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Petronius

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Petronius
Bornc. 27 AD
Massalia (ancient Marseille)
Diedc. 66 AD (aged c. 38–39)
Cumae
OccupationNovelist
Notable worksThe Satyricon

Gaius Petronius Arbiter[1] (/pɪˈtrniəs/; Classical Latin[ˈɡaː.i.ʊs pɛˈt̪roː.ni.ʊs ˈar.bɪ.t̪ɛr]; c. AD 27 – 66; sometimes Titus Petronius Niger)[1] was a Roman courtier during the reign of Nero. He is generally believed to be the author of the Satyricon, a satirical novel believed to have been written during the Neronian era (54–68 AD). He is one of the most important characters in Henryk Sienkiewicz' historical novel Quo Vadis (1895). Leo Genn portrays him in the 1951 film of the same name.

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Classical Latin

Classical Latin

Classical Latin is the form of Literary Latin recognized as a literary standard by writers of the late Roman Republic and early Roman Empire. It was used from 75 BC to the 3rd century AD, when it developed into Late Latin. In some later periods, it was regarded as good or proper Latin, with following versions viewed as debased, degenerate, or corrupted. The word Latin is now understood by default to mean "Classical Latin"; for example, modern Latin textbooks almost exclusively teach Classical Latin.

Roman Empire

Roman Empire

The Roman Empire was the post-Republican period of ancient Rome. As a polity, it included large territorial holdings around the Mediterranean Sea in Europe, North Africa, and Western Asia, and was ruled by emperors. From the accession of Caesar Augustus as the first Roman emperor to the military anarchy of the 3rd century, it was a Principate with Italia as the metropole of its provinces and the city of Rome as its sole capital. The Empire was later ruled by multiple emperors who shared control over the Western Roman Empire and the Eastern Roman Empire. The city of Rome remained the nominal capital of both parts until AD 476 when the imperial insignia were sent to Constantinople following the capture of the Western capital of Ravenna by the Germanic barbarians. The adoption of Christianity as the state church of the Roman Empire in AD 380 and the fall of the Western Roman Empire to Germanic kings conventionally marks the end of classical antiquity and the beginning of the Middle Ages. Because of these events, along with the gradual Hellenization of the Eastern Roman Empire, historians distinguish the medieval Roman Empire that remained in the Eastern provinces as the Byzantine Empire.

Courtier

Courtier

A courtier is a person who attends the royal court of a monarch or other royalty. The earliest historical examples of courtiers were part of the retinues of rulers. Historically the court was the centre of government as well as the official residence of the monarch, and the social and political life were often completely mixed together.

Nero

Nero

Nero Claudius Caesar Augustus Germanicus, was the fifth Roman emperor and final emperor of the Julio-Claudian dynasty, reigning from AD 54 until his death in AD 68. He was adopted by the Roman emperor Claudius at the age of 13 and succeeded him on the throne. Nero was popular with the members of his Praetorian Guard and lower-class commoners in Rome and its provinces, but he was deeply resented by the Roman aristocracy. Most contemporary sources describe him as tyrannical, self-indulgent, and debauched. After being declared a public enemy by the Roman Senate, he committed suicide at age 30.

Satyricon

Satyricon

The Satyricon, Satyricon liber, or Satyrica, is a Latin work of fiction believed to have been written by Gaius Petronius, though the manuscript tradition identifies the author as Titus Petronius. The Satyricon is an example of Menippean satire, which is different from the formal verse satire of Juvenal or Horace. The work contains a mixture of prose and verse ; serious and comic elements; and erotic and decadent passages. As with The Golden Ass by Apuleius, classical scholars often describe it as a Roman novel, without necessarily implying continuity with the modern literary form.

Satire

Satire

Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society.

Henryk Sienkiewicz

Henryk Sienkiewicz

Henryk Adam Aleksander Pius Sienkiewicz, also known by the pseudonym Litwos, was a Polish writer, novelist, journalist and Nobel Prize laureate. He is best remembered for his historical novels, such as the Trilogy series and especially for his internationally known best-seller Quo Vadis (1896).

Quo Vadis (novel)

Quo Vadis (novel)

Quo Vadis: A Narrative of the Time of Nero is a historical novel written by Henryk Sienkiewicz in Polish.

Leo Genn

Leo Genn

Leopold John Genn was an English actor and barrister. Distinguished by his relaxed charm and smooth, "black velvet" voice, he had a lengthy career in theatre, film, television, and radio; often playing aristocratic or gentlemanly, sophisticate roles.

Quo Vadis (1951 film)

Quo Vadis (1951 film)

Quo Vadis is a 1951 American epic film set in ancient Rome during the final years of Emperor Nero's reign, based on the 1896 novel of the same title by Polish Nobel Laureate author Henryk Sienkiewicz. Produced by Metro-Goldwyn-Mayer and filmed in Technicolor, it was directed by Mervyn LeRoy from a screenplay by S. N. Behrman, Sonya Levien, and John Lee Mahin. It is the fourth screen adaptation of Sienkiewicz's novel. The film stars Robert Taylor, Deborah Kerr, Leo Genn, and Peter Ustinov, and features Patricia Laffan, Finlay Currie, Abraham Sofaer, Marina Berti, Buddy Baer, and Felix Aylmer. Future Italian stars Sophia Loren and Bud Spencer appeared as uncredited extras. The score is by Miklós Rózsa and the cinematography by Robert Surtees and William V. Skall. The film was released by Metro-Goldwyn-Mayer on November 2, 1951.

Life

A reference to Petronius by Sidonius Apollinaris places him and/or his Satyricon in Massalia (ancient Marseille).[2][3] He might have been born[4][5] and educated there.[6] Tacitus, Plutarch and Pliny the Elder describe Petronius as the elegantiae arbiter (also phrased arbiter elegantiarum), "judge of elegance", in the court of the emperor Nero. He served as suffect consul in 62.[7] Later, he became a member of the senatorial class who devoted himself to a life of pleasure. His relationship to Nero was apparently akin to that of a fashion advisor.

Tacitus gives this account of Petronius in his historical work the Annals (XVI.18):

He spent his days in sleep, his nights in attending to his official duties or in amusement, that by his dissolute life he had become as famous as other men by a life of energy, and that he was regarded as no ordinary profligate, but as an accomplished voluptuary. His reckless freedom of speech, being regarded as frankness, procured him popularity. Yet during his provincial government, and later when he held the office of consul, he had shown vigour and capacity for affairs. Afterwards returning to his life of vicious indulgence, he became one of the chosen circle of Nero's intimates, and was looked upon as an absolute authority on questions of taste [elegantiae arbiter; note the pun on Petronius' cognomen] in connection with the science of luxurious living.[8]

None of the ancient sources give any further detail about his life, or mention that he was a writer. However, a medieval manuscript written around 1450 of the Satyricon credited a "Titus Petronius" as the author of the original work. Traditionally, this reference is linked with Petronius Arbiter, since the novel appears to have been written or at least set during his lifetime. The link, however, remains speculative and disputed.

As a writer

Petronius' development of his characters in the Satyricon, namely Trimalchio, transcends the traditional style of writing of ancient literature. In the literature written during Petronius' lifetime, the emphasis was always on the typical considerations of plot, which had been laid down by classical rules. The character, which was hardly known in ancient literature, was secondary. Petronius goes beyond these literary limitations in his exact portrayals of detailed speech, behaviour, surroundings, and appearance of the characters.

Another literary device Petronius employs in his novel is a collection of specific allusions. The allusions to certain people and events are evidence that the Satyricon was written during Nero's time. These also suggest that it was aimed at a contemporary audience which consisted in part of Nero's courtiers and even Nero himself.

One such allusion, found in chapter 9, refers to the story of the good wife Lucretia which was well known at the time:

"If you're a Lucretia," he said, "You've found a Tarquin".

The message Petronius tries to convey in his work is far from moral and does not intend to produce reform, but is written above all to entertain and should be considered artistically. Nevertheless, his writings can be a valuable tool to better comprehend the customs and ways of life of Roman society at that particular time, since the author strives to preserve the plausibility of his representation, as can be noted by the frequent use of allusions and detailed descriptions of characters and behaviours. As the title implies, the Satyricon is a satire, specifically a Menippean satire, in which Petronius satirizes nearly anything, using his taste as the only standard. It is speculated that Petronius' depiction of Trimalchio mirrors that of Nero. Although the author's own opinion is never alluded to, the opinions of the characters involved in the story are evident, as is how Encolpius criticizes Trimalchio.

Death

Petronius' high position soon made him the object of envy for those around him. Having attracted the jealousy of Tigellinus, the commander of the emperor's guard, he was accused of treason.[9] He was arrested at Cumae in 65 AD but did not wait for a sentence. Instead, he chose to take his own life. Tacitus again records his elegant suicide in the sixteenth book of the Annals:

Yet he did not fling away life with precipitate haste, but having made an incision in his veins and then, according to his humour, bound them up, he again opened them, while he conversed with his friends, not in a serious strain or on topics that might win for him the glory of courage. And he listened to them as they repeated, not thoughts on the immortality of the soul or on the theories of philosophers, but light poetry and playful verses. To some of his slaves he gave liberal presents, a flogging to others. He dined, indulged himself in sleep, that death, though forced on him, might have a natural appearance. Even in his will he did not, as did many in their last moments, flatter Nero or Tigellinus or any other of the men in power. On the contrary, he described fully the prince's shameful excesses, with the names of his male and female companions and their novelties in debauchery, and sent the account under seal to Nero. Then he broke his signet-ring, that it might not be subsequently available for imperilling others.

According to Pliny the Elder: "T. Petronius, a consular, when he was going to die through Nero's jealousy and envy, broke his fluorspar wine-dipper so that the emperor's table would not inherit it. It had cost 300,000 sesterces". T. Petronius and G. Petronius have been said to have been the same man.[10]

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Satyricon

Satyricon

The Satyricon, Satyricon liber, or Satyrica, is a Latin work of fiction believed to have been written by Gaius Petronius, though the manuscript tradition identifies the author as Titus Petronius. The Satyricon is an example of Menippean satire, which is different from the formal verse satire of Juvenal or Horace. The work contains a mixture of prose and verse ; serious and comic elements; and erotic and decadent passages. As with The Golden Ass by Apuleius, classical scholars often describe it as a Roman novel, without necessarily implying continuity with the modern literary form.

Massalia

Massalia

Massalia was an ancient Greek colony founded ca. 600 BC on the Mediterranean coast of present-day France, east of the river Rhône, by Ionian Greek settlers from Phocaea, in Western Anatolia. Marseille is the oldest city of France, and one of Europe's oldest continuously inhabited settlements.

Marseille

Marseille

Marseille is the prefecture of the French department of Bouches-du-Rhône and capital of the Provence-Alpes-Côte d'Azur region. Situated in the Provence region of southern France, it is located on the coast of the Gulf of Lion, part of the Mediterranean Sea, near the mouth of the Rhône river. Its inhabitants are called Marseillais.

Plutarch

Plutarch

Plutarch was a Greek Middle Platonist philosopher, historian, biographer, essayist, and priest at the Temple of Apollo in Delphi. He is known primarily for his Parallel Lives, a series of biographies of illustrious Greeks and Romans, and Moralia, a collection of essays and speeches. Upon becoming a Roman citizen, he was possibly named Lucius Mestrius Plutarchus.

Pliny the Elder

Pliny the Elder

Gaius Plinius Secundus, called Pliny the Elder, was a Roman author, naturalist and natural philosopher, and naval and army commander of the early Roman Empire, and a friend of the emperor Vespasian. He wrote the encyclopedic Naturalis Historia, which became an editorial model for encyclopedias. He spent most of his spare time studying, writing, and investigating natural and geographic phenomena in the field.

Roman emperor

Roman emperor

The Roman emperor was the ruler and monarchial head of state of the Roman Empire during the imperial period. The emperors used a variety of different titles throughout history. Often when a given Roman is described as becoming "emperor" in English it reflects his taking of the title augustus. Another title often used was caesar, used for heirs-apparent, and imperator, originally a military honorific. Early emperors also used the title princeps civitatis. Emperors frequently amassed republican titles, notably princeps senatus, consul, and pontifex maximus.

Nero

Nero

Nero Claudius Caesar Augustus Germanicus, was the fifth Roman emperor and final emperor of the Julio-Claudian dynasty, reigning from AD 54 until his death in AD 68. He was adopted by the Roman emperor Claudius at the age of 13 and succeeded him on the throne. Nero was popular with the members of his Praetorian Guard and lower-class commoners in Rome and its provinces, but he was deeply resented by the Roman aristocracy. Most contemporary sources describe him as tyrannical, self-indulgent, and debauched. After being declared a public enemy by the Roman Senate, he committed suicide at age 30.

Roman Senate

Roman Senate

The Roman Senate was a governing and advisory assembly in ancient Rome. It was one of the most enduring institutions in Roman history, being established in the first days of the city of Rome. It survived the overthrow of the Roman monarchy in 509 BC; the fall of the Roman Republic in the 1st century BC; the division of the Roman Empire in AD 395; and the fall of the Western Roman Empire in 476; Justinian's attempted reconquest of the west in the 6th century, and lasted well into the Eastern Roman Empire's history.

Annals (Tacitus)

Annals (Tacitus)

The Annals by Roman historian and senator Tacitus is a history of the Roman Empire from the reign of Tiberius to that of Nero, the years AD 14–68. The Annals are an important source for modern understanding of the history of the Roman Empire during the 1st century AD; it is Tacitus' final work, and modern historians generally consider it his greatest writing. Historian Ronald Mellor calls it "Tacitus's crowning achievement", which represents the "pinnacle of Roman historical writing".

Cognomen

Cognomen

A cognomen was the third name of a citizen of ancient Rome, under Roman naming conventions. Initially, it was a nickname, but lost that purpose when it became hereditary. Hereditary cognomina were used to augment the second name, the nomen gentilicium, in order to identify a particular branch within a family or family within a clan. The term has also taken on other contemporary meanings.

Allusion

Allusion

Allusion is a figure of speech, in which an object or circumstance from unrelated context is referred to covertly or indirectly. It is left to the audience to make the direct connection. Where the connection is directly and explicitly stated by the author, it is instead usually termed a reference. In the arts, a literary allusion puts the alluded text in a new context under which it assumes new meanings and denotations. It is not possible to predetermine the nature of all the new meanings and inter-textual patterns that an allusion will generate. Literary allusion is closely related to parody and pastiche, which are also "text-linking" literary devices.

Lucretia

Lucretia

According to Roman tradition, Lucretia, anglicized as Lucrece, was a noblewoman in ancient Rome, whose rape by Sextus Tarquinius (Tarquin) and subsequent suicide precipitated a rebellion that overthrew the Roman monarchy and led to the transition of Roman government from a kingdom to a republic. The incident kindled the flames of dissatisfaction over the tyrannical methods of Tarquin's father, Lucius Tarquinius Superbus, the last king of Rome. As a result, the prominent families instituted a republic, drove the extensive royal family of Tarquin from Rome, and successfully defended the republic against attempted Etruscan and Latin intervention.

Source: "Petronius", Wikipedia, Wikimedia Foundation, (2023, March 19th), https://en.wikipedia.org/wiki/Petronius.

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See also
Notes
  1. ^ a b "Gaius Petronius Arbiter". Britannica.com.
  2. ^ MacQueen, Bruce Duncan; Konstan, David; Pinheiro, Marília P. Futre, eds. (2017). Cultural Crossroads in the Ancient Novel. De Gruyter. p. 11. ISBN 9781501503986. Retrieved 4 February 2022.
  3. ^ Momigliano, Arnaldo (1990). Alien Wisdom The Limits of Hellenization. Cambridge University Press. p. 50. ISBN 9780521387613. Retrieved 4 February 2022.
  4. ^ Atkins, John (1973). Sex in Literature Volume 2. Calder and Boyars. p. 129. ISBN 9780714509198. Retrieved 4 February 2022.
  5. ^ American Academy of Arts and Sciences (1780). Memoirs of the American Academy of Arts and Sciences Volume 6. The Academy. Retrieved 4 February 2022.
  6. ^ Rudich, Vasily (2013). Dissidence and Literature Under Nero The Price of Rhetoricization. Taylor & Francis. p. 327. ISBN 9781134680825. Retrieved 4 February 2022.
  7. ^ Paul Gallivan, "Some Comments on the Fasti for the Reign of Nero", Classical Quarterly, 24 (1974), p. 302
  8. ^  One or more of the preceding sentences incorporates text from a publication now in the public domainChisholm, Hugh, ed. (1911). "Petronius". Encyclopædia Britannica. Vol. 21 (11th ed.). Cambridge University Press. pp. 333–335.
  9. ^ Romm, James (11 March 2014). Dying Every Day: Seneca at the Court of Nero (Paperback) (First ed.). New York: Vintage Books. p. 196. ISBN 978-0-307-74374-9. Retrieved 24 May 2017.
  10. ^ Rudich, Vasily (20 March 1997). Dissidence and Literature Under Nero: The Price of Rhetoricization. Routledge. ISBN 978-0415095013.
Further reading
  • Breitenstein, Natalie, Petronius, Satyrica 1–15. Text, Übersetzung, Kommentar (2009. Berlin – New York: De Gruyter) (Texte und Kommentare, 32).
  • Conte, Gian Biagio, The Hidden Author: An Interpretation of Petronius' Satyricon (1997. Berkeley: University of California Press).
  • Connors, Catherine, Petronius the Poet: Verse and Literary Tradition in the Satyricon (1998. Cambridge: Cambridge University Press).
  • Habermehl, Peter, Petronius, Satyrica 79–141. Ein philologisch–literarischer Kommentar. Band I: Satyrica 79–110. Berlin: de Gruyter. 2006.
  • Habermehl, Peter, Petronius, Satyrica 79–141. Ein philologisch–literarischer Kommentar. Band II: Satyrica 111–118. Berlin: de Gruyter. 2020.
  • Habermehl, Peter, Petronius, Satyrica 79–141. Ein philologisch–literarischer Kommentar. Band III: Bellum civile (Sat. 119–124). Berlin: de Gruyter. 2021.
  • Jensson, Gottskalk, The Recollections of Encolpius. The Satyrica of Petronius as Milesian Fiction (2004. Groningen: Barkhuis Publishing and Groningen University Library) (Ancient narrative Suppl. 2).
  • Prag, Jonathan and Ian Repath (eds), Petronius: A Handbook (2009. Oxford: Wiley-Blackwell).
  • Reeve, Michael D. 1983. Petronius. In Texts and Transmission: A Survey of the Latin Classics. Edited by Leighton D. Reynolds, 295–300. Oxford: Clarendon.
  • Repath, Ian. 2010. "Plato in Petronius: Petronius in Platanona". The Classical Quarterly, 60(2), new series, 577–595.
  • Rose, Kenneth F. C. 1971. "The Date and Author of the Satyricon". Mnemosyne, Bibliotheca Classica Batava, Supplementum 16. Leiden, The Netherlands: E. J. Brill.
  • Schmeling, Gareth. 2011. A Commentary on the Satyrica of Petronius. Oxford: Oxford Univ. Press.
  • Slater, Niall W. 1990. Reading Petronius. Baltimore and London: The Johns Hopkins University Press.
  • Sullivan, John P. 1985. "Petronius' Satyricon and its Neronian Context". In Aufstieg und Niedergang der römischen Welt: Geschichte und Kultur Roms im Spiegel der neuren Forschung, Vol. II, Part 32.3. Edited by Hildegard Temporini and Wolfgang Haase, 1666–1686. Berlin: Walter de Gruyter.
  • Vannini, Giulio, Petronius 1975–2005: bilancio critico e nuove proposte (2007. Goettingen: Vandenhoeck & Ruprecht) (Lustrum, 49).
  • Vannini, Giulio, Petronii Arbitri Satyricon 100–115. Edizione critica e commento (2010. Berlin – New York: De Gruyter) (Beiträge zur Altertumskunde, 281).
External links
Political offices
Preceded byas Ordinary consuls Suffect consul of the Roman Empire
62
with Quintus Manlius Ancharius Tarquitius Saturninus
Succeeded byas Suffect consuls
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