which time he encountered many perils and all his crewmates were killed. In his absence, Odysseus was assumed dead, and his wife Penelope and son Telemachus had to contend with a group of unruly suitors who were competing for Penelope's hand in marriage.

Crime fiction

Crime fiction

Crime fiction, detective story, murder mystery, mystery novel, and police novel are terms used to describe narratives that centre on criminal acts and especially on the investigation, either by an amateur or a professional detective, of a crime, often a murder. It is usually distinguished from mainstream fiction and other genres such as historical fiction or science fiction, but the boundaries are indistinct. Crime fiction has multiple subgenres, including detective fiction, courtroom drama, hard-boiled fiction, and legal thrillers. Most crime drama focuses on crime investigation and does not feature the courtroom. Suspense and mystery are key elements that are nearly ubiquitous to the genre.

Detective fiction

Detective fiction

Detective fiction is a subgenre of crime fiction and mystery fiction in which an investigator or a detective—whether professional, amateur or retired—investigates a crime, often murder. The detective genre began around the same time as speculative fiction and other genre fiction in the mid-nineteenth century and has remained extremely popular, particularly in novels. Some of the most famous heroes of detective fiction include C. Auguste Dupin, Sherlock Holmes, and Hercule Poirot. Juvenile stories featuring The Hardy Boys, Nancy Drew, and The Boxcar Children have also remained in print for several decades.

Chest (furniture)

Chest (furniture)

A chest is a form of furniture typically of a rectangular structure with four walls and a removable or hinged lid, used for storage, usually of personal items. The interior space may be subdivided.

Abbasid Caliphate

Abbasid Caliphate

The Abbasid Caliphate was the third caliphate to succeed the Islamic prophet Muhammad. It was founded by a dynasty descended from Muhammad's uncle, Abbas ibn Abd al-Muttalib, from whom the dynasty takes its name. They ruled as caliphs for most of the caliphate from their capital in Baghdad in modern-day Iraq, after having overthrown the Umayyad Caliphate in the Abbasid Revolution of 750 CE (132 AH). The Abbasid Caliphate first centered its government in Kufa, modern-day Iraq, but in 762 the caliph Al-Mansur founded the city of Baghdad, near the ancient Babylonian capital city of Babylon. Baghdad became the center of science, culture and invention in what became known as the Golden Age of Islam. This, in addition to housing several key academic institutions, including the House of Wisdom, as well as a multiethnic and multi-religious environment, garnered it a worldwide reputation as the "Center of Learning".

Harun al-Rashid

Harun al-Rashid

Abu Ja'far Harun ibn Muhammad al-Mahdi or Harun ibn al-Mahdi, famously known as Harun al-Rashid, was the fifth Abbasid caliph of the Abbasid Caliphate, reigning from September 786 until his death in March 809. His reign is traditionally regarded to be the beginning of the Islamic Golden Age. His epithet "al-Rashid" translates to "the Orthodox", "the Just", "the Upright", or "the Rightly-Guided".

Dismemberment

Dismemberment

Dismemberment is the act of cutting, ripping, tearing, pulling, wrenching or otherwise disconnecting the limbs from a living or dead being. It has been practiced upon human beings as a form of capital punishment, especially in connection with regicide, but can occur as a result of a traumatic accident, or in connection with murder, suicide, or cannibalism. As opposed to surgical amputation of the limbs, dismemberment is often fatal. In criminology, a distinction is made between offensive dismemberment, in which dismemberment is the primary objective of the dismemberer, and defensive dismemberment, in which the motivation is to destroy evidence.

Ja'far ibn Yahya

Ja'far ibn Yahya

Jaʽfar ibn Yahya Barmaki, Jafar al-Barmaki (767–803) also called Aba-Fadl, was a Persian vizier of the Abbasid caliph Harun al-Rashid, succeeding his father in that position. He was a member of the influential Barmakid family, formerly Buddhist leaders of the Nava Vihara monastery. He was executed in 803 at the orders of Harun al-Rashid.

Detective

Detective

A detective is an investigator, usually a member of a law enforcement agency. They often collect information to solve crimes by talking to witnesses and informants, collecting physical evidence, or searching records in databases. This leads them to arrest criminals and enable them to be convicted in court. A detective may work for the police or privately.

Château d'If

Château d'If

The Château d'If is a fortress located on the Île d'If, the smallest island in the Frioul archipelago, situated about 1.5 kilometres offshore from Marseille in southeastern France. Built in the 16th century, it later served as a prison until the end of the 19th century. The fortress was demilitarized and open to the public in 1890. It is famous for being one of the settings of Alexandre Dumas's adventure novel The Count of Monte Cristo.

Television

There have been at least two television series called simply Thriller, one made in the U.S. in the 1960s and one made in the UK in the 1970s. Although in no way linked, both series consisted of one-off dramas, each utilising the familiar motifs of the genre.

The Twilight Zone consists of suspenseful unrelated dramas depicting characters dealing with paranormal, futuristic, supernatural, or otherwise disturbing or unusual events. Characters who find themselves dealing with these strange, sometimes inexplicable happenings are said to have crossed over into "The Twilight Zone".[20] Each story typically features a moral and a surprise ending.[21]

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Motif (narrative)

Motif (narrative)

In narrative, a motif is a distinctive repeating feature or idea; often, it helps develop other narrative aspects such as theme or mood.

The Twilight Zone (1959 TV series)

The Twilight Zone (1959 TV series)

The Twilight Zone is an American science fiction horror anthology television series created and presented by Rod Serling, which ran for five seasons on CBS from October 2, 1959, to June 19, 1964. Each episode presents a stand-alone story in which characters find themselves dealing with often disturbing or unusual events, an experience described as entering "the Twilight Zone", often with a surprise ending and a moral. Although predominantly science-fiction, the show's paranormal and Kafkaesque events leaned the show towards fantasy and horror. The phrase "twilight zone", inspired by the series, is used to describe surreal experiences.

Anthology series

Anthology series

An anthology series is a radio, television, video game or film series that spans different genres and presents a different story and a different set of characters in each different episode, season, segment, or short. These usually have a different cast in each episode, but several series in the past, such as Four Star Playhouse, employed a permanent troupe of character actors who would appear in a different drama each week. Some anthology series, such as Studio One, began on radio and then expanded to television.

Paranormal

Paranormal

Paranormal events are purported phenomena described in popular culture, folk, and other non-scientific bodies of knowledge, whose existence within these contexts is described as being beyond the scope of normal scientific understanding. Notable paranormal beliefs include those that pertain to extrasensory perception, spiritualism and the pseudosciences of ghost hunting, cryptozoology, and ufology.

Futurism

Futurism

Futurism was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 Manifesto of Futurism, Boccioni's 1913 sculpture Unique Forms of Continuity in Space, Balla's 1913–1914 painting Abstract Speed + Sound, and Russolo's The Art of Noises (1913).

Supernatural

Supernatural

Supernatural refers to phenomena or entities that are beyond the laws of nature. The term is derived from Medieval Latin supernaturalis, from Latin super- + natura (nature) Though the corollary term "nature", has had multiple meanings since the ancient world, the term "supernatural" emerged in the Middle Ages and did not exist in the ancient world.

Moral

Moral

A moral is a message that is conveyed or a lesson to be learned from a story or event. The moral may be left to the hearer, reader, or viewer to determine for themselves, or may be explicitly encapsulated in a maxim. A moral is a lesson in a story or in real life.

Source: "Thriller (genre)", Wikipedia, Wikimedia Foundation, (2023, March 9th), https://en.wikipedia.org/wiki/Thriller_(genre).

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References
  1. ^ "Thriller and Suspense Films". www.filmsite.org.
  2. ^ "What's Mystery, Suspense & Thriller Genre?". Olivia.mn.us. Archived from the original on April 2, 2012. Retrieved June 27, 2010.
  3. ^ "Horror Films". www.filmsite.org.
  4. ^ Vladimir Nabokov (1981) Lectures on Russian Literature, lecture on Russian Writers, Censors, and Readers, p. 16
  5. ^ Patterson, James, ed. Thriller. Ontario, Canada: MIRA Books (2006) at p. iii. ISBN 0-7783-2299-8.
  6. ^ Ortony, Clore, and Collins 1988
  7. ^ "Ifcs.ufrj.br" (PDF). Archived from the original (PDF) on June 29, 2013. Retrieved May 20, 2014.
  8. ^ Hoeckner, B., Wyatt, E., Decety, J., Nusbaum, H. (2011). "Film music influences how viewers relate to movie characters". Psychology of Aesthetics, Creativity, and the Arts. 5 (2): 146–153. doi:10.1037/a0021544. S2CID 49478237.{{cite journal}}: CS1 maint: multiple names: authors list (link)
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  10. ^ "Thriller and Suspense Films". Filmsite.org. Retrieved November 13, 2011.
  11. ^ a b "A Study of Suspense: Film Narrative". Galyakay.com. Retrieved November 13, 2011.
  12. ^ "Thriller and Suspense Films". Filmsite.org. Retrieved June 22, 2010.
  13. ^ "A Study of Suspense: Strategies". Galyakay.com. Retrieved November 13, 2011.
  14. ^ a b Marzolph, Ulrich (2006). The Arabian Nights Reader. Wayne State University Press. pp. 240–2. ISBN 0-8143-3259-5.
  15. ^ Pinault, David (1992). Story-Telling Techniques in the Arabian Nights. Brill Publishers. pp. 93, 95, 97. ISBN 90-04-09530-6.
  16. ^ Pinault, pages 91 & 93.
  17. ^ Pinault, pages 86–91.
  18. ^ Follett, Ken (2016). "The Art of Suspense". Ken Follett. Retrieved June 29, 2019.
  19. ^ "M | film by Lang [1931] | Britannica". www.britannica.com. Retrieved May 24, 2022.
  20. ^ "The Twilight Zone [TV Series] [1959-1964]". Allmovie. Retrieved November 19, 2012.
  21. ^ Stanyard, Stewart T. (2007). Dimensions Behind the Twilight Zone : A Backstage Tribute to Television's Groundbreaking Series ([Online-Ausg.] ed.). Toronto: ECW press. p. 18. ISBN 978-1550227444.
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