Get Our Extension

Qawwali

From Wikipedia, in a visual modern way

Qawwali (Punjabi:قوّالی (Shahmukhi), ਕ਼ੱਵਾਲੀ (Gurmukhi); Urdu:قوّالی (Nasta'liq); Hindi: क़व्वाली (Devanagari); Bengali: কাওয়ালি (Bengali)) is a form of Sufi Islamic devotional singing, originating in South Asia.

Originally performed at Sufi shrines or dargahs throughout South Asia, it gained mainstream popularity and an international audience in late 20th century. Qawwali music received international exposure through the work of Nusrat Fateh Ali Khan, Aziz Mian and Sabri Brothers largely due to several releases on the Real World label, followed by live appearances at WOMAD festivals. Other famous Qawwali singers include Fareed Ayyaz & Abu Muhammad, Rahat Fateh Ali Khan, Badar Miandad, Rizwan & Moazzam Duo, Qutbi Brothers, the late Amjad Sabri, Wadali Brothers, Nizami Bandhu, Bahauddin Qutbuddin, among others. Most modern Qawwali singers including Ustad Nusrat Fateh Ali Khan and Fareed Ayyaz & Abu Muhammad belong to the famed 'Qawwal Bachon ka Gharana' school of Qawwali, which was based in Delhi before 1947 and migrated to Pakistan.

Discover more about Qawwali related topics

Punjabi language

Punjabi language

Punjabi, sometimes spelled Panjabi, is an Indo-Aryan language of the Punjab region of Pakistan and India. It has approximately 113 million native speakers.

Gurmukhi

Gurmukhi

Gurmukhī is an abugida developed from the Laṇḍā scripts, standardized and used by the second Sikh guru, Guru Angad (1504–1552). It is used by Punjabi Sikhs to write the language, commonly regarded as a Sikh script, Gurmukhi is used in Punjab, India as the official script of the Punjabi language. It is one of the official scripts of the Indian Republic. While Arabic based Shahmukhi script is used in Punjab, Pakistan.

Hindi

Hindi

Hindi, or more precisely Modern Standard Hindi, is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has been described as a standardised and Sanskritised register of the Hindustani language, which itself is based primarily on the Khariboli dialect of Delhi and neighbouring areas of North India. Hindi, written in the Devanagari script, is one of the two official languages of the Government of India, along with English. It is an official language in nine states and three union territories and an additional official language in three other states. Hindi is also one of the 22 scheduled languages of the Republic of India.

Devanagari

Devanagari

Devanāgarī or Devanagari, also called Nāgarī, is a left-to-right abugida, based on the ancient Brāhmī script, used in the northern Indian subcontinent. It is one of the official scripts of the Indian Republic. It was developed and in regular use by the 7th century CE. The Devanāgarī script, composed of 47 primary characters, including 14 vowels and 33 consonants, is the fourth most widely adopted writing system in the world, being used for over 120 languages.

Bengali language

Bengali language

Bengali, generally known by its endonym Bangla, is an Indo-Aryan language native to the Bengal region of South Asia. It is the official, national, and most widely spoken language of Bangladesh and the second most widely spoken of the 22 scheduled languages of India. With approximately 300 million native speakers and another 37 million as second language speakers, Bengali is the fifth most-spoken native language and the seventh most spoken language by total number of speakers in the world. Bengali is the fifth most spoken Indo-European language.

Bengali alphabet

Bengali alphabet

The Bengali script or Bangla alphabet is the alphabet used to write the Bengali language based on the Bengali-Assamese script, and has historically been used to write Sanskrit within Bengal. It is one of the most widely adopted writing systems in the world.

Devotional song

Devotional song

A devotional song is a hymn that accompanies religious observances and rituals. Traditionally devotional music has been a part of Hindu music, Jewish music, Buddhist music, Islamic music and Christian music.

Nusrat Fateh Ali Khan

Nusrat Fateh Ali Khan

Ustad Nusrat Fateh Ali Khan was a Pakistani singer, songwriter, and music director. He was primarily a singer of qawwali — a form of Sufi devotional music. Sometimes called the "Shahenshah-e-Qawwali", he is considered by The New York Times to be the greatest qawwali singer of his generation. He was described as the fourth greatest singer of all time by LA Weekly in 2016. He was known for his vocal abilities and could perform at a high level of intensity for several hours. Khan is widely credited with introducing qawwali music to international audiences.

Aziz Mian

Aziz Mian

Aziz Mian Qawwal was a Pakistani traditional qawwal famous for singing ghazals in his own style of qawwali and is considered one of the greatest qawwals in South Asia. He holds the record for singing the longest commercially released qawwali, Hashr Ke Roz Yeh Poochhunga, which runs slightly over 150 minutes and. Aziz is known by sobriquets — "Shahenshah-e-Qawwali", "Fauji Qawwal"(Military Singer) since his early performances were often in army barracks, and "the Nietzschean qawwal".

Fareed Ayaz

Fareed Ayaz

Ghulam Fariduddin Ayaz Al-Hussaini Qawwal is a Pakistani Sufi devotional singer. He belongs to the Qawwal Bachchon Ka Gharana of Delhi.

Amjad Sabri

Amjad Sabri

Amjad Farid (Fareed) Sabri was a Pakistani qawwal, naat khawan and a proponent of the Sufi Muslim tradition. Son of Ghulam Farid Sabri and nephew of Maqbool Ahmed Sabri of the Sabri Brothers, he emerged as one of South Asia's most prominent qawwali singers, often reciting poems written by his father and uncle. The TTP Hakimullah Mehsud group has claimed responsibility for Sabri's death, saying that they carried out the assassination "for blasphemy."

Nizami Bandhu

Nizami Bandhu

Nizami Bandhu are an Indian musical group composed of Ustad Chand Nizami, Shadab Faridi and Sohrab Faridi Nizami.

Definition

Qawl (Arabic: قَوْل) is an "utterance (of the prophet)", Qawwāl is someone who often repeats (sings) a Qaul, Qawwāli is what a Qawwāl sings.

Origins

Delhi's Sufi saint Amir Khusrow of the Chisti order of Sufis is credited with fusing the Persian, Arabic, Turkish, and Indian traditions in the late 13th century in India to create Qawwali as we know it today.[1] The word Sama is often still used in Central Asia and Turkey to refer to forms very similar to Qawwali, and in India, Pakistan and Bangladesh, the formal name used for a session of Qawwali is Mehfil-e-Sama.

Originally, musical instrument use in Qawwali was prohibited. The following conditions were initially placed on Qawwali:[2]

Sima’ (to listen to Qawwali) is permissible if a few conditions are met. The singer must be an adult and not a child or a female. The listener must only listen to everything in the remembrance of Allah. The words that are sung must be free from obscenity and indecency and they must not be void. Musical instruments must not be present in the gathering. If all these conditions are met, Sima’ is permissible.

Someone complained to the Sultan of the Mashaa’ikh that some of the dervishes danced in a gathering where there were musical instruments. He said, they did not do good as something impermissible cannot be condoned.

— Siyar al-Awliya[2][3]

Moreover, such Sufi Saints, such as Nizamuddin Auliya, the teacher of the famous Sufi singer, Amir Khusrow, were quite blunt about the prohibition:

Musical instruments are Haram.

— Fawa'id al-Fu'aad[2][4]

Eventually however, musical instrument use found its way into Qawwali and modern performers of musical Qawwali will justify their use of instruments by saying that the Sufi Saints do not stop them when they use them near their shrines.[2] Instruments such as Harmoniums, tabla and dholak are now common in many Qawwali parties.

Discover more about Origins related topics

Delhi

Delhi

Delhi, officially the National Capital Territory (NCT) of Delhi, is a city and a union territory of India containing New Delhi, the capital of India. Straddling the Yamuna river, primarily its western or right bank, Delhi shares borders with the state of Uttar Pradesh in the east and with the state of Haryana in the remaining directions. The NCT covers an area of 1,484 square kilometres (573 sq mi). According to the 2011 census, Delhi's city proper population was over 11 million, while the NCT's population was about 16.8 million. Delhi's urban agglomeration, which includes the satellite cities Ghaziabad, Faridabad, Gurgaon and Noida in an area known as the National Capital Region (NCR), has an estimated population of over 28 million, making it the largest metropolitan area in India and the second-largest in the world.

Sufism

Sufism

Sufism, also known as Tasawwuf, is a mystic body of religious practice, found mainly within Sunni Islam but also within Shia Islam, which is characterized by a focus on Islamic spirituality, ritualism, asceticism and esotericism. It has been variously defined as "Islamic mysticism", "the mystical expression of Islamic faith", "the inward dimension of Islam", "the phenomenon of mysticism within Islam", the "main manifestation and the most important and central crystallization" of mystical practice in Islam, and "the interiorization and intensification of Islamic faith and practice".

Persian traditional music

Persian traditional music

Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music, refers to the classical music of Iran. It consists of characteristics developed through the country's classical, medieval, and contemporary eras. It also influenced areas and regions that are considered part of Greater Iran.

Arabic music

Arabic music

Arabic music or Arab music is the music of the Arab world with all its diverse music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic dialects, with each country and region having their own traditional music.

Music of India

Music of India

Owing to India's vastness and diversity, Indian music encompasses numerous genres in multiple varieties and forms which include classical music, folk, rock, and pop. It has a history spanning several millennia and developed over several geo-locations spanning the sub-continent. Music in India began as an integral part of socio-religious life.

Central Asia

Central Asia

Central Asia, also known as Middle Asia, is a region of Asia that stretches from the Caspian Sea in the west to western China and Mongolia in the east, and from Afghanistan and Iran in the south to Russia in the north. It includes the former Soviet republics of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan, which are colloquially referred to as the "-stans" as the countries all have names ending with the Persian suffix "-stan", meaning "land of". The current geographical location of Central Asia was formerly part of the historic region of Turkestan, also known as Turan.

Nizamuddin Auliya

Nizamuddin Auliya

Muhammad Nizamuddin Auliya, also known as Hazrat Nizamuddin, and Mahbub-e-Ilahi was an Indian Sunni Muslim scholar, Sufi saint of the Chishti Order, and is one of the most famous Sufis from the Indian Subcontinent. His predecessors were Fariduddin Ganjshakar, Qutbuddin Bakhtiyar Kaki, and Moinuddin Chishti, who were the masters of the Chishti spiritual chain or silsila in the Indian subcontinent.

Pump organ

Pump organ

The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark.

Tabla

Tabla

A tabla is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka. The tabla is an essential instrument in the bhakti devotional traditions of Hinduism and Sikhism, such as during bhajan and kirtan singing. It is one of the main qawali instrument used by Sufi musicians. The instrument is also featured in dance performances such as Kathak. Tabla is a rhythmic instrument.

Dholak

Dholak

The dholak is a two-headed hand drum, a folk percussion instrument. The instrument is about 45 cm in length and 27 cm in breadth and is widely used in qawwali, kirtan, lavani and bhangra. The drum has two different sized drumheads. The smaller drumhead is made of goat skin for sharp notes while the bigger drumhead is made of buffalo skin for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak is made of sheesham or mango wood. The larger membrane has a compound (Syahi) applied which helps to lower the pitch and produce the sound. The smaller drumhead is played with the left hand which produces a high pitch. A cotton rope lacing and screw-turnbuckle are used to release tension while playing. Steel rings/pegs are twisted inside the laces to attain fine tuning. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one knee while sitting on the floor.

Song content

The songs which constitute the qawwali repertoire are primarily in Persian, Urdu, Hindi, and Punjabi.[5] There are some in Persian from the Mughal era, and a smattering in Saraiki and dialects of north India like Braj Bhasha and Awadhi.[6][7] There is also qawwali in some regional languages but the regional language tradition is relatively obscure. Also, the sound of the regional language qawwali can be totally different from that of mainstream qawwali. This is certainly true of Chhote Babu Qawwal, whose style of singing is much closer to the Bengali Baul music than to the qawwali of Nusrat Fateh Ali Khan, for example.

The poetry is implicitly understood to be spiritual in its meaning, even though the lyrics can sometimes sound wildly secular, or outright hedonistic. The central themes of qawwali are love, devotion and longing (of men for the Divine).

Qawwalis are classified by their content into several categories:

  • A hamd (حمد), Arabic for praise, is a song in praise of Allah. Traditionally, a qawwali performance starts with a hamd.
  • A na`at (نعت), Arabic for description, is a song in praise of Muhammad. The opening hamd is traditionally followed by a naat.
  • A manqabat (plural manaqib, مناقب, which means characteristics) is a song in praise of either Imam Ali or one of the Sufi saints. Manaqib in praise of Ali are sung at both Sunni and Shi'a gatherings. If one is sung, it will follow right after the naat. There is usually at least one manqabat in a traditional programme.
  • A marsiya (مرثية), Arabic for lamentation for a dead person, is a lamentation over the death of much of Imam Husayn's family in the Battle of Karbala. This would typically be sung only at a Shi'a gathering.
The diwan of the Nawab Wazir of Oudh, Asaf-ud-dowlah, who sits smoking a hookah listening to musicians in Lucknow, ca. 1812.
The diwan of the Nawab Wazir of Oudh, Asaf-ud-dowlah, who sits smoking a hookah listening to musicians in Lucknow, ca. 1812.
  • A ghazal (غزل), Arabic for love song, is a song that sounds secular on the face of it. There are two extended metaphors that run through ghazals—the joys of drinking and the agony of separation from the beloved. These songs feature exquisite poetry, and can certainly be taken at face value, and enjoyed at that level.[8] In fact, in Pakistan and India, ghazal is also a separate, distinct musical genre in which many of the same songs are performed in a different musical style, and in a secular context. In the context of that genre, the songs are usually taken at face value, and no deeper meaning is necessarily implied. But in the context of qawwali, these songs of intoxication and yearning use secular metaphors to poignantly express the soul's longing for union with the Divine, and its joy in loving the Divine. In the songs of intoxication, "wine" represents "knowledge of the Divine", the "cup-bearer" (saaqi) is God or a spiritual guide, the "tavern" is the metaphorical place where the soul may (or may not) be fortunate enough to attain spiritual enlightenment. (The "tavern" is emphatically not a conventional house of worship. Rather, it is taken to be the spiritual context within which the soul exists.) Intoxication is attaining spiritual knowledge, or being filled with the joy of loving the Divine. In the songs of yearning, the soul, having been abandoned in this world by that cruel and cavalier lover, God, sings of the agony of separation, and the depth of its yearning for reunion.
  • A kafi is a poem in Punjabi, Seraiki or Sindhi, which is in the unique style of poets such as Sultan Bahoo, Shah Hussain, Bulleh Shah and Sachal Sarmast. Two of the more well-known Kafis include Ni Main Jana Jogi De Naal and Mera Piya Ghar Aaya.
  • A munajaat (مناجاة), Arabic for a conversation in the night or a form of prayer, is a song where the singer displays his thanks to Allah through a variety of linguistic techniques. It is often sung in Persian, with Mawlana Jalāl-ad-Dīn Rumi credited as its author.

Discover more about Song content related topics

Hindi

Hindi

Hindi, or more precisely Modern Standard Hindi, is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has been described as a standardised and Sanskritised register of the Hindustani language, which itself is based primarily on the Khariboli dialect of Delhi and neighbouring areas of North India. Hindi, written in the Devanagari script, is one of the two official languages of the Government of India, along with English. It is an official language in nine states and three union territories and an additional official language in three other states. Hindi is also one of the 22 scheduled languages of the Republic of India.

Persian language

Persian language

Persian, also known by its endonym Farsi, is a Western Iranian language belonging to the Iranian branch of the Indo-Iranian subdivision of the Indo-European languages. Persian is a pluricentric language predominantly spoken and used officially within Iran, Afghanistan, and Tajikistan in three mutually intelligible standard varieties, namely Iranian Persian, Dari Persian and Tajiki Persian. It is also spoken natively in the Tajik variety by a significant population within Uzbekistan, as well as within other regions with a Persianate history in the cultural sphere of Greater Iran. It is written officially within Iran and Afghanistan in the Persian alphabet, a derivation of the Arabic script, and within Tajikistan in the Tajik alphabet, a derivation of the Cyrillic script.

Mughal Empire

Mughal Empire

The Mughal Empire was an early-modern empire that controlled much of South Asia between the 16th and 19th centuries. For some two hundred years, the empire stretched from the outer fringes of the Indus river basin in the west, northern Afghanistan in the northwest, and Kashmir in the north, to the highlands of present-day Assam and Bangladesh in the east, and the uplands of the Deccan Plateau in South India.

Braj Bhasha

Braj Bhasha

The Braj language, Braj Bhasha, also known as Vraj Bhasha or Vrij Bhasha or Braj Bhāṣā or Braji or Brij Bhasha or Braj Boli, is a Western Hindi language. Along with Awadhi, it was one of the two predominant literary languages of North-Central India before the switch to Hindustani in the 19th century.

Awadhi language

Awadhi language

Awadhi, also known as Audhi (औधी), is an Indo-Aryan language spoken in northern India and Nepal. It is primarily spoken in the Awadh region of present-day Uttar Pradesh, India. The name Awadh is connected to Ayodhya, the ancient city, which is regarded as the homeland of the Hindu god Rama. See also, the Oudh state which was settled in North India during the Mughal rule. It was, along with Braj Bhasha, used widely as a literary vehicle before being displaced by Hindustani in the 19th century.

Baul

Baul

The Baul are a group of mystic minstrels of mixed elements of Sufism, Vaishnavism and Tantra from Bangladesh and the neighboring Indian states of West Bengal, Tripura and Assam's Barak Valley and Meghalaya. Bauls constitute both a syncretic religious sect of troubadours and a musical tradition. Bauls are a very heterogeneous group, with many sects, but their membership mainly consists of Vaishnava Hindus and Sufi Muslims. They can often be identified by their distinctive clothes and musical instruments. Lalon Shah is regarded as the most celebrated Baul saint in history.

Nusrat Fateh Ali Khan

Nusrat Fateh Ali Khan

Ustad Nusrat Fateh Ali Khan was a Pakistani singer, songwriter, and music director. He was primarily a singer of qawwali — a form of Sufi devotional music. Sometimes called the "Shahenshah-e-Qawwali", he is considered by The New York Times to be the greatest qawwali singer of his generation. He was described as the fourth greatest singer of all time by LA Weekly in 2016. He was known for his vocal abilities and could perform at a high level of intensity for several hours. Khan is widely credited with introducing qawwali music to international audiences.

Hamd

Hamd

Hamd is a word that exclusively praises God - whether written or spoken. Thus, The word "Hamd" is always followed by the name of God (Allah) - a phrase known as the Tahmid - "al-ḥamdu li-llāh". The word "Hamd" comes from the Qur'an, and الحَمْد لله is the epithet or locution which, after the Bismillah, establishes the first verse of the first chapter of the Qur'an - al Fatiha Mubarak.

Allah

Allah

Allah is the common Arabic word for God. In the English language, the word generally refers to God in Islam. The word is thought to be derived by contraction from al-ilāh, which means "the god", and is linguistically related to the Aramaic words Elah and Syriac ܐܲܠܵܗܵܐ (ʼAlāhā) and the Hebrew word El (Elohim) for God.

Muhammad

Muhammad

Muhammad was an Arab religious, social, and political leader and the founder of Islam. According to Islamic doctrine, he was a prophet divinely inspired to preach and confirm the monotheistic teachings of Adam, Abraham, Moses, Jesus, and other prophets. He is believed to be the Seal of the Prophets within Islam. Muhammad united Arabia into a single Muslim polity, with the Quran as well as his teachings and practices forming the basis of Islamic religious belief.

Marsiya

Marsiya

A marsiya is an elegiac poem written to commemorate the martyrdom and valour of Hussain ibn Ali and his comrades of the Karbala. Marsiyas are essentially religious.

Husayn ibn Ali

Husayn ibn Ali

Abū ʿAbd Allāh al-Ḥusayn ibn ʿAlī ibn Abī Ṭālib was a grandson of the Islamic prophet Muhammad and a son of Ali ibn Abi Talib and Muhammad's daughter Fatima, as well as a younger brother of Hasan ibn Ali. He is claimed to be the third Imam of Shia Islam after his brother, Hasan, and before his son, Ali ibn Husayn Zayn al-Abidin. Being a grandson of the prophet, he is a member of the Ahl al-Bayt. He is also considered to be a member of the Ahl al-Kisa, and a participant in the event of Mubahala. Muhammad described him and his brother, Hasan, as "the leaders of the youth of Paradise."

Composition of a qawwali party

A group of qawwali musicians, called a party (or Humnawa in Urdu), typically consists of eight or nine men including a lead singer, one or two side singers, one or two harmoniums (which may be played by the lead singer, side singer or someone else), and percussion. If there is only one percussionist, he plays the tabla and dholak, usually the tabla with the dominant hand and the dholak with the other one (i.e. a left-handed percussionist would play the tabla with his left hand). Often there will be two percussionists, in which case one might play the tabla and the other the dholak. There is also a chorus of four or five men who repeat key verses, and who aid percussion by hand-clapping.

The performers sit cross-legged on the ground in two rows — the lead singer, side singers and harmonium players in the front row, and the chorus and percussionists in the back row.

Before the fairly recent introduction of the harmonium, qawwalis were usually accompanied by the sarangi. The sarangi had to be retuned between songs; the harmonium didn't, and was soon preferred.

Women used to be excluded from traditional Muslim music, since they are traditionally prohibited from singing in the presence of men. These traditions have changed, however, as is evident by the popularity (and acceptance) of female singers such as Abida Parveen. However, qawwali has remained an exclusively male business. There are still no mainstream female qawwals. Although kafi singer Abida Parveen has increasingly incorporated qawwali techniques into her performances, she is still not considered a qawwali singer.[9]

Discover more about Composition of a qawwali party related topics

Urdu

Urdu

Urdu or Standard Urdu is an Indo-Aryan language spoken chiefly in South Asia. It is the national language and lingua franca of Pakistan, where it is also an official language alongside English. In India, Urdu is an Eighth Schedule language whose status and cultural heritage is recognized by the Constitution of India; it also has an official status in several Indian states. In Nepal, Urdu is a registered regional dialect and in South Africa it is a protected language in the constitution. Urdu is also spoken as a minority language in Afghanistan and Bangladesh, with no official status.

Pump organ

Pump organ

The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark.

Tabla

Tabla

A tabla is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka. The tabla is an essential instrument in the bhakti devotional traditions of Hinduism and Sikhism, such as during bhajan and kirtan singing. It is one of the main qawali instrument used by Sufi musicians. The instrument is also featured in dance performances such as Kathak. Tabla is a rhythmic instrument.

Dholak

Dholak

The dholak is a two-headed hand drum, a folk percussion instrument. The instrument is about 45 cm in length and 27 cm in breadth and is widely used in qawwali, kirtan, lavani and bhangra. The drum has two different sized drumheads. The smaller drumhead is made of goat skin for sharp notes while the bigger drumhead is made of buffalo skin for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak is made of sheesham or mango wood. The larger membrane has a compound (Syahi) applied which helps to lower the pitch and produce the sound. The smaller drumhead is played with the left hand which produces a high pitch. A cotton rope lacing and screw-turnbuckle are used to release tension while playing. Steel rings/pegs are twisted inside the laces to attain fine tuning. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one knee while sitting on the floor.

Sarangi

Sarangi

The sārangī is a bowed, short-necked string instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, and Boro folk music – in Pakistan, India and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as gamaks (shakes) and meends. The sarangi (Nepali) is a different instrument, traditional to Nepal.

Abida Parveen

Abida Parveen

Abida Parveen is a Pakistani singer, composer and musician of Sufi music. She is also a painter and entrepreneur. Parveen is one of the highest paid singers in Pakistan. Her singing and music has earned her many accolades, and she has been dubbed as the 'Queen of Sufi music'.

Musical structure of Qawwali

The longest recorded commercially released qawwali runs slightly over 115 minutes (Hashr Ke Roz Yeh Poochhunga by Aziz Mian Qawwal). The qawwali maestro Nusrat Fateh Ali Khan has at least two songs that are more than 60 minutes long.

Qawwalis tend to begin gently and build steadily to a very high energy level in order to induce hypnotic states both among the musicians and within the audience. Almost all Qawwalis are based on a Raga from the Hindustani classical music tradition. Songs are usually arranged as follows:

  1. They start with an instrumental prelude where the main melody is played on the harmonium, accompanied by the tabla, and which may include improvised variations of the melody.
  2. Then comes the alap, a long tonal improvised melody during which the singers intone different long notes, in the raga of the song to be played.
  3. The lead singer begins to sing some preamble verses which are typically not part of the main song, although thematically related to it. These are sung unrhythmically, improvised following the raga, and accompanied only by the harmonium. After the lead singer sings a verse, one of the side singers will repeat the verse, perhaps with his own improvisation. A few or many verses will be sung in this way, leading into the main song.
  4. As the main song begins, the tabla, dholak and clapping begin. All members join in the singing of the verses that constitute the refrain. The lyrics of the main verses are never improvised; in fact, these are often traditional songs sung by many groups, especially within the same lineage. However, the tunes are subtly improvised within the framework of the main melody. As the song proceeds, the lead singer or one of the side singers may break out into an alap. Nusrat Fateh Ali Khan also popularized the interjection of sargam singing at this point. The song usually builds in tempo and passion, with each singer trying to outdo the other in terms of vocal acrobatics. Some singers may do long periods of sargam improvisation, especially alternating improvisations with a student singer. The songs usually end suddenly.

The singing style of qawwali is different from Western singing styles in many ways. For example, in words beginning with an "m", Western singers are apt to stress the vowel following the "m" rather than the "m" itself, whereas in qawwali, the "m" will usually be held, producing a muted tone. Also in qawwali, there is no distinction between what is known as the chest voice and the head voice (the different areas that sound will resonate in depending on the frequency sung). Rather, qawwals sing very loudly and forcefully, which allows them to extend their chest voice to much higher frequencies than those used in Western singing, even though this usually causes a more noisy or strained sound than what would be acceptable in the West.

Discover more about Musical structure of Qawwali related topics

Aziz Mian

Aziz Mian

Aziz Mian Qawwal was a Pakistani traditional qawwal famous for singing ghazals in his own style of qawwali and is considered one of the greatest qawwals in South Asia. He holds the record for singing the longest commercially released qawwali, Hashr Ke Roz Yeh Poochhunga, which runs slightly over 150 minutes and. Aziz is known by sobriquets — "Shahenshah-e-Qawwali", "Fauji Qawwal"(Military Singer) since his early performances were often in army barracks, and "the Nietzschean qawwal".

Nusrat Fateh Ali Khan

Nusrat Fateh Ali Khan

Ustad Nusrat Fateh Ali Khan was a Pakistani singer, songwriter, and music director. He was primarily a singer of qawwali — a form of Sufi devotional music. Sometimes called the "Shahenshah-e-Qawwali", he is considered by The New York Times to be the greatest qawwali singer of his generation. He was described as the fourth greatest singer of all time by LA Weekly in 2016. He was known for his vocal abilities and could perform at a high level of intensity for several hours. Khan is widely credited with introducing qawwali music to international audiences.

Raga

Raga

A raga or raag is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The rāga is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each rāga is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience.

Hindustani classical music

Hindustani classical music

Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, shastriya sangeet. The term shastriya sangeet literally means classical music, and can also mean Indian classical music in general. It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. Hindustani classical music has gained recognition at national as well as international level. It is an integral part of culture of India. Ustad Bismillah Khan, Pt Bhimsen Joshi and Ravi Shankar got awarded with Bharat Ratna, which is the highest civilian award of India.

Alap

Alap

The Alap is the opening section of a typical North Indian classical performance. It is a form of melodic improvisation that introduces and develops a raga. In dhrupad singing the alap is unmetered, improvised and unaccompanied, and started at a slow tempo. For people unfamiliar with the raga form, it introduces the mode to the listener. It defines the raga, its mood, and the emphasized notes and notes with a secondary role. It's like an invocation.

Chest voice

Chest voice

Chest voice is a term used within vocal music. The use of this term varies widely within vocal pedagogical circles and there is currently no one consistent opinion among vocal music professionals in regard to this term. Chest voice can be used in relation to the following:A particular part of the vocal range or type of vocal register A vocal resonance area A specific vocal timbre

Head voice

Head voice

Head voice is a term used within vocal music. The use of this term varies widely within vocal pedagogical circles and there is currently no one consistent opinion among vocal music professionals in regard to this term. Head voice can be used in relation to the following:A particular part of the vocal range or type of vocal register A vocal resonance area A specific vocal timbre

Notable Qawwals of the past 70 years

Discover more about Notable Qawwals of the past 70 years related topics

Aziz Mian

Aziz Mian

Aziz Mian Qawwal was a Pakistani traditional qawwal famous for singing ghazals in his own style of qawwali and is considered one of the greatest qawwals in South Asia. He holds the record for singing the longest commercially released qawwali, Hashr Ke Roz Yeh Poochhunga, which runs slightly over 150 minutes and. Aziz is known by sobriquets — "Shahenshah-e-Qawwali", "Fauji Qawwal"(Military Singer) since his early performances were often in army barracks, and "the Nietzschean qawwal".

Prabha Bharti

Prabha Bharti

Prabha Bharti was a noted Indian qawaali and ghazal singer of the 1960s to the 1990s. She was one of the first women qawwali-singer (qawwal) of India, a form of Sufi devotional music traditionally a reserve of male singers. She is known for her album, "Rang-e-Qawwali" (1978), which features qawaalis, "Chhaap Tilak" and "Mai Ni Mai", besides album, "Prabha Bharti Ghazal & Qawali" with music by Kesar Singh Narula released by Gramophone Company of India (HMV-EMI).

Habib Painter

Habib Painter

Habib Painter or Habeeb Painter was a noted Indian Qawwal and a folk singer. There is a park named in honour of Habib Painter in Aligarh near Paan Wali Kothi named as Bulbuley Hind Habib Painter Park

Iqbal Hussain Khan Bandanawazi

Iqbal Hussain Khan Bandanawazi

Ustad Iqbal Hussain Khan Bandanawazi Qawwal (Urdu: ٱستاد اقبال حسن قان بنره نواذى; 1942-2010) was a Sufi qawwal of Hyderabad India. He had worked as a top artist in All India Radio Akashwani for many years. His Qawwali group is known as Bandanawazi Qawwal he learned Indian classical music from his father Ustad Qurban Hussain Khan.

Mere Bane Ki Baat Na Pucho

Mere Bane Ki Baat Na Pucho

Mere Bane Ki Baat Na Pucho is a Qawwali song. Qawwali is a form of traditional Sufi devotional music popular in South Asia, and this particular song is performed in Qawwali concerts, sometimes as a sing-along.

Munshi Raziuddin

Munshi Raziuddin

Munshi Raziuddin Ahmed Khan was a Pakistani Qawwali singer, a classical musician and a researcher and scholar of music. He belongs to the well-known Qawwal Bachchon Ka Gharana of Delhi.

Nizami Bandhu

Nizami Bandhu

Nizami Bandhu are an Indian musical group composed of Ustad Chand Nizami, Shadab Faridi and Sohrab Faridi Nizami.

Nusrat Fateh Ali Khan

Nusrat Fateh Ali Khan

Ustad Nusrat Fateh Ali Khan was a Pakistani singer, songwriter, and music director. He was primarily a singer of qawwali — a form of Sufi devotional music. Sometimes called the "Shahenshah-e-Qawwali", he is considered by The New York Times to be the greatest qawwali singer of his generation. He was described as the fourth greatest singer of all time by LA Weekly in 2016. He was known for his vocal abilities and could perform at a high level of intensity for several hours. Khan is widely credited with introducing qawwali music to international audiences.

Sabri Brothers

Sabri Brothers

The Sabri Brothers were a musical band from Pakistan who were performers of Sufi qawwali music and were closely connected to the Chishti Order. They are considered as one of the greatest Sufi qawwali singers of all times. The Sabri Brothers were led by Ghulam Farid Sabri and his brother Maqbool Ahmed Sabri. They are often referred to as Shahenshah-e-Qawwali and are also known as the roving ambassadors of Pakistan. The band was initially founded by Maqbool Ahmed Sabri at the age of 11 years and was known as Bacha Qawwal Party. His elder brother Ghulam Farid Sabri joined after insistence from their father. He became the leader of the group and the band soon became known as the Sabri Brothers. They were the first-ever qawwali artists to perform qawwali in United States and other Western countries; they were also the first-ever Asian artists to perform at New York's Carnegie Hall in 1975.

Wadali Brothers

Wadali Brothers

The Wadali Brothers – Puranchand Wadali and Pyarelal Wadali – are Sufi singers and musicians from Guru Ki Wadali in the Amritsar District in Punjab, India. Pyarelal Wadali, the younger of the two died on 4 March 2018 at the age of 75 due to cardiac arrest at the Fortis Escorts Heart Institute, Amritsar.

Warsi Brothers

Warsi Brothers

Warsi Brothers are an Indian Qawwali musical group, consisting of brothers Nazeer Ahmed Khan Warsi and Naseer Ahmed Khan Warsi, along with eight accompanists. They are based in Hyderabad.

Qutbi Brothers

Qutbi Brothers

Qutbi Brothers are an Indian Qawwali group, headed by Haji Mohammad Idris and Arshad Qutbi are better known as the Qutbi Brothers. They are considered as the most popular qawwali group of India.

Current and recent Qawwals

Discover more about Current and recent Qawwals related topics

Ateeq Hussain Khan

Ateeq Hussain Khan

Ustad Ateeq Hussain Khan Bandanawazi Al-Hashmi Qawwal is a Hindustani Qawwal.

Abdullah Manzoor Niazi

Abdullah Manzoor Niazi

Abdullah Muhammad Manzoor Niazi Qawwal is a Pakistani Qawwal. He was born in Karachi at 1960 and is the eldest son of Manzoor Niazi Qawwal. He belongs to Qawwal Bachchon ka Gharana of Delhi. He performed with his father Manzoor Niazi Qawwal, and over time took over more and more responsibility. After the death of his father Manzoor Niazi Qawwal, he became the lead Qawwal of the party, which included his Brothers. In 2015 he set up a new Qawwal party, with his sons Waqas Ahmed, Saad Ahmed, and Fahad Ahmed becoming the prime backup vocalists.

Faiz Ali Faiz

Faiz Ali Faiz

Faiz Ali Faiz is a well-known Pakistani qawwali singer.

Fareed Ayaz

Fareed Ayaz

Ghulam Fariduddin Ayaz Al-Hussaini Qawwal is a Pakistani Sufi devotional singer. He belongs to the Qawwal Bachchon Ka Gharana of Delhi.

Dhruv Sangari

Dhruv Sangari

Dhruv Sangari also known as Bilal Chishty Sangari بلال ڇݜتى سنگارى is a Sufi and Classical Indian vocalist, composer, lyricist, savant and teacher. He is the son of well-known scholar and author Kumkum Sangari and noted painter Mahendra 'Manu' Sangari.

Rahat Fateh Ali Khan

Rahat Fateh Ali Khan

Rahat Fateh Ali Khan is a Pakistani Singer, primarily of Qawwali, a form of Sufi devotional music. Khan is one of the biggest and highest paid singers in Pakistan. He is the nephew of Nusrat Fateh Ali Khan, son of Farrukh Fateh Ali Khan and grandson of Qawwali singer Fateh Ali Khan. In addition to Qawwali, he also performs ghazals and other light music. He is also popular as a playback singer in Hindi cinema and the Pakistan film industry.

Sukhawat Ali Khan

Sukhawat Ali Khan

Sukhawat Ali Khan, son of Indian-Pakistani vocalist Ustad Salamat Ali Khan and nephew of Nazakat Ali Khan, is a classical singer of Sham Chaurasia gharana tradition, as well as a performer of North Indian and Pakistani classical music and related folk music. He began singing and playing the harmonium at age seven and has performed around the world. He currently lives in the San Francisco Bay Area where he performs in the world-fusion ensemble Shabaz with his sister Riffat Salamat and her husband Richard Michos.

Rizwan-Muazzam

Rizwan-Muazzam

Rizwan-Muazzam Qawwali is a Pakistani Qawwali group, headed by Nusrat Fateh Ali Khan's nephews, Rizwan and Muazzam. They have performed at several editions of WOMAD since 1998, and have recorded several albums.

Waheed and Naveed Chishti

Waheed and Naveed Chishti

Qari Sag-e-Miran Muhammed Saeed Chishti was a Pakistani Qawwali singer. Qari Waheed, Naveed and Adeel learnt singing directly from their father, who sang in five languages: English, Arabic, Persian, Urdu and Punjabi.

Amjad Sabri

Amjad Sabri

Amjad Farid (Fareed) Sabri was a Pakistani qawwal, naat khawan and a proponent of the Sufi Muslim tradition. Son of Ghulam Farid Sabri and nephew of Maqbool Ahmed Sabri of the Sabri Brothers, he emerged as one of South Asia's most prominent qawwali singers, often reciting poems written by his father and uncle. The TTP Hakimullah Mehsud group has claimed responsibility for Sabri's death, saying that they carried out the assassination "for blasphemy."

Abida Parveen

Abida Parveen

Abida Parveen is a Pakistani singer, composer and musician of Sufi music. She is also a painter and entrepreneur. Parveen is one of the highest paid singers in Pakistan. Her singing and music has earned her many accolades, and she has been dubbed as the 'Queen of Sufi music'.

Sanam Marvi

Sanam Marvi

Sanam Marvi is a Pakistani folk and sufi singer. She sings in Sindhi, Punjabi, and Balochi languages.

Source: "Qawwali", Wikipedia, Wikimedia Foundation, (2023, February 28th), https://en.wikipedia.org/wiki/Qawwali.

Enjoying Wikiz?

Enjoying Wikiz?

Get our FREE extension now!

References
  1. ^ "'Aaj rang hai' - Qawwali revisited". TwoCircle.net. Retrieved 8 March 2013., Retrieved 16 September 2015
  2. ^ a b c d Hussain, Zahid (22 April 2012). "Is it permissible to listen to Qawwali?". TheSunniWay. Retrieved 12 June 2020.
  3. ^ Muhammad bin Mubarak Kirmani. Siyar-ul-Auliya: History of Chishti Silsila (in Urdu). Translated by Ghulam Ahmed Biryan. Lahore: Mushtaq Book Corner.
  4. ^ Nizamuddin Auliya (31 December 1996). Fawa'id al-Fu'aad: Spiritual and Literal Discourses. Translated by Z. H. Faruqi. D.K. Print World Ltd. ISBN 9788124600429.
  5. ^ Monograph Series, Issues 20-23. Center for South and Southeast Asia Studies, University of California. 1979. p. 124. Qawwali texts exist in Persian, Urdu and Hindi.
  6. ^ "Bollywood Reinvents the Qawwali – With a Vengeance". The Day After: An International Illustrated Newsmagazine of India. Archived from the original on 26 January 2009. Retrieved 23 February 2007.
  7. ^ "Delhi's Qawwal Bachchon ka Gharana lights up Ramadan night at T2F". Daily Times. Retrieved 23 February 2007.
  8. ^ Manuel, Peter Lamarche (1993). Cassette culture: popular music and technology in north India. U of Chicago P. pp. 124. ISBN 978-0-226-50401-8. Retrieved 3 April 2010., Google Books Article, Retrieved 17 September 2015
  9. ^ Abbas, Shemeem Burney (2003). Abbas, Shemeem Burney. The female voice in sufi ritual: devotional practices of Pakistan and India. University of Texas Press.
  10. ^ "First woman tabla player breaks social barriers". The Express Tribune. 4 December 2013. Retrieved 23 March 2021.
External links

The content of this page is based on the Wikipedia article written by contributors..
The text is available under the Creative Commons Attribution-ShareAlike Licence & the media files are available under their respective licenses; additional terms may apply.
By using this site, you agree to the Terms of Use & Privacy Policy.
Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization & is not affiliated to WikiZ.com.