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The Hunger (1983 film)

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The Hunger
The Hunger film poster.jpg
Theatrical release poster
Directed byTony Scott
Screenplay by
  • Ivan Davis
  • Michael Thomas
Based onThe Hunger
by Whitley Strieber
Produced byRichard Shepherd
Starring
CinematographyStephen Goldblatt
Edited by
Music by
Production
company
Distributed byMGM/UA Entertainment Co.
Release date
  • 29 April 1983 (1983-04-29) (United States)
Running time
97 minutes
Countries
  • United Kingdom
  • United States
LanguageEnglish
Box office$10.2 million

The Hunger is a 1983 erotic horror film directed by Tony Scott, starring Catherine Deneuve, David Bowie, and Susan Sarandon. An international co-production of the United Kingdom and United States, the film is a loose adaptation of the 1981 novel of the same name by Whitley Strieber, with a screenplay by Ivan Davis and Michael Thomas. Its plot concerns a love triangle between a doctor who specializes in sleep and aging research (Sarandon) and a vampire couple (Deneuve and Bowie). The film's special effects were handled by make-up effects artist Dick Smith.[1]

After premiering at the 1983 Cannes Film Festival,[2] The Hunger was released in the spring of 1983 by Metro-Goldwyn-Mayer. Though it received a mixed critical response, the film has accrued a cult following within the goth subculture in the years since its release.[3]

Discover more about The Hunger (1983 film) related topics

Erotic art

Erotic art

Erotic art is a broad field of the visual arts that includes any artistic work intended to evoke erotic arousal. It usually depicts human nudity or sexual activity, and has included works in various visual mediums, including drawings, engravings, films, paintings, photographs, and sculptures. Some of the earliest known works of art include erotic themes, which have recurred with varying prominence in different societies throughout history. However, it has also been widely considered taboo, with either social norms or laws restricting its creation, distribution, and possession. This is particularly the case when it is deemed pornographic, immoral, or obscene.

Horror film

Horror film

Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes.

Catherine Deneuve

Catherine Deneuve

Catherine Fabienne Dorléac, known professionally as Catherine Deneuve, is a French actress as well as an occasional singer, model, and producer, considered one of the greatest European actresses. She gained recognition for her portrayal of icy, aloof, and mysterious beauties for various directors, including Jacques Demy, Luis Buñuel, François Truffaut, and Roman Polanski. In 1985, she succeeded Mireille Mathieu as the official face of Marianne, France's national symbol of liberty. A 14-time César Award nominee, she won for her performances in Truffaut's The Last Metro (1980), for which she also won the David di Donatello for Best Foreign Actress, and Régis Wargnier's Indochine (1992).

David Bowie

David Bowie

David Robert Jones, known professionally as David Bowie, was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music.

Susan Sarandon

Susan Sarandon

Susan Abigail Sarandon is an American actor and activist. She is the recipient of various accolades, including an Academy Award, a British Academy Film Award, and a Screen Actors Guild Award, in addition to nominations for a Daytime Emmy Award, six Primetime Emmy Awards, and nine Golden Globe Awards. In 2002, she was honored with a star on the Hollywood Walk of Fame for her contributions to the film industry.

The Hunger (Strieber novel)

The Hunger (Strieber novel)

The Hunger (1981) is a novel by Whitley Strieber. The plot involves a beautiful and wealthy vampire named Miriam Blaylock who takes human lovers and transforms them into vampire-human hybrids.

Love triangle

Love triangle

A love triangle or eternal triangle is a scenario or circumstance, usually depicted as a rivalry, in which two people are pursuing or involved in a romantic relationship with one person, or in which one person in a romantic relationship with someone is simultaneously pursuing or involved in a romantic relationship with someone else. A love triangle typically is not conceived of as a situation in which one person loves a second person, who loves a third person, who loves the first person, or variations thereof.

Dick Smith (make-up artist)

Dick Smith (make-up artist)

Richard Emerson Smith was an American special make-up effects artist and author, known for his work on such films as Little Big Man, The Godfather, The Exorcist, Taxi Driver, Scanners and Death Becomes Her. He won a 1985 Academy Award for Best Makeup for his work on Amadeus and received a 2012 Academy Honorary Award for his career's work.

1983 Cannes Film Festival

1983 Cannes Film Festival

The 36th Cannes Film Festival was held from 7 to 19 May 1983. The Palme d'Or went to the Narayama Bushiko by Shōhei Imamura.

Metro-Goldwyn-Mayer

Metro-Goldwyn-Mayer

Metro-Goldwyn-Mayer Studios, Inc., also known as Metro-Goldwyn-Mayer Pictures and abbreviated as MGM, is an American film, television production, distribution and media company owned by Amazon through MGM Holdings, founded on April 17, 1924, and based in Beverly Hills, California.

Cult following

Cult following

A cult following refers to a group of fans who are highly dedicated to some person, idea, object, movement, or work, often an artist, in particular a performing artist, or an artwork in some medium. The lattermost is often called a cult classic. A film, book, musical artist, television series, or video game, among other things, is said to have a cult following when it has a small but very passionate fanbase.

Goth subculture

Goth subculture

Goth is a music-based subculture that began in the United Kingdom during the early 1980s. It was developed by fans of Gothic rock, an offshoot of the post-punk music genre. The name Goth was derived directly from the genre. Notable post-punk artists who presaged the gothic rock genre and helped develop and shape the subculture include: Siouxsie and the Banshees, Bauhaus, the Cure, and Joy Division.

Plot

Miriam Blaylock is a vampire, seen in flashbacks drinking from victims in Ancient Egypt, promising specially chosen humans eternal life as her vampire lovers. Her current companion is John, a talented cellist whom she met in 18th-century France. In a nightclub in New York City, they connect with a young couple whom they bring home and feed upon by slashing their throats with bladed ankh pendants. The victims' bodies are disposed of in an incinerator in the basement of Miriam and John's elegant New York townhouse, where they pose as a wealthy couple who teach classical music.

Now, 200 years after he was turned, John begins suffering insomnia and ages years in only a few days. John realizes Miriam's promise, that periodically killing and feeding upon human victims would give him immortality, was only partially true; he will have eternal life, but not eternal youth. He seeks Dr. Sarah Roberts, a research gerontologist who, with her colleagues Charlie and Tom (also Sarah's boyfriend), are studying the effects of rapid aging in primates, hoping she can reverse his accelerating decrepitude. Sarah assumes that John is a hypochondriac or mentally unbalanced and ignores his pleas for help. As the angered John leaves the clinic, Sarah is horrified to see how rapidly he is aging and offers her help, but John rebuffs her.

One of the Blaylocks' students, Alice Cavender, drops by their townhouse to say that she cannot attend the next day's lesson. In a last attempt to regain his youth, John murders and feeds upon Alice, whom Miriam was grooming to be her next consort when she came of age. However, her blood does nothing to restore him, so John begs Miriam to kill him and release him from the agony of his decrepit body. Weeping, Miriam tells him there is no release. After John collapses in the basement, Miriam carries him into the attic, which is filled with coffins and places him in one. Like John, Miriam's former vampire lovers suffer an eternal living death, helplessly moaning and trapped in their coffins. Sarah comes looking for John at his home, and Miriam claims that her husband is in Switzerland. Sarah asks to be updated on John's condition. Later, a police official comes to the residence, looking for the missing Alice. Miriam feigns ignorance.

Sarah returns to Miriam's home to again inquire about John. Miriam, who feels alone after losing both John and Alice, initiates a sexual encounter with Sarah, during which Miriam bites her arm and some of Miriam's blood enters Sarah's body. Miriam attempts to initiate Sarah in the necessities of life as a vampire, but Sarah is repulsed by the thought of subsisting on human blood.

Sarah returns home and goes out to dinner with Tom, who becomes argumentative when she rejects food and is not forthcoming about her three-and-a half-hour disappearance to the Blaylock residence. The next day at the lab, the team investigates Sarah's blood and reveal she has some kind of infection, in the form of a foreign and inhuman type of blood, that is taking over her own. Confused, Sarah returns to confront Miriam. Still reeling from the effects of her vampiric transformation, Sarah allows Miriam to put her to bed in a guest room.

Tom arrives at Miriam's home, looking for Sarah. Miriam shows him to the upstairs bedroom, where Sarah, starving and desperate, kills him. Miriam assures her that she will soon forget what she was. As the two kiss, Sarah drives Miriam's ankh knife into her own throat and holds her mouth over Miriam's, forcing Miriam to ingest her blood. Miriam carries Sarah upstairs, intending to place her with her other boxed lovers. A rumbling occurs and the mummies of Miriam's previous lovers, including John, emerge from their coffins, driving her over the edge of the balcony. As she rapidly ages, the mummies become dust.

The police investigator returns to find a real estate agent showing the townhouse to prospective buyers. Sarah is now in London with two new companions, standing on the balcony of a flat in the Barbican Estate's Cromwell Tower, admiring the view as dusk falls. From a draped coffin in a storage room, Miriam continually cries Sarah's name.

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Cast

Willem Dafoe and John Pankow have brief appearances as two youths harassing Sarah at a phone booth. John Stephen Hill and Ann Magnuson play a wild young couple whom Miriam and John pick up at a nightclub to consume at the start of the film. James Aubrey plays a man whom Miriam brings to Sarah as her potential first victim.

English gothic rock band Bauhaus appear during the film's opening credits as a group performing at the nightclub, with Peter Murphy onscreen, where they play their single "Bela Lugosi's Dead." Silent film star Bessie Love makes her final film appearance as an elderly fan at Sarah's book signing.

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Catherine Deneuve

Catherine Deneuve

Catherine Fabienne Dorléac, known professionally as Catherine Deneuve, is a French actress as well as an occasional singer, model, and producer, considered one of the greatest European actresses. She gained recognition for her portrayal of icy, aloof, and mysterious beauties for various directors, including Jacques Demy, Luis Buñuel, François Truffaut, and Roman Polanski. In 1985, she succeeded Mireille Mathieu as the official face of Marianne, France's national symbol of liberty. A 14-time César Award nominee, she won for her performances in Truffaut's The Last Metro (1980), for which she also won the David di Donatello for Best Foreign Actress, and Régis Wargnier's Indochine (1992).

David Bowie

David Bowie

David Robert Jones, known professionally as David Bowie, was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music.

Dan Hedaya

Dan Hedaya

Daniel G. Hedaya is an American actor. He established himself as a supporting actor, often playing sleazy villains or wisecracking supporting characters. He has had supporting roles in films such as True Confessions (1981), The Adventures of Buckaroo Banzai Across the 8th Dimension, Tightrope, Blood Simple, Commando (1985), Wise Guys (1986), Joe Versus the Volcano (1990), The Addams Family (1991), Rookie of the Year (1993), Boiling Point (1993), Clueless (1995), The First Wives Club, Daylight, Marvin's Room, Alien Resurrection (1997), A Civil Action, A Night at the Roxbury, The Hurricane, Dick, Shaft, The Crew, Swimfan (2002), Robots, and Strangers with Candy.

Beth Ehlers

Beth Ehlers

Beth Ehlers is an American actress. She is known for playing Harley Cooper, between 1987 and 2008, on CBS's daytime drama Guiding Light.

John Pankow

John Pankow

John Pankow is an American actor. He began his career on-stage in New York, in numerous Off-Broadway and Broadway plays including Peter Shaffer's Amadeus, John Patrick Shanley's Italian American Reconciliation, and Brian Friel's Aristocrats. After a starring role in William Friedkin's To Live and Die in L.A., he began appearing regularly in film and on television, playing Ira Buchman for all eight seasons of Mad About You and later Merc Lapidus on Episodes.

John Stephen Hill

John Stephen Hill

John Stephen Hill, who worked as Stephen Hill, is a Canadian actor and playwright. He returned to the theatre after three decades, as a playwright under the name, Steve Hill.

Ann Magnuson

Ann Magnuson

Ann Magnuson is an American actress, performance artist, and nightclub performer. She was described by The New York Times in 1990 as "An endearing theatrical chameleon who has as many characters at her fingertips as Lily Tomlin does".

James Aubrey (actor)

James Aubrey (actor)

James Aubrey Tregidgo, known professionally as James Aubrey, was an English stage and screen actor. He trained for the stage at the Drama Centre London, some years after making his professional acting debut in a production of Isle of Children (1962) and his screen acting debut in the film adaptation of Lord of the Flies (1963). He later performed with the Royal Shakespeare Company.

Gothic rock

Gothic rock

Gothic rock is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure.

Bauhaus (band)

Bauhaus (band)

Bauhaus are an English rock band formed in Northampton in 1978. Known for their dark image and gloomy sound, Bauhaus are one of the pioneers of gothic rock, although they mixed many genres, including dub, glam rock, psychedelia, and funk. The group consists of Daniel Ash, Peter Murphy, Kevin Haskins (drums) and David J (bass).

Bela Lugosi's Dead

Bela Lugosi's Dead

"Bela Lugosi's Dead" is a song by the English post-punk band Bauhaus. It was the band's first single, released on 6 August 1979 by record label Small Wonder. It is often considered the first gothic rock record.

Bessie Love

Bessie Love

Bessie Love was an American-British actress who achieved prominence playing innocent, young girls and wholesome leading ladies in silent and early sound films. Her acting career spanned nearly seven decades—from silent film to sound film, including theatre, radio, and television—and her performance in The Broadway Melody (1929) earned her a nomination for the Academy Award for Best Actress.

Production

The final scene of Sarah on the balcony was added at the studio's behest, with a view to leaving the film open-ended and allowing for possible sequels.[4] Sarandon later expressed regret that this sequence seemed to make no sense in the context of the rest of the film: "The thing that made the film interesting to me was this question of, 'Would you want to live forever if you were an addict?' But as the film progressed, the powers that be rewrote the ending and decided that I wouldn't die, so what was the point? All the rules that we'd spent the entire film delineating, that Miriam lived forever and was indestructible, and all the people that she transformed [eventually] died, and that I killed myself rather than be an addict [were ignored]. Suddenly I was kind of living, she was kind of half dying... Nobody knew what was going on, and I thought that was a shame."[5]

Bowie was excited to work on the film but was concerned about the final product. He said "I must say, there's nothing that looks like it on the market. But I'm a bit worried that it's just perversely bloody at some points."[6]

Music

Howard Blake was musical director on The Hunger. Although a soundtrack album accompanied the film's release (Varèse Sarabande VSD 47261), this issue omits much of the music used in the film.

Blake's noted on working with director Tony Scott, "Tony wanted to create a score largely using classical music and I researched this, many days going to his home in Wimbledon with stacks of recordings to play to him. One of these was the duet for two sopranos from Delibes' Lakmé, which I recorded specially with Elaine Barry and Judith Rees, conducting my orchestra The Sinfonia of London. Howard Shelley joined with Ralph Holmes and Raphael Wallfisch to record the second movement of Schubert's Piano Trio in E flat. Ralph recorded the Gigue from Bach's Violin Partita in E and Raphael the Prelude to Bach's solo cello sonata in G, to which Bowie mimed. I was persuaded to appear in one scene as a pianist, for which I wrote a 'Dolphin Square Blues'. Tony wanted to add a synthesizer score and I introduced him to Hans Zimmer, then working at The Snake Ranch Studio in Fulham but Tony eventually used a score by Michel Rubini and Denny Jaeger with electronics by David Lawson. It is hard however to exactly separate these elements."[7]

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Howard Blake

Howard Blake

Howard David Blake is an English composer, conductor, and pianist whose career has spanned more than 50 years and produced more than 650 works. Blake's most successful work is his soundtrack for Channel 4’s 1982 film The Snowman, which includes the song "Walking in the Air". He is increasingly recognised for his classical works including concertos, oratorios, ballets, operas and many instrumental pieces.

Varèse Sarabande

Varèse Sarabande

Varèse Sarabande is an American record label, owned by Concord Music Group and distributed by Universal Music Group, which specializes in film scores and original cast recordings. It aims to reissue rare or unavailable albums, as well as newer releases by artists no longer under a contract. The label's name was derived from combining French-born composer Edgard Varèse's last name with the musical term sarabande, a slow Spanish dance.

Flower Duet

Flower Duet

The "Flower Duet" is a duet for soprano and mezzo-soprano in the first act of Léo Delibes' opera Lakmé, premiered in Paris in 1883. It is sung by the characters Lakmé, daughter of a Brahmin priest, and her servant Mallika, as they go to gather flowers by a river.

Lakmé

Lakmé

Lakmé is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille.

Piano Trio No. 2 (Schubert)

Piano Trio No. 2 (Schubert)

The Piano Trio No. 2 in E-flat major for piano, violin, and cello, D. 929, was one of the last compositions completed by Franz Schubert, dated November 1827. It was published by Probst as Opus 100 in late 1828, shortly before the composer's death and first performed at a private party in January 1828 to celebrate the engagement of Schubert's school-friend Josef von Spaun. The Trio was among the few of his late compositions Schubert heard performed before his death. It was given its first private performance by Carl Maria von Bocklet on the piano, Ignaz Schuppanzigh playing the violin, and Josef Linke playing cello.

Release

The Hunger was nominated for two Saturn Awards for Best Costume and Best Make-up, while receiving mixed reviews upon its release, with criticism given towards its pacing and plot, while being heavy on atmosphere and visuals. Roger Ebert of the Chicago Sun-Times described the film as "an agonizingly bad vampire movie," remarking that the sex scene between Deneuve and Sarandon is effective, but that the film is so heavy on set design and scene cuts that any sense of a story is lost.[8] In a brief review in Rolling Stone, Michael Sragow similarly called it "A minor horror movie with a major modern-movie problem: director Tony Scott develops so many ingenious ways to illustrate his premise that there's no time left to tell a story."[9]

Christopher John reviewed The Hunger in Ares Magazine #15 and commented that "Beautifully filmed, but boringly void of substance, The Hunger is (was) a film to be avoided like the plague."[10]

Camille Paglia wrote in Sexual Personae (1990) that while The Hunger comes close to being a masterpiece of a "classy genre of vampire film", it is "ruined by horrendous errors, as when the regal Catherine Deneuve is made to crawl around on all fours, slavering over cut throats", which Paglia considered an inappropriate focus on violence rather than sex.[11] Critic Elaine Showalter called The Hunger a "post-modernist vampire film" that "casts vampirism in bisexual terms, drawing on the tradition of the lesbian vampire...Contemporary and stylish, [it] is also disquieting in its suggestion that men and women in the 1980s have the same desires, the same appetites, and the same needs for power, money, and sex."[12] David Bowie later commented about the film that "the first twenty minutes rattle along like hell - it really is a great opening."[13]

On the review aggregator website Rotten Tomatoes, The Hunger holds a 56% approval rating based on 36 reviews, with an average rating of 5.7/10. The consensus reads: "Stylish yet hollow, The Hunger is a well-cast vampire thriller that mistakes erotic moments for a satisfying story."

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Saturn Award for Best Make-up

Saturn Award for Best Make-up

The Saturn Award for Best Make-up is one of the annual awards given by the Academy of Science Fiction, Fantasy and Horror Films. The Saturn Awards, which are the oldest film-specialized awards to reward science fiction, fantasy, and horror achievements, included the category for the first time at the 2nd Saturn Awards for the 1973 film year, eight years before the introduction of the Academy Award for Best Makeup; the winner was An American Werewolf in London (1981).

Roger Ebert

Roger Ebert

Roger Joseph Ebert was an American film critic, film historian, journalist, screenwriter, and author. He was a film critic for the Chicago Sun-Times from 1967 until his death in 2013. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. Neil Steinberg of the Chicago Sun-Times said Ebert "was without question the nation's most prominent and influential film critic," and Kenneth Turan of the Los Angeles Times called him "the best-known film critic in America."

Chicago Sun-Times

Chicago Sun-Times

The Chicago Sun-Times is a daily newspaper published in Chicago, Illinois, United States. Since 2022, it is the flagship paper of Chicago Public Media, and has the second largest circulation among Chicago newspapers, after the Chicago Tribune. The modern paper grew out of the 1948 merger of the Chicago Sun and the Chicago Daily Times. Journalists at the paper have received eight Pulitzer prizes, mostly in the 1970s; one recipient was film critic Roger Ebert (1975), who worked at the paper from 1967 until his death in 2013. Long owned by the Marshall Field family, since the 1980s ownership of the paper has changed hands numerous times, including twice in the late 2010s.

Rolling Stone

Rolling Stone

Rolling Stone is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics.

Michael Sragow

Michael Sragow

Michael Sragow is a film critic and columnist who has written for the Orange County Register, The Baltimore Sun, Film Comment, The San Francisco Examiner, The New Times, The New Yorker, The Atlantic and Salon. Sragow also edited James Agee's film essays, and has written or contributed to several other cinema-related books.

Ares (magazine)

Ares (magazine)

Ares was an American science fiction wargame magazine published by Simulations Publications, Inc. (SPI), and then TSR, Inc., between 1980 and 1984. In addition to the articles, each issue contained a wargame, complete with a foldout stiff paper map, a set of cardboard counters, and the rules.

Camille Paglia

Camille Paglia

Camille Anna Paglia is an American feminist academic and social critic. Paglia has been a professor at the University of the Arts in Philadelphia, Pennsylvania, since 1984. She is critical of many aspects of modern culture and is the author of Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990) and other books. She is also a critic of contemporary American feminism and of post-structuralism, as well as a commentator on multiple aspects of American culture such as its visual art, music, and film history.

Sexual Personae

Sexual Personae

Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson is a 1990 work about sexual decadence in Western literature and the visual arts by scholar Camille Paglia, in which she addresses major artists and writers such as Donatello, Sandro Botticelli, Leonardo da Vinci, Edmund Spenser, William Shakespeare, Johann Wolfgang von Goethe, Samuel Taylor Coleridge, Lord Byron, Emily Brontë, and Oscar Wilde. Following Friedrich Nietzsche, Paglia argues that the primary conflict in Western culture is between the binary forces of the Apollonian and Dionysian, Apollo being associated with order and symmetry, and Dionysus with chaos, disorder, and nature. The book became a bestseller, received critical reviews from numerous feminist scholars, and was praised by numerous literary critics.

Vampire film

Vampire film

Vampire films have been a staple in world cinema since the era of silent films, so much so that the depiction of vampires in popular culture is strongly based upon their depiction in films throughout the years. The most popular cinematic adaptation of vampire fiction has been from Bram Stoker's 1897 novel Dracula, with over 170 versions to date. Running a distant second are adaptations of the 1872 novel Carmilla by Sheridan Le Fanu. By 2005, the Dracula character had been the subject of more films than any other fictional character except Sherlock Holmes.

Elaine Showalter

Elaine Showalter

Elaine Showalter is an American literary critic, feminist, and writer on cultural and social issues. She influenced feminist literary criticism in the United States academia, developing the concept and practice of gynocritics, a term describing the study of "women as writers".

Review aggregator

Review aggregator

A review aggregator is a system that collects reviews and ratings of products and services. This system stores the reviews and uses them for purposes such as supporting a website where users can view the reviews, selling information to third parties about consumer tendencies, and creating databases for companies to learn about their actual and potential customers. The system enables users to easily compare many different reviews of the same work. Many of these systems calculate an approximate average assessment, usually based on assigning a numeric value to each review related to its degree of positive rating of the work.

Rotten Tomatoes

Rotten Tomatoes

Rotten Tomatoes is an American review-aggregation website for film and television. The company was launched in August 1998 by three undergraduate students at the University of California, Berkeley: Senh Duong, Patrick Y. Lee, and Stephen Wang. Although the name "Rotten Tomatoes" connects to the practice of audiences throwing rotten tomatoes in disapproval of a poor stage performance, the original inspiration comes from a scene featuring tomatoes in the Canadian film Léolo (1992).

Legacy

“Hollywood just hated that movie. They called it, “Esoteric, artsy-fartsy“ - Tony Scott[14]

The film has been listed as a cult film.[15][16] Later reviews have called the film "outrageously sleek"[17] and "a cinematic work of art that has stood the test of time" that deserves "a new look."[18] The film is popular with some segments of the Goth subculture and inspired a short-lived TV series of the same name, although the series has no direct plot or character connection to it.

The film has been cited by publisher Fred Berger as an influence on the creation and direction of his gothic subculture zine Propaganda, and by showrunner Bryan Fuller on his television series Hannibal.[19]

Remake

On 23 September 2009, Warner Bros. announced it planned a remake of the film,[20] with the screenplay written by Whitley Strieber.[21] Warner Bros, after years of silence, shared news about the remake in 2021 with a new screenplay by Jessica Sharzer and it being produced by Greg Berlanti, Sarah Schechter and Mike McGrath.[22]

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List of cult films: H

List of cult films: H

This is a list of cult films organized alphabetically by name. See List of cult films for main list.

Goth subculture

Goth subculture

Goth is a music-based subculture that began in the United Kingdom during the early 1980s. It was developed by fans of Gothic rock, an offshoot of the post-punk music genre. The name Goth was derived directly from the genre. Notable post-punk artists who presaged the gothic rock genre and helped develop and shape the subculture include: Siouxsie and the Banshees, Bauhaus, the Cure, and Joy Division.

The Hunger (TV series)

The Hunger (TV series)

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian premium television channel The Movie Network. It was created by Jeff Fazio.

Propaganda (magazine)

Propaganda (magazine)

Propaganda was an American gothic subculture magazine. It was founded in 1982 by Fred H. Berger, a photographer from New York City. Berger's photography was featured prominently in the magazine. Propaganda focused on all aspects of the goth culture, including fashion, sexuality, music, art and literature. Propaganda was, at the time of its final issue in 2002, the longest running and most popular gothic subculture magazine in the United States.

Bryan Fuller

Bryan Fuller

Bryan Fuller is an American television writer and producer who has created a number of television series, including Dead Like Me, Wonderfalls, Pushing Daisies, Hannibal, and American Gods. Fuller worked as writer and executive producer on the Star Trek television series Voyager and Deep Space Nine; he is also the co-creator of Star Trek: Discovery.

Hannibal (TV series)

Hannibal (TV series)

Hannibal is an American psychological horror-thriller television series developed by Bryan Fuller for NBC. The series is based on characters and elements appearing in Thomas Harris' novels Red Dragon (1981), Hannibal (1999), and Hannibal Rising (2006) and focuses on the relationship between FBI special investigator Will Graham and Dr. Hannibal Lecter, a forensic psychiatrist destined to become Graham's most cunning enemy and at the same time, the only person who can understand him.

Warner Bros.

Warner Bros.

Warner Bros. Entertainment Inc. is an American film and entertainment studio headquartered at the Warner Bros. Studios complex in Burbank, California, and a subsidiary of Warner Bros. Discovery. Founded in 1923 by four brothers, Harry, Albert, Sam, and Jack Warner, the company established itself as a leader in the American film industry before diversifying into animation, television, and video games, and is one of the "Big Five" major American film studios, as well as a member of the Motion Picture Association (MPA).

Film remake

Film remake

A film remake is a film based on a previous production.

Whitley Strieber

Whitley Strieber

Louis Whitley Strieber is an American writer best known for his horror novels The Wolfen and The Hunger and for Communion, a non-fiction account of his alleged experiences with non-human entities. He has maintained a dual career of author of fiction and advocate of paranormal concepts through his best-selling non-fiction books, his Unknown Country web site, and his podcast, Dreamland.

Jessica Sharzer

Jessica Sharzer

Jessica Sharzer is an American screenwriter, director, producer, and editor.

Greg Berlanti

Greg Berlanti

Gregory Berlanti is an American screenwriter, producer and director of film and television. He is known for his work on the television series Dawson's Creek, Brothers & Sisters, Everwood, Political Animals, Riverdale, Chilling Adventures of Sabrina and You, in addition to his contributions to DC Comics on film and television productions, including The CW's Arrowverse, Titans, and the Doom Patrol. In 2000, Berlanti founded the production company Berlanti Productions.

Sarah Schechter (producer)

Sarah Schechter (producer)

Sarah Schechter is an American television and film producer. Schechter is the chairperson and partner at Berlanti Productions, and the co-founder of Berlanti-Schechter Films.

Source: "The Hunger (1983 film)", Wikipedia, Wikimedia Foundation, (2023, March 4th), https://en.wikipedia.org/wiki/The_Hunger_(1983_film).

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See also
References
  1. ^ Morgan, David (31 July 2014). "Movie makeup master Dick Smith 1922-2014". CBS News. Retrieved 26 June 2020.
  2. ^ "Festival de Cannes: The Hunger". Cannes Film Festival. Retrieved 21 June 2009.
  3. ^ Roberts, Chris (23 October 2017). "The true story behind David Bowie's gothic horror movie The Hunger". Classic Rock Magazine. Retrieved 13 January 2020.
  4. ^ Tony Scott, DVD audio commentary, 2004, Warner Bros.
  5. ^ Susan Sarandon, DVD audio commentary, 2004, Warner Bros.
  6. ^ Loder, Kurt (12 May 1983). "Straight Time". Rolling Stone magazine. No. 395. pp. 22–28, 81.
  7. ^ Blake, Howard (2006). "The Hunger op.314 (October 1982)". howardblake.com. Retrieved 13 August 2012.
  8. ^ Ebert, Roger (3 May 1983). "The Hunger". rogerebert.com. Retrieved 16 February 2015.
  9. ^ Sragow, Michael (9 June 1983). "The Hunger". Rolling Stone. No. 397. p. 52.
  10. ^ John, Christopher (Fall 1983). "Film". Ares Magazine (15): 14.
  11. ^ Paglia, Camille (1990). Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. Yale University Press. p. 268. ISBN 978-0-300-04396-9.
  12. ^ Showalter, Elaine (1995). Sexual Anarchy: Gender and Culture at the Fin de Siècle. Virago Press. p. 184.
  13. ^ The quote continues; "It loses its way about there, but it's still an interesting movie." David Bowie: The Last Interview: and Other Conversations, By David Bowie
  14. ^ https://www.cinemablend.com/new/Interview-Tony-Scott-13537.html
  15. ^ p177 The Cult Film Experience: Beyond All Reason edited by J. P. Telotte
  16. ^ Kim, Kristen Yoonsoo (17 October 2019). "7 of the most fashionable cult horror films".
  17. ^ "The Hunger". Film at Lincoln Center.
  18. ^ "A New Look at the Late Tony Scott's Cult Classic, 'The Hunger'". Studio City, CA Patch. 2 September 2012.
  19. ^ Garner, Bianca (1 June 2018). "Sink Your Teeth Into This: Revisiting The Hunger (1983)". filmotomy. Retrieved 13 January 2020.
  20. ^ Barton, Steve (23 September 2009). "The Hunger Remake Coming From Warner Bros". DreadCentral.com. Retrieved 9 May 2015.
  21. ^ Fernandez, Jay A. (20 September 2009). "Gersh Agency books Whitley Strieber". The Hollywood Reporter. Retrieved 9 May 2015.
  22. ^ Fleming, Mike Jr. (18 May 2021). "Warner Bros Sets 'The Hunger' Remake With Director Angela Robinson & Scribe Jessica Sharzer". Deadline Hollywood. Retrieved 18 May 2021.
External links

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