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Roman temple

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The Maison Carrée in Nîmes, one of the best-preserved Roman temples.  It is a mid-sized Augustan provincial temple of the Imperial cult.
The Maison Carrée in Nîmes, one of the best-preserved Roman temples. It is a mid-sized Augustan provincial temple of the Imperial cult.
The Temple of Hercules Victor, in the Forum Boarium in Rome, 2nd century BC; the entablature is lost and the roof later.
The Temple of Hercules Victor, in the Forum Boarium in Rome, 2nd century BC; the entablature is lost and the roof later.
Roman temple of Alcántara, in Spain, a tiny votive temple built with an important bridge under Trajan
Roman temple of Alcántara, in Spain, a tiny votive temple built with an important bridge under Trajan
Temple of Augustus in Pula, Croatia, an early temple of the Imperial cult
Temple of Augustus in Pula, Croatia, an early temple of the Imperial cult

Ancient Roman temples were among the most important buildings in Roman culture, and some of the richest buildings in Roman architecture, though only a few survive in any sort of complete state. Today they remain "the most obvious symbol of Roman architecture".[1] Their construction and maintenance was a major part of ancient Roman religion, and all towns of any importance had at least one main temple, as well as smaller shrines. The main room (cella) housed the cult image of the deity to whom the temple was dedicated, and often a table for supplementary offerings or libations and a small altar for incense. Behind the cella was a room or rooms used by temple attendants for storage of equipment and offerings. The ordinary worshiper rarely entered the cella, and most public ceremonies were performed outside where the sacrificial altar was located, on the portico, with a crowd gathered in the temple precinct.[2][3]

The most common architectural plan had a rectangular temple raised on a high podium, with a clear front with a portico at the top of steps, and a triangular pediment above columns. The sides and rear of the building had much less architectural emphasis, and typically no entrances. There were also circular plans, generally with columns all round, and outside Italy there were many compromises with traditional local styles. The Roman form of temple developed initially from Etruscan temples, themselves influenced by the Greeks, with subsequent heavy direct influence from Greece.

Public religious ceremonies of the official Roman religion took place outdoors and not within the temple building. Some ceremonies were processions that started at, visited, or ended with a temple or shrine, where a ritual object might be stored and brought out for use, or where an offering would be deposited. Sacrifices, chiefly of animals, would take place at an open-air altar within the templum; often on one of the narrow extensions of the podium to the side of the steps. Especially under the Empire, exotic foreign cults gained followers in Rome, and were the local religions in large parts of the expanded Empire. These often had very different practices, some preferring underground places of worship, while others, like Early Christians, worshiped in houses.[4]

Some remains of many Roman temples still survive, above all in Rome itself, but the relatively few near-complete examples were nearly all converted into Christian churches (and sometimes subsequently to mosques), usually a considerable time after the initial triumph of Christianity under Constantine. The decline of Roman religion was relatively slow, and the temples themselves were not appropriated by the government until a decree of the Emperor Honorius in 415. Santi Cosma e Damiano, in the Roman Forum, originally the Temple of Romulus, was not dedicated as a church until 527. The best known is the Pantheon, Rome, which, however, is highly untypical, being a very large circular temple with a magnificent concrete roof, behind a conventional portico front.[5]

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Culture of ancient Rome

Culture of ancient Rome

The culture of ancient Rome existed throughout the almost 1200-year history of the civilization of Ancient Rome. The term refers to the culture of the Roman Republic, later the Roman Empire, which at its peak covered an area from present-day Lowland Scotland and Morocco to the Euphrates.

Cella

Cella

A cella or naos is the inner chamber of an ancient Greek or Roman temple in classical antiquity. Its enclosure within walls has given rise to extended meanings, of a hermit's or monk's cell, and since the 17th century, of a biological cell in plants or animals.

Cult (religious practice)

Cult (religious practice)

Cult is the care owed to deities and temples, shrines, or churches. Cult is embodied in ritual and ceremony. Its present or former presence is made concrete in temples, shrines and churches, and cult images, including votive offerings at votive sites.

List of Roman deities

List of Roman deities

The Roman deities most widely known today are those the Romans identified with Greek counterparts, integrating Greek myths, iconography, and sometimes religious practices into Roman culture, including Latin literature, Roman art, and religious life as it was experienced throughout the Empire. Many of the Romans' own gods remain obscure, known only by name and sometimes function, through inscriptions and texts that are often fragmentary. This is particularly true of those gods belonging to the archaic religion of the Romans dating back to the era of kings, the so-called "religion of Numa", which was perpetuated or revived over the centuries. Some archaic deities have Italic or Etruscan counterparts, as identified both by ancient sources and by modern scholars. Throughout the Empire, the deities of peoples in the provinces were given new theological interpretations in light of functions or attributes they shared with Roman deities.

Libation

Libation

A libation is a ritual pouring of a liquid, or grains such as rice, as an offering to a deity or spirit, or in memory of the dead. It was common in many religions of antiquity and continues to be offered in cultures today.

Podium

Podium

A podium is a platform used to raise something to a short distance above its surroundings. It derives from the Greek πόδι (foot). In architecture a building can rest on a large podium. Podiums can also be used to raise people, for instance the conductor of an orchestra stands on a podium as do many public speakers. Common parlance has shown an increasing use of podium in North American English to describe a lectern.

Pediment

Pediment

Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances.

Animal sacrifice

Animal sacrifice

Animal sacrifice is the ritual killing and offering of one or more animals, usually as part of a religious ritual or to appease or maintain favour with a deity. Animal sacrifices were common throughout Europe and the Ancient Near East until the spread of Christianity in Late Antiquity, and continue in some cultures or religions today. Human sacrifice, where it existed, was always much rarer.

Mosque

Mosque

A mosque or masjid is a place of prayer for Muslims. Mosques are usually covered buildings, but can be any place where prayers (sujud) are performed, including outdoor courtyards.

Constantine the Great and Christianity

Constantine the Great and Christianity

During the reign of the Roman Emperor Constantine the Great (AD 306–337), Christianity began to transition to the dominant religion of the Roman Empire. Historians remain uncertain about Constantine's reasons for favoring Christianity, and theologians and historians have often argued about which form of early Christianity he subscribed to. There is no consensus among scholars as to whether he adopted his mother Helena's Christianity in his youth, or, as claimed by Eusebius of Caesarea, encouraged her to convert to the faith he had adopted.

Honorius (emperor)

Honorius (emperor)

Honorius was Roman emperor from 393 to 423. He was the younger son of emperor Theodosius I and his first wife Aelia Flaccilla. After the death of Theodosius, Honorius ruled the western half of the empire while his brother Arcadius ruled the eastern half. In 410, during Honorius's reign over the Western Roman Empire, Rome was sacked for the first time in almost 800 years.

Pantheon, Rome

Pantheon, Rome

The Pantheon is a former Roman temple and, since 609 AD, a Catholic church in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus. It was rebuilt by the emperor Hadrian and probably dedicated c. 126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the inscription of Agrippa's older temple, which had burned down.

Terms

The English word "temple" derives from the Latin templum, which was originally not the building itself, but a sacred space surveyed and plotted ritually.[6] The Roman architect Vitruvius always uses the word templum to refer to the sacred precinct, and not to the building. The more common Latin words for a temple or shrine were sacellum (a small shrine or chapel), aedes, delubrum, and fanum (in this article, the English word "temple" refers to any of these buildings, and the Latin templum to the sacred precinct).

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Architecture

The form of the Roman temple was mainly derived from the Etruscan model, but in the late Republic there was a switch to using Greek classical and Hellenistic styles, without much change in the key features of the form. The Etruscans were a people of northern Italy, whose civilization was at its peak in the seventh century BC. The Etruscans were already influenced by early Greek architecture, so Roman temples were distinctive but with both Etruscan and Greek features.[7][8] Surviving temples (both Greek and Roman) lack the extensive painted statuary that decorated the rooflines, and the elaborate revetments and antefixes, in colourful terracotta in earlier examples, that enlivened the entablature.

Roman temple of Vic, part original, with parts restored
Roman temple of Vic, part original, with parts restored

Etruscan and Roman temples emphasised the front of the building, which followed Greek temple models and typically consisted of wide steps leading to a portico with columns, a pronaos, and usually a triangular pediment above, which was filled with statuary in the most grand examples; this was as often in terracotta as stone, and no examples have survived except as fragments. Especially in the earlier periods, further statuary might be placed on the roof, and the entablature decorated with antefixes and other elements, all of this being brightly painted. However, unlike the Greek models, which generally gave equal treatment to all sides of the temple, which could be viewed and approached from all directions, the side and rear walls of Roman temples might be largely undecorated (as in the Pantheon, Rome and Vic), inaccessible by steps (as in the Maison Carrée and Vic), and even back on to other buildings. As in the Maison Carrée, columns at the side might be half columns, emerging from ("engaged with" in architectural terminology) the wall.[9]

Ceiling of Temple of Jupiter, Diocletian's Palace, Split
Ceiling of Temple of Jupiter, Diocletian's Palace, Split

The platform on which the temple sat was typically raised higher in Etruscan and Roman examples than Greek, with up to ten, twelve or more steps rather than the three typical in Greek temples; the Temple of Claudius was raised twenty steps. These steps were normally only at the front, and typically not the whole width of that. It might or might not be possible to walk around the temple exterior inside (Temple of Hadrian) or outside the colonnade, or at least down the sides.[10] The description of the Greek models used here is a generalization of classical Greek ideals, and later Hellenistic buildings often do not reflect them. For example, the "Temple of Dionysus" on the terrace by the theatre at Pergamon (Ionic, 2nd century BC, on a hillside), had many steps in front, and no columns beyond the portico.[11] The Parthenon, also approached up a hill, probably had many wide steps at the approach to the main front, followed by a flat area before the final few steps.[12]

After the eclipse of the Etruscan models, the Greek classical orders in all their details were closely followed in the façades of Roman temples, as in other prestigious buildings, with the direct adoption of Greek models apparently beginning around 200 BC, under the late Republic. But the distinctive differences in the general arrangement of temples between the Etruscan-Roman style and the Greek, as outlined above, were retained. However the idealized proportions between the different elements in the orders set out by the only significant Roman writer on architecture to survive, Vitruvius, and subsequent Italian Renaissance writers, do not reflect actual Roman practice, which could be very variable, though always aiming at balance and harmony. Following a Hellenistic trend, the Corinthian order and its variant the Composite order were most common in surviving Roman temples, but for small temples like that at Alcántara, a simple Tuscan order could be used. Vitruvius does not recognise the Composite order in his writings, and covers the Tuscan order only as Etruscan; Renaissance writers formalized them from observing surviving buildings.[13]

A Roman mammisi or chapel added to Dendera Temple, using the traditional Egyptian temple style.
A Roman mammisi or chapel added to Dendera Temple, using the traditional Egyptian temple style.

The front of the temple typically carried an inscription saying who had built it, cut into the stone with a "V" section. This was filled with brightly coloured paint, usually scarlet or vermilion. In major imperial monuments the letters were cast in lead and held in by pegs, then also painted or gilded. These have usually long vanished, but archaeologists can generally reconstruct them from the peg-holes, and some have been re-created and set in place.[14]

There was considerable local variation in style, as Roman architects often tried to incorporate elements the population expected in its sacred architecture. This was especially the case in Egypt and the Near East, where different traditions of large stone temples were already millennia old. The Romano-Celtic temple was a simple style, usually with little use of stone, for small temples found in the Western Empire, and by far the most common type in Roman Britain, where they were usually square, with an ambulatory. It often lacked any of the distinctive classical features, and may have had considerable continuity with pre-Roman temples of the Celtic religion.[15]

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Etruscan architecture

Etruscan architecture

Etruscan architecture was created between about 900 BC and 27 BC, when the expanding civilization of ancient Rome finally absorbed Etruscan civilization. The Etruscans were considerable builders in stone, wood and other materials of temples, houses, tombs and city walls, as well as bridges and roads. The only structures remaining in quantity in anything like their original condition are tombs and walls, but through archaeology and other sources we have a good deal of information on what once existed.

Antefix

Antefix

An antefix is a vertical block which terminates and conceals the covering tiles of a tiled roof. It also serves to protect the join from the elements. In grand buildings, the face of each stone antefix was richly carved, often with the anthemion ornament. In less grand buildings moulded ceramic antefixes, usually terracotta, might be decorated with figures heads, either of humans, mythological creatures, or astrological iconography, especially in the Roman period. On temple roofs, maenads and satyrs were often alternated. The frightening features of the Gorgon, with its petrifying eyes and sharp teeth was also a popular motif to ward off evil. A Roman example from the Augustan period features the butting heads of two billy goats. It may have had special significance in imperial Rome since the constellation Capricorn was adopted by the emperor Augustus as his own lucky star sign and appeared on coins and legionary standards. By this time they were found on many large buildings, including private houses. The earliest examples in museum collections date back to the 7th century BCE in both Greece and Etruria.

Entablature

Entablature

An entablature is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave, the frieze, and the cornice. The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification.

Roman temple of Vic

Roman temple of Vic

The Roman temple of Vic is an ancient Roman temple located in the uptown area of Vic, in the heart of Osona, Catalonia (Spain).

Portico

Portico

A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures.

Pediment

Pediment

Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances.

Pantheon, Rome

Pantheon, Rome

The Pantheon is a former Roman temple and, since 609 AD, a Catholic church in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus. It was rebuilt by the emperor Hadrian and probably dedicated c. 126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the inscription of Agrippa's older temple, which had burned down.

Engaged column

Engaged column

In architecture, an engaged column is a column embedded in a wall and partly projecting from the surface of the wall, sometimes defined as semi- or three-quarter detached. Engaged columns are rarely found in classical Greek architecture, and then only in exceptional cases, but in Roman architecture they exist in abundance, most commonly embedded in the cella walls of pseudoperipteral buildings.

Diocletian's Palace

Diocletian's Palace

Diocletian's Palace is an ancient palace built for the Roman emperor Diocletian at the turn of the fourth century AD, which today forms about half the old town of Split, Croatia. While it is referred to as a "palace" because of its intended use as the retirement residence of Diocletian, the term can be misleading as the structure is massive and more resembles a large fortress: about half of it was for Diocletian's personal use, and the rest housed the military garrison.

Temple of Claudius

Temple of Claudius

The Temple of Claudius, also variously known as the Temple of the Divus Claudius, the Temple of the Divine Claudius, the Temple of the Deified Claudius, or in an abbreviated form as the Claudium, was an ancient structure that covered a large area of the Caelian Hill in Rome, Italy. It housed the Imperial cult of the Emperor Claudius, who was deified after his death in 54 AD.

Colonnade

Colonnade

In classical architecture, a colonnade is a long sequence of columns joined by their entablature, often free-standing, or part of a building. Paired or multiple pairs of columns are normally employed in a colonnade which can be straight or curved. The space enclosed may be covered or open. In St. Peter's Square in Rome, Bernini's great colonnade encloses a vast open elliptical space.

Pergamon

Pergamon

Pergamon or Pergamum, also referred to by its modern Greek form Pergamos (Πέργαμος), was a rich and powerful ancient Greek city in Mysia. It is located 26 kilometres (16 mi) from the modern coastline of the Aegean Sea on a promontory on the north side of the river Caicus and northwest of the modern city of Bergama, Turkey.

Circular plans

"Temple of Venus", Baalbek, from the rear
"Temple of Venus", Baalbek, from the rear

Romano-Celtic temples were often circular, and circular temples of various kinds were built by the Romans. Greek models were available in tholos shrines and some other buildings, as assembly halls and various other functions. Temples of the goddess Vesta, which were usually small, typically had this shape, as in those at Rome and Tivoli (see list), which survive in part. Like the Temple of Hercules Victor in Rome, which was perhaps by a Greek architect, these survivors had an unbroken colonnade encircling the building, and a low, Greek-style podium.[16]

Different formulae were followed in the Pantheon, Rome and a small temple at Baalbek (usually called the "Temple of Venus"), where the door is behind a full portico, though very different ways of doing this are used. In the Pantheon only the portico has columns, and the "thoroughly uncomfortable" exterior meeting of the portico and circular cella are often criticised. At Baalbek, a wide portico with a broken pediment is matched by four other columns round the building, with the architrave in scooped curving sections, each ending in a projection supported by a column.[17]

At Praeneste (modern Palestrina) near Rome, a huge pilgrimage complex of the 1st century BC led visitors up several levels with large buildings on a steep hillside, before they eventually reached the sanctuary itself, a much smaller circular building.[18]

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Baalbek

Baalbek

Baalbek is a city located east of the Litani River in Lebanon's Beqaa Valley, about 67 km (42 mi) northeast of Beirut. It is the capital of Baalbek-Hermel Governorate. In Greek and Roman times, Baalbek was also known as Heliopolis. In 1998, Baalbek had a population of 82,608, mostly Shia Muslims, followed by Sunni Muslims and Lebanese Arab Christians.

Tholos (architecture)

Tholos (architecture)

A tholos, from Ancient Greek θόλος, meaning "dome"), in Latin tholus, is an architectural feature that was widely used in the classical world. It is a round structure, usually built upon a couple of steps, with a ring of columns supporting a domed roof. It differs from a monopteros, a circular colonnade supporting a roof but without any walls, which therefore does not have a cella.

Tholos (Ancient Rome)

Tholos (Ancient Rome)

A tholos, in Latin tholus, is an architectural feature that was widely used in the classical world. It is a round structure, usually built upon a couple of steps (podium), with a ring of columns supporting a domed roof.

Vesta (mythology)

Vesta (mythology)

Vesta is the virgin goddess of the hearth, home, and family in Roman religion. She was rarely depicted in human form, and was more often represented by the fire of her temple in the Forum Romanum. Entry to her temple was permitted only to her priestesses, the Vestal Virgins, who guarded particular sacred objects within, prepared flour and sacred salt for official sacrifices, and tended Vesta's sacred fire at the temple hearth. Their virginity was thought essential to Rome's survival; if found guilty of inchastity, they were buried alive. As Vesta was considered a guardian of the Roman people, her festival, the Vestalia, was regarded as one of the most important Roman holidays. During the Vestalia privileged matrons walked barefoot through the city to the temple, where they presented food-offerings. Such was Vesta's importance to Roman religion that following the rise of Christianity, hers was one of the last non-Christian cults still active, until it was forcibly disbanded by the Christian emperor Theodosius I in AD 391.

Temple of Hercules Victor

Temple of Hercules Victor

The Temple of Hercules Victor or Hercules Olivarius ( is a Roman temple in Piazza Bocca della Verità in the area of the Forum Boarium near the Tiber in Rome. It is a tholos, a round temple of Greek 'peripteral' design completely surrounded by a colonnade. This layout caused it to be mistaken for a temple of Vesta until it was correctly identified by Napoleon's Prefect of Rome, Camille de Tournon.

Pantheon, Rome

Pantheon, Rome

The Pantheon is a former Roman temple and, since 609 AD, a Catholic church in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus. It was rebuilt by the emperor Hadrian and probably dedicated c. 126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the inscription of Agrippa's older temple, which had burned down.

Cella

Cella

A cella or naos is the inner chamber of an ancient Greek or Roman temple in classical antiquity. Its enclosure within walls has given rise to extended meanings, of a hermit's or monk's cell, and since the 17th century, of a biological cell in plants or animals.

Architrave

Architrave

In classical architecture, an architrave is the lintel or beam that rests on the capitals of columns.

Caesareum

Temple of the Imperial cult at  Vienne
Temple of the Imperial cult at Vienne

A caesareum was a temple devoted to the Imperial cult. Caesarea were located throughout the Roman Empire, and often funded by the imperial government, tending to replace state spending on new temples to other gods, and becoming the main or only large temple in new Roman towns in the provinces. This was the case at Évora, Vienne and Nîmes, which were all expanded by the Romans as coloniae from Celtic oppida soon after their conquest. Imperial temples paid for by the government usually used conventional Roman styles all over the empire, regardless of the local styles seen in smaller temples. In newly planned Roman cities the temple was normally centrally placed at one end of the forum, often facing the basilica at the other.[19]

In the city of Rome, a caesareum was located within the religious precinct of the Arval Brothers. In 1570, it was documented as still containing nine statues of Roman emperors in architectural niches.[20] Most of the earlier emperors had their own very large temples in Rome,[4] but a faltering economy meant that the building of new imperial temples mostly ceased after the reign of Marcus Aurelius (d. 180), though the Temple of Romulus on the Roman Forum was built and dedicated by the Emperor Maxentius to his son Valerius Romulus, who died in childhood in 309 and was deified.

One of the earliest and most prominent of the caesarea was the Caesareum of Alexandria, located on the harbour. It was begun by Cleopatra VII of the Ptolemaic dynasty, the last pharaoh of Ancient Egypt, to honour her dead lover Julius Caesar, then converted by Augustus to his own cult. During the 4th century, after the Empire had come under Christian rule, it was converted to a church.[21]

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Roman Empire

Roman Empire

The Roman Empire was the post-Republican period of ancient Rome. As a polity, it included large territorial holdings around the Mediterranean Sea in Europe, North Africa, and Western Asia, and was ruled by emperors. From the accession of Caesar Augustus as the first Roman emperor to the military anarchy of the 3rd century, it was a Principate with Italia as the metropole of its provinces and the city of Rome as its sole capital. The Empire was later ruled by multiple emperors who shared control over the Western Roman Empire and the Eastern Roman Empire. The city of Rome remained the nominal capital of both parts until AD 476 when the imperial insignia were sent to Constantinople following the capture of the Western capital of Ravenna by the Germanic barbarians. The adoption of Christianity as the state church of the Roman Empire in AD 380 and the fall of the Western Roman Empire to Germanic kings conventionally marks the end of classical antiquity and the beginning of the Middle Ages. Because of these events, along with the gradual Hellenization of the Eastern Roman Empire, historians distinguish the medieval Roman Empire that remained in the Eastern provinces as the Byzantine Empire.

Roman Temple of Évora

Roman Temple of Évora

The Roman Temple of Évora, also referred to as the Templo de Diana is an ancient temple in the Portuguese city of Évora. The temple is part of the historical centre of the city, which was included in the classification by UNESCO as a World Heritage Site. It represents one of the most significant landmarks relating to the Roman and Lusitanian civilizations of Évora and in Portuguese territory.

Nîmes

Nîmes

Nîmes is the prefecture of the Gard department in the Occitanie region of Southern France. Located between the Mediterranean Sea and Cévennes, the commune of Nîmes has an estimated population of 148,561 (2019).

Colonia (Roman)

Colonia (Roman)

A Roman colonia was originally a Roman outpost established in conquered territory to secure it. Eventually, however, the term came to denote the highest status of a Roman city. It is also the origin of the modern term colony.

Oppidum

Oppidum

An oppidum is a large fortified Iron Age settlement or town. Oppida are primarily associated with the Celtic late La Tène culture, emerging during the 2nd and 1st centuries BC, spread across Europe, stretching from Britain and Iberia in the west to the edge of the Hungarian plain in the east. These settlements continued to be used until the Romans conquered Southern and Western Europe. Many subsequently became Roman-era towns and cities, whilst others were abandoned. In regions north of the rivers Danube and Rhine, such as most of Germania, where the populations remained independent from Rome, oppida continued to be used into the 1st century AD.

Roman emperor

Roman emperor

The Roman emperor was the ruler and monarchial head of state of the Roman Empire during the imperial period. The emperors used a variety of different titles throughout history. Often when a given Roman is described as becoming "emperor" in English it reflects his taking of the title augustus. Another title often used was caesar, used for heirs-apparent, and imperator, originally a military honorific. Early emperors also used the title princeps civitatis. Emperors frequently amassed republican titles, notably princeps senatus, consul, and pontifex maximus.

Marcus Aurelius

Marcus Aurelius

Marcus Aurelius Antoninus was Roman emperor from 161 to 180 AD and a Stoic philosopher. He was the last of the rulers known as the Five Good Emperors, and the last emperor of the Pax Romana, an age of relative peace, calmness and stability for the Roman Empire lasting from 27 BC to 180 AD. He served as Roman consul in 140, 145, and 161.

Maxentius

Maxentius

Marcus Aurelius Valerius Maxentius was a Roman emperor, who reigned from 306 until his death in 312. Despite ruling in Italy and North Africa, and having the recognition of the Senate in Rome, he was not recognized as a legitimate emperor by his fellow emperors.

Caesareum of Alexandria

Caesareum of Alexandria

The Caesareum of Alexandria is an ancient temple in Alexandria, Egypt. It was conceived by Cleopatra VII of the Ptolemaic kingdom, the last pharaoh of Ancient Egypt, to honour her first known lover Julius Caesar or Mark Antony. The edifice was finished by the Roman Emperor Augustus, after he defeated Mark Antony and Cleopatra in Egypt. He destroyed all traces of Antony in Alexandria, and apparently dedicated the temple to his own cult.

Ptolemaic dynasty

Ptolemaic dynasty

The Ptolemaic dynasty, sometimes referred to as the Lagid dynasty, was a Macedonian Greek royal dynasty which ruled the Ptolemaic Kingdom in Ancient Egypt during the Hellenistic period. Their rule lasted for 275 years, from 305 to 30 BC. The Ptolemaic was the last dynasty of ancient Egypt.

Pharaoh

Pharaoh

Pharaoh is the vernacular term often used by modern authors for the kings and queens of ancient Egypt who ruled as monarchs from the First Dynasty until the annexation of Egypt by the Roman Empire in 30 BC. However, regardless of gender, "king" was the term used most frequently by the ancient Egyptians for their monarchs through the middle of the Eighteenth Dynasty during the New Kingdom. The earliest confirmed instances of "pharaoh" used contemporaneously for a ruler were a letter to Akhenaten or an inscription possibly referring to Thutmose III.

Ancient Egypt

Ancient Egypt

Ancient Egypt was a civilization in Northeast Africa situated in the Nile Valley. Ancient Egyptian civilization followed prehistoric Egypt and coalesced around 3100 BC with the political unification of Upper and Lower Egypt under Menes. The history of ancient Egypt occurred as a series of stable kingdoms, separated by periods of relative instability known as Intermediate Periods: the Old Kingdom of the Early Bronze Age, the Middle Kingdom of the Middle Bronze Age and the New Kingdom of the Late Bronze Age.

Influence

The Etruscan-Roman adaptation of the Greek temple model to place the main emphasis on the front façade and let the other sides of the building harmonize with it only as much as circumstances and budget allow has generally been adopted in Neoclassical architecture, and other classically derived styles. In these temple fronts with columns and a pediment are very common for the main entrance of grand buildings, but often flanked by large wings or set in courtyards. This flexibility has allowed the Roman temple front to be used in buildings made for a wide variety of purposes. The colonnade may no longer be pushed forward with a pronaus porch, and it may not be raised above the ground, but the essential shape remains the same. Among thousands of examples are the White House, Buckingham Palace, and St Peters, Rome; in recent years the temple front has become fashionable in China.[22]

Renaissance and later architects worked out ways of harmoniously adding high raised domes, towers and spires above a colonnaded temple portico front, something the Romans would have found odd. The Roman temple front remains a familiar feature of subsequent Early Modern architecture in the Western tradition, but although very commonly used for churches, it has lost the specific association with religion that it had for the Romans.[23] Generally, later adaptions lack the colour of the original, and though there may be sculpture filling the pediment in grand examples, the full Roman complement of sculpture above the roofline is rarely emulated.

Variations on the theme, mostly Italian in origin, include: San Andrea, Mantua, 1462 by Leon Battista Alberti, which took a four-columned Roman triumphal arch and added a pediment above; San Giorgio Maggiore, Venice, begun 1566, by Andrea Palladio, which has two superimposed temple fronts, one low and wide, the other tall and narrow; the Villa Capra "La Rotonda", 1567 on, also by Palladio, with four isolated temple fronts on each side of a rectangle, with a large central dome. In Baroque architecture two temple fronts, often of different orders, superimposed one above the other, became extremely common for Catholic churches, often with the uppermost one supported by huge volutes to each side. This can be seen developing in the Gesù, Rome (1584), Santa Susanna, Rome (1597), Santi Vincenzo e Anastasio a Trevi (1646) and Val-de-Grâce, Paris (1645 on).[24] The Palladian villas of the Veneto include numerous ingenious and influential variations on the theme of the Roman temple front.

An archetypical pattern for churches in Georgian architecture was set by St Martin-in-the-Fields in London (1720), by James Gibbs, who boldly added to the classical temple façade at the west end a large steeple on top of a tower, set back slightly from the main frontage. This formula shocked purists and foreigners, but became accepted and was very widely copied, at home and in the colonies,[25] for example at St Andrew's Church, Chennai in India and St. Paul's Chapel in New York City (1766).

La Madeleine, Paris (1807), now a church
La Madeleine, Paris (1807), now a church

Examples of modern buildings that stick more faithfully to the ancient rectangular temple form are only found from the 18th century onwards.[1] Versions of the Roman temple as a discrete block include La Madeleine, Paris (1807), now a church but built by Napoleon as a Temple de la Gloire de la Grande Armée ("Temple to the Glory of the Great Army"), the Virginia State Capitol as originally built in 1785–88, and Birmingham Town Hall (1832–34).[26]

Small Roman circular temples with colonnades have often been used as models, either for single buildings, large or small, or elements such as domes raised on drums, in buildings on another plan such as St Peters, Rome, St Paul's Cathedral in London and the United States Capitol. The great progenitor of these is the Tempietto of Donato Bramante in the courtyard of San Pietro in Montorio in Rome, c. 1502, which has been widely admired ever since.[27]

Though the Pantheon's large circular domed cella, with a conventional portico front, is "unique" in Roman architecture, it has been copied many times by modern architects. Versions include the church of Santa Maria Assunta in Ariccia by Gian Lorenzo Bernini (1664), which followed his work restoring the Roman original,[28] Belle Isle House (1774) in England, and Thomas Jefferson's library at the University of Virginia, The Rotunda (1817–26).[29] The Pantheon was much the largest and most accessible complete classical temple front known to the Italian Renaissance, and was the standard exemplar when these were revived.

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St Martin-in-the-Fields

St Martin-in-the-Fields

St Martin-in-the-Fields is a Church of England parish church at the north-east corner of Trafalgar Square in the City of Westminster, London. It is dedicated to Saint Martin of Tours. There has been a church on the site since at least the medieval period. It was at that time located in the farmlands and fields beyond the London wall, when it was awarded to Westminster Abbey for oversight.

James Gibbs

James Gibbs

James Gibbs was one of Britain's most influential architects. Born in Aberdeen, Scotland, he trained as an architect in Rome, and practised mainly in England. He is an important figure whose work spanned the transition between English Baroque architecture and Georgian architecture heavily influenced by Andrea Palladio. Among his most important works are St Martin-in-the-Fields, the cylindrical, domed Radcliffe Camera at Oxford University, and the Senate House at Cambridge University.

Neoclassical architecture

Neoclassical architecture

Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes.

Buckingham Palace

Buckingham Palace

Buckingham Palace is a London royal residence and the administrative headquarters of the monarch of the United Kingdom. Located in the City of Westminster, the palace is often at the centre of state occasions and royal hospitality. It has been a focal point for the British people at times of national rejoicing and mourning.

Renaissance architecture

Renaissance architecture

Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact.

Pedimental sculpture

Pedimental sculpture

Pedimental sculpture is a form of architectural sculpture designed for installation in the tympanum, the space enclosed by the architectural element called the pediment. Originally a feature of Ancient Greek architecture, pedimental sculpture started as a means to decorate a pediment in its simplest form: a low triangle, like a gable, above an horizontal base or entablature. However, as classical architecture developed from the basis of Ancient Greek and Roman architecture, the varieties of pedimental sculpture also developed. The sculpture can be either freestanding or relief sculpture, in which case it is attached to the back wall of the pediment. Harris in The Illustrated Dictionary of Historic Architecture defines pediment as "In classical architecture, the triangular gable end of the roof above the horizontal cornice, often filled with sculpture." Pediments can also be used to crown doors or windows.

Leon Battista Alberti

Leon Battista Alberti

Leon Battista Alberti was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths. He is considered the founder of Western cryptography, a claim he shares with Johannes Trithemius.

Triumphal arch

Triumphal arch

[[File:Arc by night, Paris 27 June 2012.jpg|thumb|right|300px|The Arc de Triomphe, [[Paris]style|attic]] on which a statue might be mounted or which bears commemorative inscriptions. Triumphal arches are one of the most influential and distinctive types of architecture associated with ancient Rome. Thought to have been invented by the Romans, the Roman triumphal arch was used to commemorate victorious generals or significant public events such as the founding of new colonies, the construction of a road or bridge, the death of a member of the imperial family or the ascension of a new emperor.

Andrea Palladio

Andrea Palladio

Andrea Palladio was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. While he designed churches and palaces, he was best known for country houses and villas. His teachings, summarized in the architectural treatise, The Four Books of Architecture, gained him wide recognition.

Baroque architecture

Baroque architecture

Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe.

Church of the Gesù

Church of the Gesù

The Church of the Gesù is the mother church of the Society of Jesus (Jesuits), a Catholic religious order. Officially named Chiesa del Santissimo Nome di Gesù all'Argentina, its facade is "the first truly baroque façade", introducing the baroque style into architecture. The church served as a model for innumerable Jesuit churches all over the world, especially in the Americas. Its paintings in the nave, crossing, and side chapels became models for Jesuit churches throughout Italy and Europe, as well as those of other orders. The Church of the Gesù is located in the Piazza del Gesù in Rome.

Santi Vincenzo e Anastasio a Trevi

Santi Vincenzo e Anastasio a Trevi

Santi Vincenzo e Anastasio a Trevi is a Baroque church in Rome, the capital of Italy. Built from 1646 to 1650 to the design of architect Martino Longhi the Younger and located in close proximity to the Trevi Fountain and the Quirinal Palace, for which it served as parish church, it is notable as the place where the precordia and embalmed hearts of 22 popes from Sixtus V to Leo XIII are preserved.

Temple of Jupiter Optimus Maximus

Relief of Marcus Aurelius sacrificing at the 4th temple (left)
Relief of Marcus Aurelius sacrificing at the 4th temple (left)

The Temple of Jupiter Optimus Maximus on the Capitoline Hill was the oldest large temple in Rome, dedicated to the Capitoline Triad consisting of Jupiter and his companion deities, Juno and Minerva, and had a cathedral-like position in the official religion of Rome. It was destroyed by fire three times, and rapidly rebuilt in contemporary styles. The first building, traditionally dedicated in 509 BC,[30] has been claimed to have been almost 60 m × 60 m (200 ft × 200 ft), much larger than other Roman temples for centuries after, although its size is heavily disputed by specialists. Whatever its size, its influence on other early Roman temples was significant and long-lasting.[31] The same may have been true for the later rebuildings, though here the influence is harder to trace.

For the first temple Etruscan specialists were brought in for various aspects of the building, including making and painting the extensive terracotta elements of the entablature or upper parts, such as antefixes.[32] But for the second building they were summoned from Greece. Rebuildings after destruction by fire were completed in 69 BC, 75 AD, and in the 80s AD, under Domitian – the third building only lasted five years before burning down again. After a major sacking by Vandals in 455, and comprehensive removal of stone in the Renaissance, only foundations can now be seen, in the basement of the Capitoline Museums.[33] The sculptor Flaminio Vacca (d 1605) claimed that the life-size Medici lion he carved to match a Roman survival, now in Florence, was made from a single capital from the temple.[34]

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Marcus Aurelius

Marcus Aurelius

Marcus Aurelius Antoninus was Roman emperor from 161 to 180 AD and a Stoic philosopher. He was the last of the rulers known as the Five Good Emperors, and the last emperor of the Pax Romana, an age of relative peace, calmness and stability for the Roman Empire lasting from 27 BC to 180 AD. He served as Roman consul in 140, 145, and 161.

Capitoline Hill

Capitoline Hill

The Capitolium or Capitoline Hill, between the Forum and the Campus Martius, is one of the Seven Hills of Rome.

Capitoline Triad

Capitoline Triad

The Capitoline Triad was a group of three deities who were worshipped in ancient Roman religion in an elaborate temple on Rome's Capitoline Hill. It comprised Jupiter, Juno and Minerva. The triad held a central place in the public religion of Rome.

Juno (mythology)

Juno (mythology)

Juno was an ancient Roman goddess, the protector and special counsellor of the state. She was equated to Hera, queen of the gods in Greek mythology and a goddess of love and marriage. A daughter of Saturn, she was the sister and wife of Jupiter and the mother of Mars, Vulcan, Bellona and Juventas. Like Hera, her sacred animal was the peacock. Her Etruscan counterpart was Uni, and she was said to also watch over the women of Rome. As the patron goddess of Rome and the Roman Empire, Juno was called Regina ("Queen") and was a member of the Capitoline Triad, centered on the Capitoline Hill in Rome, and also including Jupiter, and Minerva, goddess of wisdom.

Minerva

Minerva

Minerva is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic war. From the second century BC onward, the Romans equated her with the Greek goddess Athena. Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno.

Entablature

Entablature

An entablature is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave, the frieze, and the cornice. The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification.

Antefix

Antefix

An antefix is a vertical block which terminates and conceals the covering tiles of a tiled roof. It also serves to protect the join from the elements. In grand buildings, the face of each stone antefix was richly carved, often with the anthemion ornament. In less grand buildings moulded ceramic antefixes, usually terracotta, might be decorated with figures heads, either of humans, mythological creatures, or astrological iconography, especially in the Roman period. On temple roofs, maenads and satyrs were often alternated. The frightening features of the Gorgon, with its petrifying eyes and sharp teeth was also a popular motif to ward off evil. A Roman example from the Augustan period features the butting heads of two billy goats. It may have had special significance in imperial Rome since the constellation Capricorn was adopted by the emperor Augustus as his own lucky star sign and appeared on coins and legionary standards. By this time they were found on many large buildings, including private houses. The earliest examples in museum collections date back to the 7th century BCE in both Greece and Etruria.

Domitian

Domitian

Domitian was a Roman emperor who reigned from 81 to 96. The son of Vespasian and the younger brother of Titus, his two predecessors on the throne, he was the last member of the Flavian dynasty. Described as "a ruthless but efficient autocrat", his authoritarian style of ruling put him at sharp odds with the Senate, whose powers he drastically curtailed.

Capitoline Museums

Capitoline Museums

The Capitoline Museums are a group of art and archaeological museums in Piazza del Campidoglio, on top of the Capitoline Hill in Rome, Italy. The historic seats of the museums are Palazzo dei Conservatori and Palazzo Nuovo, facing on the central trapezoidal piazza in a plan conceived by Michelangelo in 1536 and executed over a period of more than 400 years.

Flaminio Vacca

Flaminio Vacca

Flaminio Vacca or Vacchi was an Italian sculptor.

Medici lions

Medici lions

The Medici lions are a pair of marble sculptures of lions: one of which is Roman, dating to the 2nd century AD, and the other a 16th-century pendant. Both were by 1598 placed at the Villa Medici, Rome. Since 1789 they have been displayed at the Loggia dei Lanzi in Florence. The sculptures depict standing male lions with a sphere or ball under one paw, looking to the side.

Florence

Florence

Florence is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.

Substantial survivals

View of the Temple of Romulus, from the Palatine Hill.
View of the Temple of Romulus, from the Palatine Hill.
Temple of Saturn, Roman Forum, 8 impressive columns and architrave remain standing
Temple of Saturn, Roman Forum, 8 impressive columns and architrave remain standing
Temple of Janus as seen in the present church of San Nicola in Carcere, in the Forum Holitorium of Rome, Italy, dedicated by Gaius Duilius after his naval victory at the Battle of Mylae in 260 BC[35]
Temple of Janus as seen in the present church of San Nicola in Carcere, in the Forum Holitorium of Rome, Italy, dedicated by Gaius Duilius after his naval victory at the Battle of Mylae in 260 BC[35]
Capitoleum of Dougga, Tunisia
Capitoleum of Dougga, Tunisia

Most of the best survivals had been converted to churches (and sometimes later mosques), which some remain. Often the porticos were walled in between the columns, and the original cella front and side walls largely removed to create a large single space in the interior. Rural areas in the Islamic world have some good remains, which had been left largely undisturbed. In Spain some remarkable discoveries (Vic, Cordoba, Barcelona) were made in the 19th century when old buildings being reconstructed or demolished were found to contain major remains encased in later buildings. In Rome, Pula, and elsewhere some walls incorporated in later buildings have always been evident. The squared-off blocks of temple walls have always been attractive for later builders to reuse, while the large pieces of massive columns were less easy to remove and make use of; hence the podium, minus facing, and some columns are often all that remain. In most cases loose pieces of stone have been removed from the site, and some such as capitals may be found in local museums, along with non-architectural items excavated, such as terracotta votive statuettes or amulets, which are often found in large numbers.[36] Very little indeed survives in place from the significant quantities of large sculpture that originally decorated temples.[37]

Rome
Elsewhere

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List of Ancient Roman temples

List of Ancient Roman temples

This is a list of ancient Roman temples, built during antiquity by the people of ancient Rome or peoples belonging to the Roman Empire. Roman temples were dedicated to divinities from the Roman pantheon.

Baalbek

Baalbek

Baalbek is a city located east of the Litani River in Lebanon's Beqaa Valley, about 67 km (42 mi) northeast of Beirut. It is the capital of Baalbek-Hermel Governorate. In Greek and Roman times, Baalbek was also known as Heliopolis. In 1998, Baalbek had a population of 82,608, mostly Shia Muslims, followed by Sunni Muslims and Lebanese Arab Christians.

Lebanon

Lebanon

Lebanon, officially the Republic of Lebanon or the Lebanese Republic, is a country in Western Asia. It is located between Syria to the north and east and Israel to the south, while Cyprus lies to its west across the Mediterranean Sea; its location at the crossroads of the Mediterranean Basin and the Arabian hinterland has contributed to its rich history and shaped a cultural identity of religious diversity. It is part of the Levant region of the Middle East. Lebanon is home to more than five million people and covers an area of 10,452 square kilometres (4,036 sq mi), making it the second-smallest country in continental Asia. The official language of the state is Arabic, while French is also formally recognized; Lebanese Arabic is used alongside Modern Standard Arabic throughout the country.

Palatine Hill

Palatine Hill

The Palatine Hill, which relative to the seven hills of Rome is the centremost, is one of the most ancient parts of the city and has been called "the first nucleus of the Roman Empire." The site is now mainly a large open-air museum while the Palatine Museum houses many finds from the excavations here and from other ancient Italian sites.

Mount Vesuvius

Mount Vesuvius

Mount Vesuvius is a somma-stratovolcano located on the Gulf of Naples in Campania, Italy, about 9 km (5.6 mi) east of Naples and a short distance from the shore. It is one of several volcanoes forming the Campanian volcanic arc. Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera, resulting from the collapse of an earlier, much higher structure.

Romano-Celtic temple

Romano-Celtic temple

A Romano-Celtic temple is a sub-class of Roman temple found in the north-western provinces of the Roman Empire. Many may have had roots in the late Iron Age either in direct relation to pre-Roman structures or on sites with pre-Roman activity.

Roman Forum

Roman Forum

The Roman Forum, also known by its Latin name Forum Romanum, is a rectangular forum (plaza) surrounded by the ruins of several important ancient government buildings at the center of the city of Rome. Citizens of the ancient city referred to this space, originally a marketplace, as the Forum Magnum, or simply the Forum.

San Nicola in Carcere

San Nicola in Carcere

San Nicola in Carcere is a titular church in Rome near the Forum Boarium in rione Sant'Angelo. It is one of the traditional stational churches of Lent.

Forum Holitorium

Forum Holitorium

The Forum Holitorium is an archaeological area of Rome, Italy, on the slopes of the Capitoline Hill. It was "oddly located" outside the Porta Carmentalis in the Campus Martius, crowded between the Forum Boarium and buildings located in the Circus Flaminius. In ancient times it was the fruit and vegetable market, while the area of the adjacent Forum Boarium served as meat market. It also included a sacred area with three small temples dedicated to Janus, Spes and Juno Sospita.

Gaius Duilius

Gaius Duilius

Gaius Duilius was a Roman general and statesman. As consul in 260 BC, during the First Punic War, he won Rome's first ever victory at sea by defeating the Carthaginians at the Battle of Mylae. He later served as censor in 258, and was appointed dictator to hold elections in 231, but never held another command.

Battle of Mylae

Battle of Mylae

The Battle of Mylae took place in 260 BC during the First Punic War and was the first real naval battle between Carthage and the Roman Republic. This battle was key in the Roman victory of Mylae as well as Sicily itself. It also marked Rome's first naval triumph and also the first use of the corvus in battle.

Dougga

Dougga

Dougga or Thugga or TBGG was a Berber, Punic and Roman settlement near present-day Téboursouk in northern Tunisia. The current archaeological site covers 65 hectares. UNESCO qualified Dougga as a World Heritage Site in 1997, believing that it represents "the best-preserved Roman small town in North Africa". The site, which lies in the middle of the countryside, has been protected from the encroachment of modern urbanization, in contrast, for example, to Carthage, which has been pillaged and rebuilt on numerous occasions. Dougga's size, its well-preserved monuments and its rich Numidian-Berber, Punic, ancient Roman and Byzantine history make it exceptional. Amongst the most famous monuments at the site are a Libyco-Punic Mausoleum, the Capitol, the Roman theatre, and the temples of Saturn and of Juno Caelestis.

Source: "Roman temple", Wikipedia, Wikimedia Foundation, (2023, March 14th), https://en.wikipedia.org/wiki/Roman_temple.

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See also
The Temple of Neptune at the Monrepos Park in Vyborg, Russia
The Temple of Neptune at the Monrepos Park in Vyborg, Russia
Notes
  1. ^ a b Summerson (1980), 25
  2. ^ Sarah Iles Johnston (2004). Religions of the Ancient World: A Guide. Harvard University Press. p. 278. ISBN 0674015177.
  3. ^ Hans-Josef Klauck (2003). Religious Context of Early Christianity: A Guide To Graeco-Roman Religions (reprint ed.). A&C Black. p. 23. ISBN 0567089436.
  4. ^ a b Sear
  5. ^ Wheeler, 104–106; Sear
  6. ^ Stamper, 10
  7. ^ Campbell, Jonathan (1998). Roman Art and Architecture – from Augustus to Constantine. Pearson Education New Zealand. ISBN 978-0-582-73984-0.
  8. ^ Boardman, 255; Henig, 56
  9. ^ Wheeler, 89; Henig, 56
  10. ^ Henig, 56, Wheeler, 89
  11. ^ Cook, R.M., Greek Art, plate 86 and caption, Penguin, 1986 (reprint of 1972), ISBN 0140218661
  12. ^ 16 in a reconstruction drawing by G. Stephens, p. 38 in The Acropolis: Monuments and Museum, by G. Papathanassopoulos, Krene Editions, 1977
  13. ^ Summerson (1980), 8–13
  14. ^ Henig, 225
  15. ^ Henig, 56–57; Wheeler, 100–104: Sear
  16. ^ Wheeler, 100–104; Sear
  17. ^ Wheeler, 97–106, 105 quoted. Originally, the "uncomfortable" junction was screened by a wall and less apparent.
  18. ^ Boardman, 256–257
  19. ^ Henig, 55; Sear
  20. ^ The statues are all lost, but the base for the statue of Marcus Aurelius survives, and the inscriptions of seven of the nine are recorded in volume 6 of the Corpus Inscriptionum Latinarum. Jane Fejfer, Roman Portraits in Context (Walter de Gruyter, 2008), p. 86.
  21. ^ David M. Gwynn, "Archaeology and the 'Arian Controversy' in the Fourth Century," in Religious Diversity in Late Antiquity (Brill, 2010), p. 249.
  22. ^ Heathcote, Edwin, Review of Original Copies: Architectural Mimicry in Contemporary China, by Bianca Bosker, University of Hawaii Press, The Financial Times, January 25, 2013
  23. ^ Anthony Grafton, Glenn W Most, Salvatore Settis, eds., The Classical Tradition, 927, 2010, Harvard University Press, ISBN 0674035720, 9780674035720, google books
  24. ^ Summerson (1980), captions to illustrations 21, 41, 42, 72–75
  25. ^ Summerson (1988), 64–70
  26. ^ Summerson (1980), 28. The Virginia State Capitol is specifically based on the Maison carre, but in a cheaper Ionic rather than Corinthian.
  27. ^ Summerson (1980), 25, 41–42, 49–51
  28. ^ Summerson (1980), 38–39, 38 quoted
  29. ^ Summerson (1980), 38–39
  30. ^ Ab urbe condita, 2.8
  31. ^ Stamper, 33 and all Chapters 1 and 2. Stamper is a leading protagonist of a smaller size, rejecting the larger size proposed by the late Einar Gjerstad.
  32. ^ Stamper, 12–13
  33. ^ Stamper, 14–15, 33 and all Chapters 1 and 2; Rykwert, Joseph, The Dancing Column: On Order in Architecture, 357–360, 1998, MIT Press, ISBN 0262681013, 9780262681018, google books; Entry on "Aedes Iovis Optimi Maximi Capitolini" from A Topographical Dictionary of Ancient Rome, by Samuel Ball Platner (as completed and revised by Thomas Ashby), Oxford University Press, 1929
  34. ^ Stamper, 15
  35. ^ Tacitus. Annales. II.49.
  36. ^ Vickers, Michael, Ancient Rome, Preface, 1989, Elsevier-Phaidon; Henig, 191–199
  37. ^ Strong, 48
  38. ^ Wheeler, 93–96
References
Further reading
  • Anderson, James C. 1997. Roman architecture and society. Baltimore: Johns Hopkins Univ. Press.
  • Bailey, Donald. M. 1990. "Classical architecture in Egypt." In Architecture and architectural sculpture in the Roman Empire. Edited by Martin Henig, 121–137. Oxford: Oxford Univ. Committee for Archaeology.
  • Barton, Ian M. 1982. "Capitoline temples in Italy and the provinces." In Aufstieg und Niedergang der römischen Welt (ANRW) Vol. 2.12.1. Edited by Hildegard Temporini, 259–342. Berlin and New York: de Gruyter.
  • Claridge, Amanda, Rome (Oxford Archaeological Guides), 1998, Oxford University Press, ISBN 0192880039
  • Grasshoff, Gerd, Michael Heinzelmann, and Markus Wäfler, eds. 2009. The Pantheon in Rome: Contributions to the conference, Bern, November 9–12, 2006. Bern, Switzerland: Bern Studies.
  • Hetland, Lisa. 2007. "Dating the Pantheon." Journal of Roman Archaeology 20:95–112.
  • Johnson, Peter and Ian Haynes eds. 1996. Architecture in Roman Britain. Papers presented at a conference organized by the Roman Research Trust and held at the Museum of London in November 1991. York, UK: Council for British Archaeology.
  • MacDonald, W. L. 1976. The Pantheon: Design, meaning, and progeny. Cambridge, MA: Harvard Univ. Press.
  • --. 1982. The architecture of the Roman Empire: An introductory study. 2d rev. ed. New Haven, CT: Yale Univ. Press.
  • Mierse, William E. 1999. Temples and towns in Roman Iberia: The social and architectural dynamics of sanctuary designs from the third century B.C. to the third century A.D. Berkeley and Los Angeles: Univ. of California Press.
  • North, John A. 2000. Roman Religion. Oxford: Oxford University Press for the Classical Association.
  • Sear, Frank. 1982. Roman architecture. London: Batsford.
  • Thomas, Edmund V. 2007. Monumentality and the Roman Empire: Architecture in the Antonine age. Oxford: Oxford Univ. Press.
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