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Sitcom

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A sitcom, a portmanteau of situation comedy, or situational comedy, is a genre of comedy centered on a fixed set of characters who mostly carry over from episode to episode. Sitcoms can be contrasted with sketch comedy, where a troupe may use new characters in each sketch, and stand-up comedy, where a comedian tells jokes and stories to an audience. Sitcoms originated in radio, but today are found mostly on television as one of its dominant narrative forms.

A situation comedy television program may be recorded in front of a studio audience, depending on the program's production format. The effect of a live studio audience can be imitated or enhanced by the use of a laugh track.

Critics disagree over the utility of the term "sitcom" in classifying shows that have come into existence since the turn of the century. Many contemporary American sitcoms use the single-camera setup and do not feature a laugh track, thus often resembling the dramedy shows of the 1980s and 1990s rather than the traditional sitcom.[1]

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Portmanteau

Portmanteau

A portmanteau word, or portmanteau is a blend of words in which parts of multiple words are combined into a new word, as in smog, coined by blending smoke and fog, or motel, from motor and hotel. In linguistics, a portmanteau is a single morph that is analyzed as representing two underlying morphemes. When portmanteaus shorten established compounds, they can be considered clipped compounds.

Genre

Genre

Genre is any form or type of communication in any mode with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility.

Comedy

Comedy

Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: In Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which engender dramatic irony, which provokes laughter.

Sketch comedy

Sketch comedy

Sketch comedy comprises a series of short, amusing scenes or vignettes, called "sketches", commonly between one and ten minutes long, performed by a group of comic actors or comedians. The form developed and became popular in vaudeville, and is used widely in variety shows, comedy talk shows, and some sitcoms and children's television series. The sketches may be improvised live by the performers, developed through improvisation before public performance, or scripted and rehearsed in advance like a play. Sketch comedians routinely differentiate their work from a "skit", maintaining that a skit is a (single) dramatized joke while a sketch is a comedic exploration of a concept, character, or situation.

Stand-up comedy

Stand-up comedy

Stand-up comedy is a comedic performance to a live audience in which the performer addresses the audience directly from the stage. The performer is known as a comedian, a comic or a stand-up.

Narrative

Narrative

A narrative, story, or tale is any account of a series of related events or experiences, whether nonfictional or fictional. Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb narrare, which is derived from the adjective gnarus. Narration is a rhetorical mode of discourse, broadly defined, is one of four rhetorical modes of discourse. More narrowly defined, it is the fiction-writing mode in which a narrator communicates directly to an audience. The school of literary criticism known as Russian formalism has applied methods that are more often used to analyse narrative fiction, to non-fictional texts such as political speeches.

Studio audience

Studio audience

A studio audience is an audience present for the recording of all or part of a television program or radio program. The primary purpose of the studio audience is to provide applause and/or laughter to the program's soundtrack.

Laugh track

Laugh track

A laugh track is a separate soundtrack for a recorded comedy show containing the sound of audience laughter. In some productions, the laughter is a live audience response instead; in the United States, where it is most commonly used, the term usually implies artificial laughter made to be inserted into the show. This was invented by American sound engineer Charles "Charley" Douglass.

Single-camera setup

Single-camera setup

The single-camera setup, or single-camera mode of production, also known as portable single camera, is a method of filmmaking and video production.

History

The terms "situation comedy" or "sitcom" were not commonly used until the 1950s.[2] There were prior examples on radio, but the first television sitcom is said to be Pinwright's Progress, ten episodes being broadcast on the BBC in the United Kingdom between 1946 and 1947.[3][4] In the United States, director and producer William Asher has been credited with being the "man who invented the sitcom",[5] having directed over two dozen of the leading sitcoms, including I Love Lucy, from the 1950s through the 1970s.

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History of radio

History of radio

The early history of radio is the history of technology that produces and uses radio instruments that use radio waves. Within the timeline of radio, many people contributed theory and inventions in what became radio. Radio development began as "wireless telegraphy". Later radio history increasingly involves matters of broadcasting.

Radio comedy

Radio comedy

Radio comedy, or comedic radio programming, is a radio broadcast that may involve variety show, sitcom elements, sketches, and various types of comedy found in other media. It may also include more surreal or fantastic elements, as these can be conveyed on a small budget with just a few sound effects or some simple dialogue. Radio comedy began in the United States in 1930, based on the fact that as most United Kingdom music hall comedians such as Charlie Chaplin and Stan Laurel progressed to silent films, they moved to Hollywood and fed the radio comedy field. Another British music hall comic, George Formby, stayed in the British movie industry, and in 1940 joined the Entertainments National Service Association to entertain British World War II troops. UK radio comedy therefore started later, in the 1950s.

History of television

History of television

The concept of television is the work of many individuals in the late 19th and early 20th centuries. The first practical transmissions of moving images over a radio system used mechanical rotating perforated disks to scan a scene into a time-varying signal that could be reconstructed at a receiver back into an approximation of the original image. Development of television was interrupted by the Second World War. After the end of the war, all-electronic methods of scanning and displaying images became standard. Several different standards for addition of color to transmitted images were developed with different regions using technically incompatible signal standards. Television broadcasting expanded rapidly after World War II, becoming an important mass medium for advertising, propaganda, and entertainment.

Television comedy

Television comedy

Television comedy is a category of broadcasting that has been present since the early days of entertainment media. While there are several genres of comedy, some of the first ones aired were variety shows. One of the first United States television programs was the comedy-variety show Texaco Star Theater, which was most prominent in the years that it featured Milton Berle - from 1948 to 1956. The range of television comedy has become broader, with the addition of sitcoms, improvisational comedy, and stand-up comedy, while also adding comedic aspects into other television genres, including drama and news. Television comedy provides opportunities for viewers to relate the content in these shows to society. Some audience members may have similar views about certain comedic aspects of shows, while others will take different perspectives. This also relates to developing new social norms, sometimes acting as the medium that introduces these transitions.

Pinwright's Progress

Pinwright's Progress

Pinwright's Progress is a British television sitcom that aired on the BBC Television Service from 1946 to 1947 and was the world's first regular half-hour televised sitcom. The ten episodes, which aired fortnightly in alternation with Kaleidoscope, were broadcast live from the BBC studios at Alexandra Palace. Still photographs are all that remain of the show's transmitted form.

BBC

BBC

The British Broadcasting Corporation (BBC) is the national broadcaster of the United Kingdom, based at Broadcasting House in London, England. It is the world's oldest national broadcaster, and the largest broadcaster in the world by number of employees, employing over 22,000 staff in total, of whom approximately 19,000 are in public-sector broadcasting.

William Asher

William Asher

William Milton Asher was an American television and film producer, film director, and screenwriter. He was one of the most prolific early television directors, producing or directing over two dozen series.

I Love Lucy

I Love Lucy

I Love Lucy is an American television sitcom that originally aired on CBS from October 15, 1951, to May 6, 1957, with a total of 180 half-hour episodes, spanning six seasons. The show starred Lucille Ball, her husband, Desi Arnaz, along with Vivian Vance and William Frawley. The series followed the life of Lucy Ricardo (Ball), a young, middle-class housewife living in New York City, who often concocted plans with her best friends and landlords, Ethel and Fred Mertz, to appear alongside her bandleader husband, Ricky Ricardo (Arnaz), in his nightclub. Lucy is depicted trying numerous schemes to mingle with and be a part of show business. After the series ended in 1957, a modified version of the show continued for three more seasons, with 13 one-hour specials, which ran from 1957 to 1960. It was first known as The Lucille Ball–Desi Arnaz Show, and later, in reruns, as The Lucy–Desi Comedy Hour.

By country

Australia

There have been few long-running Australian-made sitcoms, but many US and UK sitcoms have been successful there. Sitcoms are a staple of government broadcaster Australian Broadcasting Corporation (ABC); in the 1970s and 1980s many UK sitcoms also screened on the Seven Network. By 1986, UK comedies Bless This House and Are You Being Served? had been repeated by ABC Television several times, and were then acquired and screened by the Seven Network, in prime time.[6]

In 1981, Daily at Dawn was the first Australian comedy series to feature a regular gay character (Terry Bader as journalist Leslie).[7]

In 1987, Mother and Son was winner of the Television Drama Award presented by the Australian Human Rights Commission.[8][9]

In 2007, Kath & Kim's first episode of series four attracted an Australian audience of 2.521 million nationally,[10] the highest rating ever for a first episode in the history of Australian television,[10] until the series premiere of Underbelly: A Tale of Two Cities in 2009 with 2.58 million viewers.[11]

In 2013, Please Like Me received an invitation to screen at the Series Mania Television Festival in Paris,[12] was praised by critics [13] and has garnered numerous awards and nominations.[14] Also in 2013, At Home With Julia was criticised by several social commentators as inappropriately disrespectful to the office of Prime Minister,[15] the show nevertheless proved very popular both with television audiences — becoming the most watched Australian scripted comedy series of 2011[16] — and with television critics.[17] Nominated to the 2012 Australian Academy of Cinema and Television Arts Awards for Best Television Comedy Series.[18]

Canada

Although there have been a number of notable exceptions, Canadian television networks have generally fared poorly with their sitcom offerings, with relatively few Canadian sitcoms attaining notable success in Canada or internationally.[19] Canadian television has had much greater success with sketch comedy and dramedy series.[19]

The popular show King of Kensington aired from 1975 to 1980, drawing an average of 1.5 to 1.8 million viewers weekly at its peak.[20]

Corner Gas, which ran for six seasons from 2004 to 2009, became an instant hit, averaging a million viewers per episode.[21] It has been the recipient of six Gemini Awards, and has been nominated almost 70 times for various awards.[22]

Other noteworthy recent sitcoms have included Call Me Fitz, Schitt's Creek,[23] Letterkenny and Kim's Convenience,[24] all of which have been winners of the Canadian Screen Award for Best Comedy Series.

India

Sitcoms started appearing on Indian television in the 1980s, with serials like Yeh Jo Hai Zindagi (1984), Nukkad (1986) and Wagle Ki Duniya (1988) on the state-run Doordarshan channel. Gradually, as private channels were allowed, many more sitcoms followed in the 1990s, such as Dekh Bhai Dekh (1993), Zabaan Sambhalke (1993), Shrimaan Shrimati (1995), Office Office (2001), Ramani Vs Ramani (2001), Amrutham (Telugu 2001–2007), Khichdi (2002), Sarabhai vs Sarabhai (2005) to F.I.R. (2006–2015), Taarak Mehta Ka Ooltah Chashmah (2008–present), Uppum Mulakum (Malayalam 2015–present), and Bhabiji Ghar Par Hain (2015–present).[25] SAB TV is one of the leading channels of India dedicated entirely to Sitcoms.

Taarak Mehta Ka Ooltah Chashmah is the longest running sitcom of Indian television and is known as the flagship show of SAB TV.[26]

Mexico

El Chavo del Ocho, which ran from 1971 to 1980, was the most watched show in the Mexican television and had a Latin American audience of 350 million viewers per episode at its peak of popularity during the mid-1970s.[27] The show continues to be popular in Hispanic America as well as in Brazil, Spain, the United States, and other countries, with syndicated episodes averaging 91 million daily viewers in all of the markets where it is distributed in the Americas.[28][29] Since it ceased production in 1992, the show has earned an estimated billion in syndication fees alone for Televisa.[29]

New Zealand

Gliding On, a popular sitcom in New Zealand in the early 1980s, won multiple awards over the course of its run, including Best Comedy, Best Drama and Best Direction at the Feltex Awards.[30]

Russia

The first Russian sitcom series was "Strawberry" (resembled "Duty Pharmacy" in Spanish format), which was aired in 1996–1997 on the RTR channel. However, the "boom" of Russian sitcoms began only in the 2000s — when in 2004, the STS started very successful sitcom "My Fair Nanny" (an adaptation of the American sitcom "The Nanny"). Since that time sitcoms in Russia were produced by the two largest entertainment channels of the country — STS and TNT. In 2007 the STS released the first original domestic sitcom — "Daddy's Daughters" (there were only adaptation before), and in 2010 TNT released "Interns" — the first sitcom, filmed as a comedy (unlike dominated "conveyor" sitcoms).

United Kingdom

Although styles of sitcom have changed over the years they tend to be based on a family, workplace or other institution, where the same group of contrasting characters is brought together in each episode. British sitcoms are typically produced in one or more series of six episodes. Most such series are conceived and developed by one or two writers. The majority of British sitcoms are 30 minutes long and are recorded on studio sets in a multiple-camera setup. A subset of British comedy consciously avoids traditional situation comedy themes and storylines to branch out into more unusual topics or narrative methods. Blackadder (1983–1989) and Yes Minister/Yes Prime Minister (1980–1988, 2013) moved what is often a domestic or workplace genre into the corridors of power. A later development was the mockumentary in such series as The Office (2001–2003, 2013). Also coming of age in such series as The Inbetweeners (2008-2010).

United States

The sitcom format was born in January 1926 with the initial broadcast of Sam 'n' Henry on WGN radio in Chicago, Illinois. The 15-minute daily program was revamped in 1928, moved to another station, renamed Amos 'n' Andy, and became one of the most successful sitcoms of the period. It was also one of the earliest examples of radio syndication. In 1947, the first American television sitcom, Mary Kay and Johnny, debuted. Since that time, many of the most watched shows in the US have been sitcoms.

American sitcoms are generally written to run a total of 22 minutes in length, leaving eight minutes for advertisements in a 30 minute timeslot.[31]

Some popular British shows have been successfully adapted for the US.[32] Some of the most successful American sitcoms of the 1970s, including All in the Family, Three's Company, and Sanford and Son, were adapted from British productions.

Iran

On Tiptoes and Shabhaye Barareh They were among the first and most important sitcoms that led to the growth of this type of comedy in Iran,the idea of ​​making On Tiptoes was borrowed from the series Friends

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Australia

Australia

Australia, officially the Commonwealth of Australia, is a sovereign country comprising the mainland of the Australian continent, the island of Tasmania, and numerous smaller islands. Australia is the largest country by area in Oceania and the world's sixth-largest country. Australia is the oldest, flattest, and driest inhabited continent, with the least fertile soils. It is a megadiverse country, and its size gives it a wide variety of landscapes and climates, with deserts in the centre, tropical rainforests in the north-east, and mountain ranges in the south-east.

Australian Broadcasting Corporation

Australian Broadcasting Corporation

The Australian Broadcasting Corporation (ABC) is the national broadcaster of Australia. It is principally funded by direct grants from the Australian Government and is administered by a government-appointed board. The ABC is a publicly-owned body that is politically independent and fully accountable, with its charter enshrined in legislation, the Australian Broadcasting Corporation Act 1983. ABC Commercial, a profit-making division of the corporation, also helps to generate funding for content provision.

Seven Network

Seven Network

The Seven Network is a major Australian commercial free-to-air television network. It is owned by Seven West Media Limited, and is one of five main free-to-air television networks in Australia. The network's headquarters are located in Sydney.

Are You Being Served?

Are You Being Served?

Are You Being Served? is a British sitcom created and written by executive producer David Croft and Jeremy Lloyd, with contributions from Michael Knowles and John Chapman, for the BBC. Set in London, the show follows the misadventures and mishaps of the staff of the retail ladies' and gentlemen's clothing departments in the flagship department store of a fictional chain called Grace Brothers.

ABC Television (Australian TV network)

ABC Television (Australian TV network)

ABC Television is the general name for the national television services of the Australian Broadcasting Corporation (ABC). Until an organisational restructure in 2017/2018, ABC Television was also the name of a division of the ABC. The name was also used to refer to the first and for many years the only national ABC channel, before it was renamed ABC1 and then again to ABC TV.

Daily at Dawn

Daily at Dawn

Daily at Dawn was an Australian sitcom that screened in 1981 on the Seven Network. The series was written and produced by Gary Reilly and Tony Sattler, the team behind other popular Australian comedy series such as Kingswood Country, Hey Dad..! and The Naked Vicar Show.

Mother and Son

Mother and Son

Mother and Son is an Australian television sitcom that was broadcast on the Australian Broadcasting Corporation (ABC) from 16 January 1984 until 21 March 1994. The show stars Ruth Cracknell, Garry McDonald, Henri Szeps and Judy Morris. It featured many Australian actors of the time in guest roles. It was created and written by Geoffrey Atherden. Its theme song features the Tasmanian Symphony Orchestra, playing to "I Want a Girl", a jazz standard which was recorded by Al Jolson in the 1920s.

Australian Human Rights Commission

Australian Human Rights Commission

The Australian Human Rights Commission is the national human rights institution of Australia, established in 1986 as the Human Rights and Equal Opportunity Commission (HREOC) and renamed in 2008. It is a statutory body funded by, but operating independently of, the Australian Government. It is responsible for investigating alleged infringements of Australia's anti-discrimination legislation in relation to federal agencies.

Kath & Kim

Kath & Kim

Kath & Kim, is an Australian sitcom created by Jane Turner and Gina Riley, who portray the title characters of Kath Day-Knight, a cheery, middle-aged suburban mother, and Kim, her self-indulgent daughter. The cast also includes Glenn Robbins, Peter Rowsthorn and Magda Szubanski as, respectively, Kath's metrosexual boyfriend Kel Knight, Kim's henpecked husband Brett Craig, and her lonely "second-best friend" Sharon Strzelecki. The series is set in Fountain Lakes, a fictional suburb of Melbourne, Victoria.

Please Like Me

Please Like Me

Please Like Me is an Australian television comedy-drama series created by and starring Josh Thomas. Thomas also serves as a writer for most episodes. The series premiered on 28 February 2013 on ABC2 in Australia and is now available on Netflix The show explores realistic issues with humorous tones; the executive producer, Todd Abbott, had pitched the show as a drama rather than a sitcom. The show aired later on the United States network Pivot, which then helped to develop the show from its second season onwards. Four seasons of the show have been broadcast, and creator Thomas has stated that he has no plans to make any further episodes. The show has attracted praise from critics and has garnered numerous nominations, winning a number of awards.

Canadian humour

Canadian humour

Canadian humour is an integral part of the Canadian identity. There are several traditions in Canadian humour in both English and French. While these traditions are distinct and at times very different, there are common themes that relate to Canadians' shared history and geopolitical situation in North America and the world. Though neither universally kind nor moderate, humorous Canadian literature has often been branded by author Dick Bourgeois-Doyle as "gentle satire," evoking the notion embedded in humorist Stephen Leacock's definition of humour as "the kindly contemplation of the incongruities of life and the artistic expression thereof."

Sketch comedy

Sketch comedy

Sketch comedy comprises a series of short, amusing scenes or vignettes, called "sketches", commonly between one and ten minutes long, performed by a group of comic actors or comedians. The form developed and became popular in vaudeville, and is used widely in variety shows, comedy talk shows, and some sitcoms and children's television series. The sketches may be improvised live by the performers, developed through improvisation before public performance, or scripted and rehearsed in advance like a play. Sketch comedians routinely differentiate their work from a "skit", maintaining that a skit is a (single) dramatized joke while a sketch is a comedic exploration of a concept, character, or situation.

Source: "Sitcom", Wikipedia, Wikimedia Foundation, (2023, March 26th), https://en.wikipedia.org/wiki/Sitcom.

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See also
References
  1. ^ "The Evolution Of The Sitcom: The Age of the Single Camera" Archived 2016-10-09 at the Wayback Machine. New York Film Academy, September 24, 2014.
  2. ^ Dalton, Mary M.; Linder, Laura R., eds. (2012). Sitcom Reader, The: America Viewed and Skewed. SUNY Press. p. 15. ISBN 978-0-7914-8263-6.
  3. ^ "Pinwright's Progress". comedy.co.uk. Archived from the original on 2010-03-08. Retrieved 2010-03-08.
  4. ^ Lewisohn, Mark (2003). "Radio Times Guide to TV Comedy". BBC Worldwide Ltd.
  5. ^ "William Asher – The Man Who Invented the Sitcom" Archived 2016-04-09 at the Wayback Machine, Palm Springs Life Dec. 1999
  6. ^ Collier, Shayne. Again and again and again. The Sydney Morning Herald – The Guide: 2 June 1986, p.1, 6. [1] Archived 2015-11-21 at the Wayback Machine
  7. ^ Howes, Keith. (1998, February). "Gays of Our Lives". Outrage, Number 177, 38-49.
  8. ^ "1987 Human Rights Medal and awards winners". Human Rights Medal and Awards. Australian Human Rights Commission. 1987. Archived from the original on 2017-12-01. Retrieved 2017-11-28.
  9. ^ Tynan, Jacinta (2008-09-13). "Weird how my rello won his fame". Sydney Morning Herald. Archived from the original on 2012-11-02. Retrieved 2010-11-05.
  10. ^ a b Seven Network (20 August 2007). "Seven – Daily Ratings Report". ebroadcast.com.au. Archived from the original on 20 May 2009. Retrieved 20 August 2007.
  11. ^ Knox, David (2009-02-10). "2.58m: Underbelly sets new record". TV Tonight. Archived from the original on 2009-05-20. Retrieved 2015-10-02.
  12. ^ Knox, David (22 February 2013). "Please Like Me, Puberty Blues selected for French TV festival". TV Tonight. Archived from the original on 14 April 2022. Retrieved 31 March 2013.
  13. ^ "Please Like Me". Rotten Tomatoes. Rotten Tomatoes. Archived from the original on 6 May 2019. Retrieved 1 October 2019.
  14. ^ "Please Like Me - Awards". IMDb. Archived from the original on 8 September 2019. Retrieved 1 October 2019.
  15. ^ Craven, Peter (8 Sep 2011). "At Home With Julia: inane drivel of the most idiotic kind". Australian Broadcasting Corporation. Archived from the original on 2014-01-12. Retrieved 6 July 2015.
  16. ^ "Packed to the Rafters and Underbelly are 2011's top local dramas – Mumbrella". Mumbrella. 2011-11-28. Archived from the original on 2017-09-03. Retrieved 2017-02-01.
  17. ^ Knox, David (Dec 1, 2011). "Critics' Choice: The Best of 2011". TV Tonight. Archived from the original on 6 July 2015. Retrieved 6 July 2015.
  18. ^ "Inaugural Samsung AACTA Awards Nominees" (PDF). Australian Academy of Cinema and Television Arts. Archived from the original (PDF) on 2015-10-31.
  19. ^ a b "Why do Canadian sitcoms suck?" Archived 2017-01-16 at the Wayback Machine. canada.com, March 21, 2014.
  20. ^ "King to be bachelor". Ottawa Citizen. 1978-01-25. Archived from the original on 2022-03-19. Retrieved 9 April 2011.
  21. ^ "Strong numbers mean replay of Corner Gas debut" (Press release). CTV Inc. 2004-01-23. Archived from the original on 2007-10-25. Retrieved 2007-01-08.
  22. ^ "'Corner Gas' gives thanks with premiere on Monday, Oct. 13". CTV Globemedia. 2008. Archived from the original on 2008-09-30. Retrieved 2008-09-30.
  23. ^ "The success of Schitt’s Creek marks a turning point for the CBC" Archived 2017-04-07 at the Wayback Machine. The Globe and Mail, January 9, 2017.
  24. ^ "CBC orders more Kim’s Convenience" Archived 2017-01-13 at the Wayback Machine. Media in Canada, December 21, 2016.
  25. ^ Patel, Nidhin (2011-10-13). "'Taarak Mehta' completes 700 episodes". The Times of India. Archived from the original on 2013-12-31.
  26. ^ Panjari, Swagata (October 1, 2018). "TMKOC: The journey of India's longest running TV show". Television Post. Archived from the original on June 22, 2020. Retrieved August 5, 2021.
  27. ^ "Adiós al Chavo del 8: murió Roberto Gómez Bolaños". Forbes Mexico. 2014-11-29. Archived from the original on 2014-12-05. Retrieved November 29, 2014.
  28. ^ "El Chavo del 8 – Historia". Chespirito (in Spanish). Archived from the original on February 2, 2011. Retrieved January 31, 2011.
  29. ^ a b "Meet El Chavo, The World's Most Famous (And Richest) Orphan". Forbes. Archived from the original on February 9, 2021. Retrieved November 29, 2014.
  30. ^ "Roger Hall Piece about Gliding On". NZ On Screen. Archived from the original on 12 August 2014. Retrieved 24 November 2014.
  31. ^ How Sitcoms Work, page 3 Archived 2012-06-29 at the Wayback Machine.
  32. ^ When British TV flies across the pond Archived 2015-10-04 at the Wayback Machine. CNN.com, April 6, 2012. Retrieved October 15, 2013.
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