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Persian hagiography

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Hagiography is the literary genre of biographies about holy people. In Islamic Persia, hagiography developed as a genre during the eleventh century CE, in Khurāsān, a region from which many eastern Ṣūfīs came. It tended to focus on Sūfī saints. The tradition declined around the sixteenth to eighteenth centuries CE, but was revived in the nineteenth and still exists today online.[1]

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Pre-Islamic

Hagiography in Persian can be seen as going back to biographical writings about Zarathushtra. During the fifth to twelfth centuries CE, a corpus of pious tales about Zarathushtra, joined with relevant parts of the Gathas, was developed. This material formed the basis for the surviving hagiographical material on Zarathustra, which is found in Middle Persian or Pahlavi texts including the Dēnkard and the Wizidagiha, and in New Persian texts including the Zaratosht-nama and the Shahnameh.[2]

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Middle Persian

Middle Persian

Middle Persian or Pahlavi, also known by its endonym Pārsīk or Pārsīg (

New Persian

New Persian

New Persian, also known as Modern Persian and Dari (دری), is the current stage of the Persian language spoken since the 8th to 9th centuries until now in Greater Iran and surroundings. It is conventionally divided into three stages: Early New Persian, Classical Persian, and Contemporary Persian.

Zaratosht-nama

Zaratosht-nama

Zaratosht-nama or Cangranghaca-nama is a religious epic poem in Persian language composed in 13th century CE. The poem is about the life of Zoroaster, the founder of Zoroastianism. The author of the poem is Kay Kavus pur-i Khosrow. The poem is erroneously attributed to Zartosht Bahram-e Pazhdo who is actually the copier of the first surviving manuscript of the work. The poem contains 600 distichs and is composed in the same meter as Shahnameh of Ferdowsi. The work is based on the oral narratives of Zoroastrians and has a lot of similarities with Middle Persian literature such as the Denkard. Arabic loanwords are not common in the work. It also contains some rare Pahlavi words.

Shahnameh

Shahnameh

The Shahnameh or Shahnama is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 "distichs" or couplets, the Shahnameh is one of the world's longest epic poems. It tells mainly the mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest in the seventh century. Iran, Azerbaijan, Afghanistan, Tajikistan and the greater region influenced by Persian culture such as Armenia, Dagestan, Georgia, Turkey, Turkmenistan and Uzbekistan celebrate this national epic.

Islamic

Methods of composition

Using and developing the historiographical methods of the muḥaddithūn (scholars of the sayings and history of the Prophet), Persian scholars drew on oral tradition and their own observations to write about holy figures. However, many hagiographies also drew on earlier written sources, often adapting those sources to reflect the writers' own view of sainthood. For example, in the twelfth century CE, Muḥammad ibn Munavvar drew on and added to Jamāl al-Dīn Abū Rawḥ Luṭfallāh's Ḥālāt-u sukhanān-i Shaykh Abū Saʿīd Abū l-Khayr to create his own Asrār al-tawḥid fī maqāmāt al-Shaykh Abū Saʿīd (“Secrets of oneness in the spiritual stages of Shaykh Abū Saʿīd”). In doing so, he focused on mystical joys and blessed states.[1]

Traditionally, Islamic scholarship has read Persian saints' lives fairly uncritically as biographical sources for real historical events. More recent work, partly inspired by Western scholarship on medieval Christian hagiography, however, has moved away from seeing hagiographies as repositories of facts, in favour of seeing them as literary creations reflecting the aesthetic, theological, and political agendas of their composers.[3]

Major works

Key early works of Persian hagiography included:[1]

Important later Persian hagiographers included:[1]

  • Aflākī (d. 761/1360), a disciple of Rumi's grandson who wrote Manāqib al-ʿārifīn (“Virtues of the gnostics”),[4] completing the work in 754/1354. This focused on key figures of the sufi order of the Mawlawiyya and is dedicated to Mawlānā Rūmī (d. 672/1273) and his followers.
  • ʿAbd al-Razzāq Kirmānī (d. after 911/1505), who wrote a Life of Shāh Niʿmatallāh (d. 834/1430–1), emphasising the subject's simple, agrarian life and distancing him from politics both worldly and sectarian.

Production of hagiographies declined during the Safavid period (1501–1722) due to their anti-Sūfī policies. But the dynasties of the Zand (1751–51) and Qajar (1779–1925) oversaw the partial revival of Sūfī orders and, correspondingly, hagiography. One example is Abū l-Qāsim Rāz Shīrāzī's nineteenth-century Tadhkirat al-awliyā. In the twenty-first century, hagiography continues to be produced and circulated on the Internet, particularly among Baluch or Kurdish Sunnī minorities[1]

Major compilations

The classic hagiographical collection in Persian scholarship, ranging in its subject matter from the Balkans to Central Asia, was Tadhkirat al-awliyāʾ (“Biographies of the saints”), composed by ʿAṭṭār (d. 618/1221).[1]

Later, Jāmī (d. 898/1492) created a compendium containing 618 biographies, ranging across the Sūfī traditions: Nafaḥāt al-uns (“Breaths of intimacy”).[1]

Muḥammad Samarqandī compiled Tadhkira-yi mazīd (“The great collection of biographies”) around the early sixteenth century CE. Although this is now lost, it is widely quoted in other sources, indicating its once influential status.[1]

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Muhammad

Muhammad

Muhammad was an Arab religious, social, and political leader and the founder of Islam. According to Islamic doctrine, he was a prophet divinely inspired to preach and confirm the monotheistic teachings of Adam, Abraham, Moses, Jesus, and other prophets. He is believed to be the Seal of the Prophets within Islam. Muhammad united Arabia into a single Muslim polity, with the Quran as well as his teachings and practices forming the basis of Islamic religious belief.

Mevlevi Order

Mevlevi Order

The Mevlevi Order or Mawlawiyya is a Sufi order that originated in Konya and which was founded by the followers of Jalaluddin Muhammad Balkhi Rumi, a 13th-century Persian poet, Sufi mystic, and Islamic theologian. The Mevlevis are also known as the "whirling dervishes" due to their famous practice of whirling while performing dhikr. Dervish is a common term for an initiate of the Sufi path; whirling is part of the formal sema ceremony and the participants are properly known as semazens.

Zand dynasty

Zand dynasty

The Zand dynasty was an Iranian dynasty, founded by Karim Khan Zand that initially ruled southern and central Iran in the 18th century. It later quickly came to expand to include much of the rest of contemporary Iran as well as parts of Iraq. The lands of present-day Armenia, Azerbaijan, and Georgia were controlled by khanates which were de jure part of the Zand realm, but the region was de facto autonomous. The island of Bahrain was also held for the Zands by the autonomous Al-Mazkur sheikhdom of Bushire.

Baloch people

Baloch people

The Baloch or Baluch are a Western Iranic ethnic group, who are native to the Balochistan region of South and Western Asia encompassing the countries of Pakistan, Iran, and Afghanistan. There are also Baloch diaspora communities in neighbouring regions, including in Central Asia, and the Arabian Peninsula.

Kurds

Kurds

Kurds or Kurdish people are an Iranian ethnic group native to the mountainous region of Kurdistan in Western Asia, which spans southeastern Turkey, northwestern Iran, northern Iraq, and northern Syria. There are exclaves of Kurds in Central Anatolia, Khorasan, and the Caucasus, as well as significant Kurdish diaspora communities in the cities of western Turkey and Western Europe. The Kurdish population is estimated to be between 30 and 45 million.

Tazkirat al-Awliya

Tazkirat al-Awliya

Tazkirat al-Awliyā – variant transliterations: Tazkirat al-Awliyā`, Tadhkirat al-Awliya, Tazkerat-ol-Owliya, Tezkereh-i-Evliā etc., – is a hagiographic collection of ninety-six Sufi saints and their miracles (Karamat) by the twelfth–thirteenth-century Persian poet and mystic, Farīd al-Dīn ‘Aṭṭar. ‘Aṭṭar's only surviving prose work comprises 72-chapters, beginning with the life of Jafar Sadiq, the Sixth Sunni Imam, and ending with the Sufi Martyr, Mansur Al-Hallaj's.

Attar of Nishapur

Attar of Nishapur

Abū Ḥamīd bin Abū Bakr Ibrāhīm, better known by his pen-names Farīd ud-Dīn (فریدالدین) and ʿAṭṭār of Nishapur, was a Persian poet, theoretician of Sufism, and hagiographer from Nishapur who had an immense and lasting influence on Persian poetry and Sufism. He wrote a collection of lyrical poems and number of long poems in the philosophical tradition of Islamic mysticism, as well as a prose work with biographies and sayings of famous Muslim mystics. The Conference of the Birds, The Book of Divine, and Memorial of the Saints are among his best known works.

Source: "Persian hagiography", Wikipedia, Wikimedia Foundation, (2022, August 5th), https://en.wikipedia.org/wiki/Persian_hagiography.

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References
  1. ^ a b c d e f g h Alexandre Papas, “Hagiography, Persian and Turkish”, in Encyclopaedia of Islam, THREE, ed. by Kate Fleet, Gudrun Krämer, Denis Matringe, John Nawas, and Everett Rowson (Leiden: Brill, 2007-), doi:10.1163/1573-3912_ei3_COM_23914.
  2. ^ Jamsheed K. Choksy, 'Hagiography and Monotheism in History: Doctrinal encounters between Zoroastrianism, Judaism and Christianity', Islam and Christian-Muslim Relations, 14:4 (2003), 407-421 (pp. 410-11) doi:10.1080/095964103200012756.
  3. ^ Carl W. Ernst, Rūzbihān Baqli: Mysticism and the Rhetoric of Sainthood in Persian Sufism (London: Routledge, 1996), p. xiv.
  4. ^ A. J. ARBERRY (March 1962). "JALĀL AL-DĪN RŪMĪ". Islamic Studies. 1 (1): 89–105. JSTOR 20832622.

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