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Pediment

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Illustrations of types of pediments
Illustrations of types of pediments

Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances.

The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture.[1] The tympanum may hold an inscription, or in modern times, a clock face.

Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque.[2] Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°).

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Gable

Gable

A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable. One common type of roof with gables, the gable roof, is named after its prominent gables.

Lintel

Lintel

A lintel or lintol is a type of beam that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented/structural item. In the case of windows, the bottom span is referred to as a sill, but, unlike a lintel, does not serve to bear a load to ensure the integrity of the wall. Modern-day lintels may be made using prestressed concrete and are also referred to as beams in beam-and-block slabs or as ribs in rib-and-block slabs. These prestressed concrete lintels and blocks can serve as components that are packed together and propped to form a suspended-floor concrete slab.

Entablature

Entablature

An entablature is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave, the frieze, and the cornice. The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification.

Column

Column

A column or pillar in architecture and structural engineering is a structural element that transmits, through compression, the weight of the structure above to other structural elements below. In other words, a column is a compression member. The term column applies especially to a large round support with a capital and a base or pedestal, which is made of stone, or appearing to be so. A small wooden or metal support is typically called a post. Supports with a rectangular or other non-round section are usually called piers.

Overdoor

Overdoor

An "overdoor" is a painting, bas-relief or decorative panel, generally in a horizontal format, that is set, typically within ornamental mouldings, over a door, or was originally intended for this purpose.

Hood mould

Hood mould

In architecture, a hood mould, hood, label mould, drip mould or dripstone, is an external moulded projection from a wall over an opening to throw off rainwater, historically often in form of a pediment. This moulding can be terminated at the side by ornamentation called a label stop.

Pedimental sculpture

Pedimental sculpture

Pedimental sculpture is a form of architectural sculpture designed for installation in the tympanum, the space enclosed by the architectural element called the pediment. Originally a feature of Ancient Greek architecture, pedimental sculpture started as a means to decorate a pediment in its simplest form: a low triangle, like a gable, above an horizontal base or entablature. However, as classical architecture developed from the basis of Ancient Greek and Roman architecture, the varieties of pedimental sculpture also developed. The sculpture can be either freestanding or relief sculpture, in which case it is attached to the back wall of the pediment. Harris in The Illustrated Dictionary of Historic Architecture defines pediment as "In classical architecture, the triangular gable end of the roof above the horizontal cornice, often filled with sculpture." Pediments can also be used to crown doors or windows.

Ancient Greek architecture

Ancient Greek architecture

Ancient Greek architecture came from the Greek-speaking people whose culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC.

Classical architecture

Classical architecture

Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect Vitruvius. Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in general all be said to draw on a common "vocabulary" of decorative and constructive elements. In much of the Western world, different classical architectural styles have dominated the history of architecture from the Renaissance until the Second World War, but it continues to inform many architects to this day.

Neoclassical architecture

Neoclassical architecture

Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes.

Baroque architecture

Baroque architecture

Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe.

Gable roof

Gable roof

A gable roof is a roof consisting of two sections whose upper horizontal edges meet to form its ridge. The most common roof shape in cold or temperate climates, it is constructed of rafters, roof trusses or purlins. The pitch of a gable roof can vary greatly.

History

Neoclassical pediment of the Madeleine Church, Paris, with sculpture (1826–1834) by Philippe Joseph Henri Lemaire.[3]
Neoclassical pediment of the Madeleine Church, Paris, with sculpture (1826–1834) by Philippe Joseph Henri Lemaire.[3]

The pediment is found in classical Greek temples, Etruscan, Roman, Renaissance, Baroque, Rococo, Neoclassical and Beaux-Arts architecture. A prominent example is the Parthenon, where it contains a tympanum decorated with figures in relief sculpture. This architectural element was developed in the architecture of ancient Greece and first appeared as gable ends of Greek temples.[1] In ancient Rome, the Renaissance, and later architectural revivals, the pediment was used as a non-structural element over windows, doors and aediculae.[4] Some used to protect windows and openings from weather.

As classical architecture moved to Britain during the Renaissance, pediments wouldn't fit with the steeply pitched roofs and became detached from the structure to only create an impression. The form of the pediment is dictated by the primary function of the roof which in several areas is the dismissal of rainwater.

A variant is the "segmental" or "arch" pediment, where the normal angular slopes of the cornice are replaced by one in the form of a segment of a circle, in the manner of a depressed arch. Both traditional and segmental pediments have "broken" and "open" forms. In the broken pediment the raking cornice is left open at the apex. The open pediment is open along the base – often " sculpture, "tondo" paintings, mirrors or windows. These forms were adopted in Mannerist architecture, and applied to furniture designed by Thomas Chippendale. The terms "open pediment" and "broken pediment" are often used interchangeably.[5] Another variant is the swan's neck pediment and is a refinement of a broken pediment with two "S"-shaped profiles resembling a swan's neck. Non-triangular variations of pediments are usually found over doors, windows, and porches.

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La Madeleine, Paris

La Madeleine, Paris

The Church of Sainte-Marie-Madeleine, or less formally, La Madeleine is a Catholic parish church on Place de la Madeleine in the 8th arrondissement of Paris. It was planned by Louis XV as the focal point of the new Rue Royal, leading to the new Place Louis XV, the present Place de la Concorde. It was dedicated in 1764 by Louis XVI, but work halted due to the French Revolution. Napoleon Bonaparte had it redesigned in the Neoclassical style to become a monument to the glory of his armies, After his downfall in 1814 construction as a church resumed, but it was not completed until 1844. The building is surrounded on all four sides by columns in the Corinthian style. The interior is noted for its frescoes on the domed ceiling, and monumental sculpture by François Rude, Charles Marochetti and other prominent 19th-century French artists.

Paris

Paris

Paris is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km², making it the fourth-most populated city in the European Union as well as the 30th most densely populated city in the world in 2022. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world.

Philippe Joseph Henri Lemaire

Philippe Joseph Henri Lemaire

Philippe Joseph Henri Lemaire was a French sculptor, working in a neoclassical academic style.

Parthenon

Parthenon

The Parthenon is a former temple on the Athenian Acropolis, Greece, that was dedicated to the goddess Athena during the fifth century BC. Its decorative sculptures are considered some of the high points of Greek art, an enduring symbol of Ancient Greece, democracy and Western civilization.

Ancient Greek architecture

Ancient Greek architecture

Ancient Greek architecture came from the Greek-speaking people whose culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC.

Ancient Rome

Ancient Rome

In modern historiography, Ancient Rome refers to Roman civilisation from the founding of the Italian city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom, Roman Republic and Roman Empire until the fall of the western empire.

Renaissance

Renaissance

The Renaissance is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century.

Revivalism (architecture)

Revivalism (architecture)

Revivalism in architecture is the use of visual styles that consciously echo the style of a previous architectural era. Notable revival styles include Neoclassical architecture, and Gothic Revival. Revivalism is related to historicism.

Door

Door

A door is a hinged or otherwise movable barrier that allows ingress (entry) into and egress (exit) from an enclosure. The created opening in the wall is a doorway or portal. A door's essential and primary purpose is to provide security by controlling access to the doorway (portal). Conventionally, it is a panel that fits into the doorway of a building, room, or vehicle. Doors are generally made of a material suited to the door's task. They are commonly attached by hinges, but can move by other means, such as slides or counterbalancing.

Aedicula

Aedicula

In ancient Roman religion, an aedicula is a small shrine, and in classical architecture refers to a niche covered by a pediment or entablature supported by a pair of columns and typically framing a statue, the early Christian ones sometimes contained funeral urns. Aediculae are also represented in art as a form of ornamentation. The word aedicula is the diminutive of the Latin aedes, a temple building or dwelling place. The Latin word has been Anglicised as "aedicule" and as "edicule".

Furniture

Furniture

Furniture refers to movable objects intended to support various human activities such as seating, eating (tables), storing items, eating and/or working with an item, and sleeping. Furniture is also used to hold objects at a convenient height for work, or to store things. Furniture can be a product of design and can be considered a form of decorative art. In addition to furniture's functional role, it can serve a symbolic or religious purpose. It can be made from a vast multitude of materials, including metal, plastic, and wood. Furniture can be made using a variety of woodworking joints which often reflects the local culture.

Thomas Chippendale

Thomas Chippendale

Thomas Chippendale (1718–1779) was a cabinet-maker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs in a trade catalogue titled The Gentleman and Cabinet Maker's Director—the most important collection of furniture designs published in England to that point which created a mass market for furniture—upon which success he became renowned. According to the Victoria and Albert Museum, "so influential were his designs, in Britain and throughout Europe and America, that 'Chippendale' became a shorthand description for any furniture similar to his Director designs".

Source: "Pediment", Wikipedia, Wikimedia Foundation, (2023, March 4th), https://en.wikipedia.org/wiki/Pediment.

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Notes
  1. ^ a b Sturgis, Russell (1896). European Architecture: A Historical Study. The New York Public Library: Macmillan. pp. 3, 558.
  2. ^ Chisholm, Hugh, ed. (1911). "Pediment" . Encyclopædia Britannica. Vol. 21 (11th ed.). Cambridge University Press. p. 37.
  3. ^ Luebke, Wilhelm (1 January 1878). History of Sculpture from the Earliest Ages to the Present Time: Tr. by F.E. Bunnètt, Volume 2. Smith. p. 468. Retrieved 11 September 2021.
  4. ^ Kimball, Fiske; Edgell, George Harold (1918). A History of Architecture. Harper & Brothers. pp. 108, 118, 144, 423.
  5. ^ Harris, Cyril M., ed. Illustrated Dictionary of Historic Architecture, Dover Publications, New York, c. 1977, 1983 edition p. 386
  6. ^ "Museu do Ipiranga: o que vimos de surpreendente na reabertura?". CASACOR (in Brazilian Portuguese). Retrieved 2022-09-20.
References
  • Dictionary of Ornament by Philippa Lewis & Gillian Darley (1986) NY: Pantheon
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