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Roman hairstyles

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Marble bust 'Matidia 1' c.119 CE
Marble bust 'Matidia 1' c.119 CE
Roman statue of a woman with elaborate hairstyle (Aphrodisias, 2nd century AD)
Roman statue of a woman with elaborate hairstyle (Aphrodisias, 2nd century AD)

Hairstyle fashion in Rome was ever changing, and particularly in the Roman Imperial Period there were a number of different ways to style hair. As with clothes, there were several hairstyles that were limited to certain people in ancient society. Styles are so distinctive they allow scholars today to create a chronology of Roman portraiture and art; we are able to date pictures of the empresses on coins or identify busts depending on their hairstyles.

Barbery was introduced to Rome by Publius Titinius Menas, who, in 209 or 300 BCE, brought a barber from the Greek colonies in Sicilly. During earlier parts of Roman history, most people acted as their own barber. Due to the difficulty in handling the tools of barbery, professional barbery became a profession. This profession prospered most during the Imperial period.

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Rome

Rome

Rome is the capital city of Italy. It is also the capital of the Lazio region, the centre of the Metropolitan City of Rome, and a special comune named Comune di Roma Capitale. With 2,860,009 residents in 1,285 km2 (496.1 sq mi), Rome is the country's most populated comune and the third most populous city in the European Union by population within city limits. The Metropolitan City of Rome, with a population of 4,355,725 residents, is the most populous metropolitan city in Italy. Its metropolitan area is the third-most populous within Italy. Rome is located in the central-western portion of the Italian Peninsula, within Lazio (Latium), along the shores of the Tiber. Vatican City is an independent country inside the city boundaries of Rome, the only existing example of a country within a city. Rome is often referred to as the City of Seven Hills due to its geographic location, and also as the "Eternal City". Rome is generally considered to be the "cradle of Western civilization and Christian culture", and the centre of the Catholic Church.

Roman Empire

Roman Empire

The Roman Empire was the post-Republican period of ancient Rome. As a polity, it included large territorial holdings around the Mediterranean Sea in Europe, North Africa, and Western Asia, and was ruled by emperors. From the accession of Caesar Augustus as the first Roman emperor to the military anarchy of the 3rd century, it was a Principate with Italia as the metropole of its provinces and the city of Rome as its sole capital. The Empire was later ruled by multiple emperors who shared control over the Western Roman Empire and the Eastern Roman Empire. The city of Rome remained the nominal capital of both parts until AD 476 when the imperial insignia were sent to Constantinople following the capture of the Western capital of Ravenna by the Germanic barbarians. The adoption of Christianity as the state church of the Roman Empire in AD 380 and the fall of the Western Roman Empire to Germanic kings conventionally marks the end of classical antiquity and the beginning of the Middle Ages. Because of these events, along with the gradual Hellenization of the Eastern Roman Empire, historians distinguish the medieval Roman Empire that remained in the Eastern provinces as the Byzantine Empire.

Roman portraiture

Roman portraiture

Roman portraiture was one of the most significant periods in the development of portrait art. Originating from ancient Rome, it continued for almost five centuries. Roman portraiture is characterised by unusual realism and the desire to convey images of nature in the high quality style often seen in ancient Roman art. Some busts even seem to show clinical signs. Several images and statues made in marble and bronze have survived in small numbers. Roman funerary art includes many portraits such as married couple funerary reliefs, which were most often made for wealthy freedmen rather than the patrician elite.

Titinia gens

Titinia gens

The gens Titinia was a minor plebeian family at ancient Rome. Members of this gens are mentioned as early as the time of the decemvirs, but only a few held any magistracies, and none of them ever attained the consulship.

Greek colonisation

Greek colonisation

Greek Colonization refers to the expansion of Archaic Greeks, particularly during the 8th–6th centuries BC, across the Mediterranean Sea and the Black Sea.

Sicily

Sicily

Sicily is the largest and most populous island in the Mediterranean Sea and one of the 20 regions of Italy. The Strait of Messina divides it from the region of Calabria in Southern Italy. It is one of the five Italian autonomous regions and is officially referred to as Regione Siciliana. The region has 5 million inhabitants. Its capital city is Palermo.

Significance

A young woman sits while a servant fixes her hair with the help of a cupid, who holds up a mirror to offer a reflection, detail of a fresco from the Villa of the Mysteries, Pompeii, c. 50 BC
A young woman sits while a servant fixes her hair with the help of a cupid, who holds up a mirror to offer a reflection, detail of a fresco from the Villa of the Mysteries, Pompeii, c. 50 BC

Much like today, hair for the Romans was as much an expression of personal identity as clothes. Hairstyles were determined by a number of factors, namely gender, age, social status, wealth and profession. A woman's hairstyle expressed her individuality in the ancient Roman World. How one dressed one's hair was an indication of a person's status and role in society.

Hair was a very erotic area of the female body for the Romans, and attractiveness of a woman was tied to the presentation of her hair. As a result, it was seen as appropriate for a woman to spend time on her hair in order to create a flattering appearance. Hairdressing and its necessary accompaniment, mirror gazing, were seen as distinctly feminine activities. Lengthy grooming sessions for women were tolerated, despite writers such as Tertullian and Pliny commenting on their abhorrence for time and energy women dedicate to their hair.[1] However, the numerous depictions of women hairdressing and mirror-gazing in tomb reliefs and portraiture is a testament to how much hairdressing was seen as part of the female domain.[2]

For more than just attractiveness, hairstyling was the leisure pursuit of the cultured, elegant woman. Hair was seen as much as an indication of wealth and social status as it was of taste and fashion. But unlike modern-day hairstyles, comfort and naturalism for the Romans took a back-seat to hairstyles that displayed the wearer's wealth to a maximum. In other words, having a complex and unnatural hairstyle would be preferred to a simple one, because it would illustrate the wealth of the wearer in being able to afford to take the time to style their hair.[3] For women to have a fashionable hairstyle showed they were part of the elegant Roman culture.

A 'natural' style was associated with barbarians, who the Romans believed had neither the money nor the culture to create these styles. "Natural" showed a lack of culture, and grooming of the hair went hand-in-hand with being part of a sophisticated civilization. The association with barbarians was why Roman men kept their hair cut short.[3] It was the job of slave hairdressers, called ornatrices, to create their master's hairstyle new each day, as well as pulling out any grey hairs.[4]

Apart from society, hair was used symbolically to mark rites of passage; for instance, loosened hair was common at a funeral, and the seni crines was the hairstyle worn by brides and Vestal Virgins; divided and plaited into six braids, and in the case of the bride, it was parted with a spear.[5] A bride's hair was parted with a hasta recurva or hasta caelibaris, a bent iron spearhead and crowned with flowers. In addition to ceremonies hairstyle defined the age of a woman.[6] There was a marked difference in hair acceptable for preadolescent girls and sexually mature women. Preadolescent girls would often have long hair cascading down the back where as women would have equally long hair but it would be controlled through wrapping and braiding.

Medical and religious

It was common for sailors to shave their eyebrows and dedicate the hair to the gods, to earn their protection. The Vestal virgins would hang leftover hair on trees as a religious service and to consecrate a person. In Martial's Epigrams a character named Encolpus dedicates their hair to a character named Phoebus.[7] The Romans also believed that shaving one's head was necessary for diagnosing certain illnesses. Pliny the Elder suggested many possible cures and remedies for balding hair.[8] It was a popular custom to dedicate the hair from someone's first haircut to the gods. Usually, the time a Roman would perform this act was when they reached the age of 20 or donned the toga virillis.[9]

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Cupid

Cupid

In classical mythology, Cupid is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known as Amor. His Greek counterpart is Eros. Although Eros is generally portrayed as a slender winged youth in Classical Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons, he experiences the ordeal of love. Although other extended stories are not told about him, his tradition is rich in poetic themes and visual scenarios, such as "Love conquers all" and the retaliatory punishment or torture of Cupid.

Fresco

Fresco

Fresco is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently Buon fresco technology, the use of supplementary organic materials was widespread, if underrecognized.

Consecration

Consecration

Consecration is the transfer of a person or a thing to the sacred sphere for a special purpose or service. The word consecration literally means "association with the sacred". Persons, places, or things can be consecrated, and the term is used in various ways by different groups. The origin of the word comes from the Latin stem consecrat, which means dedicated, devoted, and sacred. A synonym for consecration is sanctification; its antonym is desecration.

Martial

Martial

Marcus Valerius Martialis was a Roman poet from Hispania best known for his twelve books of Epigrams, published in Rome between AD 86 and 103, during the reigns of the emperors Domitian, Nerva and Trajan. In these short, witty poems he cheerfully satirises city life and the scandalous activities of his acquaintances, and romanticises his provincial upbringing. He wrote a total of 1,561 epigrams, of which 1,235 are in elegiac couplets.

Epigram

Epigram

An epigram is a brief, interesting, memorable, and sometimes surprising or satirical statement. The word is derived from the Greek ἐπίγραμμα epígramma "inscription" from ἐπιγράφειν epigráphein "to write on, to inscribe", and the literary device has been employed for over two millennia.

Character (arts)

Character (arts)

In fiction, a character is a person or other being in a narrative. The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word χαρακτήρ, the English word dates from the Restoration, although it became widely used after its appearance in Tom Jones by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed. Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating characters, as practiced by actors or writers, has been called characterisation.

Diagnosis

Diagnosis

Diagnosis is the identification of the nature and cause of a certain phenomenon. Diagnosis is used in many different disciplines, with variations in the use of logic, analytics, and experience, to determine "cause and effect". In systems engineering and computer science, it is typically used to determine the causes of symptoms, mitigations, and solutions.

Disease

Disease

A disease is a particular abnormal condition that negatively affects the structure or function of all or part of an organism, and that is not immediately due to any external injury. Diseases are often known to be medical conditions that are associated with specific signs and symptoms. A disease may be caused by external factors such as pathogens or by internal dysfunctions. For example, internal dysfunctions of the immune system can produce a variety of different diseases, including various forms of immunodeficiency, hypersensitivity, allergies and autoimmune disorders.

Cure

Cure

A cure is a substance or procedure that ends a medical condition, such as a medication, a surgical operation, a change in lifestyle or even a philosophical mindset that helps end a person's sufferings; or the state of being healed, or cured. The medical condition could be a disease, mental illness, genetic disorder, or simply a condition a person considers socially undesirable, such as baldness or lack of breast tissue.

Hair loss

Hair loss

Hair loss, also known as alopecia or baldness, refers to a loss of hair from part of the head or body. Typically at least the head is involved. The severity of hair loss can vary from a small area to the entire body. Inflammation or scarring is not usually present. Hair loss in some people causes psychological distress.

Convention (norm)

Convention (norm)

A convention is a set of agreed, stipulated, or generally accepted standards, social norms, or other criteria, often taking the form of a custom.

20 (number)

20 (number)

20 is the natural number following 19 and preceding 21. A group of twenty units may also be referred to as a score.

Headgear

Statue showing palla drawn over head. This hairstyle is that of the Antonine Period.
Statue showing palla drawn over head. This hairstyle is that of the Antonine Period.

Veils

Perhaps due to its erotic association, hair was often linked with Roman ideas of female modesty and honour. We know that veils were important in this case, as they protected against (or encouraged, according to Seneca the Elder) solicitations by men.[10] The palla was the mark of a married, respectable woman. It was a piece of cloth wrapped around the body with one end over the shoulder. There is significant evidence for the palla being draped over the back of the head as a veil.[11]

The palla supposedly signified the dignity and sexual modesty of a married woman, but due to its encumbering nature as a veil, there has been much debate whether it was only worn in public by the aristocracy, or if at all by working women of lower classes.[12] Vittae were woollen fillets that bound a married woman's hair. They were another indication of a wife's modesty and purity and were seen as part of the clothing and presentation of a matron.[13] Vittae could be inset with precious stones, or in the case of the Flaminicae, they would be purple in colour.

Wigs

Due to the nature of hair and the relatively wet climate in the upper reaches of the Roman Empire, there are very few examples of wigs that survive to this day. Women wore wigs whether they were bald or not. So too did men; Emperor Otho wore a wig, as did Domitian.[14] Wigs allowed women to better achieve the kind of 'tall' styles that particularly punctuated the Flavian and Trajanic eras (e.g. the periods of 69–96 and 98–117 AD). So tall were these hairstyles, that ancient writer Juvenal likens them to multi-storey buildings.

So important is the business of beautification; so numerous are the tiers and storeys piled one upon another on her head!

— Juvenal, Satires[15]
Fresco showing a woman looking in a mirror as she dresses (or undresses) her hair, from the Villa of Arianna at Stabiae (Castellammare di Stabia), 1st century AD
Fresco showing a woman looking in a mirror as she dresses (or undresses) her hair, from the Villa of Arianna at Stabiae (Castellammare di Stabia), 1st century AD

Wigs were made from human hair; blonde hair from Germany and black from India were particularly prized, especially if the hair came from the head of a person from a conquered civilisation.[16] The blond hair of various Germanic peoples symbolized the spoils of war. In cases where wigs were used to hide baldness, a natural look was preferred, therefore a wig with a hair colour similar to the wearer's original was worn. But in instances where a wig was worn for the purpose of showing off, naturalism did not play much of a part. Obviously fake wigs were preferred, sometimes intertwined with two contrasting hair colours with blonde hair from Germany and black from India.[17] Gold dust also gave the appearance of blond hair and enhanced already blond hair. Emperor Lucius Verus (r. 161 – 169 AD), who had natural blond hair, was said to sprinkle gold dust on his head to make himself even blonder.[18]

Marble portrait of a young girl wearing a wig, about 120–230 AD, British Museum
Marble portrait of a young girl wearing a wig, about 120–230 AD, British Museum

A convenience of wigs used by Romans is that they could be directly pinned onto the head of the wearer, meaning a style could be achieved much faster than if it had been done with the wearer's own hair. Further, it would lessen the inconvenience of having to grow one's own hair too long. It has been suggested that the necessary length to be able to create these hairstyles daily would be well below the shoulder, perhaps to the waist.[19]

There were two types of wig in Roman times: the full wig, called the capillamentum, and the half wig, called the galerus.[20] The galerus could be in the form of a fillet of woolen hair used as padding to build an elaborate style, or as a toupee on the back or front of the head. Toupees were attached by pins, or by sewing the it onto a piece of leather and attaching it as a wig. Further, glue could be used to affix it to the scalp or alternatively, as a bust from the British Museum illustrates, the toupee could be braided into the existing hair.[21]

Janet Stephens is an amateur archaeologist and hairdresser who has reconstructed some of the hairstyles of ancient Rome, attempting to prove that they were not done with wigs, as commonly believed, but with the person's own hair.[22][23]

Detachable marble wigs

Busts themselves could have detachable wigs. There have been many suggestions as to why some busts have been created with detachable wigs and some without. Perhaps the main reason was to keep the bust looking up-to-date. It would have been too expensive to commission a new bust every time hair fashion changed, so a mix-and-match bust would have been preferable for women with less money.[24] Perhaps another reason was to accommodate the Syrian ritual of anointing the skull of the bust with oil.[24]

Or further, in cases where the bust was a funerary commission, it can be safely assumed that the subject of the bust would not have had an opportunity to sit for another portrait after their death.[25] Although exactly how these marble wigs were attached is unknown, the likely difficulty of changing the 'wigs' effectively would have probably put many women off choosing a detachable and reattachable bust in the first place.[26]

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Palla (garment)

Palla (garment)

The palla was an elegant cloak or mantle that was wrapped around the body. It was worn outside the house by (affluent) Roman women. It was a luxurious version of the Roman women's pallium. The palla was a traditional ancient Roman mantle worn by women, fastened by brooches. The shape was rectangular instead of semi-circular, as with the traditional toga. The garment dates to the 3rd century BC, but the type of dress must be much older. In Latin literature, the term palla is used ambiguously. It can denote not only a cloak, but also a foot-long sleeveless dress with straps worn directly on the skin. The second is a common dress form in the entire Mediterranean world. In a Greek cultural context, this is called peplos. In a Roman cultural context, if worn by a Roman matron, it also takes the name stola.

Seneca the Elder

Seneca the Elder

Lucius Annaeus Seneca the Elder, also known as Seneca the Rhetorician, was a Roman writer, born of a wealthy equestrian family of Corduba, Hispania. He wrote a collection of reminiscences about the Roman schools of rhetoric, six books of which are extant in a more or less complete state and five others in epitome only. His principal work, a history of Roman affairs from the beginning of the Civil Wars until the last years of his life, is almost entirely lost to posterity. Seneca lived through the reigns of three significant emperors; Augustus, Tiberius and Caligula. He was the father of Lucius Junius Gallio Annaeanus, best known as a Proconsul of Achaia; his second son was the dramatist and Stoic philosopher Seneca the Younger (Lucius), who was tutor of Nero, and his third son, Marcus Annaeus Mela, became the father of the poet Lucan.

Flamen Dialis

Flamen Dialis

In ancient Roman religion, the flamen Dialis was the high priest of Jupiter. The term Dialis is related to Diespiter, an Old Latin form of the name Jupiter. There were 15 flamines, of whom three were flamines maiores, serving the three gods of the Archaic Triad. According to tradition the flamines were forbidden to touch metal, ride a horse, or see a corpse. The Flamen Dialis was officially ranked second in the ranking of the highest Roman priests, behind only the rex sacrorum and before the another flamines maiores and pontifex maximus.

Otho

Otho

Marcus Otho was the seventh Roman emperor, ruling for three months from 15 January to 16 April 69. He was the second emperor of the Year of the Four Emperors.

Domitian

Domitian

Domitian was a Roman emperor who reigned from 81 to 96. The son of Vespasian and the younger brother of Titus, his two predecessors on the throne, he was the last member of the Flavian dynasty. Described as "a ruthless but efficient autocrat", his authoritarian style of ruling put him at sharp odds with the Senate, whose powers he drastically curtailed.

Flavian dynasty

Flavian dynasty

The Flavian dynasty ruled the Roman Empire between AD 69 and 96, encompassing the reigns of Vespasian (69–79), and his two sons Titus (79–81) and Domitian (81–96). The Flavians rose to power during the civil war of 69, known as the Year of the Four Emperors. After Galba and Otho died in quick succession, Vitellius became emperor in mid 69. His claim to the throne was quickly challenged by legions stationed in the Eastern provinces, who declared their commander Vespasian emperor in his place. The Second Battle of Bedriacum tilted the balance decisively in favour of the Flavian forces, who entered Rome on 20 December. The following day, the Roman Senate officially declared Vespasian emperor of the Roman Empire, thus commencing the Flavian dynasty. Although the dynasty proved to be short-lived, several significant historic, economic and military events took place during their reign.

Juvenal

Juvenal

Decimus Junius Juvenalis, known in English as Juvenal, was a Roman poet active in the late first and early second century CE. He is the author of the collection of satirical poems known as the Satires. The details of Juvenal's life are unclear, although references within his text to known persons of the late first and early second centuries CE fix his earliest date of composition. One recent scholar argues that his first book was published in 100 or 101. A reference to a political figure dates his fifth and final surviving book to sometime after 127.

Stabiae

Stabiae

Stabiae was an ancient city situated near the modern town of Castellammare di Stabia and approximately 4.5 km southwest of Pompeii. Like Pompeii, and being only 16 km (9.9 mi) from Mount Vesuvius, this seaside resort was largely buried by tephra ash in 79 AD eruption of Mount Vesuvius, in this case at a smaller depth of up to five metres.

Germanic peoples

Germanic peoples

The Germanic peoples were historical groups of people that once occupied Central Europe and Scandinavia during antiquity and into the early Middle Ages. Since the 19th century, they have traditionally been defined by the use of ancient and early medieval Germanic languages and are thus equated at least approximately with Germanic-speaking peoples, although different academic disciplines have their own definitions of what makes someone or something "Germanic". The Romans named the area belonging to North-Central Europe in which Germanic peoples lived Germania, stretching East to West between the Vistula and Rhine rivers and north to south from Southern Scandinavia to the upper Danube. In discussions of the Roman period, the Germanic peoples are sometimes referred to as Germani or ancient Germans, although many scholars consider the second term problematic since it suggests identity with present-day Germans. The very concept of "Germanic peoples" has become the subject of controversy among contemporary scholars. Some scholars call for its total abandonment as a modern construct since lumping "Germanic peoples" together implies a common group identity for which there is little evidence. Other scholars have defended the term's continued use and argue that a common Germanic language allows one to speak of "Germanic peoples", regardless of whether these ancient and medieval peoples saw themselves as having a common identity.

Lucius Verus

Lucius Verus

Lucius Aurelius Verus was Roman emperor from 161 until his death in 169, alongside his adoptive brother Marcus Aurelius. He was a member of the Nerva-Antonine dynasty. Verus' succession together with Marcus Aurelius marked the first time that the Roman Empire was ruled by more than one emperor simultaneously, an increasingly common occurrence in the later history of the Empire.

Janet Stephens

Janet Stephens

Janet Stephens is a hairstyle archaeologist who studies historical hairstyles, aiming to prove that they were not achieved by using wigs, as commonly believed, but by styling the person's own hair.

Bust (sculpture)

Bust (sculpture)

A bust is a sculpted or cast representation of the upper part of the human figure, depicting a person's head and neck, and a variable portion of the chest and shoulders. The piece is normally supported by a plinth. The bust is generally a portrait intended to record the appearance of an individual, but may sometimes represent a type. They may be of any medium used for sculpture, such as marble, bronze, terracotta, plaster, wax or wood.

Profession

Dyes

Dyeing hair was popular among women, although frequent dyeing often made it weaker. Tertullian discusses a hair dye that burnt the scalp and was harmful for the head.[27] Artificial colors were applied as powders and gels. Henna or animal fat could be applied to make the hair more manageable.[28] To prevent graying, some Romans wore a paste at night made from herbs and earthworms; in addition, pigeon dung was used to lighten hair. In order to dye hair black, Pliny the Elder suggests applying leeches that have rotted in red wine for 40 days.[29]

Dyeing hair red involved a mixture of animal fat and beechwood ashes[30] whilst saffron was used for golden tones.[31] Ovid mentions several vegetable dyes.[32] To cure diseases such as hair loss, Pliny suggests the application of a sow's gall bladder, mixed with bull's urine, or the ashes of an ass's genitals, or other mixtures such as the ashes of a deer's antlers mixed with wine. Further, goat's milk or goat's dung is said to cure head lice.[33]

Roman bone pin with traces of a green dye
Roman bone pin with traces of a green dye

Suetonius, in his The Twelve Caesars states:[34]

These he reserved for his parade, compelling them not only to dye their hair red and to let it grow long,

— Suetonius, The Twelve Caesars

Roman prostitutes dyed their hair yellow to indicate their profession. Usually, they would just wear a wig dyed yellow. To dye their hair yellow they used a mixture of the ashes of burnt nuts or plants. Romans would make a black dye by fermenting leeches in a lead vessel.[35]

Gold Hairnet, Imperial period, Pompeii
Gold Hairnet, Imperial period, Pompeii

Curling irons, pins and hairnets

The calamistrum was the name for the Roman curling iron. It consisted of a hollow metal outer cylinder and a smaller solid cylinder inside it. The hair would be wrapped around the solid cylinder and inserted into the metal outer. The metal outer would be heated in a fire, making the hair curly. It has been reported that because of the frequency and temperature that hair was curled at, thinning and damaged hair was common amongst women.[36]

While gel and henna, as mentioned above, were used to manage hair, hairnets and pins were in common usage too. Poorer women would have used wooden pins, while the aristocracy used gold, ivory, crystal, silver or painted bone. The pins were decorated with carvings of the gods, or beads and pendants.[37]

Society

Most barber shops were located in tabernae. Many shops clustered around the Temple of Flora and the Circus Maximus.[38] It is possible that only barbers with connections to wealthy people were allowed or able to practice in tabernae, while most others would have been forced to practice in the open. They would be identified of signs depicting scissors or mirrors located outside the shop's premises. Plautus, an ancient Roman playwright, wrote about characters going to the barber's shop. Whilst there, they would often discuss gossip and talk about news.[39] Resulting in Roman barbers gaining a habit of excessively talking about the latest news and gossip to their customers. Often times barber's shops became incredibly crowded. Emperor Domitian regulated barbershops. He prohibited razors from being drawn in the middle of a dense crowd, and he restricted barbers from practicing in public places. Another emperor, Trajan, once pondered how the Lex Aquilia, a law concerning liability, would conflict with this law. Trajan cited an example of a slave who had their throat slit by a barber because the barber, who was practicing in a public space, had their hand moved by a ball. There were barber labor unions.[9][40]

Process

To begin the haircut the customer would step on a low stool. Then the barber would place a wrapper around them in order to protect their toga. He would proceed to comb through the customer's hair while asking them what he should do with their hair. Most Romans liked their hairs to be of even length.[41] Sometimes the head or eyebrows were even shaved.[42] Aside from cutting hair Roman barbers would also clean and pare the nails of their customer using special knives.[41] The corns were also cut, pluck stray hairs, and remove warts from their customers.[41] Shears were used to cut the hair on the crown of the head. At the end of the barber's work they would place a mirror up to the customer's face so that they could judge the quality of their work.[42] The barber would also use a curling iron, tweezers, and razors.[42] Each razor had its own case.[43] Some barbers made enough money to own 20 slaves and 20 horses.[41]

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Henna

Henna

Henna is a dye prepared from the plant Lawsonia inermis, also known as the henna tree, the mignonette tree, and the Egyptian privet, the sole species of the genus Lawsonia.

Bone tool

Bone tool

In archaeology, a bone tool is a tool created from bone. A bone tool can conceivably be created from almost any bone, and in a variety of methods.

Hair coloring

Hair coloring

Hair coloring, or hair dyeing, is the practice of changing the hair color. The main reasons for this are cosmetic: to cover gray or white hair, to change to a color regarded as more fashionable or desirable, or to restore the original hair color after it has been discolored by hairdressing processes or sun bleaching.

Fermentation

Fermentation

Fermentation is a metabolic process that produces chemical changes in organic substances through the action of enzymes. In biochemistry, it is narrowly defined as the extraction of energy from carbohydrates in the absence of oxygen. In food production, it may more broadly refer to any process in which the activity of microorganisms brings about a desirable change to a foodstuff or beverage. The science of fermentation is known as zymology.

Leech

Leech

Leeches are segmented parasitic or predatory worms that comprise the subclass Hirudinea within the phylum Annelida. They are closely related to the oligochaetes, which include the earthworm, and like them have soft, muscular segmented bodies that can lengthen and contract. Both groups are hermaphrodites and have a clitellum, but leeches typically differ from the oligochaetes in having suckers at both ends and in having ring markings that do not correspond with their internal segmentation. The body is muscular and relatively solid, and the coelom, the spacious body cavity found in other annelids, is reduced to small channels.

Lead

Lead

Lead is a chemical element with the symbol Pb and atomic number 82. It is a heavy metal that is denser than most common materials. Lead is soft and malleable, and also has a relatively low melting point. When freshly cut, lead is a shiny gray with a hint of blue. It tarnishes to a dull gray color when exposed to air. Lead has the highest atomic number of any stable element and three of its isotopes are endpoints of major nuclear decay chains of heavier elements. Lead is toxic, even in small amounts, especially to children.

Circus Maximus

Circus Maximus

The Circus Maximus is an ancient Roman chariot-racing stadium and mass entertainment venue in Rome, Italy. In the valley between the Aventine and Palatine hills, it was the first and largest stadium in ancient Rome and its later Empire. It measured 621 m (2,037 ft) in length and 118 m (387 ft) in width and could accommodate over 150,000 spectators. In its fully developed form, it became the model for circuses throughout the Roman Empire. The site is now a public park.

Plautus

Plautus

Titus Maccius Plautus, commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by the innovator of Latin literature, Livius Andronicus. The word Plautine refers to both Plautus's own works and works similar to or influenced by his.

Playwright

Playwright

A playwright or dramatist is a person who writes plays.

Character (arts)

Character (arts)

In fiction, a character is a person or other being in a narrative. The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word χαρακτήρ, the English word dates from the Restoration, although it became widely used after its appearance in Tom Jones by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed. Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating characters, as practiced by actors or writers, has been called characterisation.

Gossip

Gossip

Gossip is idle talk or rumour, especially about the personal or private affairs of others; the act is also known as dishing or tattling.

News

News

News is information about current events. This may be provided through many different media: word of mouth, printing, postal systems, broadcasting, electronic communication, or through the testimony of observers and witnesses to events. News is sometimes called "hard news" to differentiate it from soft media.

Styles over time

Roman hairstyles changed, but there were several constant hairstyles that were used continuously, such as the tutulus, or the bun. The beehive, helmet, hairbouquet or pillbox are modern day names given to Roman hairstyles.

Tutulus

The tutulus was originally an Etruscan style worn commonly in the late 6th and early 5th century BCE[44] was a hairstyle worn primarily by the materfamilias, the mother of the family.[45] It remained in constant use even when fashion changed. To achieve it, the hair was divided and piled high and shaped into a bun, after which it was tied with purple fillets of wool. By the end, the hair would be conical in shape. It was also the hairstyle worn by the flaminicae.[45]

Portrait of a woman of the Flavian period, marble // Portrait bust of a young woman (Julia, daughter of Titus?). Marble. 80s—90s CE. Shows the extremely elaborate hair styles worn by upper-class Roman women of the time. Rome, Capitoline Museums, Palazzo Nuovo, Hall of the Emperors.
Portrait of a woman of the Flavian period, marble // Portrait bust of a young woman (Julia, daughter of Titus?). Marble. 80s—90s CE. Shows the extremely elaborate hair styles worn by upper-class Roman women of the time. Rome, Capitoline Museums, Palazzo Nuovo, Hall of the Emperors.

Republican period and Augustan era styles

The Republican period and the nodus style was particularly common. In Imperial iconography the nodus coiffure was associated predominately with the women of Augustus' household. The nodus style saw the hair parted in three, with the hair from the sides of the head tied in a bun at the back while the middle section is looped back on itself, creating an effect not unlike the (comparably modern) Pompadour style.[46] Livia, wife of Augustus, and Octavia, sister of Augustus, particularly favoured the nodus style, both continuing to use it well into the Imperial Period.[47]

Other styles in the Julio-Claudian era were designed to be simple, with hair parted in two and tied in a bun at the back. This was perhaps done in order to juxtapose Roman modesty against Cleopatra and her flamboyance.[48]

Flavian and Antonine hairstyles

Portrait of a Roman woman, Flavian period Rome, Musei Capitolini
Portrait of a Roman woman, Flavian period Rome, Musei Capitolini

Flavian and Antonine hairstyles differed greatly between men and women in real life and in the physical appearance of hair for male and female sculptures. In ancient Rome hair was a major determinant of a woman's physical attractiveness, women preferred to be presented as young, and beautiful. Therefore, female sculptures were known to have dramatic curls carved with strong chiaroscuro effects. On the other hand, most men in the Flavian period of the late first century CE have their hair trimmed short on the crown like the portrait of Domitian for example (pictured) that implied an active role in society, while a woman's connoted passivity.

Flavian and Antonine hairstyles are perhaps the most famous, and extravagant, of Imperial Rome's styles. During this time the aristocratic women's style became the most flamboyant (Cypriote curls). The styles were lofty, with masses of shaped curls and braids. The high arching crowns on the front were made using fillets of wool and toupees, and could be attached to the back of the head as well as the front. Typically, as in the case of the famous Fonseca Bust (pictured), this particular hairstyle appears to have been popular during the Flavian period. The hair was combed into two parts; the front section was combed forwards and built with curls, while the back was plaited and coiled into an elaborate bun (orbis comarum).[49] This fashion was described by the writer Juvenal as the hairstyles that made women appear tall from the front but quite the opposite from the back.

The later Antonine Period saw curls at the front of the head brought to a lower level than the Flavian Period. The braids coiled at the back of the head were brought further forward, instead often resting on the top of the head. Another style of the Antonine period saw the hair separated into rivets and tied at the back[50]

Furthermore, whether Roman portraits faithfully translate the actual hairstyles worn by the sitters is problematic because of the scarcity of surviving hair which leaves little basis of comparison. The second problem is the physical accuracy of the Roman portraits itself. However, as a result of the many sculptures that have some reference to hair, ethnographers and anthropologists have recognized hair to play a key role in identifying gender and determining societies in which individuals belonged.[50][51]

Severan dynasty

Julia Domna, wife of Septimius Severus, had a particularly notable hairstyle. Julia Domna was the wig's most influential patron. She wore a heavy, globular wig with simple finger-sized waves with a simple center parting. Julia Domna was the daughter of a high-ranking priest from Syria, and it has been suggested that her style was indicative of her foreign origins.[52] Despite being from the East, she adopted a wig to project a familiar Roman guise and particularly in order to imitate her predecessor, Faustina the Younger.[53] In 2012 Janet Stephens's video Julia Domna: Forensic Hairdressing, a recreation of a later hairstyle of the Roman empress, was presented at the Archaeological Institute of America’s annual meeting in Philadelphia. Foreign women often wore their hair differently from Roman women, and women from Palmyra typically wore their hair waved in a simple center-parting, accompanied by diadems and turbans according to local customs. Women from the East were not known to commonly wear wigs, preferring to create elaborate hairstyles from their own hair instead.[53] As time progressed, Severan hairstyles switched from the finger-waved center parting style, to one with more curls and ringlets at the front and back of the head, often accompanied by a wig.[54]


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Ancient Rome

Ancient Rome

In modern historiography, Ancient Rome refers to Roman civilisation from the founding of the Italian city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom, Roman Republic and Roman Empire until the fall of the western empire.

Etruscan society

Etruscan society

Etruscan society is mainly known through the memorial and achievemental inscriptions on monuments of Etruscan civilization, especially tombs. This information emphasizes family data. Some contractual information is also available from various sources. The Roman and Greek historians had more to say of Etruscan government.

Livia

Livia

Livia Drusilla was Roman empress from 27 BC to AD 14 as the wife of Emperor Caesar Augustus. She was known as Julia Augusta after her formal adoption into the Julian family in AD 14.

Augustus

Augustus

Caesar Augustus, also known as Octavian, was the first Roman emperor; he reigned from 27 BC until his death in AD 14. He is known for being the founder of the Roman Principate, which is the first phase of the Roman Empire, and is considered one of the greatest leaders in human history. The reign of Augustus initiated an imperial cult as well as an era associated with imperial peace, the Pax Romana or Pax Augusta. The Roman world was largely free from large-scale conflict for more than two centuries despite continuous wars of imperial expansion on the empire's frontiers and the year-long civil war known as the "Year of the Four Emperors" over the imperial succession.

Julio-Claudian dynasty

Julio-Claudian dynasty

The Julio-Claudian dynasty comprised the first five Roman emperors: Augustus, Tiberius, Caligula, Claudius, and Nero.

Cleopatra

Cleopatra

Cleopatra VII Philopator was Queen of the Ptolemaic Kingdom of Egypt from 51 to 30 BC, and its last active ruler. A member of the Ptolemaic dynasty, she was a descendant of its founder Ptolemy I Soter, a Macedonian Greek general and companion of Alexander the Great. After the death of Cleopatra, Egypt became a province of the Roman Empire, marking the end of the last Hellenistic state in the Mediterranean and of the age that had lasted since the reign of Alexander. Although her first language was Koine Greek, she was the only Ptolemaic ruler to learn and use the Egyptian language.

Chiaroscuro

Chiaroscuro

Chiaroscuro, in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro.

Domitian

Domitian

Domitian was a Roman emperor who reigned from 81 to 96. The son of Vespasian and the younger brother of Titus, his two predecessors on the throne, he was the last member of the Flavian dynasty. Described as "a ruthless but efficient autocrat", his authoritarian style of ruling put him at sharp odds with the Senate, whose powers he drastically curtailed.

Flavian dynasty

Flavian dynasty

The Flavian dynasty ruled the Roman Empire between AD 69 and 96, encompassing the reigns of Vespasian (69–79), and his two sons Titus (79–81) and Domitian (81–96). The Flavians rose to power during the civil war of 69, known as the Year of the Four Emperors. After Galba and Otho died in quick succession, Vitellius became emperor in mid 69. His claim to the throne was quickly challenged by legions stationed in the Eastern provinces, who declared their commander Vespasian emperor in his place. The Second Battle of Bedriacum tilted the balance decisively in favour of the Flavian forces, who entered Rome on 20 December. The following day, the Roman Senate officially declared Vespasian emperor of the Roman Empire, thus commencing the Flavian dynasty. Although the dynasty proved to be short-lived, several significant historic, economic and military events took place during their reign.

Julia Domna

Julia Domna

Julia Domna was Roman empress from 193 to 211 as the wife of Emperor Septimius Severus. She was the first empress of the Severan dynasty. Domna was born in Emesa in Roman Syria to an Arab family of priests of the deity Elagabalus. In 187, she married Severus, who at the time was governor of the Roman province of Gallia Lugdunensis. They had two sons, Caracalla and Geta. A civil war over the Roman throne broke out in 193, and shortly afterwards Severus declared himself emperor. The war ended in 197 with the defeat of the last of Severus's opponents.

Janet Stephens

Janet Stephens

Janet Stephens is a hairstyle archaeologist who studies historical hairstyles, aiming to prove that they were not achieved by using wigs, as commonly believed, but by styling the person's own hair.

Archaeological Institute of America

Archaeological Institute of America

The Archaeological Institute of America (AIA) is North America's oldest society and largest organization devoted to the world of archaeology. AIA professionals have carried out archaeological fieldwork around the world and AIA has established research centers and schools in seven countries. As of 2019, the society had more than 6,100 members and more than 100 affiliated local societies in the United States and overseas. AIA members include professional archaeologists and members of the public.

Men's hairstyles

Roman hairstyles for men would change throughout ancient times. While men's hair may have required no less daily attention than women's, the styling as well as the social response it engendered were radically different. Lengthy grooming sessions for men would be looked at as taboo. Throughout the period as well, women's hair was carved according to different techniques based on the sex. For example, one of the primary features that is seen in many women but never in men is long hair divided by a center part. It is apparent men never wore this, since there is no biological difference in hair between sexes this is a practice determined solely by culture. Eyebrows of both sexes were tended to be treated in the same manner.[55]

In early times, it is most likely Roman men wore their hair long. With the introduction of barbers called tonsors in about 300 BC it became customary to wear hair short. In Ancient Rome, household slaves would perform hairdressing functions for wealthy men. However, men who lacked access to private hairdressing and shaving services or those who preferred a more social atmosphere went to a barbershop (tonstrina). Barbershops were places of social gatherings and a young man's first shave was often even celebrated as a passage to manhood in the community. The barbers usually shaved the customers faces with iron razors and applied an aftershave with ointments that may have contained spider webs. Trimming a head of hair and shaving would be the rule in Rome in the second century BC. Roman men who wore beards would not be admitted into the senate unless they shaved.[56]

Bust of the emperor Hadrian in the Capitoline Museums
Bust of the emperor Hadrian in the Capitoline Museums

In Ancient Rome it was desirable for men to have a full head of hair. This was a problem for Julius Caesar. Being bald was considered a deformity at the time, so Caesar went to great pains to hiding his thinning hair. And because of it he used to comb his thin locks forward over the crown of his head. Suetonius wrote: "His baldness was something that greatly bothered him." Caesar was allowed by the Senate to wear a laurel crown with which he was able to mask his receding hairline.

During the Roman times it is easy to know how the emperors wore their hair. For example, one constant feature of Augustus's portraits is his hairstyle, with its distinctive forked locks of hair on his forehead.[57] The emperor was most often looked at as the trendsetter during these times. This is shown by the emperor Nero (54–68 AD), who adopted elaborate hairstyles with curls and even had sideburns. Men began to curl their hair more and Nero started the trend. Following in the Flavian period most men have hair trimmed short on the crown and lacking strong plasticity.[55] During the next few decades a straight hair cut with forehead bangs was popular with Trajanic men. Another trend that was started by emperor Hadrian (117–138 AD). He was the first emperor to wear a beard, and after him many of the emperors continued the trend.[58] This has usually been seen as a mark of his devotion to Greece and Greek culture. One literary source, the Historia Augusta, claims that Hadrian wore a beard to hide blemishes on his face.[59]

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Julius Caesar

Julius Caesar

Gaius Julius Caesar was a Roman general and statesman. A member of the First Triumvirate, Caesar led the Roman armies in the Gallic Wars before defeating his political rival Pompey in a civil war, and subsequently became dictator from 49 BC until his assassination in 44 BC. He played a critical role in the events that led to the demise of the Roman Republic and the rise of the Roman Empire.

Hadrian

Hadrian

Hadrian was Roman emperor from 117 to 138. He was born in Italica, a Roman municipium founded by Italic settlers in Hispania Baetica. He came from a branch of the gens Aelia that originated in the Picenean town of Hadria, the Aeli Hadriani. His father was of senatorial rank and was a first cousin of Emperor Trajan. Hadrian married Trajan's grand-niece Vibia Sabina early in his career before Trajan became emperor and possibly at the behest of Trajan's wife Pompeia Plotina. Plotina and Trajan's close friend and adviser Lucius Licinius Sura were well disposed towards Hadrian. When Trajan died, his widow claimed that he had nominated Hadrian as emperor immediately before his death.

Capitoline Museums

Capitoline Museums

The Capitoline Museums are a group of art and archaeological museums in Piazza del Campidoglio, on top of the Capitoline Hill in Rome, Italy. The historic seats of the museums are Palazzo dei Conservatori and Palazzo Nuovo, facing on the central trapezoidal piazza in a plan conceived by Michelangelo in 1536 and executed over a period of more than 400 years.

Suetonius

Suetonius

Gaius Suetonius Tranquillus, commonly referred to as Suetonius, was a Roman historian who wrote during the early Imperial era of the Roman Empire. His most important surviving work is a set of biographies of 12 successive Roman rulers, from Julius Caesar to Domitian, properly titled De vita Caesarum. Other works by Suetonius concerned the daily life of Rome, politics, oratory, and the lives of famous writers, including poets, historians, and grammarians. A few of these books have partially survived, but many have been lost.

Augustus

Augustus

Caesar Augustus, also known as Octavian, was the first Roman emperor; he reigned from 27 BC until his death in AD 14. He is known for being the founder of the Roman Principate, which is the first phase of the Roman Empire, and is considered one of the greatest leaders in human history. The reign of Augustus initiated an imperial cult as well as an era associated with imperial peace, the Pax Romana or Pax Augusta. The Roman world was largely free from large-scale conflict for more than two centuries despite continuous wars of imperial expansion on the empire's frontiers and the year-long civil war known as the "Year of the Four Emperors" over the imperial succession.

Nero

Nero

Nero Claudius Caesar Augustus Germanicus, was the fifth Roman emperor and final emperor of the Julio-Claudian dynasty, reigning from AD 54 until his death in AD 68. He was adopted by the Roman emperor Claudius at the age of 13 and succeeded him on the throne. Nero was popular with the members of his Praetorian Guard and lower-class commoners in Rome and its provinces, but he was deeply resented by the Roman aristocracy. Most contemporary sources describe him as tyrannical, self-indulgent, and debauched. After being declared a public enemy by the Roman Senate, he committed suicide at age 30.

Trajan

Trajan

Trajan was Roman emperor from 98 to 117. Officially declared optimus princeps by the senate, Trajan is remembered as a successful soldier-emperor who presided over one of the greatest military expansions in Roman history and led the empire to attain its greatest territorial extent by the time of his death. He is also known for his philanthropic rule, overseeing extensive public building programs and implementing social welfare policies, which earned him his enduring reputation as the second of the Five Good Emperors who presided over an era of peace within the Empire and prosperity in the Mediterranean world.

Source: "Roman hairstyles", Wikipedia, Wikimedia Foundation, (2023, March 16th), https://en.wikipedia.org/wiki/Roman_hairstyles.

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References
  1. ^ Tertullian., De Culti Feminarum,2:7
  2. ^ Kampman (1981), 149–52
  3. ^ a b Bartman (2001), 6
  4. ^ Carcopino (1973), 167
  5. ^ Bartman (2001), 4
  6. ^ "Roman Wedding Clothing". www.tribunesandtriumphs.org. Retrieved 2015-11-22.
  7. ^ Martialis, Marcus Valerius. Epigrams.
  8. ^ Pliny the Elder. Natural History.
  9. ^ a b Kaufman, David B (March 21, 1932). "Roman Barbers". The Classical Weekly. No. 25. JSTOR 4339078.
  10. ^ Seneca the Elder., Controversiae 2.7.6
  11. ^ Olson (2008), 33
  12. ^ Fantham (2008), 166-7; Olsen (2008), 33-6 both offer discussion on this
  13. ^ Olson (2008), 36
  14. ^ Suetonius., Life of Otho, 12 [1]; Morgan (1997), 214
  15. ^ Juvenal., Satire Book 6, 58-9
  16. ^ Ovid, Amores, 1:14:45-6 [2]; Bartman (2001), 14 [3]
  17. ^ Bartman (2001), 14
  18. ^ Michael Grant (1994). The Antonines: The Roman Empire in Transition. London & New York: Routledge. ISBN 0-415-10754-7, pp 27-28.
  19. ^ Olson (2008), 71; Bartman (2001), 10
  20. ^ Olson (2008), 74
  21. ^ Bust of Matidia, London, The British Museum 1805.7-3.96; Bartman (2001), 10
  22. ^ Stephens, Janet (2008). "Ancient Roman hairdressing: on (hair)pins and needles". Journal of Roman Archaeology. 21: 110–132. doi:10.1017/S1047759400004402. S2CID 193177068.
  23. ^ Pesta, Abigail (2013-02-06). "On Pins and Needles: Stylist Turns Ancient Hairdo Debate on Its Head". Wall Street Journal. Retrieved 2014-01-22.
  24. ^ a b Kleiner and Matheson (1996), 174
  25. ^ Fittschen and Zanker (1983), 105
  26. ^ Bartman (2001), 19
  27. ^ Tertullian, De Culti Feminarum, 2:6
  28. ^ Bartman (2001), 12 Hair and the Artifice of Roman Female Adornmentdoi:10.2307/507324; Allason-Jones (1989), 133-7
  29. ^ Pliny the Elder., Natural History, 32:23
  30. ^ Pliny the Elder., Natural History, 28:51
  31. ^ Tertullian, De Culti Feminarum, 2:6:1
  32. ^ Ovid., Ars Amatoria, 3:158-64
  33. ^ Pliny the Elder., Natural History, 28:46
  34. ^ Suetonius Tranquillus, Gaius. The Twelve Ceasers
  35. ^ Kenny, Erin; Ph.D, Elizabeth Gackstetter Nichols (2017-06-22). Beauty around the World: A Cultural Encyclopedia. ABC-CLIO. ISBN 978-1-61069-945-7.
  36. ^ Olson (2008), 73
  37. ^ Kleiner and Matheson (1996), 162; Olson (2008), 75-6
  38. ^ Holleran, Claire (2012-04-26). Shopping in Ancient Rome: The Retail Trade in the Late Republic and the Principate. OUP Oxford. pp. 125–126. ISBN 978-0-19-969821-9.
  39. ^ Apuleius, Lucius Metamorphoses Liber 3.16
  40. ^ Nicolson, Frank W. (1891). "Greek and Roman Barbers". www.jstor.org. Retrieved 2020-11-11.
  41. ^ a b c d Nicolson, Frank W. (1891). "Greek and Roman Barbers". www.jstor.org. Retrieved 2020-11-11.
  42. ^ a b c Kaufman, David B (March 21, 1932). "Roman Barbers". The Classical Weekly. No. 25. JSTOR 4339078.
  43. ^ The Living Age. Living Age Company. 1919.
  44. ^ Sebesta, Judith Lynn (2001). World of Roman Costume. Madison: University of Wisconsin.
  45. ^ a b Olson (2008), 39
  46. ^ [4]Examples of the Nodus style
  47. ^ Further examples of the Nodus [5] and [6]
  48. ^ Kleiner and Matheson (1996), 37
  49. ^ Bartman (2001), 18
  50. ^ a b Examples of the Antonine styles [7] and riveted [8]
  51. ^ Andrews, William (1904). At the Sign of the Barber's Pole: Studies in Hirsute History. J. R. Tutin.
  52. ^ Bartman (2001), 17
  53. ^ a b Bartman (2001), 17-8
  54. ^ Example of Severan style, finger waves underneath Palla
  55. ^ a b Bartman, Elizabeth. "Artifice of Roman Female Adornment". American Journal of Archaeology.
  56. ^ Sherrow, Victoria (2006). Encyclopedia of Hair: A Cultural History. Westport, CT: Greenwood. p. 162.
  57. ^ "Portrait Head of Augustus". Getty Museum. Retrieved 22 August 2017.
  58. ^ Alchin, Linda. "Roman Hairstyles". Tribunes and Triumphs. Retrieved 22 August 2017.
  59. ^ "British Museum - Hadrian – the image of a ruler". www.britishmuseum.org. Retrieved 2015-11-22.
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