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Tales to Astonish

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Tales to Astonish
Tales astonish 001.jpg
Cover of Tales to Astonish No. 1 (January 1959)
Art by Jack Kirby and Chris Rule
Publication information
PublisherMarvel Comics
ScheduleMonthly
FormatOngoing
Publication date(vol. 1)
January 1959 – March 1968
(becomes The Incredible Hulk vol. 2)
(vol. 2)
December 1979 – January 1981
No. of issues(vol. 1): 101
(vol. 2): 14
Main character(s)Ant-Man / Giant-Man & Wasp
Hulk
Sub-Mariner
Creative team
Written by(vol. 1)
Ernie Hart
Al Hartley
Leon Lazarus
Stan Lee
Larry Lieber
(vol. 2)
Roy Thomas
Penciller(s)(vol. 1)
Dick Ayers
Carl Burgos
Gene Colan
Steve Ditko
Bill Everett
Don Heck
Jack Kirby
Larry Lieber
Bob Powell
Paul Reinman
(vol. 2)
John Buscema
Inker(s)(vol. 1)
George Roussos
(vol. 2)
Frank Giacoia

Tales to Astonish is the name of two American comic book series, and a one-shot comic, all published by Marvel Comics.

The primary title bearing that name was published from January 1959 to March 1968. It began as a science-fiction anthology that served as a showcase for such artists as Jack Kirby and Steve Ditko, then featured superheroes during the period fans and historians call the Silver Age of Comic Books. It became The Incredible Hulk with issue No. 102 (April 1968). Its sister title was Tales of Suspense.

A second Marvel comic bearing the name, reprinting stories of the undersea ruler the Sub-Mariner, ran 14 issues from December 1979 to January 1981. A superhero one-shot followed in 1994.

Reported circulation[1]
Year Circulation
1960 163,156
1961 184,895
1962 139,167
1963 189,390
1964 207,365
1965 224,346
1966 256,145
1967 269,132

Discover more about Tales to Astonish related topics

Comic book

Comic book

A comic book, also called comicbook, comic magazine or simply comic, is a publication that consists of comics art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by descriptive prose and written narrative, usually, dialogue contained in word balloons emblematic of the comics art form.

One-shot (comics)

One-shot (comics)

In comics, a one-shot is a work composed of a single standalone issue or chapter, contrasting a limited series or ongoing series, which are composed of multiple issues or chapters. One-shots date back to the early 19th century, published in newspapers, and today may be in the form of single published comic books, parts of comic magazines/anthologies or published online in websites. In the marketing industry, some one-shots are used as promotion tools that tie in with existing productions, movies, video games or television shows.

Marvel Comics

Marvel Comics

Marvel Comics is an American comic book publisher and the flagship property of Marvel Entertainment, a division of The Walt Disney Company since September 1, 2009. Evolving from Timely Comics in 1939, Magazine Management/Atlas Comics in 1951 and its predecessor, Marvel Mystery Comics, the Marvel Comics title/name/brand was first used in June 1961.

Jack Kirby

Jack Kirby

Jack Kirby was an American comic book artist, writer and editor, widely regarded as one of the medium's major innovators and one of its most prolific and influential creators. He grew up in New York City and learned to draw cartoon figures by tracing characters from comic strips and editorial cartoons. He entered the nascent comics industry in the 1930s, drawing various comics features under different pen names, including Jack Curtiss, before ultimately settling on Jack Kirby. In 1940, he and writer-editor Joe Simon created the highly successful superhero character Captain America for Timely Comics, predecessor of Marvel Comics. During the 1940s, Kirby regularly teamed with Simon, creating numerous characters for that company and for National Comics Publications, later to become DC Comics.

Steve Ditko

Steve Ditko

Stephen John Ditko was an American comics artist and writer best known for being co-creator of Marvel superhero Spider-Man and creator of Doctor Strange. He also made notable contributions to the character of Iron Man with the character's iconic red and yellow design being revolutionized by Ditko.

Superhero

Superhero

A superhero or superheroine is a stock character that typically possesses superpowers, abilities beyond those of ordinary people, and fits the role of the hero, typically using his or her powers to help the world become a better place, or dedicating themselves to protecting the public and fighting crime. Superhero fiction is the genre of fiction that is centered on such characters, especially, since the 1930s, in American comic books, as well as in Japanese media.

Silver Age of Comic Books

Silver Age of Comic Books

The Silver Age of Comic Books was a period of artistic advancement and widespread commercial success in mainstream American comic books, predominantly those featuring the superhero archetype. Following the Golden Age of Comic Books and an interregnum in the early to mid-1950s, the Silver Age is considered to cover the period from 1956 to 1970, and was succeeded by the Bronze Age.

The Incredible Hulk (comic book)

The Incredible Hulk (comic book)

The Incredible Hulk is an ongoing comic book series featuring the Marvel Comics superhero the Hulk and his alter ego Dr. Bruce Banner. First published in May 1962, the series ran for six issues before it was cancelled in March 1963, and the Hulk character began appearing in Tales to Astonish. With issue #102, Tales to Astonish was renamed to The Incredible Hulk in April 1968, becoming its second volume. The series continued to run until issue #474 in March 1999 when it was replaced with the series Hulk which ran until February 2000 and was retitled to The Incredible Hulk's third volume, running until March 2007 when it became The Incredible Hercules with a new title character. The Incredible Hulk returned in September 2009 beginning at issue #600, which became The Incredible Hulks in November 2010 and focused on the Hulk and the modern incarnation of his expanded family. The series returned to The Incredible Hulk in December 2011 and ran until January 2013, when it was replaced with The Indestructible Hulk as part of Marvel's Marvel NOW! relaunch.

Tales of Suspense

Tales of Suspense

Tales of Suspense is the name of an American comic book anthology series, and two one-shot comics, all published by Marvel Comics. The first, which ran from 1959 to 1968, began as a science-fiction anthology that served as a showcase for such artists as Jack Kirby, Steve Ditko, and Don Heck, then featured superheroes Captain America and Iron Man during the Silver Age of Comic Books before changing its title to Captain America with issue #100. Its sister title was Tales to Astonish. Following the launch of Marvel Legacy in 2017, Tales of Suspense was once again resurrected at issue #100, featuring the Winter Soldier and Hawkeye in a story called "The Red Ledger".

Publication history

Science-fiction anthology

Tales to Astonish and its sister publication Tales of Suspense were both launched with a January 1959 cover date.[2] The early run of the first volume of Tales to Astonish ran from issues #1–34 (January 1959 – August 1962), initially under Atlas Comics, the 1950s forerunner of Marvel;[3] it fell under the Marvel banner with issue No. 21 (July 1961), the first with a cover sporting the early "MC" box.[4] It contained science-fiction mystery/suspense stories written primarily by editor-in-chief Stan Lee and his brother, Larry Lieber, with artists including Jack Kirby, Steve Ditko, Dick Ayers, Don Heck and Paul Reinman. One such story, "The Man in the Ant Hill", in No. 27 (January 1962), introduced the character Henry Pym,[5] who would be repurposed eight issues later as the superhero Ant-Man. Anthological stories continued to appear as backups until Tales to Astonish became a superhero "split book" in 1964, when it began featuring one story each of Giant-Man and the Hulk.[3][6]

Ant-Man and Giant-Man

Tales to Astonish No. 44 (June 1963). Cover art by Jack Kirby and Don Heck.
Tales to Astonish No. 44 (June 1963). Cover art by Jack Kirby and Don Heck.

Following his one-shot anthological story in No. 27 (January 1962), scientist Henry Pym returned donning a cybernetic helmet and red costume, and using size-changing technology to debut as the insect-sized hero Ant-Man in No. 35 (September 1962).[7] The series was plotted by Lee and scripted by Lieber, with penciling first by Kirby and later by Heck and others. The Wasp was introduced as Ant-Man's costar in issue No. 44 (June 1963).[8] Ant-Man and Pym's subsequent iteration, Giant-Man, introduced in No. 49 (November 1963),[9] starred in 10- to 13-page and later 18-page adventures, with the rest of Tales to Astonish devoted to the anthological science fiction and fantasy stories the comic normally ran. Aside from Lee and Lieber, occasional writers included Ernie Hart, under the pseudonym H. E. Huntley, Leon Lazarus (#64, February 1965) and Al Hartley (#69, the feature's finale, July 1965). Artists of the latter part of the run included Ditko, Ayers, and two veterans of the period fans and historians call the Golden Age of comic books, Carl Burgos and Bob Powell.[3]

The backup feature "Tales of the Wasp" (#51–56) used the superheroine as a framing device for anthological science-fiction stories, having her relate tales to hospitalized servicemen and the like. The Wasp also starred in two subsequent solo backup stories. All were scripted and penciled by Lieber.

Hulk and Sub-Mariner

The Hulk, whose original series The Incredible Hulk had been canceled after a six-issue run in 1962–63, returned to star in his own feature when Tales to Astonish became a split book at issue No. 60 (October 1964),[10] after having guest-starred as Giant-Man's antagonist in a full-length story the previous issue. The Hulk had proven a popular guest-star in three issues of Fantastic Four and an issue of The Amazing Spider-Man. His new stories here were initially scripted by Lee and illustrated by the seldom-seen team of penciler Steve Ditko and inker George Roussos.[3] This early part of the Hulk's run introduced the Leader,[11] who would become the Hulk's nemesis, and this run additionally made the Hulk's identity known, initially only to the military and then later publicly. The Abomination first appeared in Tales to Astonish No. 90, and is introduced as a KGB agent and spy.[12] Stan Lee chose the name "the Abomination," which he realized belonged to no other character, before conceiving the character's background and appearance. Lee recalled that he simply told artist Gil Kane to "make him bigger and stronger than the Hulk and we'll have a lot of fun with him."[13]

Namor the Sub-Mariner received his first feature in a decade beginning with No. 70 (August 1965).[14] The Golden Age character Byrrah was reintroduced in issue No. 90 (April 1967).[15] After the final issue of Tales to Astonish (which became the solo magazine The Incredible Hulk with issue No. 102, April 1968),[16] the Sub-Mariner co-starred in the split-book one-shot Iron Man and Sub-Mariner No. 1 before going on to his own 72-issue series.[3]

Giant-Man and Wasp were featured prominently in the Sub-Mariner stories in issues #77-78, steering their return to The Avengers in #26 of that series. Stan Lee had originally removed all Avengers with their own series/serials from the team ten issues earlier to make continuity easier to maintain. Wasp had been at a cruise ship swimming pool when she went to alert the Avengers of Namor's activities in #77, explaining why she was dressed for swimming in The Avengers #26.

Discover more about Publication history related topics

Cover date

Cover date

The cover date of a periodical publication is the date displayed on the cover, which is not necessarily the true date of publication ; later cover dates are common in magazine and comic book publishing. More unusually, Le Monde is a daily newspaper published the afternoon before its cover date. For some publications, the cover date may not be found on the cover, but rather on an inside jacket or on an interior page.

Atlas Comics (1950s)

Atlas Comics (1950s)

Atlas Comics is the 1950s comic-book publishing label that evolved into Marvel Comics. Magazine and paperback novel publisher Martin Goodman, whose business strategy involved having a multitude of corporate entities, used Atlas as the umbrella name for his comic-book division during this time. Atlas evolved out of Goodman's 1940s comic-book division, Timely Comics, and was located on the 14th floor of the Empire State Building. This company is distinct from the 1970s comic-book company, also founded by Goodman, that is known as Atlas/Seaboard Comics.

Mystery fiction

Mystery fiction

Mystery is a fiction genre where the nature of an event, usually a murder or other crime, remains mysterious until the end of the story. Often within a closed circle of suspects, each suspect is usually provided with a credible motive and a reasonable opportunity for committing the crime. The central character is often a detective, who eventually solves the mystery by logical deduction from facts presented to the reader. Some mystery books are non-fiction. Mystery fiction can be detective stories in which the emphasis is on the puzzle or suspense element and its logical solution such as a whodunit. Mystery fiction can be contrasted with hardboiled detective stories, which focus on action and gritty realism.

Larry Lieber

Larry Lieber

Lawrence D. Lieber is an American comic book artist and writer best known as co-creator of the Marvel Comics superheroes Iron Man, Thor, and Ant-Man; for his long stint both writing and drawing the Marvel Western Rawhide Kid; and for illustrating the newspaper comic strip The Amazing Spider-Man from 1986 to September 2018. From 1974 to 1975, he was editor of Atlas/Seaboard Comics. Lieber is the younger brother of the late Marvel Comics writer, editor, and publisher Stan Lee.

Jack Kirby

Jack Kirby

Jack Kirby was an American comic book artist, writer and editor, widely regarded as one of the medium's major innovators and one of its most prolific and influential creators. He grew up in New York City and learned to draw cartoon figures by tracing characters from comic strips and editorial cartoons. He entered the nascent comics industry in the 1930s, drawing various comics features under different pen names, including Jack Curtiss, before ultimately settling on Jack Kirby. In 1940, he and writer-editor Joe Simon created the highly successful superhero character Captain America for Timely Comics, predecessor of Marvel Comics. During the 1940s, Kirby regularly teamed with Simon, creating numerous characters for that company and for National Comics Publications, later to become DC Comics.

Dick Ayers

Dick Ayers

Richard Bache Ayers was an American comic book artist and cartoonist best known for his work as one of Jack Kirby's inkers during the late-1950s and 1960s period known as the Silver Age of Comics, including on some of the earliest issues of Marvel Comics' The Fantastic Four. He is the signature penciler of Marvel's World War II comic Sgt. Fury and his Howling Commandos, drawing it for a 10-year run, and he co-created Magazine Enterprises' 1950s Western-horror character the Ghost Rider, a version of which he would draw for Marvel in the 1960s.

Don Heck

Don Heck

Donald L. Heck was an American comics artist best known for co-creating the Marvel Comics characters Iron Man, the Wasp, Black Widow, Hawkeye and Wonder Man and for his long run penciling the Marvel superhero-team series The Avengers during the 1960s Silver Age of comic books.

Paul Reinman

Paul Reinman

Paul J. Reinman was an American comic book artist best known as one of Jack Kirby's frequent inkers during the period comics fans and historians call the Silver Age of Comic Books. This included the first issues of The Incredible Hulk and The X-Men.

Ant-Man

Ant-Man

Ant-Man is the name of several superheroes appearing in books published by Marvel Comics. Created by Stan Lee, Larry Lieber and Jack Kirby, Ant-Man's first appearance was in Tales to Astonish #27 but first appeared in costume in Tales to Astonish #35. The persona was originally the brilliant scientist Hank Pym's superhero alias after inventing a substance that can change size, but reformed thieves Scott Lang and Eric O'Grady also took on the mantle after the original changed his superhero identity to various other aliases, such as Giant-Man, Goliath, and Yellowjacket. Pym's Ant-Man is also a founding member of the super hero team known as the Avengers. The character has appeared in several films based on the Marvel character, such as Ant-Man (2015), Captain America: Civil War (2016), Ant-Man and the Wasp (2018), Avengers: Endgame (2019), and Ant-Man and the Wasp: Quantumania (2023).

Giant-Man

Giant-Man

Giant-Man is the alias used by several superheroes appearing in American comic books published by Marvel Comics.

Hulk

Hulk

The Hulk is a superhero appearing in American comic books published by Marvel Comics. Created by writer Stan Lee and artist Jack Kirby, the character first appeared in the debut issue of The Incredible Hulk. In his comic book appearances, the character, who has dissociative identity disorder (DID), is primarily represented by the alter ego Hulk, a green-skinned, hulking and muscular humanoid possessing a limitless degree of physical strength, and the alter ego Dr. Robert Bruce Banner, a physically weak, socially withdrawn, and emotionally reserved physicist, both of whom typically resent each other.

Ernie Hart

Ernie Hart

Ernest Huntley Hart, also known as H.E. Huntley, was an American comic-book writer and artist best known for creating Marvel Comics' character Super Rabbit as well as co-creating the superhero The Wasp. In addition, he variously wrote, edited and illustrated numerous books on dog breeding and ownership.

Revivals

A second volume of Tales to Astonish, using the cover logo Tales to Astonish starring the Sub-Mariner, ran 14 issues (December 1979 – January 1981), reprinting edited versions of Sub-Mariner #1–14 (May 1968 – June 1969). All but the last issue ran 18-page versions of the originally 20-page stories, with panels and text reworked to condense the plot. That last issue also included three Sub-Mariner pinups, one by character creator Bill Everett, reprinted from Marvel Mystery Comics No. 9 (July 1940); one by penciler Jack Kirby and inker Sol Brodsky, reprinted from Fantastic Four No. 33 (December 1964); and a new one by artist Alan Weiss. Covers repurposed the original art, with the premiere issue's image flipped 180 degrees.[17]

Tales to Astonish vol. 3 No. 1 (December 1994) was a 72-page one-shot special starring the Hulk, the Sub-Mariner, Ant-Man, and the Wasp in the story "Loki's Dream" by writer Peter David, with painted art by John Estes.[18][19]

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Bill Everett

Bill Everett

William Blake Everett was an American comic book writer-artist best known for creating Namor the Sub-Mariner as well as co-creating Zombie and Daredevil with writer Stan Lee for Marvel Comics. He was allegedly a descendant of the childless poet William Blake and of Richard Everett, founder of Dedham, Massachusetts.

Marvel Mystery Comics

Marvel Mystery Comics

Marvel Mystery Comics is an American comic book series published during the 1930s–1940s period known to fans and historians as the Golden Age of Comic Books. It was the first publication of Marvel Comics' predecessor, Timely Comics, a division of Timely Publications.

Jack Kirby

Jack Kirby

Jack Kirby was an American comic book artist, writer and editor, widely regarded as one of the medium's major innovators and one of its most prolific and influential creators. He grew up in New York City and learned to draw cartoon figures by tracing characters from comic strips and editorial cartoons. He entered the nascent comics industry in the 1930s, drawing various comics features under different pen names, including Jack Curtiss, before ultimately settling on Jack Kirby. In 1940, he and writer-editor Joe Simon created the highly successful superhero character Captain America for Timely Comics, predecessor of Marvel Comics. During the 1940s, Kirby regularly teamed with Simon, creating numerous characters for that company and for National Comics Publications, later to become DC Comics.

Sol Brodsky

Sol Brodsky

Soloman Brodsky was an American comic book artist who, as Marvel Comics' Silver Age production manager, was one of the key architects of the small company's expansion to a major pop culture conglomerate. He later rose to vice president, operations, and vice president, special projects. "Sol was really my right-hand man for years", described Marvel editor and company patriarch Stan Lee.

Fantastic Four

Fantastic Four

The Fantastic Four is a superhero team appearing in American comic books published by Marvel Comics. The team debuted in The Fantastic Four #1, helping usher in a new level of realism in the medium. It was the first superhero team created by artist/co-plotter Jack Kirby and editor/co-scripter Stan Lee, who developed a collaborative approach to creating comics with this title.

Alan Weiss (comics)

Alan Weiss (comics)

Alan Weiss is an American comics artist and writer known for his work for DC Comics and Marvel Comics.

One-shot (comics)

One-shot (comics)

In comics, a one-shot is a work composed of a single standalone issue or chapter, contrasting a limited series or ongoing series, which are composed of multiple issues or chapters. One-shots date back to the early 19th century, published in newspapers, and today may be in the form of single published comic books, parts of comic magazines/anthologies or published online in websites. In the marketing industry, some one-shots are used as promotion tools that tie in with existing productions, movies, video games or television shows.

Peter David

Peter David

Peter Allen David, often abbreviated PAD, is an American writer of comic books, novels, television, films and video games. His notable comic book work includes an award-winning 12-year run on The Incredible Hulk, as well as runs on Aquaman, Young Justice, Supergirl, Fallen Angel, Spider-Man, Spider-Man 2099, Captain Marvel and X-Factor.

Collected editions

The Sub-Mariner feature begins: Tales to Astonish #70 (August 1965). Cover art by Jack Kirby and Mike Esposito.
The Sub-Mariner feature begins: Tales to Astonish #70 (August 1965). Cover art by Jack Kirby and Mike Esposito.
  • Marvel Masterworks: Atlas Era Tales to Astonish
    • Vol. 1 collects Tales to Astonish #1–10, 272 pages, January 2006, ISBN 978-0-7851-1889-3
    • Vol. 2 collects Tales to Astonish #11–20, 272 pages, March 2008, ISBN 978-0-7851-2913-4
    • Vol. 3 collects Tales to Astonish #21–30, 272 pages, March 2010, ISBN 978-0-7851-4196-9
    • Vol. 4 collects Tales to Astonish #31–34, and material from #35–51 and No. 54, 304 pages, March 2010, ISBN 978-0-7851-5881-3
  • Marvel Masterworks: Ant-Man/Giant-Man
    • Vol. 1 collects Henry Pym story in Tales to Astonish #27 and Ant-Man/Giant-Man feature in #35–52, 288 pages, March 2006 ISBN 978-0785120490
    • Vol. 2 collects Giant-Man feature in Tales to Astonish #53–69, 304 pages, February 2008, ISBN 978-0785129110
  • Essential Astonishing Ant-Man Henry Pym story in Tales to Astonish No. 27 and Ant-Man/Giant-Man feature in #35–69, 576 pages, February 2002, ISBN 978-0785108221
  • The Superhero Women: Featuring the Fabulous Females of Marvel Comics includes Ant-Man and the Wasp story from Tales to Astonish No. 44, 254 pages, November 1977, Simon & Schuster, ISBN 978-0671229283
  • Marvel Masterworks: The Incredible Hulk
    • Vol. 2 collects Giant-Man feature in Tales to Astonish #59 and Hulk feature in #60–79, 266 pages, December 2004, ISBN 978-0785116547
    • Vol. 3 collects Hulk feature in Tales to Astonish #80–101, 288 pages, January 2006, ISBN 978-0785120322
  • Essential Incredible Hulk
    • Vol. 1 includes Hulk feature in Tales to Astonish #60–91, 528 pages, February 1999, ISBN 978-0785164173
    • Vol. 2 includes Hulk feature in Tales to Astonish #92–101, 520 pages, September 2001, ISBN 978-0785164180
  • The Incredible Hulk includes Hulk stories from Tales to Astonish #60–74 and No. 88, 253 pages, July 1978, Simon & Schuster, ISBN 978-0671242244
  • Bring on the Bad Guys: Origins of the Marvel Comics Villains includes Hulk stories from Tales to Astonish #90–91, 253 pages, October 1976, Simon & Schuster, ISBN 978-0671223557
  • Marvel Masterworks: The Sub-Mariner
    • Vol. 1 collects Sub-Mariner feature in Tales to Astonish #70–87, 224 pages, May 2002, ISBN 978-0785108757
    • Vol. 2 collects Sub-Mariner feature in Tales to Astonish #88–101, 240 pages, June 2007, ISBN 978-0785126881
  • Essential Sub-Mariner Vol. 1 includes Sub-Mariner feature in Tales to Astonish #70–101, 504 pages, September 2009, ISBN 9780785130758
  • Marvel's Greatest Superhero Battles includes Sub-Mariner story from Tales to Astonish No. 82, 253 pages, November 1978, Simon & Schuster, ISBN 978-0671243913

Discover more about Collected editions related topics

Jack Kirby

Jack Kirby

Jack Kirby was an American comic book artist, writer and editor, widely regarded as one of the medium's major innovators and one of its most prolific and influential creators. He grew up in New York City and learned to draw cartoon figures by tracing characters from comic strips and editorial cartoons. He entered the nascent comics industry in the 1930s, drawing various comics features under different pen names, including Jack Curtiss, before ultimately settling on Jack Kirby. In 1940, he and writer-editor Joe Simon created the highly successful superhero character Captain America for Timely Comics, predecessor of Marvel Comics. During the 1940s, Kirby regularly teamed with Simon, creating numerous characters for that company and for National Comics Publications, later to become DC Comics.

Mike Esposito (comics)

Mike Esposito (comics)

Mike Esposito, who sometimes used the pseudonyms Mickey Demeo, Mickey Dee, Michael Dee, and Joe Gaudioso, was an American comic book artist whose work for DC Comics, Marvel Comics and others spanned the 1950s to the 2000s. As a comic book inker teamed with his childhood friend Ross Andru, he drew for such major titles as The Amazing Spider-Man and Wonder Woman. An Andru-Esposito drawing of Wonder Woman appears on a 2006 U.S. stamp.

Marvel Masterworks

Marvel Masterworks

Marvel Masterworks is an American collection of hardcover and trade paperback comic book reprints published by Marvel Comics, with the main goal of republishing classic Marvel Comics storylines in a hardcover, premium edition, often with restored artwork and better graphical quality when compared to other Marvel collected editions. The collection started in 1987, with volumes reprinting the issues of The Amazing Spider-Man, The Fantastic Four, The X-Men, and The Avengers. The Masterworks line has expanded from such reprints of the 1960s period that fans and historians call the Silver Age of Comic Books to include the 1930s–1940s Golden Age; comics of Marvel's 1950s pre-Code forerunner, Atlas Comics; and even some reprints from the 1970s period called the Bronze Age of Comic Books.

Essential Marvel

Essential Marvel

Essential Marvel was a line published by Marvel Comics from 1996 - 2013 that reprints vintage comic book material in paperback format. Each black-and-white volume reprints approximately 20-30 issues of a classic Marvel title. Each Essential contains between 450 and 650 pages, printed on coarse, matte-quality paper.

Marvel Fireside Books

Marvel Fireside Books

Marvel Fireside Books were a series of full-color trade paperbacks featuring Marvel Comics stories and characters co-published by Marvel and the Simon & Schuster division Fireside Books from 1974 to 1979. The first book, 1974's Origins of Marvel Comics, was very successful, and inspired a series of annual sequels.

Simon & Schuster

Simon & Schuster

Simon & Schuster is an American publishing company and a subsidiary of Paramount Global. It was founded in New York City on January 2, 1924 by Richard L. Simon and M. Lincoln Schuster. As of 2016, Simon & Schuster was the third largest publisher in the United States, publishing 2,000 titles annually under 35 different imprints.

In other media

In the 2015 film Ant-Man, after showing archival footage of Hank Pym/Ant-Man in action, Darren Cross jokes that the whole idea sounds like "tales to astonish."

Source: "Tales to Astonish", Wikipedia, Wikimedia Foundation, (2023, March 21st), https://en.wikipedia.org/wiki/Tales_to_Astonish.

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References
  1. ^ Average monthly data from publisher's annual "Statement of Ownership, Management and Circulation", as compiled at The Comics Chronicles. Circulation data first included in Statements for 1960. Title became The Incredible Hulk in early 1968.
  2. ^ Brevoort, Tom; Gilbert, Laura, ed. (2008). "1950s". Marvel Chronicle A Year by Year History. London, United Kingdom: Dorling Kindersley. p. 72. ISBN 978-0756641238. January [1959] saw the birth of two titles that would each have a place of importance in the coming age - Tales of Suspense and Tales to Astonish. {{cite book}}: |first2= has generic name (help)
  3. ^ a b c d e Tales to Astonish at the Grand Comics Database
  4. ^ Cover, Tales to Astonish #21 at the Grand Comics Database
  5. ^ DeFalco, Tom "1960s" in Gilbert (2008), p. 84: "The first appearance of Dr. Henry 'Hank' Pym in a Marvel monster/suspense title was an inauspicious beginning for a man destined to become...[a] founder of the Avengers."
  6. ^ Daniels, Les (1991). Marvel: Five Fabulous Decades of the World's Greatest Comics. New York City: Harry N. Abrams. p. 120. ISBN 9780810938212. Marvel was bursting at the seams with superheroes. To accommodate all the characters clamoring for action, [Stan] Lee was obliged to put two stars into several of the comic books, each one taking half the pages for his own separate story. The Hulk returned to join Giant-Man in Tales to Astonish No. 60 (October 1964).
  7. ^ DeFalco "1960s" in Gilbert (2008), p. 88: "[Stan Lee] resurrected an earlier concept and...Hank Pym, the reckless scientist from Tales to Astonish No. 27 (January 1962) was back."
  8. ^ DeFalco "1960s" in Gilbert (2008), p. 93: "Janet Van Dyne made her debut as the Wasp in Tales to Astonish No. 44. Based on a story idea by Stan Lee and a script by H. E. Huntley, the Wasp was designed and drawn by Jack Kirby."
  9. ^ DeFalco "1960s" in Gilbert (2008), p. 95: "Stan Lee drastically increased Ant-Man's power's so he could grow to giant-size proportions."
  10. ^ DeFalco "1960s" in Gilbert (2008), p. 102: "Tales to Astonish #60...introduced a new series – The Incredible Hulk – starring the famous character."
  11. ^ DeFalco "1960s" in Gilbert (2008), p. 103: "Since the Hulk was a creature of strength, it seemed only natural that he should have an enemy whose greatest power was his mind. Created by Stan Lee and Steve Ditko for Tales to Astonish No. 62, the Leader was once Samuel Sterns, a simple laborer."
  12. ^ DeFalco, Tom (2006). The Marvel Encyclopedia. London, United Kingdom: Dorling Kindersley. p. 8. ISBN 978-0-7566-2358-6.
  13. ^ Lammers, Tim (June 11, 2008). "Stan Lee Pumped Over Return Of Incredible Hulk". KCRA-TV. Archived from the original on October 13, 2008. Retrieved June 24, 2008.
  14. ^ DeFalco "1960s" in Gilbert (2008), p. 109: "Prince Namor replaced Giant-Man as the lead feature in Tales to Astonish No. 70. The Sub-Mariner series was written by Stan Lee and drawn by Gene Colan, who was using the pen name Adam Austin at the time."
  15. ^ DeFalco "1960s" in Gilbert (2008), p. 121: "Originally introduced in the Golden Age of comics, Namor's old enemy – Prince Byrrah – finally returned to comics in Tales to Astonish #90."
  16. ^ DeFalco "1960s" in Gilbert (2008), p. 128: "Hailing 1968 as the beginning of the 'Second Age of Marvel Comics,' and with more titles to play with, editor Stan Lee discarded his split books and gave more characters their own titles...Tales to Astonish No. 101 [was followed] by The Incredible Hulk #102."
  17. ^ Tales to Astonish vol. 2 at the Grand Comics Database
  18. ^ Cowsill, Alan "1990s" in Gilbert (2012), p. 270: "Fan-favorite writer Peter David teamed with painter John Estes for this one-shot that began a series of retro-titled prestige-format specials, including Strange Tales and Tales of Suspense."
  19. ^ Tales to Astonish (one-shot) at the Grand Comics Database
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