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Renaissance Latin

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Renaissance Latin
DanteFresco.jpg
Mural of Dante in the Uffizi Gallery, by Andrea del Castagno, c. 1450.
Native toNo native speakers, used by the administrations and universities of numerous countries
RegionEurope
EraEvolved from Medieval Latin in the 14th century; developed into New Latin by the 16th century
Early forms
Latin alphabet 
Official status
Official language in
Most Roman Catholic countries
Regulated byThe community of scholars at the earliest universities
Language codes
ISO 639-3
GlottologNone

Renaissance Latin is a name given to the distinctive form of Literary Latin style developed during the European Renaissance of the fourteenth to fifteenth centuries, particularly by the Renaissance humanism movement.

Ad fontes

Ad fontes ("to the sources") was the general cry of the Renaissance humanists, and as such their Latin style sought to purge Latin of the medieval Latin vocabulary and stylistic accretions that it had acquired in the centuries after the fall of the Roman Empire. They looked to golden age Latin literature, and especially to Cicero in prose and Virgil in poetry, as the arbiters of Latin style. They abandoned the use of the sequence and other accentual forms of metre, and sought instead to revive the Greek formats that were used in Latin poetry during the Roman period. The humanists condemned the large body of medieval Latin literature as "Gothic"—for them, a term of abuse—and believed instead that only ancient Latin from the Roman period was "real Latin".

Some 16th-century Ciceronian humanists also sought to purge written Latin of medieval developments in its orthography. They insisted, for example, that ae be written out in full wherever it occurred in classical Latin; medieval scribes often wrote e instead of ae. They were much more zealous than medieval Latin writers that t and c be distinguished; because the effects of palatalization made them homophones, medieval scribes often wrote, for example, eciam for etiam. Their reforms even affected handwriting; Humanists usually wrote Latin in a humanist minuscule script derived from Carolingian minuscule, the ultimate ancestor of most contemporary lower-case typefaces, avoiding the black-letter scripts used in the Middle Ages. This sort of writing was particularly vigilant in edited works, so that international colleagues could read them more easily, while in their own handwritten documents the Latin is usually written as it is pronounced in the vernacular. Therefore, the first generations of humanists did not dedicate much care to the orthography till the late sixteenth and seventeenth century. Erasmus proposed that the then-traditional pronunciations of Latin be abolished in favour of his reconstructed version of classical Latin pronunciation, even though one can deduce from his works that he himself used the ecclesiastical pronunciation.

The humanist plan to remake Latin was largely successful, at least in education. Schools taught the humanistic spellings, and encouraged the study of the texts selected by the humanists, to the large exclusion of later Latin literature. On the other hand, while humanist Latin was an elegant literary language, it became much harder to write books about law, medicine, science or contemporary politics in Latin while observing all of the Humanists' norms about vocabulary purging and classical usage. Scholar Jürgen Leonhardt noted how these high standards changed speakers' relationship with the language: "Whereas during the Middle Ages, Latin had an instrumental function in human communications and in peoples' understanding of the world, for the humanists, the act of mastering the language became a measure of human self-perfection. In the end, the most important difference between medieval and humanist Latin may well have been the time and effort to learn it."[1]

Renaissance Latin gradually developed into the New Latin of the 16th–19th centuries, used as the language of choice for authors discussing subjects considered sufficiently important to merit an international (i.e., pan-European) audience.

Discover more about Ad fontes related topics

Ad fontes

Ad fontes

Ad fontes is a Latin expression which means "[back] to the sources". The phrase epitomizes the renewed study of Greek and Latin classics in Renaissance humanism. Similarly, the Protestant Reformation called for renewed attention to the Bible as the primary source of Christian faith. The idea in both cases was that sound knowledge depends on the earliest and most fundamental sources.

Medieval Latin

Medieval Latin

Medieval Latin was the form of Literary Latin used in Roman Catholic Western Europe during the Middle Ages. In this region it served as the primary written language, though local languages were also written to varying degrees. Latin functioned as the main medium of scholarly exchange, as the liturgical language of the Church, and as the working language of science, literature, law, and administration.

Fall of the Western Roman Empire

Fall of the Western Roman Empire

The fall of the Western Roman Empire was the loss of central political control in the Western Roman Empire, a process in which the Empire failed to enforce its rule, and its vast territory was divided into several successor polities. The Roman Empire lost the strengths that had allowed it to exercise effective control over its Western provinces; modern historians posit factors including the effectiveness and numbers of the army, the health and numbers of the Roman population, the strength of the economy, the competence of the emperors, the internal struggles for power, the religious changes of the period, and the efficiency of the civil administration. Increasing pressure from invading barbarians outside Roman culture also contributed greatly to the collapse. Climatic changes and both endemic and epidemic disease drove many of these immediate factors. The reasons for the collapse are major subjects of the historiography of the ancient world and they inform much modern discourse on state failure.

Cicero

Cicero

Marcus Tullius Cicero was a Roman statesman, lawyer, scholar, philosopher, and academic skeptic, who tried to uphold optimate principles during the political crises that led to the establishment of the Roman Empire. His extensive writings include treatises on rhetoric, philosophy and politics. He is considered one of Rome's greatest orators and prose stylists. He came from a wealthy municipal family of the Roman equestrian order, and served as consul in 63 BC.

Latin poetry

Latin poetry

The history of Latin poetry can be understood as the adaptation of Greek models. The verse comedies of Plautus, the earliest surviving examples of Latin literature, are estimated to have been composed around 205-184 BC.

Classical Latin

Classical Latin

Classical Latin is the form of Literary Latin recognized as a literary standard by writers of the late Roman Republic and early Roman Empire. It was used from 75 BC to the 3rd century AD, when it developed into Late Latin. In some later periods, it was regarded as good or proper Latin, with following versions viewed as debased, degenerate, or corrupted. The word Latin is now understood by default to mean "Classical Latin"; for example, modern Latin textbooks almost exclusively teach Classical Latin.

Latin phonology and orthography

Latin phonology and orthography

Latin phonology continually evolved over the centuries, making it difficult for speakers in one era to know how Latin was spoken before then. A given phoneme may be represented by different letters in different periods. This article deals primarily with modern scholarship's best reconstruction of Classical Latin's phonemes (phonology) and the pronunciation and spelling used by educated people in the late Roman Republic. This article then touches upon later changes and other variants. Knowledge of how Latin was pronounced comes from Roman grammar books, common misspellings by Romans, transcriptions into other ancient languages, and from how pronunciation has evolved in derived Romance languages.

Palatalization (sound change)

Palatalization (sound change)

Palatalization is a historical-linguistic sound change that results in a palatalized articulation of a consonant or, in certain cases, a front vowel. Palatalization involves change in the place or manner of articulation of consonants, or the fronting or raising of vowels. In some cases, palatalization involves assimilation or lenition.

Homophone

Homophone

A homophone is a word that is pronounced the same as another word but differs in meaning. A homophone may also differ in spelling. The two words may be spelled the same, for example rose (flower) and rose, or spelled differently, as in rain, reign, and rein. The term homophone may also apply to units longer or shorter than words, for example a phrase, letter, or groups of letters which are pronounced the same as another phrase, letter, or group of letters. Any unit with this property is said to be homophonous.

Handwriting

Handwriting

Handwriting is the writing done with a writing instrument, such as a pen or pencil, in the hand. Handwriting includes both printing and cursive styles and is separate from formal calligraphy or typeface. Because each person's handwriting is unique and different, it can be used to verify a document's writer. The deterioration of a person's handwriting is also a symptom or result of several different diseases. The inability to produce clear and coherent handwriting is also known as dysgraphia.

Humanist minuscule

Humanist minuscule

Humanist minuscule is a handwriting or style of script that was invented in secular circles in Italy, at the beginning of the fifteenth century. "Few periods in Western history have produced writing of such great beauty", observes the art historian Millard Meiss. The new hand was based on Carolingian minuscule, which Renaissance humanists, obsessed with the revival of antiquity and their role as its inheritors, took to be ancient Roman:[W]hen they handled manuscript books copied by eleventh- and twelfth-century scribes, Quattrocento literati thought they were looking at texts that came right out of the bookshops of ancient Rome".

Carolingian minuscule

Carolingian minuscule

Carolingian minuscule or Caroline minuscule is a script which developed as a calligraphic standard in the medieval European period so that the Latin alphabet of Jerome's Vulgate Bible could be easily recognized by the literate class from one region to another. It is thought to have originated before AD 778 at the scriptorium of the Benedictine monks of Corbie Abbey, about 150 km (93 mi) north of Paris, and then developed by Alcuin of York for wide use in the Carolingian Renaissance. Alcuin himself still wrote in a script which was a precursor the Carolingian minuscule, which slowly developed over three centuries. He was most likely responsible for copying and preserving the manuscripts and upkeep of the script. It was used in the Holy Roman Empire between approximately 800 and 1200. Codices, pagan and Christian texts, and educational material were written in Carolingian minuscule.

Renaissance Latin works and authors

14th century

15th century

Incunables by language.[2] Latin dominated printed book production in the 15th century by a wide margin.
Incunables by language.[2] Latin dominated printed book production in the 15th century by a wide margin.

Discover more about Renaissance Latin works and authors related topics

Epistolae familiares

Epistolae familiares

Epistolae familiares is the title of a collection of letters of Petrarch which he edited during his lifetime. He originally called the collection Epistolarum mearum ad diversos liber but this was later shortened to the current title.

Giovanni Boccaccio

Giovanni Boccaccio

Giovanni Boccaccio was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was sometimes simply known as "the Certaldese" and one of the most important figures in the European literary panorama of the fourteenth century. Some scholars define him as the greatest European prose writer of his time, a versatile writer who amalgamated different literary trends and genres, making them converge in original works, thanks to a creative activity exercised under the banner of experimentalism.

Incunable

Incunable

In the history of printing, an incunable or incunabulum, is a book, pamphlet, or broadside that was printed in the earliest stages of printing in Europe, up to the year 1500. Incunabula were produced before the printing press became widespread on the continent and are distinct from manuscripts, which are documents written by hand. Some authorities include block books from the same time period as incunabula, whereas others limit the term to works printed using movable type.

Flos Duellatorum

Flos Duellatorum

The Flos Duellatorum is the name given to one of the manuscript versions of Fiore dei Liberi's illuminated manuscript fight book, written in 1410. There are five other surviving recensions, under the title Fior di Battaglia. Both Flos Duellatorum and Fior di Battaglia translate into English roughly as "The Flower of Battle," from Latin and Italian respectively.

Fiore dei Liberi

Fiore dei Liberi

Fiore Furlano de Cividale d'Austria, delli Liberi da Premariacco was a late 14th century knight, diplomat, and itinerant fencing master.

Antonio Beccadelli (poet)

Antonio Beccadelli (poet)

Antonio Beccadelli (1394–1471), called Il Panormita, was an Italian poet, canon lawyer, scholar, diplomat, and chronicler. He generally wrote in Latin. Born in Palermo, he was the eldest son of the merchant Enrico di Vannino Beccadelli, who had played an active role in Sicilian politics, serving as Praetor of Palermo in 1393.

Lorenzo Valla

Lorenzo Valla

Lorenzo Valla was an Italian Renaissance humanist, rhetorician, educator, scholar, and Catholic priest. He is best known for his historical-critical textual analysis that proved that the Donation of Constantine was a forgery, therefore attacking and undermining the presumption of temporal power claimed by the papacy. Lorenzo is sometimes seen as a precursor of the Reformation.

Leonardo Bruni

Leonardo Bruni

Leonardo Bruni was an Italian humanist, historian and statesman, often recognized as the most important humanist historian of the early Renaissance. He has been called the first modern historian. He was the earliest person to write using the three-period view of history: Antiquity, Middle Ages, and Modern. The dates Bruni used to define the periods are not exactly what modern historians use today, but he laid the conceptual groundwork for a tripartite division of history.

De re aedificatoria

De re aedificatoria

De re aedificatoria is a classic architectural treatise written by Leon Battista Alberti between 1443 and 1452. Although largely dependent on Vitruvius's De architectura, it was the first theoretical book on the subject written in the Italian Renaissance, and in 1485 it became the first printed book on architecture. It was followed in 1486 with the first printed edition of Vitruvius.

Bartolomeo Platina

Bartolomeo Platina

Bartolomeo Sacchi, known as Platina after his birthplace (Piadena), and commonly referred to in English as Bartolomeo Platina, was an Italian Renaissance humanist writer and gastronomist.

Antonio de Nebrija

Antonio de Nebrija

Antonio de Nebrija was the most influential Spanish humanist of his era. He wrote poetry, commented on literary works, and encouraged the study of classical languages and literature, but his most important contributions were in the fields of grammar and lexicography. Nebrija was the author of the Spanish Grammar and the first dictionary of the Spanish language (1495). His grammar is the first published grammar study of any modern European language. His chief works were published and republished many times during and after his life and his scholarship had a great influence for more than a century, both in Spain and in the expanding Spanish Empire.

Giovanni Pico della Mirandola

Giovanni Pico della Mirandola

Giovanni Pico della Mirandola was an Italian Renaissance nobleman and philosopher. He is famed for the events of 1486, when, at the age of 23, he proposed to defend 900 theses on religion, philosophy, natural philosophy, and magic against all comers, for which he wrote the Oration on the Dignity of Man, which has been called the "Manifesto of the Renaissance", and a key text of Renaissance humanism and of what has been called the "Hermetic Reformation". He was the founder of the tradition of Christian Kabbalah, a key tenet of early modern Western esotericism. The 900 Theses was the first printed book to be universally banned by the Church. Pico is sometimes seen as a proto-Protestant, because his 900 theses anticipated many Protestant views.

Source: "Renaissance Latin", Wikipedia, Wikimedia Foundation, (2023, March 4th), https://en.wikipedia.org/wiki/Renaissance_Latin.

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References
  1. ^ Leonhardt, Jürgen (2013). Latin: Story of a World Language (pbk. ed.). Cambridge, Massachusetts: The Belkap Press. p. 229. ISBN 978-0-674-65996-4.
  2. ^ "Incunabula Short Title Catalogue". British Library. Retrieved 2 March 2011.
Further reading
  • Cranz, F. Edward, Virginia Brown, and Paul Oslar Kristeller, eds. 1960–2003. Catalogus translationum et commentariorum: Medieval and Renaissance Latin Translations and Commentaries; Annotated Lists and Guides. 8 vols. Washington, DC: Catholic University of America Press.
  • D’Amico, John F. 1984. “The Progress of Renaissance Latin Prose: The Case of Apuleianism.” Renaissance Quarterly 37: 351–92.
  • Deitz, Luc. 2005. "The Tools of the Trade: A Few Remarks on Editing Renaissance Latin Texts." Humanistica Lovaniensia 54: 345-58.
  • Hardie, Philip. 2013. “Shepherds’ Songs: Generic Variation in Renaissance Latin Epic.” In Generic Interfaces in Latin Literature: Encounters, Interactions and Transformations. Edited by Theodore D. Paphanghelis, Stephen J. Harrison, and Stavros Frangoulidis, 193–204. Berlin: De Gruyter.
  • Houghton, L. B. T. 2013. “Renaissance Latin Love Elegy.” In The Cambridge Companion to Latin Love Elegy. Edited by Thea S. Thorsen, 290–305. Cambridge, UK: Cambridge University Press.
  • Lohr, C. H. 1974. “Renaissance Latin Aristotle Commentaries: Authors A–B.” Studies in the Renaissance 21: 228–89.
  • McFarlane, I. D., ed. and trans. 1980. Renaissance Latin Poetry. Manchester, UK: Manchester University Press.
  • Parker, Holt. 2012. “Renaissance Latin Elegy.” In A Companion to Roman Love Elegy. Edited by Barbara K. Gold, 476–90. Malden, MA: Wiley-Blackwell.
  • Perosa, Alessandro, and John Sparrow, eds. 1979. Renaissance Latin Verse: An Anthology. London: Duckworth.
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