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René Magritte

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René Magritte
Wolleh magritte.jpg
Portrait of Magritte in front of his painting The Pilgrim, taken by Lothar Wolleh in 1967
Born
René François Ghislain Magritte

(1898-11-21)21 November 1898
Lessines, Belgium
Died15 August 1967(1967-08-15) (aged 68)
Brussels, Belgium
Known forPainter
Notable workThe Treachery of Images
The Son of Man
The Human Condition
Golconda
The Menaced Assassin
MovementSurrealism

René François Ghislain Magritte (French: [ʁəne fʁɑ̃swa ɡilɛ̃ maɡʁit]; 21 November 1898 – 15 August 1967) was a Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation.[1] His imagery has influenced pop art, minimalist art, and conceptual art.[2]

Early life

René Magritte was born in Lessines, in the province of Hainaut, Belgium, in 1898. He was the oldest son of Léopold Magritte, a tailor and textile merchant,[3] and Régina (née Bertinchamps), who was a milliner before she got married. Little is known about Magritte's early life. He began lessons in drawing in 1910.[3]

On 24 February 1912, his mother committed suicide by drowning herself in the River Sambre at Châtelet.[4] It was not her first suicide attempt. Her body was not discovered until 12 March.[4] According to a legend, 13-year-old Magritte was present when her body was retrieved from the water, but recent research has discredited this story, which may have originated with the family nurse.[5] Supposedly, when his mother was found, her dress was covering her face, an image that has been suggested as the source of several of Magritte's paintings in 1927–1928 of people with cloth obscuring their faces, including Les Amants.[6]

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Lessines

Lessines

Lessines is a city and municipality of Wallonia located in the province of Hainaut, Belgium. As of the 2014 census, The municipality's total population was 18,637. The total area is 72.29 km² which gives a population density of 247 inhabitants per km².

Tailor

Tailor

A tailor is a person who makes or alters clothing, particularly in men's clothing. The Oxford English Dictionary dates the term to the thirteenth century.

Hatmaking

Hatmaking

Hat-making or millinery is the design, manufacture and sale of hats and other headwear. A person engaged in this trade is called a milliner or hatter.

Suicide

Suicide

Suicide is the act of intentionally causing one's own death. Mental disorders, physical disorders, and substance abuse are risk factors. Some suicides are impulsive acts due to stress, relationship problems, or harassment and bullying. Others from philosophical standpoints. Those who have previously attempted suicide are at a higher risk for future attempts. Effective suicide prevention efforts include limiting access to methods of suicide such as firearms, drugs, and poisons; treating mental disorders and substance abuse; careful media reporting about suicide; and improving economic conditions. Although crisis hotlines are common resources, their effectiveness has not been well studied.

Sambre

Sambre

The Sambre is a river in northern France and in Wallonia, Belgium. It is a left-bank tributary of the Meuse, which it joins in the Wallonian capital Namur.

Châtelet, Belgium

Châtelet, Belgium

Châtelet is a city and municipality of Wallonia located in the province of Hainaut, Belgium. It lies on the river Sambre.

Career

Magritte's earliest paintings, which date from about 1915, were Impressionistic in style.[5] During 1916–1918, he studied at the Académie Royale des Beaux-Arts in Brussels,[7] under Constant Montald, but found the instruction uninspiring.[5] He also took classes at the Académie Royale from the painter and poster designer Gisbert Combaz.[8] The paintings he produced during 1918–1924 were influenced by Futurism and by the figurative Cubism of Metzinger.[5]

From December 1920 until September 1921, Magritte served in the Belgian infantry in the Flemish town of Beverlo near Leopoldsburg. In 1922, Magritte married Georgette Berger, whom he had met as a child in 1913.[3] Also during 1922, the poet Marcel Lecomte showed Magritte a reproduction of Giorgio de Chirico's The Song of Love (painted in 1914). The work brought Magritte to tears; he described this as "one of the most moving moments of my life: my eyes saw thought for the first time."[9] The paintings of the Belgian symbolist painter William Degouve de Nuncques have also been noted as an influence on Magritte, specifically the former's painting The Blind House (1892) and Magritte's variations or series on The Empire of Lights.[10]: 64–65 pp. 

In 1922–1923, Magritte worked as a draughtsman in a wallpaper factory, and was a poster and advertisement designer until 1926, when a contract with Galerie Le Centaure in Brussels made it possible for him to paint full-time. In 1926, Magritte produced his first surreal painting, The Lost Jockey (Le jockey perdu), and held his first solo exhibition in Brussels in 1927.[7] Critics heaped abuse on the exhibition.

Depressed by the failure, he moved to Paris where he became friends with André Breton and became involved in the Surrealist group. An illusionistic, dream-like quality is characteristic of Magritte's version of Surrealism. He became a leading member of the movement, and remained in Paris for three years.[11] In 1929, he exhibited at Goemans Gallery in Paris with Salvador Dalí, Jean Arp, de Chirico, Max Ernst, Joan Miró, Picabia, Picasso and Yves Tanguy.

On 15 December 1929, Magritte participated in the last publication of La Revolution Surrealiste No. 12, where he published his essay "Les mots et les images", where words play with images in sync with his work The Treachery of Images.[12]

Galerie Le Centaure closed at the end of 1929, ending Magritte's contract income. Having made little impact in Paris, Magritte returned to Brussels in 1930 and resumed working in advertising.[13] He and his brother, Paul, formed an agency which earned him a living wage. In 1932, Magritte joined the Communist Party, which he would periodically leave and rejoin for several years.[13] In 1936 he had his first solo exhibition in the United States at the Julien Levy Gallery in New York, followed by an exposition at the London Gallery in 1938.[14]

Between 1934 and 1937, Magritte drew film posters under the pseudonym 'Emair' for the German sound film distributor Tobis Klangfilm. The Leuven City Archive preserves seven posters designed by Magritte.

During the early stages of his career, the British surrealist patron Edward James allowed Magritte to stay rent-free in his London home, where Magritte studied architecture and painted. James is featured in two of Magritte's works painted in 1937, Le Principe du Plaisir (The Pleasure Principle) and La Reproduction Interdite, a painting also known as Not to Be Reproduced.[15]

During the German occupation of Belgium in World War II he remained in Brussels, which led to a break with Breton. He briefly adopted a colorful, painterly style in 1943–44, an interlude known as his "Renoir period", as a reaction to his feelings of alienation and abandonment that came with living in German-occupied Belgium.[16]

In 1946, renouncing the violence and pessimism of his earlier work, he joined several other Belgian artists in signing the manifesto Surrealism in Full Sunlight.[17] During 1947–48, Magritte's "Vache period", he painted in a provocative and crude Fauve style. During this time, Magritte supported himself through the production of fake Picassos, Braques, and de Chiricos—a fraudulent repertoire he was later to expand into the printing of forged banknotes during the lean postwar period. This venture was undertaken alongside his brother Paul and fellow Surrealist and "surrogate son" Marcel Mariën, to whom had fallen the task of selling the forgeries.[18] At the end of 1948, Magritte returned to the style and themes of his pre-war surrealistic art.[19]

In France, Magritte's work has been showcased in a number of retrospective exhibitions, most recently at the Centre Georges Pompidou (2016–2017). In the United States his work has been featured in three retrospective exhibitions: at the Museum of Modern Art in 1965, at the Metropolitan Museum of Art in 1992, and again at the Metropolitan Museum of Art in 2013. An exhibition entitled "The Fifth Season" at the San Francisco Museum of Modern Art in 2018 focused on the work of his later years.[20]

Politically, Magritte stood to the left, and retained close ties to the Communist Party, even in the post-war years. However, he was critical of the functionalist cultural policy of the Communist left, stating that "Class consciousness is as necessary as bread; but that does not mean that workers must be condemned to bread and water and that wanting chicken and champagne would be harmful. (...) For the Communist painter, the justification of artistic activity is to create pictures that can represent mental luxury." While remaining committed to the political left, he thus advocated a certain autonomy of art.[21][22] Spiritually, Magritte was an agnostic.[23]

Popular interest in Magritte's work rose considerably in the 1960s, and his imagery has influenced pop, minimalist, and conceptual art.[2] In 2005 he was 9th in the Walloon version of De Grootste Belg (The Greatest Belgian); in the Flemish version he was 18th.

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Impressionism

Impressionism

Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.

Académie Royale des Beaux-Arts

Académie Royale des Beaux-Arts

The Royal Academy of Fine Arts of Brussels, is an art school established in Brussels, Belgium. It was founded in 1711. Starting from modest beginnings in a single room in Brussels' Town Hall, it has since 1876 been operating from a former convent and orphanage in the Rue du Midi/Zuidstraat, which was converted by the architect Victor Jamaer. The school has played an important role in training important local artists.

Brussels

Brussels

Brussels, officially the Brussels-Capital Region, is a region of Belgium comprising 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country and is a part of both the French Community of Belgium and the Flemish Community, but is separate from the Flemish Region and the Walloon Region.

Constant Montald

Constant Montald

Constant Montald was a Belgian painter, muralist, sculptor, and teacher.

Gisbert Combaz

Gisbert Combaz

Gisbert Combaz, or Ghisbert Combaz, was a Belgian painter, lithographer, illustrator, poster artist, furniture designer, sculptor, art educator, art historian and lawyer. He originally trained and practised as a lawyer, but gave up his legal career to dedicated himself to art education and art. He was one of the leading Belgian Art Nouveau artists. Despite his talents as a painter, he is now mainly known for his poster designs and postcards as well as his First World War drawings expressing his hatred for the German occupiers. His work showed a strong influence of his in-depth study of Japanese and Chinese art.

Futurism

Futurism

Futurism was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 Manifesto of Futurism, Boccioni's 1913 sculpture Unique Forms of Continuity in Space, Balla's 1913–1914 painting Abstract Speed + Sound, and Russolo's The Art of Noises (1913).

Cubism

Cubism

Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related artistic movements in music, literature, and architecture. In Cubist works of art, the subjects are analyzed, broken up, and reassembled in an abstract form—instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term cubism is broadly associated with a variety of artworks produced in Paris or near Paris (Puteaux) during the 1910s and throughout the 1920s.

Jean Metzinger

Jean Metzinger

Jean Dominique Antony Metzinger was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Cézannian component, leading to some of the first proto-Cubist works.

Flemish

Flemish

Flemish (Vlaams) is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch, Belgian Dutch, or Southern Dutch. Flemish is native to Flanders, a historical region in northern Belgium; it is spoken by Flemings, the dominant ethnic group of the region. Outside of Flanders, it is also spoken to some extent in French Flanders and the Dutch Zeelandic Flanders.

Giorgio de Chirico

Giorgio de Chirico

Giuseppe Maria Alberto Giorgio de Chirico was an Italian artist and writer born in Greece. In the years before World War I, he founded the scuola metafisica art movement, which profoundly influenced the surrealists. His best-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, and for the mythology of his birthplace.

Drafter

Drafter

A drafter is an engineering technician who makes detailed technical drawings or plans for machinery, buildings, electronics, infrastructure, sections, etc. Drafters use computer software and manual sketches to convert the designs, plans, and layouts of engineers and architects into a set of technical drawings. Drafters operate as the supporting developers and sketch engineering designs and drawings from preliminary design concepts.

André Breton

André Breton

André Robert Breton was a French writer and poet, the co-founder, leader, and principal theorist of surrealism. His writings include the first Surrealist Manifesto of 1924, in which he defined surrealism as "pure psychic automatism".

Personal life

Magritte married Georgette Berger in June 1922. Georgette was the daughter of a butcher in Charleroi, and first met Magritte when she was 13 and he was 15. They met again seven years later in Brussels in 1920[24] and Georgette, who had also studied art, became Magritte's model, muse, and wife.

In 1936, Magritte's marriage became troubled when he met a young performance artist, Sheila Legge, and began an affair with her. Magritte arranged for his friend, Paul Colinet, to entertain and distract Georgette, but this led to an affair between Georgette and Colinet. Magritte and his wife did not reconcile until 1940.[25]

Magritte died of pancreatic cancer on 15 August 1967, aged 68, and was interred in Schaerbeek Cemetery, Evere, Brussels.

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Sheila Legge

Sheila Legge

Sheila Legge was a Surrealist performance artist. Legge is best known for her 1936 Trafalgar Square performance for the opening of London International Surrealist Exhibition, posing in a costume inspired by a Salvador Dalí painting, with her head completely obscured by a flower arrangement.

Pancreatic cancer

Pancreatic cancer

Pancreatic cancer arises when cells in the pancreas, a glandular organ behind the stomach, begin to multiply out of control and form a mass. These cancerous cells have the ability to invade other parts of the body. A number of types of pancreatic cancer are known.

Schaerbeek Cemetery

Schaerbeek Cemetery

Schaerbeek Cemetery, officially Schaerbeek New Cemetery, is a cemetery belonging to Schaerbeek in Brussels, Belgium, where the municipality's inhabitants have the right to be buried. It is not located in Schaerbeek itself; rather it is partially in the neighbouring municipality of Evere, and partially in the village of Sint-Stevens-Woluwe in Zaventem, Flemish Brabant. The cemetery is adjacent to Brussels Cemetery and Evere Cemetery, but should not be confused with either.

Evere

Evere

Evere is one of the 19 municipalities of the Brussels-Capital Region (Belgium). As of 1 January 2022, the municipality had a population of 43,608 inhabitants. The total area is 5.08 km2 (1.96 sq mi), which gives a population density of 8,503/km2 (22,020/sq mi). In common with all of Brussels' municipalities, it is legally bilingual (French–Dutch).

Philosophical and artistic gestures

It is a union that suggests the essential mystery of the world. Art for me is not an end in itself, but a means of evoking that mystery.

René Magritte on putting seemingly unrelated objects together in juxtaposition[26]

Magritte's work frequently displays a collection of ordinary objects in an unusual context, giving new meanings to familiar things. The use of objects as other than what they seem is typified in his painting,[27] The Treachery of Images (La trahison des images), which shows a pipe that looks as though it is a model for a tobacco store advertisement. Magritte painted below the pipe "Ceci n'est pas une pipe" ("This is not a pipe"),[28] which seems a contradiction, but is actually true: the painting is not a pipe, it is an image of a pipe. It does not "satisfy emotionally"—when Magritte was once asked about this image, he replied that of course it was not a pipe, just try to fill it with tobacco.[29]

Magritte's work has been described by Suzi Gablik as "a systematic attempt to disrupt any dogmatic view of the physical world."[30] Therefore, when Magritte painted rocks – which are commonly understood to be heavy, inanimate objects – he often painted them floating cloud-like in the sky, or painted scenes of people and their environment turned to stone.[31]

Among Magritte's works are a number of surrealist versions of other famous paintings, such as Perspective I and Perspective II, which are copies of David's Portrait of Madame Récamier[32] and Manet's The Balcony,[33] respectively, but with the human subjects replaced by coffins.[34] Elsewhere, Magritte challenges the difficulty of artwork to convey meaning with a recurring motif of an easel, as in his The Human Condition series (1933, 1935) or The Promenades of Euclid (1955), wherein the spires of a castle are "painted" upon the ordinary streets which the canvas overlooks. In a letter to André Breton, he wrote of The Human Condition that it was irrelevant if the scene behind the easel differed from what was depicted upon it, "but the main thing was to eliminate the difference between a view seen from outside and from inside a room."[35] The windows in some of these pictures are framed with heavy drapes, suggesting a theatrical motif.[36]

Magritte's style of surrealism is more representational than the "automatic" style of artists such as Joan Miró. Magritte's use of ordinary objects in unfamiliar spaces is joined to his desire to create poetic imagery. He described the act of painting as "the art of putting colors side by side in such a way that their real aspect is effaced, so that familiar objects—the sky, people, trees, mountains, furniture, the stars, solid structures, graffiti—become united in a single poetically disciplined image. The poetry of this image dispenses with any symbolic significance, old or new."[37]

René Magritte described his paintings as "visible images which conceal nothing; they evoke mystery and, indeed, when one sees one of my pictures, one asks oneself this simple question, 'What does that mean?'. It does not mean anything, because mystery means nothing either, it is unknowable."[38]

Magritte's constant play with reality and illusion has been attributed to the early death of his mother. Psychoanalysts who have examined bereaved children have hypothesized that Magritte's back and forth play with reality and illusion reflects his "constant shifting back and forth from what he wishes—'mother is alive'—to what he knows—'mother is dead'."[39]

More recently, Patricia Allmer has demonstrated the influence of fairground attractions on Magritte's art – from carousels and circuses to panoramas and stage magic.[40]

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The Empire of Light

The Empire of Light

The Empire of Light is the title of a succession of paintings by René Magritte. They depict the paradoxical image of a nocturnal landscape beneath a sunlit sky. He explored the theme in 27 paintings from the 1940s to the 1960s. The paintings were not planned as a formal series. They have never all been exhibited together and are rarely exhibited in smaller groups. The original French title, L'Empire des Lumieres is sometimes translated as singular, The Empire of Light,and sometimes as plural The Empire of Lights. Other translations include The Dominion of Light: making the distinction: "an empire exists in relation to a ruler, a dominion does not necessarily require this.”

Museum of Modern Art

Museum of Modern Art

The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues.

The Treachery of Images

The Treachery of Images

The Treachery of Images is a 1929 painting by Belgian surrealist painter René Magritte. It is also known as This Is Not a Pipe and The Wind and the Song. Magritte painted it when he was 30 years old. It is on display at the Los Angeles County Museum of Art.

Suzi Gablik

Suzi Gablik

Suzi Gablik was an American visual artist, author, art critic, and professor of art history and art criticism. She lived in Blacksburg, Virginia.

Jacques-Louis David

Jacques-Louis David

Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling, harmonizing with the moral climate of the final years of the Ancien Régime.

Portrait of Madame Récamier

Portrait of Madame Récamier

Portrait of Madame Récamier is an 1800 portrait of the Parisian socialite Juliette Récamier by Jacques-Louis David showing her in the height of Neoclassical fashion, reclining on a Directoire style sofa in a simple Empire line dress with almost bare arms, and short hair "à la Titus." The work is unfinished.

The Balcony (Manet)

The Balcony (Manet)

The Balcony is an 1868-69 oil painting by the French painter Édouard Manet. It depicts four figures on a balcony, one of whom is sitting: the painter Berthe Morisot, who married Manet's brother Eugène in 1874. In the centre is the painter Jean Baptiste Antoine Guillemet. On the right is Fanny Claus, a violinist. The fourth figure, partially obscured in the interior's background, is possibly Léon Leenhoff, Manet's son. It was exhibited at the Paris Salon of 1869, and then kept by Manet until his death in 1883. It was sold to the painter Gustave Caillebotte in 1884, who left it to the French state in 1894. It is currently held at the Musée d'Orsay, in Paris.

Surrealist automatism

Surrealist automatism

Surrealist automatism is a method of art-making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway. Early 20th-century Dadaists, such as Hans Arp, made some use of this method through chance operations. Surrealist artists, most notably André Masson, adapted to art the automatic writing method of André Breton and Philippe Soupault who composed with it Les Champs Magnétiques in 1919. The Automatic Message (1933) was one of Breton's significant theoretical works about automatism.

Joan Miró

Joan Miró

Joan Miró i Ferrà was a Spanish painter, sculptor and ceramicist born in Barcelona. He was known as Joan Miró in the art recognition. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma in 1981.

Artists influenced by Magritte

Contemporary artists have been greatly influenced by René Magritte's stimulating examination of the fickleness of images. Some artists who have been influenced by Magritte's works include John Baldessari, Ed Ruscha, Andy Warhol, Jasper Johns, Jan Verdoodt, Martin Kippenberger, Duane Michals, Storm Thorgerson, and Luis Rey. Some of the artists' works integrate direct references and others offer contemporary viewpoints on his abstract fixations.[41]

Magritte's use of simple graphic and everyday imagery has been compared to that of the pop-artists. His influence in the development of pop art has been widely recognized,[42] although Magritte himself discounted the connection. He considered the pop artists' representation of "the world as it is" as "their error", and contrasted their attention to the transitory with his concern for "the feeling for the real, insofar as it is permanent."[42] The 2006–2007 LACMA exhibition "Magritte and Contemporary Art: The Treachery of Images" examined the relationship between Magritte and contemporary art.[43]

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John Baldessari

John Baldessari

John Anthony Baldessari was an American conceptual artist known for his work featuring found photography and appropriated images. He lived and worked in Santa Monica and Venice, California.

Andy Warhol

Andy Warhol

Andy Warhol was an American visual artist, film director, and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best-known works include the silkscreen paintings Campbell's Soup Cans (1962) and Marilyn Diptych (1962), the experimental films Empire (1964) and Chelsea Girls (1966), and the multimedia events known as the Exploding Plastic Inevitable (1966–67).

Jasper Johns

Jasper Johns

Jasper Johns is an American painter, sculptor, and printmaker whose work is associated with abstract expressionism, Neo-Dada, and pop art. He is well known for his depictions of the American flag and other US-related topics. Johns's works regularly sell for millions of dollars at sale and auction, including a reported $110 million sale in 2010. At multiple times works by Johns have held the title of most paid for a work by a living artist.

Jan Verdoodt

Jan Verdoodt

Jan Verdoodt (1908–1980) came from Sint-Pieters-Jette in Belgium. He attended the Academie van Sint-Jans-Molenbeek from 1926, under Frans Persoons, where he was attracted equally by Realism and Surrealism. He developed his own style by combining these two schools, creating 'a kind of magic realism in which dream and reality, woman and nature, were intimately bound together'.

Martin Kippenberger

Martin Kippenberger

Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona.

Duane Michals

Duane Michals

Duane Michals is an American photographer. Michals's work makes innovative use of photo-sequences, often incorporating text to examine emotion and philosophy.

Storm Thorgerson

Storm Thorgerson

Storm Elvin Thorgerson was an English graphic designer and music video director. He is best known for closely working with the group Pink Floyd through most of their career, and also created album or other art for Led Zeppelin, Phish, Black Sabbath, Scorpions, UFO, Peter Gabriel, the Alan Parsons Project, Genesis, Yes, Kansas, Dream Theater, Muse, Audioslave, the Mars Volta, The Cranberries, Helloween, Ween, Shpongle and Catherine Wheel.

Luis Rey

Luis Rey

Luis V. Rey is a Spanish-Mexican artist and illustrator. A 1977 graduate of the San Carlos Academy, part of the National Autonomous University of Mexico, he was among the contributors of the weekly Barcelona satirical magazine El Papus. He was sentenced due to a cartoon featuring the Pope wearing a swimsuit.

Legacy

500 franc note showing portrait of Magritte
500 franc note showing portrait of Magritte

The 1960s brought a great increase in public awareness of Magritte's work.[2] Thanks to his "sound knowledge of how to present objects in a manner both suggestive and questioning", his works have been frequently adapted or plagiarized in advertisements, posters, book covers and the like.[44] Examples include album covers such as Beck-Ola by The Jeff Beck Group (reproducing Magritte's The Listening Room), Alan Hull's 1973 album Pipedream which used The Philosopher's Lamp, Jackson Browne's 1974 album Late for the Sky, with artwork inspired by The Empire of Light, Oregon's album Oregon referring to Carte Blanche, the Firesign Theatre's album Just Folks... A Firesign Chat based on The Mysteries of the Horizon, and Styx's album The Grand Illusion incorporating an adaptation of the painting The Blank Signature (Le Blanc Seing). The Nigerian rapper Jesse Jagz's 2014 album Jagz Nation Vol. 2: Royal Niger Company has cover art inspired by Magritte's works.[45] In 2015 the band Punch Brothers used The Lovers as the cover of their album The Phosphorescent Blues.

The logo of Apple Corps, The Beatles' company, is inspired by Magritte's Le Jeu de Mourre, a 1966 painting. Paul Simon's song "Rene and Georgette Magritte with Their Dog after the War", inspired by a photograph of Magritte by Lothar Wolleh, appears on the 1983 album Hearts and Bones. John Cale wrote a song titled "Magritte". The song appears on the 2003 album HoboSapiens. Tom Stoppard wrote a 1970 Surrealist play called After Magritte. John Berger scripted the book Ways of Seeing using images and ideologies regarding Magritte. Douglas Hofstadter's 1979 book Gödel, Escher, Bach uses Magritte works for many of its illustrations. The Treachery of Images was used in a major plot in L. J. Smith's 1994 novel The Forbidden Game. Magritte's imagery has inspired filmmakers ranging from the surrealist Marcel Mariën to mainstream directors such as Jean-Luc Godard, Alain Robbe-Grillet, Bernardo Bertolucci, Nicolas Roeg, John Boorman and Terry Gilliam.[46][47][48]

According to the 1998 documentary The Fear of God: 25 Years of "The Exorcist", the iconic poster shot for the film The Exorcist was inspired by Magritte's The Empire of Light.

In the 1992 movie Toys, Magritte's work was influential in the entire movie but specifically in a break-in scene, featuring Robin Williams and Joan Cusack in a music video hoax. Many of Magritte's works were used directly in that scene. In the 1999 movie The Thomas Crown Affair starring Pierce Brosnan, Rene Russo and Denis Leary, the Magritte painting The Son of Man was prominently featured as part of the plot line.

Gary Numan's 1979 album The Pleasure Principle was a reference to Magritte's painting of the same name.

In John Green's fictional novel (2012) and movie (2014), The Fault in Our Stars, the main character Hazel Grace Lancaster wears a tee shirt with Magritte's, The Treachery of Images, (This is not a pipe.) Just prior to leaving her mother to visit her favorite author, Hazel explains the drawing to her confused mother and states that the author's novel has "several Magritte references", clearly hoping the author will be pleased with the reference.

The official music video of Markus Schulz's "Koolhaus" under his Dakota guise was inspired from Magritte's works.[49]

A street in Brussels has been named Ceci n'est pas une rue (This is not a street).[50]

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Belgian franc

Belgian franc

The Belgian franc was the currency of the Kingdom of Belgium from 1832 until 2002 when the Euro was introduced. It was subdivided into 100 subunits, each known as a centiem in Dutch, centime in French or a Centime in German.

Beck-Ola

Beck-Ola

Beck-Ola is the second studio album by English guitarist Jeff Beck, and the first credited to the Jeff Beck Group, released in 1969 in the United Kingdom on Columbia Records and in the United States on Epic Records. It peaked at No. 15 on the Billboard 200, and at No. 39 on the UK Albums Chart. The album's title puns on the name of the Rock-Ola jukebox company.

Alan Hull

Alan Hull

James Alan Hull was an English singer-songwriter and founding member of the Tyneside folk rock band Lindisfarne.

Pipedream (Alan Hull album)

Pipedream (Alan Hull album)

Pipedream is the first solo album from Lindisfarne singer Alan Hull. The album reached No. 29 in the UK, while also charting in Australia.

Jackson Browne

Jackson Browne

Clyde Jackson Browne is an American musician, singer, songwriter, and political activist who has sold over 18 million records in the United States.

Late for the Sky

Late for the Sky

Late for the Sky is the third studio album by American singer–songwriter Jackson Browne, released by Asylum Records on September 13, 1974. It peaked at number 14 on Billboard's Pop Albums chart.

Oregon (band)

Oregon (band)

Oregon is an American jazz and world music group, formed in 1970 by Ralph Towner, Paul McCandless, Glen Moore, and Collin Walcott.

Out of the Woods (Oregon album)

Out of the Woods (Oregon album)

Out of the Woods is a studio album by the American jazz group Oregon released in April 1978. The album peaked at number 17 on the Billboard Jazz Albums chart the same year.

Just Folks... A Firesign Chat

Just Folks... A Firesign Chat

Just Folks... A Firesign Chat is a 1977 comedy album by the Firesign Theatre. The material is based on previously unreleased material from their 1970–1972 radio shows Dear Friends and Let's Eat!. It was the only record the group made under a new contract with Butterfly Records, after the cancellation of their ten-year Columbia Records contract.

Jagz Nation Vol. 2: Royal Niger Company

Jagz Nation Vol. 2: Royal Niger Company

Jagz Nation Vol. 2: Royal Niger Company is the third studio album by Nigerian rapper and record producer Jesse Jagz. Released by Jagz Nation on March 28, 2014, the album marked a departure from the dancehall and ragga elements deployed on Jagz Nation, Vol.1. Thy Nation Come (2013). Jesse Jagz enlisted Shady, Dugod, Ibro and Phazehop to assist with production. The album consists of samples ranging from Rufus & Chaka Khan's "Ain't Nobody" to excerpts from movies such as Network (1976), Scarface (1983) and Johnny Mad Dog (2008). Jagz Nation Vol. 2: Royal Niger Company features guest appearances and recording samples from Fela Kuti, Tupac, Rufus & Chaka Khan, Tesh Carter, Jumar, Dugod, Sarah Mitaru, Rexx and Show Dem Camp.

Punch Brothers

Punch Brothers

Punch Brothers is an American band consisting of Chris Thile (mandolin), Gabe Witcher (fiddle/violin), Noam Pikelny (banjo), Chris Eldridge (guitar), and Paul Kowert (bass). Their style has been described as "bluegrass instrumentation and spontaneity in the strictures of modern classical" as well as "American country-classical chamber music".

Apple Corps

Apple Corps

Apple Corps Limited is a multi-armed multimedia corporation founded in London in January 1968 by the members of The Beatles to replace their earlier company and to form a conglomerate. Its name is a pun. Its chief division is Apple Records, which was launched in the same year. Other divisions included Apple Electronics, Apple Films, Apple Publishing and Apple Retail, whose most notable venture was the short-lived Apple Boutique, on the corner of Baker Street and Paddington Street in central London. Apple's headquarters in the late 1960s was at the upper floors of 94 Baker Street, after that at 95 Wigmore Street, and subsequently at 3 Savile Row. The latter address was also known as the Apple Building, which was home to the Apple studio.

Magritte Museum and other collections

The Magritte Museum opened to the public on 30 May 2009 in Brussels.[51] Housed in the five-level neo-classical Hotel Altenloh, on the Place Royale, it displays some 200 original Magritte paintings, drawings and sculptures[52] including The Return, Scheherazade and The Empire of Light.[53] This multidisciplinary permanent installation is the biggest Magritte archive anywhere and most of the work is directly from the collection of the artist's widow, Georgette Magritte, and from Irene Hamoir Scutenaire, who was his primary collector.[54] Additionally, the museum includes Magritte's experiments with photography from 1920 on and the short Surrealist films he made from 1956 on.[54]

Another museum is located at 135 Rue Esseghem in Brussels in Magritte's former home, where he lived with his wife from 1930 to 1954. Olympia (1948), a nude portrait of Magritte's wife reportedly worth about US$1.1 million, was stolen from this museum on the morning of 24 September 2009 by two armed men.[55][56][57] It was returned to the museum in January 2012, in exchange for a 50,000-Euro payment from the museum's insurer. The thieves reportedly agreed to the deal because they were unable to sell the painting on the black market due to its fame.[58]

The Menil Collection in Houston, Texas holds one of the most significant collections of dada and surrealist work in the United States, including dozens of oil paintings, gouaches, drawings, and bronzes by René Magritte. John de Menil and Dominique de Menil initiated and funded the catalogue raisonné of Magritte's oeuvre, published between 1992 and 1997 in five volumes, with an addendum in 2012. Major oil paintings in the Menil Collection include: The Meaning of Night (1927), The Eternally Obvious (1930), The Rape (1934), The Listening Room (1952), and Golconda (1953) which are typically exhibited a few at a time on a rotating basis with other surrealist works in the collection.[59]

Discover more about Magritte Museum and other collections related topics

Magritte Museum

Magritte Museum

The Magritte Museum is an art museum in central Brussels, Belgium, dedicated to the work of the Belgian surrealist artist, René Magritte. It is one of the constituent museums of the Royal Museums of Fine Arts of Belgium. It is served by Brussels Central Station, as well as by the metro stations Parc/Park and Trône/Troon.

Brussels

Brussels

Brussels, officially the Brussels-Capital Region, is a region of Belgium comprising 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country and is a part of both the French Community of Belgium and the Flemish Community, but is separate from the Flemish Region and the Walloon Region.

The Empire of Light

The Empire of Light

The Empire of Light is the title of a succession of paintings by René Magritte. They depict the paradoxical image of a nocturnal landscape beneath a sunlit sky. He explored the theme in 27 paintings from the 1940s to the 1960s. The paintings were not planned as a formal series. They have never all been exhibited together and are rarely exhibited in smaller groups. The original French title, L'Empire des Lumieres is sometimes translated as singular, The Empire of Light,and sometimes as plural The Empire of Lights. Other translations include The Dominion of Light: making the distinction: "an empire exists in relation to a ruler, a dominion does not necessarily require this.”

Irène Hamoir

Irène Hamoir

Irène Hamoir was a Belgian novelist and poet, the leading female member of the Belgian surrealist movement. Her poetry was published under the pen name Irine, and she appeared as Lorrie in the writings of her husband, Louis Scutenaire, and the works of René Magritte.

Black market

Black market

A black market, underground economy, or shadow economy is a clandestine market or series of transactions that has some aspect of illegality or is characterized by noncompliance with an institutional set of rules. If the rule defines the set of goods and services whose production and distribution is prohibited by law, non-compliance with the rule constitutes a black market trade since the transaction itself is illegal. Parties engaging in the production or distribution of prohibited goods and services are members of the illegal economy. Examples include the illegal drug trade, prostitution, illegal currency transactions, and human trafficking. Violations of the tax code involving income tax evasion constitute membership in the unreported economy.

Menil Collection

Menil Collection

The Menil Collection, located in Houston, Texas, refers either to a museum that houses the art collection of founders John de Menil and Dominique de Menil, or to the collection itself of approximately 17,000 paintings, sculptures, prints, drawings, photographs and rare books.

John de Menil

John de Menil

John de Ménil was a Franco-American businessman, philanthropist, and art patron. He was the founding president of the International Foundation for Art Research (IFAR) in New York. With his wife, Dominique de Menil, he established the Menil Collection, a free museum designed by Renzo Piano and built in 1986 to preserve and exhibit their world-class contemporary art collection.

Dominique de Menil

Dominique de Menil

Dominique de Menil was a French-American art collector, philanthropist, founder of the Menil Collection and an heiress to the Schlumberger Limited oil-equipment fortune. She was awarded the National Medal of Arts in 1986.

Catalogue raisonné

Catalogue raisonné

A catalogue raisonné is a comprehensive, annotated listing of all the known artworks by an artist either in a particular medium or all media. The works are described in such a way that they may be reliably identified by third parties, and such listings play an important role in authentification.

The Meaning of Night (painting)

The Meaning of Night (painting)

The Meaning of Night is a painting by the Belgian Surrealist René Magritte. Painted in 1927, it is an oil painting on canvas with dimensions 139 cm by 105 cm and is in the Menil Collection, Houston.

The Listening Room

The Listening Room

The Listening Room is an oil on canvas painting by the Belgian surrealist René Magritte which is currently part of the Menil Collection in Houston, Texas. A later version of the painting was made in 1958 and is held in a private collection.

Golconda (Magritte)

Golconda (Magritte)

Golconda is an oil painting on canvas by Belgian surrealist René Magritte, painted in 1953. It is usually housed at the Menil Collection in Houston, Texas.

Selected list of works

Discover more about Selected list of works related topics

List of paintings by René Magritte

List of paintings by René Magritte

This is an incomplete list of the paintings of René Magritte, a key surrealist painter known for the wittiness of his work.

The Difficult Crossing

The Difficult Crossing

The Difficult Crossing (La traversée difficile) is the name given to two oil-on-canvas paintings by the Belgian surrealist René Magritte. The original version was completed in 1926 during Magritte's early prolific years of surrealism and is currently held in a private collection. A later version was completed in 1963 and is also held in a private collection.

The Enchanted Pose

The Enchanted Pose

The Enchanted Pose was a 1927 painting by René Magritte depicting a side-by-side pair of identical female nudes in a bare interior. It has been lost since the 1930s.

The Meaning of Night (painting)

The Meaning of Night (painting)

The Meaning of Night is a painting by the Belgian Surrealist René Magritte. Painted in 1927, it is an oil painting on canvas with dimensions 139 cm by 105 cm and is in the Menil Collection, Houston.

The Menaced Assassin

The Menaced Assassin

The Menaced Assassin is a 1927 oil on canvas painting by Belgian surrealist artist René Magritte.

The Adulation of Space

The Adulation of Space

The Adulation of Space is a painting in oil on canvas, 81 × 116 cm, created between 1927–28 by Belgian surrealist artist René Magritte. It is held in a private collection.

The Voice of Space

The Voice of Space

The Voice of Space is an oil painting by René Magritte. Four oil versions exist of the image. The most famous is that held in the Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice. Another publicly displayed version is held at the Albright-Knox Art Gallery, Buffalo, New York.

The Empty Mask

The Empty Mask

The Empty Mask (1928) is a painting by Belgian surrealist René Magritte.

The Treachery of Images

The Treachery of Images

The Treachery of Images is a 1929 painting by Belgian surrealist painter René Magritte. It is also known as This Is Not a Pipe and The Wind and the Song. Magritte painted it when he was 30 years old. It is on display at the Los Angeles County Museum of Art.

On the Threshold of Liberty

On the Threshold of Liberty

On the Threshold of Liberty refers to two oil on canvas paintings by the Belgian surrealist René Magritte. The work depicts a large room with the walls paneled with different scenes or windows. Each panel reveals a different subject: a sky, fire, wood, a forest, the front of a building, an ornamental pattern, a female torso and a strange metallic texture featuring spherical bells. Inside the room is a cannon.

Time Transfixed

Time Transfixed

Time Transfixed is a 1938 oil on canvas painting by the Belgian surrealist René Magritte. It is part of the permanent collection of the Art Institute of Chicago and is usually on display in the museum's Modern Wing.

The Palace of Memories

The Palace of Memories

The Palace of Memories is a painting in oil on canvas, 46.2 × 38.2 cm, created in 1939 by Belgian surrealist artist René Magritte. It is held in a private collection.

Source: "René Magritte", Wikipedia, Wikimedia Foundation, (2023, March 17th), https://en.wikipedia.org/wiki/René_Magritte.

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See also
References
Citations
  1. ^ "René Magritte | MoMA". The Museum of Modern Art. Retrieved 12 December 2022.
  2. ^ a b c Calvocoressi 1990, p. 26.
  3. ^ a b c Meuris 1991, p 216.
  4. ^ a b Abadie 2003, p. 274.
  5. ^ a b c d Calvocoressi 1990, p. 9.
  6. ^ a b "National Gallery of Australia | Les Amants [The lovers]". Nga.gov.au. Retrieved 14 October 2010.
  7. ^ a b "The Guggenheim Museums and Foundation". The Guggenheim Museums and Foundation.
  8. ^ Gisèle Ollinger-Zinque and Frederik Leen (Ed.), Magritte, 1898-1967, Musées royaux des beaux-arts de Belgique, Ludion Press, 1998, p. 308
  9. ^ Marler, Regina (25 October 2018). "Every Time I Look at It I Feel Ill". New York Review of Books. ISSN 0028-7504. Retrieved 22 January 2019.
  10. ^ Cassou, Jean (1984) The Concise Encyclopaedia of Symbolism. Chartwell Books, Inc. Secaucus, New Jersey. 292 pp. ISBN 0-89009-706-2
  11. ^ Barnes, Rachel (2001). The 20th-Century Art Book (Reprinted. ed.). London: Phaidon Press. ISBN 0714835420.
  12. ^ "Revolution surrealiste nb 12" (PDF). inventin.lautre.net.
  13. ^ a b Meuris 1991, p. 217.
  14. ^ Meuris 1991, p. 221.
  15. ^ "Professor Bram Hammacher", The Edward James Foundation souvenir guide, edited Peter Sarginson, 1992.
  16. ^ Meuris 1991, p. 56.
  17. ^ Meuris 1991, p. 218.
  18. ^ Lambith, Andrew (28 February 1998). "Ceci n'est pas an artist". The Independent. London. Retrieved 22 May 2010.
  19. ^ Meuris 1991, p. 61.
  20. ^ Marler, Regina (October 25, 2018). "Every Time I Look at It I Feel Ill". The New York Review of Books. pp 8–12.
  21. ^ "René Magritte on the Revolutionary Artist vs. Folk Art & Stalinism". Retrieved 28 June 2014.
  22. ^ "Musee Magritte Museum". Archived from the original on 3 September 2014. Retrieved 28 June 2014.
  23. ^ Jacques Meuris (1994). René Magritte, 1898-1967. Benedikt Taschen. p. 70. ISBN 9783822805466. We shall not at this juncture risk analyzing an agnostic Magritte haunted perhaps by thoughts of ultimate destiny. "We behave as if there were no God" (Marien 1947).
  24. ^ "René Magritte: This is Not A Biography". Matteson Art. Retrieved 22 September 2015.
  25. ^ "René Magritte: This is Not A Biography (1939-1940 Marital Difficulties- World War II Approaches)". Matteson Art. Retrieved 22 September 2015.
  26. ^ Glueck, Grace, "A Bottle Is a Bottle"; The New York Times, 19 December 1965.
  27. ^ "René Magritte le maître surréaliste | PM". PM (in French). 18 November 2016. Archived from the original on 11 July 2018. Retrieved 18 November 2016.
  28. ^ "René Magritte the Surrealist Master | Surreal Artists". Surreal Artists. 24 May 2017. Archived from the original on 4 October 2017. Retrieved 27 May 2017.
  29. ^ Spitz 1994, p.47
  30. ^ Gablik 1970, p. 98.
  31. ^ Gablik 1970, pp. 98–99.
  32. ^ "Proud Coffin: René Magritte's Perspective: Madame Récamier by David". National Gallery of Canada. Retrieved 20 April 2021.
  33. ^ "René Magritte: Perspective II, Manet's Balcony". Museum of Fine Arts, Ghent. Retrieved 20 April 2021.
  34. ^ Meuris 1991, p. 195.
  35. ^ Sylvester 1992, p.298
  36. ^ Spitz 1994, p.50
  37. ^ Frasnay, Daniel. The Artist's World. New York: The Viking Press, 1969. pp. 99-107
  38. ^ "Flanders - New Magritte Museum Brussels". visitflanders.us. Retrieved 29 March 2009.
  39. ^ Collins, Bradley I. Jr. "Psychoanalysis and Art History". Art Journal, Vol. 49, No. 2, College Art Association, pp. 182-186.
  40. ^ Allmer, Patricia (2019). René Magritte. London: Reakton Press.
  41. ^ Amra Brooks (27 December 2006). "Los Angeles: Magritte by Baldessari, Road Trips and Rock 'n' Roll". ARTINFO. Retrieved 24 April 2008. {{cite journal}}: Cite journal requires |journal= (help)
  42. ^ a b Meuris 1991, p. 202.
  43. ^ Stephanie Brown (2006). "Magritte and Contemporary Art: The Treachery of Images". Los Angeles county Museum of Art and Ludion. {{cite journal}}: Cite journal requires |journal= (help)
  44. ^ Meuris 1991, pp. 199–201.
  45. ^ "The Miseducation of Jesse Jagz – "Jagz Nation Vol 2: The Royal Niger Company"". Fuse.com.ng. 21 March 2014. Retrieved 14 April 2014.
  46. ^ Levy 1997, p. 105.
  47. ^ Bertolucci, Gérard, & Kline 2000, p. 53.
  48. ^ Fragola & Smith 1995, p. 103.
  49. ^ "Dakota - Koolhaus (Official Music Video)". Armada Music. 6 September 2010. Archived from the original on 31 October 2021. Retrieved 19 March 2018.
  50. ^ The Economist 12 January 2019 p.31.
  51. ^ "Home – Magritte Museum". www.musee-magritte-museum.be.
  52. ^ "Two New Museums for Tintin and Magritte". Time. 30 May 2009. Archived from the original on 11 June 2009. Retrieved 30 May 2009.
  53. ^ Victor Zak October 2009 page 20 Westways Magazine
  54. ^ a b Oisteanu, Valery (8 July 2010). "Magritte, Painter-Philosopher". The Brooklyn Rail (July–August 2010).
  55. ^ Chrisafis, Angelique (24 September 2009). "Magritte painting stolen at gunpoint". The Guardian. Retrieved 27 November 2019.
  56. ^ NY Times. Retrieved 24 September 2009.
  57. ^ demorgen.be retrieved 5 January 2012
  58. ^ "Did Paying a Ransom for a Stolen Magritte Painting Inadvertently Fund Terrorism?". Vanity Fair. 27 May 2021. Retrieved 7 June 2021.
  59. ^ The Menil Collection: Surrealism (accessed December 17, 2020)
  60. ^ MSK Gent: https://www.mskgent.be/en/featured-item/perspective-ii-manets-balcony (accessed January 3, 2022)
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