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Off-Broadway

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New World Stages, an off-Broadway theatre complex in Hell's Kitchen, Manhattan
New World Stages, an off-Broadway theatre complex in Hell's Kitchen, Manhattan

An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100.

An "off-Broadway production" is a production of a play, musical, or revue that appears in such a venue and adheres to related trade union and other contracts.[1] Some shows that premiere off-Broadway are subsequently produced on Broadway.[2]

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Seating capacity

Seating capacity

Seating capacity is the number of people who can be seated in a specific space, in terms of both the physical space available, and limitations set by law. Seating capacity can be used in the description of anything ranging from an automobile that seats two to a stadium that seats hundreds of thousands of people. The largest sporting venue in the world, the Indianapolis Motor Speedway, has a permanent seating capacity for more than 235,000 people and infield seating that raises capacity to an approximate 400,000.

Broadway theatre

Broadway theatre

Broadway theatre, or Broadway, are the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world.

Off-off-Broadway

Off-off-Broadway

Off-off-Broadway theaters are smaller New York City theaters than Broadway and off-Broadway theaters, and usually have fewer than 100 seats. The off-off-Broadway movement began in 1958 as part of a response to perceived commercialism of the professional theatre scene and as an experimental or avant-garde movement of drama and theatre. Over time, some off-off-Broadway productions have moved away from the movement's early experimental spirit.

Play (theatre)

Play (theatre)

A play is a work of drama, usually consisting mostly of dialogue between characters and intended for theatrical performance rather than just reading. The writer of a play is called a playwright.

Musical theatre

Musical theatre

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Revue

Revue

A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles.

Trade union

Trade union

A trade union or labor union, often simply referred to as a union, is an organisation of workers intent on "maintaining or improving the conditions of their employment", such as attaining better wages and benefits, improving working conditions, improving safety standards, establishing complaint procedures, developing rules governing status of employees and protecting and increasing the bargaining power of workers.

History

The term originally referred to any venue, and its productions, on a street intersecting Broadway in Midtown Manhattan's Theater District, the hub of the American theatre industry. It later became defined by the League of Off-Broadway Theatres and Producers as a professional venue in Manhattan with a seating capacity of at least 100, but not more than 499, or a production that appears in such a venue and adheres to related trade union and other contracts.[1]

Previously, regardless of the size of the venue, a theatre was considered a Broadway (rather than off-Broadway) house if it was within the "Broadway Box", extending from 40th Street north to 54th Street and from Sixth Avenue west to Eighth Avenue, including Times Square and West 42nd Street. This change to the contractual definition of "off-Broadway" benefited theatres satisfying the 499-seat criterion because of the lower minimum required salary for Actors' Equity performers at Off-Broadway theatres as compared with the salary requirements of the union for Broadway theatres.[3] The adoption of the 499-seat criterion occurred after a one-day strike in January 1974.[4] Examples of off-Broadway theatres within the Broadway Box are the Laura Pels Theatre and The Theater Center.

The off-Broadway movement started in the 1950s as a reaction to the perceived commercialism of Broadway and provided less expensive venues for shows that have employed many future Broadway artists. An early success was Circle in the Square Theatre's 1952 production of Summer and Smoke by Tennessee Williams.[5] According to theatre historians Ken Bloom and Frank Vlastnik, Off-Broadway offered a new outlet for "poets, playwrights, actors, songwriters, and designers. ... The first great Off-Broadway musical was the 1954 revival" of The Threepenny Opera, which proved that off-Broadway productions could be financially successful.[6] Theatre Row, on West 42nd Street between 9th and 10th Avenues in Manhattan, is a concentration of off-Broadway and off-off-Broadway theatres. It was developed in the mid-1970s and modernized in 2002.[7]

Many off-Broadway shows have had subsequent runs on Broadway, including such successful musicals as Hair, Godspell, Little Shop of Horrors, Sunday in the Park with George, Rent, Grey Gardens, Urinetown, Avenue Q, The 25th Annual Putnam County Spelling Bee, Rock of Ages, In the Heights, Spring Awakening, Next to Normal, Hedwig and the Angry Inch, Fun Home, Hamilton, Dear Evan Hansen, and Hadestown.[8] In particular, two that became Broadway hits, Grease and A Chorus Line, encouraged other producers to premiere their shows off-Broadway.[6] Plays that have moved from off-Broadway houses to Broadway include Doubt, I Am My Own Wife, Bridge & Tunnel, The Normal Heart, and Coastal Disturbances. Other productions, such as Stomp, Blue Man Group, Altar Boyz, Perfect Crime, Forbidden Broadway, Nunsense, Naked Boys Singing, Bat Boy: The Musical, and I Love You, You're Perfect, Now Change have had runs of many years off-Broadway, never moving to Broadway. The Fantasticks, the longest-running musical in theatre history, spent its original 42-year run off-Broadway and began another long off-Broadway run in 2006.[9]

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Broadway (Manhattan)

Broadway (Manhattan)

Broadway is a road in the U.S. state of New York. Broadway runs from State Street at Bowling Green for 13 mi (21 km) through the borough of Manhattan and 2 mi (3.2 km) through the Bronx, exiting north from New York City to run an additional 18 mi (29 km) through the Westchester County municipalities of Yonkers, Hastings-On-Hudson, Dobbs Ferry, Irvington, and Tarrytown, and terminating north of Sleepy Hollow.

Midtown Manhattan

Midtown Manhattan

Midtown Manhattan is the central portion of the New York City borough of Manhattan and serves as the city's primary central business district. Midtown is home to some of the city's most prominent buildings, including the Empire State Building, the Chrysler Building, the Hudson Yards Redevelopment Project, the headquarters of the United Nations, Grand Central Terminal, and Rockefeller Center, as well as several prominent tourist destinations including Broadway, Times Square, and Koreatown. Penn Station in Midtown Manhattan is the busiest transportation hub in the Western Hemisphere.

Seating capacity

Seating capacity

Seating capacity is the number of people who can be seated in a specific space, in terms of both the physical space available, and limitations set by law. Seating capacity can be used in the description of anything ranging from an automobile that seats two to a stadium that seats hundreds of thousands of people. The largest sporting venue in the world, the Indianapolis Motor Speedway, has a permanent seating capacity for more than 235,000 people and infield seating that raises capacity to an approximate 400,000.

Eighth Avenue (Manhattan)

Eighth Avenue (Manhattan)

Eighth Avenue is a major north–south avenue on the west side of Manhattan in New York City, carrying northbound traffic below 59th Street. It is one of the original avenues of the Commissioners' Plan of 1811 to run the length of Manhattan, though today the name changes twice. At 59th Street/Columbus Circle it becomes Central Park West, where it forms the western boundary of Central Park. North of 110th Street/Frederick Douglass Circle it is known as Frederick Douglass Boulevard before merging onto Harlem River Drive north of 155th Street.

42nd Street (Manhattan)

42nd Street (Manhattan)

42nd Street is a major crosstown street in the New York City borough of Manhattan, spanning the entire breadth of Midtown Manhattan, from Turtle Bay at the East River, to Hell's Kitchen at the Hudson River on the West Side. The street hosts some of New York's best known landmarks, including the headquarters of the United Nations, the Chrysler Building, Grand Central Terminal, the New York Public Library Main Branch, Times Square, and the Port Authority Bus Terminal.

Actors' Equity Association

Actors' Equity Association

The Actors' Equity Association (AEA), commonly called Actors' Equity or simply Equity, is an American labor union representing those who work in live theatrical performance. Performers appearing in live stage productions without a book or through-storyline may be represented by the American Guild of Variety Artists (AGVA). The AEA works to negotiate quality living conditions, livable wages, and benefits for performers and stage managers. A theater or production that is not produced and performed by AEA members may be called "non-Equity".

Circle in the Square Theatre

Circle in the Square Theatre

The Circle in the Square Theatre is a Broadway theater at 235 West 50th Street, within the basement of Paramount Plaza, in the Midtown Manhattan neighborhood of New York City. The current Broadway theater, completed in 1972, is the successor of an off-Broadway theater of the same name, co-founded around 1950 by a group that included Theodore Mann and José Quintero. The Broadway venue was designed by Allen Sayles; it originally contained 650 seats and uses a thrust stage that extends into the audience on three sides.

Summer and Smoke

Summer and Smoke

Summer and Smoke is a two-part, thirteen-scene play by Tennessee Williams, completed in 1948. He began working on the play in 1945 as Chart of Anatomy, derived from his short stories "Oriflamme" and the then-work-in-progress "Yellow Bird." The phrase "summer and smoke" probably comes from the Hart Crane poem "Emblems of Conduct" in the 1926 collection White Buildings. After a disappointing Broadway run in 1948, the play was a hit Off-Broadway in 1952. Williams continued to revise Summer and Smoke in the 1950s, and in 1964 he rewrote the play as The Eccentricities of a Nightingale.

Tennessee Williams

Tennessee Williams

Thomas Lanier Williams III, known by his pen name Tennessee Williams, was an American playwright and screenwriter. Along with contemporaries Eugene O'Neill and Arthur Miller, he is considered among the three foremost playwrights of 20th-century American drama.

Hair (musical)

Hair (musical)

Hair: The American Tribal Love-Rock Musical is a rock musical with a book and lyrics by Gerome Ragni and James Rado and music by Galt MacDermot. The work reflects the creators' observations of the hippie counterculture and sexual revolution of the late 1960s, and several of its songs became anthems of the anti-Vietnam War peace movement. The musical's profanity, its depiction of the use of illegal drugs, its treatment of sexuality, its irreverence for the American flag, and its nude scene caused much comment and controversy. The work broke new ground in musical theatre by defining the genre of "rock musical", using a racially integrated cast, and inviting the audience onstage for a "Be-In" finale.

Godspell

Godspell

Godspell is a musical composed by Stephen Schwartz with book by John-Michael Tebelak. The show is structured as a series of parables, primarily based on the Gospel of Matthew, interspersed with music mostly set to lyrics from traditional hymns, with the passion of Christ appearing briefly near the end.

Little Shop of Horrors (musical)

Little Shop of Horrors (musical)

Little Shop of Horrors is a horror comedy rock musical with music by Alan Menken and lyrics and a book by Howard Ashman. The story follows a hapless florist shop worker who raises a plant that feeds on human blood and flesh. The musical is loosely based on the low-budget 1960 black comedy film The Little Shop of Horrors. The music, composed by Menken in the style of early 1960s rock and roll, doo-wop and early Motown, includes several well-known tunes, including the title song, "Skid Row (Downtown)", "Somewhere That's Green", and "Suddenly, Seymour".

Awards

Off-Broadway shows, performers, and creative staff are eligible for the following awards: the New York Drama Critics' Circle Award, the Outer Critics Circle Award, the Drama Desk Award, the Obie Award (presented since 1956 by The Village Voice), the Lucille Lortel Award (created in 1985 by the League of Off-Broadway Theatres & Producers), and the Drama League Award. Although off-Broadway shows are not eligible for Tony Awards, an exception was made in 1956 (before the rules were changed), when Lotte Lenya won Best Performance by a Featured Actress in a Musical for the off-Broadway production of The Threepenny Opera.[10]

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Outer Critics Circle Award

Outer Critics Circle Award

The Outer Critics Circle Awards are presented annually for theatrical achievements both on Broadway and Off-Broadway. They are presented by the Outer Critics Circle (OCC), the official organization of New York theater writers for out-of-town newspapers, digital and national publications, and other media beyond Broadway. The awards were first presented during the 1949–50 theater season, celebrating their 70th anniversary in 2020. David Gordon, Senior Features Reporter at TheaterMania.com, currently serves as president.

Drama Desk Award

Drama Desk Award

The Drama Desk Award is an annual prize recognizing excellence in New York theatre. First bestowed in 1955 as the Vernon Rice Award, the prize initially honored Off-Broadway productions, as well as Off-off-Broadway, and those in the vicinity. Following the 1964 renaming as the Drama Desk Awards, Broadway productions were included beginning with the 1968–69 award season. The awards are considered a significant American theater distinction.

Obie Award

Obie Award

The Obie Awards or Off-Broadway Theater Awards are annual awards originally given by The Village Voice newspaper to theatre artists and groups in New York City. In September 2014, the awards were jointly presented and administered with the American Theatre Wing. As the Tony Awards cover Broadway productions, the Obie Awards cover off-Broadway and off-off-Broadway productions. It has often been considered off-Broadway's highest honor.

The Village Voice

The Village Voice

The Village Voice is an American news and culture paper, known for being the country's first alternative newsweekly. Founded in 1955 by Dan Wolf, Ed Fancher, John Wilcock, and Norman Mailer, the Voice began as a platform for the creative community of New York City. It ceased publication in 2017, although its online archives remained accessible. After an ownership change, the Voice reappeared in print as a quarterly in April 2021.

Drama League Award

Drama League Award

The Drama League Awards, created in 1922, honor distinguished productions and performances both on Broadway and Off-Broadway, in addition to recognizing exemplary career achievements in theatre, musical theatre, and directing. Each May, the awards are presented by The Drama League at the Annual Awards Luncheon with performers, directors, producers, and Drama League members in attendance. The Drama League membership comprises the entire theater community, including award-winning actors, designers, directors, playwrights, producers, industry veterans, critics and theater-going audiences from across the U.S.

Tony Awards

Tony Awards

The Antoinette Perry Award for Excellence in Broadway Theatre, more commonly known as the Tony Award, recognizes excellence in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in Midtown Manhattan.

Lotte Lenya

Lotte Lenya

Lotte Lenya was an Austrian-American singer, diseuse, and actress, long based in the United States. In the German-speaking and classical music world, she is best remembered for her performances of the songs of her first husband, Kurt Weill. In English-language cinema, she was nominated for an Academy Award for her role as a jaded aristocrat in The Roman Spring of Mrs. Stone (1961). She also played the murderous and sadistic Rosa Klebb in the James Bond movie From Russia with Love (1963).

The Threepenny Opera

The Threepenny Opera

The Threepenny Opera is a "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much, if any, contribution Hauptmann might have made to the text, Brecht is usually listed as sole author.

List of off-Broadway theatres

Capacity is based on the capacity given for the respective theatre at the Internet Off-Broadway Database.

Theatre Address Capacity
47th Street Theatre W. 47th St. (No. 304) 196
59E59 Theaters, Theatre A E. 59th St. (No. 59) 196
777 Theatre 8th Ave. (No. 777) 158
Abrons Arts Center, Playhouse Theatre Grand St. (No. 466) 300
Actors Temple Theatre W. 47th St. (No. 339) 199
Alice Griffin Jewel Box Theatre W. 42nd St. (No. 480) 191
Anne L. Bernstein Theater W. 50th St. (No. 210) 199
Anspacher Theatre Lafayette St. (No. 425) 275
Astor Place Theatre Lafayette St. (No. 434) 298
Barrow Street Theatre Barrow St. (No. 27) 199
Cherry Lane Theatre Commerce St. (No. 38) 179
Claire Tow Theater W. 65th St. (No. 150) 112[11]
Classic Stage Company E. 13th St. (No. 136) 199
Daryl Roth Theatre E. 15th St. (No. 101) 299
The Duke on 42nd Street W. 42nd St. (No. 229) 199
Elektra Theatre W. 43rd St. (No. 300) 199
Gramercy Arts Theatre E. 27th St. (No. 138) 140[12]
The Gym at Judson Thompson St. (No. 243) 200
Irene Diamond Stage, Signature Theatre W. 42nd St. (No. 480) 294
Irish Repertory Theatre W. 22nd St. (No. 132) 148[13]
Jerome Robbins Theatre W. 37th St. (No. 450) 238
Jerry Orbach Theater W. 50th St. (No. 210) 199
John Cullum Theatre W. 54th St. (No. 314) 140
Laura Pels Theatre W. 46th St. (No. 111) 425
Linda Gross Theatre W. 20th St. (No. 336) 199
Lucille Lortel Theatre Christopher St. (No. 121) 299
LuEsther Theatre Lafayette St. (No. 425) 160
Lynn Redgrave Theatre Bleecker St. (No. 45) 199
Manhattan Movement & Arts Center W. 60th St. (No. 248) 180
Marjorie S. Deane Little Theater W. 63rd St. (No. 5) 145[14]
Martinson Theatre Lafayette St. (No. 425) 199
McGinn/Cazale Theatre Broadway (No. 2162) 108
Minetta Lane Theatre Minetta Lane (No. 18) 391
Mitzi E. Newhouse Theater W. 65th St. (No. 150) 299
New Victory Theater W. 42nd St. (No. 209) 499
New World Stages, Stage 1 W. 50th St. (No. 340) 499
New World Stages, Stage 2 W. 50th St. (No. 340) 350
New World Stages, Stage 3 W. 50th St. (No. 340) 499
New World Stages, Stage 4 W. 50th St. (No. 340) 350
New World Stages, Stage 5 W. 50th St. (No. 340) 199
New York City Center Stage I W. 55th St. (No. 131) 300
New York City Center Stage II W. 55th St. (No. 131) 150
New York Theatre Workshop, Theatre 79 E. 4th St. (No. 79) 199[15]
Newman Theatre Lafayette St. (No. 425) 299
Orpheum Theatre Second Ave. (No. 126) 347
Peter Jay Sharp Theatre at Playwrights Horizons W. 42nd St. (No. 416) 128
Players Theatre MacDougal St. (No. 115) 248
Playwrights Horizons Mainstage W. 42nd St. (No. 416) 198
The Shed (Kenneth C. Griffin Theater) 545 W. 30th St. 500[16]
Romulus Linney Courtyard Theatre W. 42nd St. (No. 480) 191
SoHo Playhouse Vandam St. (No. 15) 178[17]
St. Luke's Theatre W. 46th St. (No. 308) 178
Stage 42 W. 42nd St. (No. 422) 499
Theatre 555 W. 42nd St. (No. 555) 130[18]
Theatre 80 St. Mark's St. Mark's Place (No. 80) 160
Theatre at St. Clement's Church W. 46th St. (No. 423) 151
Theatre Three at Theatre Row W. 42nd St. (No. 410) 199
Tony Kiser Theatre W. 43rd St. (No. 305) 296
Triad Theatre W. 72nd St. (No. 158) 130
Vineyard Theatre E. 15th St. (No. 108) 132
Westside Theatre, Downstairs Theatre W. 43rd St. (No. 407) 249
Westside Theatre, Upstairs Theatre W. 43rd St. (No. 407) 270
York Theatre Lexington Ave. (No. 619) 161

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59E59 Theaters

59E59 Theaters

59E59 Theaters is a curated rental venue located in New York City that consists of three theater spaces or stages. It shows both off-Broadway and off-off-Broadway plays. The complex is owned and operated by the Elysabeth Kleinhans Theatrical Foundation, a not-for-profit foundation.

The Actors' Temple

The Actors' Temple

The Actors' Temple, officially named Congregation Ezrath Israel, is a synagogue founded in 1917 in the Hell's Kitchen neighborhood of Manhattan, New York City, originally for the Orthodox shopkeepers in the area. Located at 339 West 47th Street since 1923, the temple was originally the West Side Hebrew Relief Association, and it was the synagogue of choice for the entertainment industry. Many vaudeville, musical theater, television, and nightclub performers attended services there, including Sophie Tucker, Shelley Winters, Milton Berle, Al Jolson, Jack Benny, Joe E. Lewis, Edward G. Robinson, as well as two of the Three Stooges. Bernard Birstein, an aspiring actor himself, was the first rabbi; he died in 1959.

The Public Theater

The Public Theater

The Public Theater is a New York City arts organization founded as the Shakespeare Workshop in 1954 by Joseph Papp, with the intention of showcasing the works of up-and-coming playwrights and performers. Led by JoAnne Akalaitis from 1991 to 1993 and by George C. Wolfe from 1993 to 2004, it is currently led by Artistic Director Oskar Eustis and Executive Director Patrick Willingham. The venue opened in 1967, with the world-premiere production of the musical Hair as its first show.

Astor Place Theatre

Astor Place Theatre

The Astor Place Theatre is an off-Broadway house located at 434 Lafayette Street in the NoHo section of Manhattan. The theater is located in the historic Colonnade Row, originally constructed in 1831 as a series of nine connected buildings, of which only four remain. Though it bears the same name, it was not the site of the Astor Place Riot of 1849.

Barrow Street Theatre

Barrow Street Theatre

Barrow Street Theatre is the name of both a 199-seat Off-Broadway theatre located in New York City's historic Greenwich House at 27 Barrow Street and a production company of the same name. From 2003 to 2018, the venue was leased to Barrow Street Theatre, a commercial theater company operated by producers Scott Morfee and Tom Wirtshafter. The theater space has been operated by Ars Nova since September 1, 2018 under the names Ars Nova at Greenwich House and the Greenwich Street Theatre. The theater space, which opened in 1917, has also been home to SoHo Rep.

Cherry Lane Theatre

Cherry Lane Theatre

The Cherry Lane Theatre is the oldest continuously running off-Broadway theater in New York City. The theater is located at 38 Commerce Street between Barrow and Bedford Streets in the West Village neighborhood of Greenwich Village, Manhattan, New York City. The Cherry Lane Theatre contains a 179-seat main stage and a 60-seat studio.

Classic Stage Company

Classic Stage Company

Classic Stage Company, or CSC, is a classical Off-Broadway theater. Founded in 1967, Classic Stage Company is one of Off-Broadway's oldest theaters. Its 199-seat theatre is the former Abbey Theatre located at 136 East 13th Street between Third and Fourth Avenues in the East Village near Union Square, Manhattan, New York City.

Daryl Roth Theatre

Daryl Roth Theatre

The Daryl Roth Theatre is an off-Broadway performance space at 101 East 15th Street, at the northeast corner of the intersection with Union Square East, near Union Square, Manhattan, New York City. The theater, opened in 1998, is housed in the four-story Union Square Savings Bank building, which was designed by Henry Bacon and built in 1905–1907. The original structure, a New York City landmark, houses a theater that can accommodate 300 seated or 499 standing patrons. The DR2 Theatre, located in an annex at 103 East 15th Street, seats 99.

New 42nd Street

New 42nd Street

The New 42nd Street is a not-for-profit organization based in Manhattan, New York City. In 1990, the New 42nd Street was formed to oversee the redevelopment of seven neglected and historic theatres on 42nd Street between Seventh and Eighth Avenues, and to restore the block to a desirable tourist destination in Manhattan. The theatres were the Apollo Theatre, the Empire Theatre, the Liberty Theatre, the Lyric Theatre, the Selwyn Theatre, the Times Square Theatre, and the Victory Theater.The Victory Theater was the first theater on the block to be restored, and reopened as the off-Broadway New Victory Theater in 1995. The New Victory Theater is programmed by the New 42nd Street with a focus on family entertainment, including international productions of theater, circus, puppetry, opera and dance for kids of all ages. The theater's programming is complemented by an award-winning educational program in New York City schools. The Apollo and Lyric theatres were demolished, but sections were preserved for incorporation into a new 1,900-seat Broadway musical venue. On December 26, 1997, it opened as The Ford Center for the Performing Arts with the New York premiere of Ragtime. Subsequently, it was renamed the Hilton Theatre and later the Foxwoods Theatre. Following a takeover by the Ambassador Theatre Group, it has taken the Lyric Theatre name. The Empire and Liberty became parts of an entertainment complex built by Forest City Ratner which includes the New York branch of Madame Tussauds Wax Museum and the Ripley's Believe It or Not! Odditorium. The shell of the Empire was physically lifted and moved closer to Eighth Avenue, becoming the lobby of an AMC Theatres cinema, which opened in 2000. The Selwyn Theatre became the 750-seat American Airlines Theatre, reopening on July 27, 2000, following renovations, and is currently one of Roundabout Theatre Company's Broadway venues. In 2011, Broadway 4D Theaters, LLC leased the Times Square Theater for a new multimedia Broadway-themed 4-D attraction; however, the project was cancelled. In 2018, developers announced the venue would be converted to retail space that would retain the proscenium, boxes, and many elements from the original structure. The work would take approximately two years at a cost of $100 million.

Repertorio Español

Repertorio Español

Repertorio Español was founded in 1968 by Producer Gilberto Zaldívar and Artistic Director René Buch to introduce the best of Latin American, Spanish, and Hispanic American theater to broad-ranging audiences in New York City and around the country. Robert Weber Federico joined the company two years later as Resident Designer and Associate Artistic Producer and is currently the organization's Executive Director.

Irish Repertory Theatre

Irish Repertory Theatre

The Irish Repertory Theatre is an Off Broadway theatre founded in 1988.

Baryshnikov Arts Center

Baryshnikov Arts Center

The Baryshnikov Arts Center (BAC) is a foundation and arts complex opened by Mikhail Baryshnikov in 2005 at 450 West 37th Street between Ninth and Tenth Avenues in the Hell's Kitchen neighborhood of Manhattan, New York City. The top three floors of the complex are occupied by the Baryshnikov Arts Center, which provides space and production facilities for dance, music, theater, film, and visual arts. The building also houses the Orchestra of St. Luke's DiMenna Center for Classical Music.

Source: "Off-Broadway", Wikipedia, Wikimedia Foundation, (2023, January 30th), https://en.wikipedia.org/wiki/Off-Broadway.

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See also
References
  1. ^ a b League of Off-Broadway Theatres and Producers Inc. and The Association of Theatrical Press Agents and Managers. "Off-Broadway Minimum Basic Agreement" (PDF). Archived (PDF) from the original on October 9, 2022. Retrieved December 14, 2007.
  2. ^ Seymour, Lee. "Off-Broadway Theater Isn't Dying - It's Evolving. And It's More Profitable Than Ever". Forbes. Retrieved August 20, 2018.
  3. ^ "How to Tell Broadway from Off-Broadway from ..." Playbill Inc. January 4, 1998. Retrieved January 28, 2017. No matter what else you may have heard, the distinction is mainly one of contracts. There are so many theatres of so many different sizes served by so many different unions in New York that this three-tiered Broadway/Off-Broadway/Off-Off-Broadway system evolved to determine who would get paid what. ... Most "Broadway" theatres are not on Broadway, the street. A few theatres on Broadway, the street, are considered "Off-Broadway."
  4. ^ "Actors' Equity 1970's Timeline". Actors' Equity Association. Retrieved January 27, 2017.
  5. ^ "Circle in the Square papers", New York Public Library for the Performing Arts, accessed December 18, 2018
  6. ^ a b Bloom, Ken and Vlastnik, Frank. "Off Broadway, Part 1", Broadway Musicals: The 101 Greatest Shows of All Time, Black Dog Publishing, 2008, ISBN 1-57912-313-9, p. 94
  7. ^ McKinley, Jesse. "Upscale March of Theatre Row; A Centerpiece of Redevelopment", The New York Times, November 21, 2002, accessed March 2, 2017
  8. ^ "Off Broadway Theatre Information". offbroadway.com. League of Off-Broadway Theatres and Producers. Retrieved January 27, 2017.
  9. ^ Lefkowitz, David. "The Fantasticks Bids Farewell, Jan. 13, After 42 Years on Sullivan Street", Playbill, January 13, 2002, accessed January 28, 2017; and Gordon, David. "After 56 Years, Tom Jones Isn't Finished With The Fantasticks", TheaterMania.com, September 9, 2016
  10. ^ Threepenny Opera Off Broadway threepennyopera.org
  11. ^ "Script Submissions". Lincoln Center Theater. Retrieved April 24, 2019.
  12. ^ "Gramercy Arts Theatre". Time Out New York. Retrieved December 12, 2017.
  13. ^ "FAQs - The Irish Repertory Theatre". The Irish Repertory Theatre. Retrieved December 12, 2017.
  14. ^ "The Marjorie S. Deane Little Theater". www.ymcanyc.org. Retrieved December 12, 2017.
  15. ^ "NYTW / Rent Space @ NYTW". NYTW. Retrieved December 12, 2017.
  16. ^ "The Bloomberg Building", The Shed
  17. ^ "RENTAL FACT SHEET SP". Google Docs. Retrieved December 12, 2017.
  18. ^ "A Midtown Off-Broadway Venue Will Reopen as Theater 555 This Fall". Playbill.com. Retrieved June 19, 2022.
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