Music video

In 1894, sheet music publishers Edward B. Marks and Joe Stern hired electrician George Thomas and various artists to promote sales of their song "The Little Lost Child".^[2] Using a magic lantern, Thomas projected a series of still images on a screen simultaneous to live performances. This would become a popular form of entertainment known as the illustrated song, the first step toward music video.^[2]

Talkies, soundies, and shorts

With the arrival of "talkies" many musical short films were produced. Vitaphone shorts (produced by Warner Bros.) featured many bands, vocalists, and dancers. Animation artist Max Fleischer introduced a series of sing-along short cartoons called Screen Songs, which invited audiences to sing along to popular songs by "following the bouncing ball", which is similar to a modern karaoke machine. Early cartoons featured popular musicians performing their hit songs on camera in live-action segments during the cartoons. John Logie Baird created Phonovision discs featuring Betty Bolton and other singers from the 1930s. The early animated films by Walt Disney, such as the Silly Symphonies shorts and especially Fantasia, which featured several interpretations of classical pieces, were built around music. The Warner Bros. cartoons, even today billed as Looney Tunes and Merrie Melodies, were initially fashioned around specific songs from upcoming Warner Bros. musical films. Live-action musical shorts, featuring such popular artists as Cab Calloway, were also distributed to theaters.

Blues singer Bessie Smith appeared in a two-reel short film called St. Louis Blues featuring a dramatized performance of the hit song. Numerous other musicians appeared in short musical subjects during this period.

Soundies, produced and released for the Panoram film jukebox, were musical films that often included short dance sequences, similar to later music videos.

Musician Louis Jordan made short films for his songs, some of which were spliced together into a feature film, Lookout Sister. These films were, according to music historian Donald Clarke, the "ancestors" of music video.^[3]

Musicals of the 1950s led to short-form music videos

Musical films were another important precursor to a music video, and several well-known music videos have imitated the style of classic Hollywood musicals from the 1930s–50s. One of the best-known examples is Madonna's 1985 video for "Material Girl" (directed by Mary Lambert)^[4] which was closely modelled on Jack Cole's staging of "Diamonds Are a Girl's Best Friend" from the film Gentlemen Prefer Blondes. Several of Michael Jackson's videos show the unmistakable influence of the dance sequences in classic Hollywood musicals, including the landmark "Thriller" and the Martin Scorsese-directed "Bad", which was influenced by the stylized dance "fights" in the film version of West Side Story.^[5] According to the Internet Accuracy Project, DJ/singer J. P. "The Big Bopper" Richardson was the first to coin the phrase "music video", in 1959.^[6]

In his autobiography, Tony Bennett claims to have created "...the first music video" when he was filmed walking along the Serpentine in Hyde Park, London, with the resulting clip being set to his recording of the song "Stranger in Paradise".^[7] The clip was sent to UK and US television stations and aired on shows including Dick Clark's American Bandstand.^[8]

The oldest example of a promotional music video with similarities to more abstract, modern videos seems to be the Czechoslovakia "Dáme si do bytu" ("Let's get to the apartment") created and directed by Ladislav Rychman.^[9][10]

1960–1973: Promotional clips

In the late 1950s^[11] the Scopitone, a visual jukebox, was introduced in France and short films were produced by many French artists, such as Serge Gainsbourg, Françoise Hardy, Jacques Dutronc, and the Belgian Jacques Brel to accompany their songs. Its use spread to other countries, and similar machines such as the Cinebox in Italy and Color-sonic in the U.S. were patented.^[11] In 1961, for the Canadian-produced show Singalong Jubilee, Manny Pittson began pre-recording the music audio, went on-location and taped various visuals with the musicians lip-synching, then edited the audio and video together. Most music numbers were taped in-studio on stage, and the location shoot "videos" were to add variety.^[12] In 1964, Kenneth Anger's experimental short film, Scorpio Rising used popular songs instead of dialogue.

In 1964, The Moody Blues producer Alex Murray wanted to promote his version of "Go Now". The short film clip he produced and directed to promote the single has a striking visual style that predates Queen's similar "Bohemian Rhapsody" video by a full decade. It also predates what the Beatles did with promotional films of their single "Paperback Writer" and B-Side "Rain" both released in 1966.

Also in 1964, the Beatles starred in their first feature film, A Hard Day's Night, directed by Richard Lester. Shot in black-and-white and presented as a mock documentary, it interspersed comedic and dialogue sequences with musical tones. The musical sequences furnished basic templates on which numerous subsequent music videos were modeled. It was the direct model for the successful US TV series The Monkees (1966–1968), which was similarly composed of film segments that were created to accompany various Monkees songs.^[13] The Beatles' second feature, Help! (1965), was a much more lavish affair, filmed in color in London and on international locations. The title track sequence, filmed in black-and-white, is arguably one of the prime archetypes of the modern performance-style music video, employing rhythmic cross-cutting, contrasting long shots and close-ups, and unusual shots and camera angles, such as the shot 50 seconds into the song, in which George Harrison's left hand and the neck of his guitar are seen in sharp focus in the foreground while the completely out-of-focus figure of John Lennon sings in the background.

In 1965, the Beatles began making promotional clips (then known as "filmed inserts") for distribution and broadcast in different countries—primarily the U.S.—so they could promote their record releases without having to make in-person appearances. Their first batch of promo films shot in late 1965 (including their then-current single, "Day Tripper"/"We Can Work It Out"), were fairly straightforward mimed-in-studio performance pieces (albeit sometimes in silly sets) and meant to blend in fairly seamlessly with television shows like Top of the Pops and Hullabaloo. By the time the Beatles stopped touring in late 1966, their promotional films, like their recordings, had become highly sophisticated. In May 1966 they filmed two sets of colour promotional clips for their current single "Rain"/"Paperback Writer" all directed by Michael Lindsay-Hogg,^[14] who went on to direct The Rolling Stones Rock and Roll Circus and the Beatles' final film, Let It Be. The colour promotional clips for "Strawberry Fields Forever" and "Penny Lane", made in early 1967 and directed by Peter Goldman,^[15] took the promotional film format to a new level. They used techniques borrowed from underground and avant-garde film, including reversed film and slow motion, dramatic lighting, unusual camera angles, and color filtering added in post-production. At the end of 1967 the group released their third film, the one hour, made-for-television project Magical Mystery Tour; it was written and directed by the group and first broadcast on the BBC on Boxing Day 1967. Although poorly received at the time for lacking a narrative structure, it showed the group to be adventurous music filmmakers in their own right.

The Beatles in Help!

Concert films were being released in the mid-1960s, at least as early as 1964, with the T.A.M.I. Show.

The monochrome 1965 clip for Bob Dylan's "Subterranean Homesick Blues" filmed by D. A. Pennebaker was featured in Pennebaker's Dylan film documentary Dont Look Back. Eschewing any attempt to simulate performance or present a narrative, the clip shows Dylan standing in a city back alley, silently shuffling a series of large cue cards (bearing key words from the song's lyrics).

Besides the Beatles, many other UK artists made "filmed inserts" so they could be screened on TV when the bands were not available to appear live. The Who featured in several promotional clips, beginning with their 1965 clip for "I Can't Explain". Their plot clip for "Happy Jack" (1966) shows the band acting like a gang of thieves. The promo film to "Call Me Lightning" (1968) tells a story of how drummer Keith Moon came to join the group: The other three band members are having tea inside what looks like an abandoned hangar when suddenly a "bleeding box" arrives, out of which jumps a fast-running, time lapse, Moon that the other members subsequently try to get a hold of in a sped-up slapstick chasing sequence to wind him down. Pink Floyd produced promotional films for their songs, including "San Francisco: Film", directed by Anthony Stern, "Scarecrow", "Arnold Layne" and "Interstellar Overdrive", the latter directed by Peter Whitehead, who also made several pioneering clips for The Rolling Stones between 1966 and 1968. The Kinks made one of the first "plot" promotional clips for a song. For their single "Dead End Street" (1966) a miniature comic movie was made. The BBC reportedly refused to air the clip because it was considered to be in "poor taste".^[16]

The Rolling Stones appeared in many promotional clips for their songs in the 1960s. In 1966, Peter Whitehead directed two promo clips for their single "Have You Seen Your Mother, Baby, Standing In The Shadow?"^[17] In 1967, Whitehead directed a plot clip colour promo clip for the Stones single "We Love You", which first aired in August 1967.^[18] This clip featured sped-up footage of the group recording in the studio, intercut with a mock trial that clearly alludes to the drug prosecutions of Mick Jagger and Keith Richards underway at that time. Jagger's girlfriend Marianne Faithfull appears in the trial scenes and presents the "judge" (Richards) with what may be the infamous fur rug that had featured so prominently in the press reports of the drug bust at Richards' house in early 1967. When it is pulled back, it reveals an apparently naked Jagger with chains around his ankles. The clip concludes with scenes of the Stones in the studio intercut with footage that had previously been used in the "concert version" promo clip for "Have You Seen Your Mother, Baby". The group also filmed a color promo clip for the song "2000 Light Years From Home" (from their album Their Satanic Majesties Request) directed by Michael Lindsay-Hogg.^[17] In 1968, Michael Lindsay-Hogg directed three clips for their single "Jumpin' Jack Flash" / "Child Of The Moon"—a color clip for "Child Of The Moon" and two different clips for "Jumpin' Jack Flash". In 1968, they collaborated with Jean-Luc Godard on the film Sympathy for the Devil, which mixed Godard's politics with documentary footage of the song's evolution during recording sessions.

In 1966, Nancy Sinatra filmed a clip for her song "These Boots Are Made for Walkin'". Roy Orbison appeared in promotional clips, such as his 1968 hit, "Walk On".^[19]

During late 1972 - 73 Alice Cooper featured in a series of promotional films; "Elected", "Hello Hooray", "No More Mr. Nice Guy" and "Teenage Lament '74". Also, during late 1972–73 David Bowie featured in a series of promotional films directed by pop photographer Mick Rock, who worked extensively with Bowie in this period. Rock directed and edited four clips to promote four consecutive David Bowie singles—"John, I'm Only Dancing" (May 1972), "The Jean Genie" (November 1972), the December 1972 US re-release of "Space Oddity" and the 1973 release of the single "Life on Mars?" (lifted from Bowie's earlier album Hunky Dory). The clip for "John, I'm Only Dancing" was made with a budget of just US$200 and filmed at the afternoon rehearsal for Bowie's Rainbow Theatre concert on August 19, 1972. It shows Bowie and band mimicking to the record intercut with footage of the Lindsay Kemp mime troupe, dancing on stage and behind a back-lit screen. The clip was turned down by the BBC, who reportedly found the homosexual overtones of the film distasteful, accordingly Top of the Pops replaced it with footage of bikers and a dancer.^[20] The "Jean Genie" clip, produced for just US$350, was shot in one day and edited in less than two days. It intercuts footage of Bowie and band in concert with contrasting footage of the group in a photographic studio, wearing black stage outfits, and standing against a white background. It also includes location footage with Bowie and Cyrinda Foxe (a MainMan employee and a friend of David and Angie Bowie) shot in San Francisco outside the famous Mars Hotel, with Fox posing provocatively in the street while Bowie lounges against the wall, smoking.^[21]

Country music also picked up on the trend of promotional film clips to publicize songs. Sam Lovullo, the producer of the television series Hee Haw, explained his show presented "what were, in reality, the first musical videos",^[22] while JMI Records made the same claim with Don Williams' 1973 song "The Shelter of Your Eyes".^[23] Country music historian Bob Millard wrote that JMI had pioneered the country music video concept by "producing a 3-minute film" to go along with Williams' song.^[23] Lovullo said his videos were conceptualized by having the show's staff go to nearby rural areas and film animals and farmers, before editing the footage to fit the storyline of a particular song. "The video material was a very workable production item for the show," he wrote. "It provided picture stories for songs. However, some of our guests felt the videos took attention away from their live performances, which they hoped would promote record sales. If they had a hit song, they didn't want to play it under comic barnyard footage." The concept's mixed reaction eventually spelled an end to the "video" concept on Hee Haw.^[22] Promotional films of country music songs, however, continued to be produced.

In 1974, the band Sparks made a promotional video for their song This Town Ain't Big Enough For Both Of Us.^[24]

1974–1980: Beginnings of music television

The Australian TV shows Countdown and Sounds, both of which premiered in 1974, were significant in developing and popularizing what would later become the music video genre in Australia and other countries, and in establishing the importance of promotional film clips as a means of promoting both emerging acts and new releases by established acts. In early 1974, former radio DJ Graham Webb launched a weekly teen-oriented TV music show which screened on Sydney's ATN-7 on Saturday mornings; this was renamed Sounds Unlimited in 1975 and later shortened simply to Sounds. In need of material for the show, Webb approached Seven newsroom staffer Russell Mulcahy and asked him to shoot film footage to accompany popular songs for which there were no purpose-made clips (e.g. Harry Nilsson's "Everybody's Talkin"). Using this method, Webb and Mulcahy assembled a collection of about 25 clips for the show. The success of his early efforts encouraged Mulcahy to quit his TV job and become a full-time director, and he made clips for several popular Australian acts including Stylus, Marcia Hines, Hush and AC/DC.^[25] As it gained popularity, Countdown talent coordinator Ian "Molly" Meldrum and producer Michael Shrimpton quickly realized that "film clips" were becoming an important new commodity in music marketing. Despite the show's minuscule budget, Countdown's original director Paul Drane was able to create several memorable music videos especially for the show, including the classic film-clips for the AC/DC hits "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" and "Jailbreak".^[25] After relocating to the UK in the mid-1970s, Mulcahy made successful promo films for several noted British pop acts—his early UK credits included XTC's "Making Plans for Nigel" (1979) and his landmark video clip for The Buggles' "Video Killed the Radio Star" (1979), which became the first music video played on MTV in 1981.^[26]

Footage of Freddie Mercury in the "Bohemian Rhapsody" music video during a Queen + Adam Lambert concert at the United Center, Chicago

In 1975, Queen employed Bruce Gowers to make a promotional video to show their new single "Bohemian Rhapsody" on the BBC music series Top of the Pops. According to rock historian Paul Fowles, the song is "widely credited as the first global hit single for which an accompanying video was central to the marketing strategy".^[27] Rolling Stone has said of "Bohemian Rhapsody": "Its influence cannot be overstated, practically inventing the music video seven [sic] years before MTV went on the air."^[28]

At the end of the 1970s, the broadcasting of music videos on television became more and more regular, in several countries. The music videos were, for example, broadcast in weekly music programs or inserted into various programs. In the United States, for example, on terrestrial networks at the end of the 1970s, music videos were sometimes broadcast on music shows: The Midnight Special, Don Kirshner's Rock Concert, and occasionally on certain talk shows.^[29]

Video Concert Hall, created by Jerry Crowe and Charles Henderson and launched on November 1, 1979, was the first nationwide video music programming on American cable television, predating MTV by almost two years.^{[30][31][32][33]} The USA Cable Network program Night Flight was one of the first American programs to showcase these videos as an art form.

In 1980, the music video to David Bowie's "Ashes to Ashes" became the most expensive ever made, having a production cost of $582,000 (equivalent to $1.91 million in 2021), the first music video to have a production cost of over $500,000.^[34] The video was made in solarized color with stark black-and-white scenes and was filmed in different locations, including a padded room and a rocky shore.^[35] The video became one of the most iconic ever made at the time, and its complex nature is seen as significant in the evolution of the music video.

The same year, the New Zealand group Split Enz had major success with the single "I Got You" and the album True Colours, and later that year they produced a complete set of promo clips for each song on the album (directed by their percussionist, Noel Crombie) and to market these on videocassette. This was followed a year later by the video album, The Completion Backward Principle by The Tubes, directed by the group's keyboard player, Michael Cotten, which included two videos directed by Russell Mulcahy ("Talk to Ya Later" and "Don't Want to Wait Anymore").^[36] Among the first music videos were clips produced by ex-Monkee Michael Nesmith, who started making short musical films for Saturday Night Live.^[13] In 1981, he released Elephant Parts, the first winner of a Grammy for music video, directed by William Dear. Billboard credits^[30] the independently produced Video Concert Hall as being the first with nationwide video music programming on American television.^[31][32][33]

1981–1991: Music videos go mainstream

In 1981, the U.S. video channel MTV launched, airing "Video Killed the Radio Star" by The Buggles and beginning an era of 24-hour-a-day music on television. With this new outlet for material, the music video would, by the mid-1980s, grow to play a central role in popular music marketing. Many important acts of this period, most notably Michael Jackson, Adam and the Ants, Duran Duran and Madonna, owed a great deal of their success to the skillful construction and seductive appeal of their videos.

Two key innovations in the development of the modern music video were the development of relatively inexpensive and easy-to-use video recording and editing equipment, and the development of visual effects created with techniques such as image compositing. The advent of high-quality color videotape recorders and portable video cameras coincided with the DIY ethos of the new wave era, enabling many pop acts to produce promotional videos quickly and cheaply, in comparison to the relatively high costs of using film. However, as the genre developed, music video directors increasingly turned to 35mm film as the preferred medium, while others mixed film and video. During the 1980s, music videos had become de rigueur for most recording artists. The phenomenon was famously parodied by BBC television comedy program Not The Nine O'Clock News who produced a spoof music video "Nice Video, Shame About The Song" (the title was a spoof of a recent pop hit "Nice Legs, Shame About Her Face").

In this period, directors and the acts they worked with began to discover and expand the form and style of the genre, using more sophisticated effects in their videos, mixing film and video, and adding a storyline or plot to the music video. Occasionally videos were made in a non-representational form, in which the musical artist was not shown. Because music videos are mainly intended to promote the artist, such videos are comparatively rare; three early 1980s examples are Bruce Springsteen's "Atlantic City", directed by Arnold Levine, David Mallet's video for David Bowie and Queen's "Under Pressure", and Ian Emes' video for Duran Duran's "The Chauffeur". One notable later example of the non-representational style is Bill Konersman's innovative 1987 video for Prince's "Sign o' the Times"^[37] – influenced by Dylan's "Subterranean Homesick Blues" clip, it featured only the text of the song's lyrics.

In the early 1980s, music videos also began to discover political and social themes. Examples include the music videos for David Bowie's "China Girl" and "Let's Dance" (1983) which both discussed race issues.^[38] In a 1983 interview, Bowie spoke about the importance of using music videos in addressing social issues, "Let's try to use the video format as a platform for some kind of social observation, and not just waste it on trotting out and trying to enhance the public image of the singer involved".^[39]

In 1983, one of the most successful, influential and iconic music videos of all time was released: the nearly 14-minute-long video for Michael Jackson's song "Thriller", directed by John Landis. The video set new standards for production, having cost US $800,000 to film.^[40][41] The video for "Thriller", along with earlier videos by Jackson for his songs "Billie Jean" and "Beat It", were instrumental in getting music videos by African-American artists played on MTV. Prior to Jackson's success, videos by African-American artists were rarely played on MTV: according to MTV, this was because it initially conceived itself as a rock-music-oriented channel, although musician Rick James was outspoken in his criticism of the cable channel, claiming in 1983 that MTV's refusal to air the music video for his song "Super Freak" and clips by other African-American performers was "blatant racism".^[42] British rock singer David Bowie had also recently lashed out against MTV during an interview that he did with them prior to the release of "Thriller", stating that he was "floored" by how much MTV neglected black artists, bringing attention to how videos by the "few black artists that one does see" only appeared on MTV between 2:00 a.m. until 6:00 a.m. when nobody was watching.^[43]

MTV also influences music video shows aired on other American TV channels, such as: Friday Night Videos, launched in 1983 on the terrestrial network NBC and MV3 launched in 1982.

On March 5, 1983, Country Music Television (CMT), was launched,^[44] created and founded by Glenn D. Daniels and uplinked from the Video World Productions facility in Hendersonville, Tennessee. The MuchMusic video channel was launched in Canada in 1984. In 1984, MTV also launched the MTV Video Music Awards (later to be known as the VMAs), an annual awards event that would come to underscore MTV's importance in the music industry. The inaugural event rewarded the Beatles and David Bowie with the Video Vanguard Award for their work in pioneering the music video.

In 1985, MTV's Viacom launched the channel VH1 (then known as "VH-1: Video Hits One"), featuring softer music, and meant to cater to the slightly older baby-boomer demographic who were out-growing MTV. Internationally, MTV Europe was launched in 1987, and MTV Asia in 1991. Another important development in music videos was the launch of The Chart Show on the UK's Channel 4 in 1986. This was a program that composed entirely of music videos (the only outlet many videos had on British TV at the time^[45]), with no presenters. Instead, the videos were linked by then state of the art computer graphics. The show moved to ITV in 1989.

The video for the 1985 Dire Straits song "Money for Nothing" made pioneering use of computer animation, and helped make the song an international hit. The song itself was a wry comment on the music-video phenomenon, sung from the point of view of an appliance deliveryman both drawn to and repelled by the outlandish images and personalities that appeared on MTV. In 1986, Peter Gabriel's song "Sledgehammer" used special effects and animation techniques developed by British studio Aardman Animations. The video for "Sledgehammer" would go on to be a phenomenal success^[46] and win nine MTV Video Music Awards. In the same year, Kraftwerk released the song Musique Non Stop. The video featured 3D animations of the group. It was a collaboration with Rebecca Allen of the New York Institute of Technology and ran continuously on MTV for a while.^[47]

In 1988, the show Yo! MTV Raps introduced; the show helped to bring hip hop music to a mass audience for the first time.

1992–2004: Rise of the directors

In November 1992, MTV began listing to Chris Cunningham, Michel Gondry, Spike Jonze, Floria Sigismondi,^[48] Stéphane Sednaoui, Mark Romanek and Hype Williams all got their start around this time; all brought a unique vision and style to the videos they directed. Some of these directors, including, Gondry, Jonze, Sigismondi,^[49] and F. Gary Gray, went on to direct feature films. This continued a trend that had begun earlier with directors such as Lasse Hallström and David Fincher.

Two of the videos directed by Romanek in 1995 are notable for being two of the three most expensive music videos of all time: Michael and Janet Jackson's "Scream", which allegedly cost $7 million to produce, and Madonna's "Bedtime Story", which cost a reported $5 million. From this, "Scream" is the most expensive video to date. In the mid to late 1990s, Walter Stern directed "Firestarter" by The Prodigy, "Bitter Sweet Symphony" by The Verve, and "Teardrop" by Massive Attack.^[50][51]

During this period, MTV launched channels around the world to show music videos produced in each local market: MTV Latin America in 1993, MTV India in 1996, and MTV Mandarin in 1997, among others. MTV2, originally called "M2" and meant to show more alternative and older music videos, debuted in 1996.

In 1999 Mariah Carey's "Heartbreaker" became one of the most expensive ever made, costing over $2.5 million.^[52]

From 1991 to 2001, Billboard had its own Music Video Awards.

2005–present: Music video downloads and streaming

The website iFilm, which hosted short videos including music videos, launched in 1997. Napster, a peer-to-peer file sharing service which ran between 1999 and 2001, enabled users to share video files, including those for music videos. By the mid-2000s, MTV and many of its sister channels had largely abandoned showing music videos in favor of reality TV shows, which were more popular with its audiences, and which MTV had itself helped to pioneer with the show The Real World, which premiered in 1992.

2005 saw the launch of YouTube, which made the viewing of online video much faster and easier; Google Videos, Yahoo! Video, Facebook and Myspace's video functionality use similar technology. Such websites had a profound effect on the viewing of music videos; some artists began to see success as a result of videos seen mostly or entirely online. The band OK Go capitalized on the growing trend, having achieved fame through the videos for two of their songs, "A Million Ways" in 2005 and "Here It Goes Again" in 2006, both of which first became well-known online (OK Go repeated the trick with another high-concept video in 2010, for their song "This Too Shall Pass").

At its launch, Apple's iTunes Store provided a section of free music videos in high quality compression to be watched via the iTunes application. More recently the iTunes Store has begun selling music videos for use on Apple's iPod with video playback capability.

The 2008 video for Weezer's "Pork and Beans" also captured this trend, by including at least 20 YouTube celebrities; the single became the most successful of Weezer's career, in chart performance. In 2007, the RIAA issued cease-and-desist letters to YouTube users to prevent single users from sharing videos, which are the property of the music labels. After its merger with Google, YouTube assured the RIAA that they would find a way to pay royalties through a bulk agreement with the major record labels. This was complicated by the fact that not all labels share the same policy toward music videos: some welcome the development and upload music videos to various online outlets themselves, viewing music videos as free advertising for their artists, while other labels view music videos not as an advertisement, but as the product itself.

To further signify the change in direction towards Music Video airplay, MTV officially dropped the Music Television tagline on February 8, 2010 from their logo in response to their increased commitment to non-scripted reality programming and other youth-oriented entertainment rising in prominence on their live broadcast.^[53]

Vevo, a music video service launched by several major music publishers, debuted in December 2009.^[54] The videos on Vevo are syndicated to YouTube, with Google and Vevo sharing the advertising revenue.^[55]

As of 2017, the most-watched English-language video on YouTube was "Shape of You" by Ed Sheeran. As of 2018, the most-watched remix video on YouTube was "Te Bote" by Casper Mágico featuring Nio García, Darell, Nicky Jam, Bad Bunny, and Ozuna.

Official lo-fi Internet music clips

Following the shift toward internet broadcasting and the rising popularity of user-generated video sites such as YouTube around 2006, various independent filmmakers began films recording live sessions to present on the Web. Examples of this new way of creating and presenting a music video include Vincent Moon's work with The Take-Away Shows; In the Van sessions, a similar platform;^[56] and the Dutch VPRO 3VOOR12, which puts out music videos recorded in elevators and other small, guerrilla filmmaking type locations in a similar tradition called Behind.^[57] All of these swiftly recorded clips are made with minimal budgets and share similar aesthetics with the lo-fi music movement of the early nineties. Offering freedom from the increasingly burdensome financial requirements of high-production movie-like clips, it began as the only method for little-known indie music artists to present themselves to a wider audience, but increasingly this approach has been taken up by such major mainstream artists as R.E.M. and Tom Jones.^[58]

Vertical videos

In the late 2010s, some artists began releasing alternative vertical videos tailored to mobile devices in addition to music videos; these vertical videos are generally platform-exclusive.^[59] These vertical videos are often shown on Snapchat's "Discover" section or within Spotify playlists.^[60] Early adopters of vertical video releases include the number-one hits "Havana" by Camila Cabello and "Girls Like You" by Maroon 5 featuring Cardi B. "Idontwannabeyouanymore" by Billie Eilish is the most-watched vertical video on YouTube.

Lyric videos

A lyric video is a type of music video in which the lyrics to the song are the primary visual element of the video. As such, they can be created with relative ease and often serve as a supplemental video to a more traditional music video.

The music video for R.E.M.'s 1986 song "Fall on Me" interspersed the song's lyrics with abstract film footage. In 1987, Prince released a video for his song "Sign o' the Times". The video featured the song's words pulsing to the music, presented alongside abstract geometric shapes, an effect created by Bill Konersman.^[61][62] The following year, the video for the Talking Heads single "(Nothing But) Flowers" composed of the song's lyrics superimposed onto or next to members of the band, was released. In 1990, George Michael released "Praying for Time" as a lyric video. He had refused to make a traditional music video, so his label released a simple clip that displayed the song's lyrics on a black screen.^[63]

Lyric videos rose to greater prominence in the 2010s, when it became relatively easy for artists to disperse videos through websites such as YouTube.^[64] Many do not feature any visual related to the musician in question, but merely a background with the lyrics appearing over it as they are sung in the song.^[64] In 2011, death metal band Krokmitën released the first lyric video for an entire album, "Alpha-Beta".^[65] The concept album video featured imagery pulsing to the music and stylized typography created by bandleader Simlev. The 2016 song "Closer" by The Chainsmokers, featuring vocalist Halsey, is the most-watched lyric video on YouTube.

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Screen Songs

Screen Songs

Screen Songs, formerly known as KoKo Song Car-Tunes, are a series of animated cartoons produced at the Fleischer Studios and distributed by Paramount Pictures between 1929 and 1938. Paramount brought back the sing-along cartoons in 1945, now in color, and released them regularly through 1951. Two of Paramount's one-shot cartoons quietly revived the format later: Candy Cabaret (1954) and Hobo's Holiday (1963).

Cartoon

Cartoon

A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved over time, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.

John Logie Baird

John Logie Baird

John Logie Baird FRSE was a Scottish inventor, electrical engineer, and innovator who demonstrated the world's first live working television system on 26 January 1926. He went on to invent the first publicly demonstrated colour television system and the first viable purely electronic colour television picture tube.

Phonovision

Phonovision

Phonovision is a proof of concept format and experiment for recording a mechanical television signal on gramophone records. The format was developed in the late 1920s in London by Scottish television pioneer John Logie Baird. The objective was not simply to record video, but to record it synchronously, as Baird intended playback from an inexpensive playback device, which he called a "Phonovisor".

Betty Bolton

Betty Bolton

Betty Bolton was a British actress, beginning as a child star during World War I and continuing her career in the 1920s and 1930s. She was one of the first performers to appear on early British television.

Fantasia (1940 film)

Fantasia (1940 film)

Fantasia is a 1940 American animated musical anthology film produced and released by Walt Disney Productions, with story direction by Joe Grant and Dick Huemer and production supervision by Walt Disney and Ben Sharpsteen. The third Disney animated feature film, it consists of eight animated segments set to pieces of classical music conducted by Leopold Stokowski, seven of which are performed by the Philadelphia Orchestra. Music critic and composer Deems Taylor acts as the film's Master of Ceremonies who introduces each segment in live action.

Looney Tunes

Looney Tunes

Looney Tunes is an American animated comedy short film series produced by Warner Bros. from 1930 to 1969, concurrently with its partner series Merrie Melodies, during the golden age of American animation. The two series introduced a large cast of characters, including Bugs Bunny, Daffy Duck, and Porky Pig. The term Looney Tunes has since been expanded to also refer to the characters themselves.

As the concept and medium of a music video is a form of artistic expression, artists have been on many occasions censored if their content is deemed offensive. What may be considered offensive will differ in countries due to censorship laws and local customs and ethics. In most cases, the record label will provide and distribute videos edited or provide both censored and uncensored videos for an artist. In some cases, it has been known for music videos to be banned in their entirety as they have been deemed far too offensive to be broadcast.

1980s

The first video to be banned by MTV was Queen's 1982 hit "Body Language". Due to thinly veiled homoerotic undertones plus much skin and sweat (but apparently not enough clothing, save that worn by the fully clothed members of Queen themselves), it was deemed unsuitable for a television audience at the time. However, the channel did air Olivia Newton-John's 1981 video for the hit song "Physical", which lavished camera time on male models working out in string bikinis who spurn her advances, ultimately pairing off to walk to the men's locker rooms holding hands, though the network ended the clip before the overt homosexual "reveal" ending in some airings. The video for "Girls on Film" by Duran Duran, which featured topless women mud wrestling and other depictions of sexual fetishes was banned by the BBC. MTV did air the video, albeit in a heavily edited form.

Laura Branigan initially protested an MTV request to edit her "Self Control" video in 1984, but relented when the network refused to air the William Friedkin-directed clip, featuring the singer lured through an increasingly debauched, if increasingly stylized, series of nightclubs by a masked man who ultimately takes her to bed. In 1989, Cher's "If I Could Turn Back Time" video (where the singer performs the song in an extremely revealing body suit surrounded by a ship full of cheering sailors) was restricted to late-night broadcasts on MTV. The Sex Pistols' video for "God Save the Queen" was banned by the BBC for being "in gross bad taste". Mötley Crüe's video for "Girls, Girls, Girls" was banned by MTV for having completely nude women dancing around the members of the band in a strip club, although they did produce another version that was accepted by MTV.

In 1983, Entertainment Tonight ran a segment on censorship and "Rock Video Violence".^[66] The episode explored the impact of MTV rock video violence on the youth of the early 1980s. Excerpts from the music videos of Michael Jackson, Duran Duran, Golden Earring, Kiss, Kansas, Billy Idol, Def Leppard, Pat Benatar and The Rolling Stones were shown. Dr. Thomas Radecki of the National Coalition on TV Violence was interviewed accusing the fledgling rock video business of excessive violence. Night Tracks' producer Tom Lynch weighed in on the effects of the video violence controversy. Recording artists John Cougar Mellencamp, Gene Simmons and Paul Stanley of Kiss, along with directors Dominic Orlando and Julien Temple, provided a defense of their work. The episode's conclusion was that the controversy will continue to grow. Some artists have used censorship as a publicity tool. In the 1980s, the show Top of the Pops was censorious in its approach to video content, so some acts made videos that they knew would be censored, using the resulting public controversy to promote their release. Examples of this tactic were Duran Duran's aforementioned "Girls on Film" and Frankie Goes to Hollywood with "Relax", directed by Bernard Rose.

1990s

In 1991, the dance segment of Michael Jackson's "Black or White" was edited out because it showed Jackson "inappropriately" touching himself in it. His most controversial video, for "They Don't Care About Us", was banned from MTV, VH1, and BBC due to the alleged anti-Semitic messages in the song and the visuals in the background of the "Prison Version" of the video.^[67]

Madonna is the artist most associated with music video censorship. The controversy surrounding Madonna's marketing of her sexuality began with the video for "Lucky Star", and amplified over time due to clips such as "Like a Virgin". Outcry occurred over the subject matter (relating to teenage pregnancy) discussed in the video for the song "Papa Don't Preach". "Like a Prayer" courted heavy criticism due to its religious, sexual, and racially oriented imagery. In 1990, Madonna's music video for the song "Justify My Love" was banned by MTV due to its depiction of sadomasochism, homosexuality, cross-dressing, and group sex which generated a media firestorm. In Canada, the debate over the banning of "Justify My Love" by the music video network MuchMusic led to the launching in 1991 of Too Much 4 Much, a series of occasional, late-night specials (still being aired in the early 2000s) in which videos officially banned by MuchMusic were broadcast, followed by a panel discussion regarding why they were removed.

In 1992, The Shamen's video for the song "Ebeneezer Goode" was banned by the BBC due to its perceived subliminal endorsement of the recreational drug Ecstasy.^[68] The Prodigy's 1997 video for "Smack My Bitch Up" was banned in some countries due to depictions of drug use and nudity. The Prodigy's video for "Firestarter" was banned by the BBC due to its references to arson.^[69]

In 1993, the Australian rock band INXS' song "The Gift" was banned by MTV due to its use of Holocaust and Gulf War footage, among images of famine, pollution, war, and terrorism. As well as this, metal band Tool's music video for "Prison Sex" was banned from MTV, as the video and lyrics touch on the sensitive matter of child abuse.

2000s

In 2000, the music video for "Rock DJ" by Robbie Williams caused controversy due to the graphic nature of the video which features Williams stripping naked then peeling off his skin to reveal bloody flesh, followed by ripping off his muscles and organs until he is nothing but a blood-soaked skeleton. The video was censored in the UK during daytime hours and was broadcast unedited after 10 pm. The video was banned in Dominican Republic due to allegations of satanism.^[70]

In 2001, Björk's video for "Pagan Poetry" was banned from MTV for depictions of sexual intercourse, fellatio, and body piercings. Her next single, "Cocoon", was also banned by MTV as it featured a nude Björk (though the nude body was usually a fitted bodysuit rigged with red string).

In 2002, t.A.T.u.'s video for "All the Things She Said" caused controversy as it featured the young Russian girls, Lena Katina and Yulia Volkova, embracing and eventually kissing. British TV presenters Richard and Judy campaigned to have the video banned claiming it pandered to “pedophiles” with the use of school uniforms and young girls kissing, although the campaign failed. Capitalizing on the controversy, the kiss was choreographed into their live performances. Top of the Pops aired the girls' performance with the kiss replaced by audience footage. NBC's The Tonight Show with Jay Leno cut away from the girls' kiss to shots of the band. Throughout their promotional tour, t.A.T.u. protested by appearing in shirts reading "censored".

In 2004, Maroon 5's video for "This Love" generated controversy due to intimate scenes between the frontman Adam Levine and his then-girlfriend. Despite those particular scenes being shot at strategic angles, a censored version was released with a stream of computer-generated flowers added in to cover up more. The video for "(s)AINT" by Marilyn Manson was banned by their label due to its violence and sexual content. The following year, Eminem's video for "Just Lose It" caused controversy over its parody of Michael Jackson's 2005 child molestation trial, plastic surgery, and hair catching fire during the filming of a Pepsi commercial. The video was banned from BET, and Jackson spoke out against the video, calling it "inappropriate and disrespectful to me, my children, my family, and the community at large". In 2004, many family groups and politicians lobbied for the banning of the Eric Prydz video "Call on Me" for containing women dancing in a sexually suggestive way; however, the video was not banned.

As of 2005, the Egyptian state censorship committee banned at least 20 music videos which featured sexual connotations due to Muslim moral viewpoints.^[71] The music video of "These Boots Are Made for Walkin'" which featured Jessica Simpson in character as Daisy Duke, was controversial for featuring Simpson in "revealing" outfits and washing the General Lee car in her bikini.^[72] The controversy resulted in the music video being banned in some countries.^[73]

In 2008, Justice's video for their song "Stress" was boycotted by several major music television channels due to allegations of racism and violence; the video depicts several youths committing different crimes throughout the streets of Paris, with the youths mainly being of North African descent.^[74]

While country music has largely avoided controversy surrounding video content, it has never been immune. The music video for the 2003 Rascal Flatts song "I Melt" is a case in point, gaining notoriety for clips featuring guitarist Joe Don Rooney's bare butt, and model Christina Auria taking a shower nude.^[75] The video was the first aired on CMT to show nudity,^[76] and eventually reached #1 on the network's "Top Twenty Countdown" program.^[77] However, GAC banned the video when the group refused to release an edited version.^[76]

2010s

In 2010, Thirty Seconds to Mars' video "Hurricane" was censored due to its major elements of violence, nudity and sex.^[78] The short film was later released with a clean version that can air on television.^[79] The explicit version is available on the band's official website with a viewing certificate of 18+.^[80]

In 2010, a rumor circulated that Lady Gaga's video "Telephone" was banned by MTV, a rumour which reached some press outlets. The rumor claimed that MTV had banned the video because the content could not be shown within their programming. MTV denied the ban and showed the video frequently on European MTV programming.^[81] Lady Gaga's previous videos have also attracted criticism for their sexually suggestive content; the video for "LoveGame" was not played on the Australian music video program Video Hits; however, other Australian programs aired the video uncensored. The video for "Alejandro" was criticized by the Catholic League, for showing the singer dressed in a red latex fetish version of a nun's habit, simulating rape, and appearing to swallow a rosary.^[82]

Ciara's video for "Ride" was banned by BET, with the network citing that the video was too sexually charged. The video was also subsequently banned by all UK television channels.^[83]

In 2011, the video for "S&M", which features the Barbadian singer Rihanna whipping a tied-up white man, taking hostages and indulging in a lesbian kiss, was banned in eleven countries and was flagged as inappropriate for viewers that are under 18 on YouTube.^[84]

2020s

In 2023, the music video "I'm Not Here To Make Friends" by Sam Smith was criticised and debated about regarding whether it should be censored or not. Critics claimed that the music video was sexualised, irresponsible and improper, and not good for society, where as the discussion on ITV's Good Morning Britain inquired as to whether it was no different and similar to the Madonna music videos of the '80s and '90s. Proponents claimed that it was not different to Rocky Horror Picture Show, or the Frankie Goes to Hollywood’s "Relax" music video that were successful decades ago.^[85]

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MTV

MTV

MTV is a 24-hour American cable music video channel officially launched on August 1, 1981. Based in New York City, it serves as the flagship property of the MTV Entertainment Group, part of Paramount Media Networks, a division of Paramount Global.

Body Language (Queen song)

Body Language (Queen song)

"Body Language" is a 1982 dance/funk song by British rock band Queen. It was written by the band's lead singer Freddie Mercury and was a hit in North America, where it received extensive radio play. However, the single only received a lukewarm response in the United Kingdom. The track was the second single released from their 1982 album Hot Space. The music video for the song was the first one to be banned from MTV for its nudity, despite the members of Queen being fully clothed.

Olivia Newton-John

Olivia Newton-John

Dame Olivia Newton-John was a British and Australian singer, actress and activist. She was a four-time Grammy Award winner whose music career included 15 top-ten singles, including 5 number-one singles on the Billboard Hot 100 and two number-one albums on the Billboard 200: If You Love Me, Let Me Know (1974) and Have You Never Been Mellow (1975). Eleven of her singles and 14 of her albums have been certified Gold by the Recording Industry Association of America (RIAA).

Girls on Film

Girls on Film

"Girls on Film" is the third single by English new wave band Duran Duran, released on 13 July 1981.

Duran Duran

Duran Duran

Duran Duran are an English rock band formed in Birmingham in 1978 by singer and bassist Stephen Duffy, keyboardist Nick Rhodes, and guitarist/bassist John Taylor. With the addition of drummer Roger Taylor the following year, the band went through numerous personnel changes before May 1980, when they settled on their most famous line-up by adding guitarist Andy Taylor and lead vocalist Simon Le Bon.

BBC

BBC

The British Broadcasting Corporation (BBC) is the national broadcaster of the United Kingdom, based at Broadcasting House in London, England. It is the world's oldest national broadcaster, and the largest broadcaster in the world by number of employees, employing over 22,000 staff in total, of whom approximately 19,000 are in public-sector broadcasting.

Laura Branigan

Laura Branigan

Laura Ann Branigan was an American singer, songwriter, and actress. Her signature song, the platinum-certified 1982 single "Gloria", stayed on the U.S. Billboard Hot 100 for 36 weeks, then a record for a female artist, peaking at No. 2. It also reached number one in Australia and Canada. Branigan's "Gloria" was a cover of a song written by Italian singer-songwriters Giancarlo Bigazzi and Umberto Tozzi. In 1984, she reached number one in Canada and Germany with the U.S. No. 4 hit "Self Control", which was released by Italian singer and songwriter Raf the same year. Both "Gloria" and "Self Control" were successful in the United Kingdom, making the Top 10 in the UK Singles Chart.

Cher

Cher

Cher is an American singer, actress and television personality. Often referred to by the media as the "Goddess of Pop", she has been described as embodying female autonomy in a male-dominated industry. Cher is known for her distinctive contralto singing voice and for having worked in numerous areas of entertainment, as well as adopting a variety of styles and appearances throughout her six-decade-long career. Cher gained popularity in 1965 as one half of the folk rock husband-wife duo Sonny & Cher after their song "I Got You Babe" peaked at number one on the US and UK charts. Together they sold 40 million records worldwide. Her solo career was established during the same time, with the top-ten singles "Bang Bang " and "You Better Sit Down Kids". She became a television personality in the 1970s with her CBS shows; first The Sonny & Cher Comedy Hour, watched by over 30 million viewers weekly during its three-year run, and then the namesake Cher. She emerged as a fashion trendsetter by wearing elaborate outfits on her television shows. While working on television, Cher released the US Billboard Hot 100 number-one singles "Gypsys, Tramps & Thieves", "Half-Breed", and "Dark Lady", becoming the female artist with the most number-one singles in United States history at the time. After her divorce from Sonny Bono in 1975, she released the disco album Take Me Home (1979) and earned $300,000 a week for her 1979–1982 concert residency in Las Vegas.

If I Could Turn Back Time

If I Could Turn Back Time

"If I Could Turn Back Time" is a song by American singer and actress Cher from her 1989 nineteenth studio album Heart of Stone. It was released as the album's lead single in July 1989, by Geffen Records. The song was written specifically for Cher by Diane Warren, who produced it in collaboration with Guy Roche. Cher initially rejected the song after listening to a demo sung by Warren, but subsequently changed her opinion after the latter forced her to record it. The lyrics talk about the feelings of remorse due to bad deeds and the willingness to reverse time to make things right.

God Save the Queen (Sex Pistols song)

God Save the Queen (Sex Pistols song)

"God Save the Queen" is a song by the English punk rock band the Sex Pistols. It was released as the band's second single and was later included on their only studio album, Never Mind the Bollocks, Here's the Sex Pistols. The song was released during Queen Elizabeth II's Silver Jubilee in 1977.

Mötley Crüe

Mötley Crüe

Mötley Crüe is an American heavy metal band formed in Hollywood, California in 1981. The group was founded by bassist Nikki Sixx, drummer Tommy Lee, lead guitarist Mick Mars and lead singer Vince Neil. Mötley Crüe has sold over 100 million albums worldwide. They have also achieved seven platinum or multi-platinum certifications, nine Top 10 albums on the Billboard 200 chart, twenty-two Top 40 mainstream rock hits, and six Top 20 pop singles. The band experienced several short-term lineup changes in the 1990s and 2000s; these included the introduction of vocalist John Corabi and drummers Randy Castillo and Samantha Maloney, both of whom filled in for Lee following his departure from Mötley Crüe in 1999; he returned to the band in 2004. More recently in 2022 guitarist Mick Mars announced his retirement from touring with the band, with former Marilyn Manson and Rob Zombie guitarist John 5 taking his place on live duties.

Girls, Girls, Girls (Mötley Crüe song)

Girls, Girls, Girls (Mötley Crüe song)

"Girls, Girls, Girls" is a single by American heavy metal band Mötley Crüe. It is the first single from the album of the same name, and was released on May 11, 1987.

Video album

Music videos have been released commercially on physical formats such as videotape, LaserDisc, DVD and Blu-ray. Similar to an audio album, a video album is a long-form release containing multiple music videos on a disc. The market for video albums is considerably smaller than for audio albums and audio singles. Video albums are eligible for gold certifications from the Recording Industry Association of America (RIAA) after record labels shipped 50,000 units to retailers, while both audio albums and singles have to ship 500,000 units to achieve gold.^[86] One of the early video albums was Eat to the Beat (1979) by American rock band Blondie, a videocassette containing music videos of all tracks from their fourth studio album of the same name. It was produced by Paul Flattery for Jon Roseman Productions and directed by David Mallet. The music videos were recorded in New York and New Jersey, with some songs featuring the band playing in a concert fashion, and some others having scenarios based on the songs' lyrics.^[87] Another popular video album was Olivia Physical (1982) by Olivia Newton-John, which won the Video of the Year at the 25th Grammy Awards.^[88] The video collection features music videos of all songs from her ninth studio album, Physical (1981).

Due to the increase of video albums popularity, Billboard magazine introduced the weekly best-selling music video sales ranking in the United States, titled the Top Music Videocassette chart on March 30, 1985 (now known as Music Video Sales chart).^[89] Its first chart-topper was Private Dancer (1984), a videocassette by Tina Turner containing four music videos.^[90] The Official Charts Company began the similar chart in the United Kingdom on January 30, 1994, with Bryan Adams's So Far So Good reaching number one.^[91] According to the RIAA, the Eagles' Farewell 1 Tour-Live from Melbourne (2005) is the top-certified longform music video with 30-time platinum (three million units shipped),^[92] while the Rolling Stones' Four Flicks (2005) is the top-certified music video boxset with 19-time platinum (1.9 million units shipped).^[93]

Video single

A video single contains no more than three music videos in the form of a videotape, LaserDisc or DVD. In 1983, British synthpop band The Human League released the first commercial video single titled The Human League Video Single on both VHS and Betamax.^[94] It was not a huge commercial success due to the high retail price of £10.99, compared to around £1.99 for a 7" vinyl single. The VHS single gained higher levels of mainstream popularity when Madonna released "Justify My Love" as a video single in 1990 following the blacklisting of the video by MTV. "Justify My Love" remains the best-selling video single of all time.^[95]

The DVD single was introduced in the late 1990s as a replacement for the videotape single. Although many record companies in the United States refused to issue CD singles, they readily issued DVD singles, and some popular DVD singles include Kelly Clarkson's "A Moment Like This", Jessica Simpson's "With You", Beyoncé's "Crazy in Love", Christina Aguilera’s "Fighter", Britney Spears’s "Toxic" and Iron Maiden's "Satellite 15... The Final Frontier". According to the RIAA, a music video single is defined as 1-2 songs per video OR under 15 minutes running time. In 2003, the first certified platinum and gold music DVD singles were certified by the RIAA.^[96] Noteworthy early DVD singles in the United States include Sly and Robbie's "Superthruster" (1999), Björk's "All Is Full of Love" (1999), and Madonna's "Music" (2000).^[97]

In the United Kingdom where up to 3 physical formats are eligible for the chart, DVD singles are quite common (with the single available on DVD as well as CD and/or vinyl record). As with other single formats, DVD singles have a limited production run, often causing them to become collector's items. The DVD single never experienced a high amount of popularity in the United Kingdom because when artists started releasing them in the early 2000s, the CD single had started declining. They were also seen as expensive. Some artists would not release DVD singles and instead put their music videos as enhanced content on a CD single/album.

Beginning in the early 2000s, artists in Japan may release singles in the CD+DVD format. Japanese singer Ayumi Hamasaki has been credited as the "creator of the CD+DVD format"; one of the examples is her 2005 single "Fairyland". The CD+DVD format is more expensive and usually contains one or more music videos, and sometimes a "making of" section or other bonus material is included.

The Japanese music conglomerate Hello! Project released corresponding DVD singles for almost all of its CD single releases.The company calls them Single Vs. A Single V usually contains a music video for the title song plus several more of its versions and a making-of. Sometimes, an Event V (エベントV) will be released at Hello! Project fan club events that will offer alternate shots of a promotional video, or bonus footage, like backstage footage or footage from a photoshoot not released anywhere else. As of 2017, Single Vs are no longer released; instead Hello! Project acts now put the music videos on DVDs included in a CD single's limited edition. The DVD singles are popular and chart in the generic Oricon DVD sales chart, due to the non-existence of a separate DVD single ranking in Japan.

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LaserDisc

LaserDisc

The LaserDisc (LD) is a home video format and the first commercial optical disc storage medium, initially licensed, sold and marketed as MCA DiscoVision in the United States in 1978. Its diameter typically spans 30 cm (12 in). Unlike most optical disc standards, LaserDisc is not fully digital, and instead requires the use of analog video signals.

DVD

DVD

The DVD is a digital optical disc data storage format. It was invented and developed in 1995 and first released on November 1, 1996, in Japan. The medium can store any kind of digital data and has been widely used for video programs or formerly for storing software and other computer files as well. DVDs offer significantly higher storage capacity than compact discs (CD) while having the same dimensions. A standard DVD can store up to 4.7 GB of storage, while variants can store up to a maximum of 17.08 GB.

Blu-ray

Blu-ray

The Blu-ray Disc (BD), often known simply as Blu-ray, is a digital optical disc data storage format. It was invented and developed in 2005 and released worldwide on June 20, 2006. It was designed to supersede the DVD format, capable of storing several hours of high-definition video. The main application of Blu-ray is as a medium for video material such as feature films and for the physical distribution of video games for the PlayStation 3, PlayStation 4, PlayStation 5, Xbox One, and Xbox Series X. The name "Blu-ray" refers to the blue laser used to read the disc, which allows information to be stored at a greater density than is possible with the longer-wavelength red laser used for DVDs.

Album

Album

An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl long-playing (LP) records played at 33+1⁄3 rpm.

RIAA certification

RIAA certification

In the United States, the Recording Industry Association of America (RIAA) awards certification based on the number of albums and singles sold through retail and other ancillary markets. Other countries have similar awards. Certification is not automatic; for an award to be made, the record label must first request certification. The audit is conducted against net shipments after returns, which includes albums sold directly to retailers and one-stops, direct-to-consumer sales and other outlets.

Blondie (band)

Blondie (band)

Blondie is an American rock band co-founded by singer Debbie Harry and guitarist Chris Stein. The band was a pioneer in the American new wave scene of the mid-1970s in New York. Their first two albums contained strong elements of punk and new wave, and although highly successful in the UK and Australia, Blondie was regarded as an underground band in the U.S. until the release of Parallel Lines in 1978. Over the next four years, the band achieved several hit singles including "Heart of Glass," "Call Me," "Atomic," "The Tide Is High," and "Rapture". The band became noted for its eclectic mix of musical styles, also incorporating elements of disco, pop, reggae, and early rap music.

New Jersey

New Jersey

New Jersey is the most densely populated U.S. state. A coastal state, New Jersey is situated at the center of the Northeast megalopolis, the most populous American urban agglomeration. The state lies within both the Mid-Atlantic and Northeastern regions of the United States. New Jersey is bordered on its north and east by the state of New York; on its east, southeast, and south by the Atlantic Ocean; on its west by the Delaware River and Pennsylvania; and on its southwest by Delaware Bay and the state of Delaware. At 7,354 square miles (19,050 km2), New Jersey is the fifth-smallest state in land area, but with close to 9.3 million residents as of the 2020 United States census, its highest decennial count ever, ranks 11th in population. The state capital is Trenton, and the most populous city is Newark. New Jersey is the only U.S. state in which every county is deemed urban by the U.S. Census Bureau, with 13 counties included in the New York metropolitan area, seven counties in the Philadelphia metropolitan area, and with Warren County constituting part of the rapidly industrializing Lehigh Valley metropolitan area.

Olivia Physical

Olivia Physical

Olivia Physical is a 1982 video collection featuring the singer Olivia Newton-John and various of her songs, most from the album Physical. A somewhat expanded version of the video was aired as an ABC prime-time television special, Let's Get Physical, which was in the top 10 of the Nielsen ratings. In 1983 the video received a Grammy Award as Video of the Year.

Olivia Newton-John

Olivia Newton-John

Dame Olivia Newton-John was a British and Australian singer, actress and activist. She was a four-time Grammy Award winner whose music career included 15 top-ten singles, including 5 number-one singles on the Billboard Hot 100 and two number-one albums on the Billboard 200: If You Love Me, Let Me Know (1974) and Have You Never Been Mellow (1975). Eleven of her singles and 14 of her albums have been certified Gold by the Recording Industry Association of America (RIAA).

Grammy Award for Video of the Year

Grammy Award for Video of the Year

The Grammy Award for Video of the Year was an honor presented to recording artists at the 24th Grammy Awards in 1982 and the 25th Grammy Awards in 1983 for music videos. The Grammy Awards, an annual ceremony that was established in 1958 and originally called the Gramophone Awards, are presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".

Physical (Olivia Newton-John album)

Physical (Olivia Newton-John album)

Physical is the eleventh studio album by British-Australian singer Olivia Newton-John, released through MCA Records on 13 October 1981. The album was produced and partly written by her long-time record producer John Farrar. Recorded and mixed at Ocean Way and David J. Holman's studio in Los Angeles, Physical became one of Newton-John's most controversial and sexual records, and her most successful studio album. Musically, the album features considerable use of synthesizers, and it explores lyrical themes such as love and relationships, sex, kinesthetics and environmental protection. Upon its release, the album received positive reviews from music critics, many of them considering it to be Newton-John's best effort. The album charted high in several countries, including the United States, Japan and Newton-John's native Australia, becoming one of the most successful albums of the early 1980s. It also ranks among the best-selling albums by Australian solo artists, selling more than ten million copies worldwide.

Billboard (magazine)

Billboard (magazine)

Billboard is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows.

Unofficial, fan-made music videos are typically made by synchronizing existing footage from other sources, such as television series or films, with the song. The first known fan video, or songvid, was created by Kandy Fong in 1975 using still images from Star Trek loaded into a slide carousel and played in conjunction with a song.^[98] Fan videos made using videocassette recorders soon followed.^[99] With the advent of easy distribution over the internet and cheap video-editing software, fan-created videos began to gain wider notice in the late 1990s.

A well-known example of an unofficial video is one made for Danger Mouse's illegal mashup from his The Grey Album, of the Jay-Z track "Encore" with music sampled from the Beatles' White Album, in which concert footage of the Beatles is remixed with footage of Jay-Z and hip-hop dancers.^[100]

In 2004, a Placebo fan from South Africa^[101] made a claymation video for the band's song "English Summer Rain" and sent it to the band. They liked the result so much that it was included on their greatest hits DVD.^[102]

In 2016, a Flash animation for song "Come Together" by the Beatles was included on The Beatles Blu-ray disc.

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Kandy Fong

Kandy Fong

Kandy Fong created the first fan videos in 1975, a slideshow of Star Trek images set to music. She is credited with creating the concept of "mash-ups", editing a TV show or a film by disconnecting the images from the original soundtrack and re-editing them to a song to tell a new story. Fong's media practice includes zine editing, short story writing, slideshow creation and sketch comedy.

Mashup (music)

Mashup (music)

A mashup is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. Such works are considered "transformative" of original content and in the United States they may find protection from copyright claims under the "fair use" doctrine of copyright law.

The Grey Album

The Grey Album

The Grey Album is a mashup album by Danger Mouse, released in 2004. It mixes an a cappella version of rapper Jay-Z's The Black Album with samples from the Beatles' self-titled ninth album, commonly known as "The White Album". The Grey Album gained notoriety when EMI attempted to halt its distribution despite approval of the project from Jay-Z and the two surviving Beatles, Paul McCartney and Ringo Starr.

Jay-Z

Jay-Z

Shawn Corey Carter, known professionally as Jay-Z, is an American rapper, record producer, entrepreneur, and founder of Manhattan-based conglomerate talent and entertainment agency Roc Nation. Often regarded as the greatest rapper of all time, he was the CEO of Def Jam Recordings and has been central to the creative and commercial success of artists including Kanye West, Rihanna, and J. Cole.

Encore (Jay-Z song)

Encore (Jay-Z song)

"Encore" is a hip-hop song from Jay-Z's The Black Album. It features guest vocals by John Legend, Don Crawley, GLC and Kanye West. The song was released by Roc-A-Fella Records and produced by West for Konman Productions.

The Beatles

The Beatles

The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time and were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements.

The Beatles (album)

The Beatles (album)

The Beatles, also referred to colloquially as the White Album, is the ninth studio album and only double album by the English rock band the Beatles, released on 22 November 1968. Featuring a plain white sleeve, the cover contains no graphics or text other than the band's name embossed. This was intended as a direct contrast to the vivid cover artwork of the band's previous LP Sgt. Pepper's Lonely Hearts Club Band. The Beatles is recognised for its fragmentary style and diverse range of genres, including folk, British blues, ska, music hall, proto-metal and the avant-garde. It has since been viewed by some critics as a postmodern work, as well as one of the greatest albums of all time.

Placebo (band)

Placebo (band)

Placebo are a British alternative rock band, formed in London in 1994 by vocalist–guitarist Brian Molko and bassist–guitarist Stefan Olsdal. Drummer Robert Schultzberg joined in late 1994, but left in 1996 shortly after the release of the band's eponymous debut album due to conflicts with Molko, and was replaced the same year by Steve Hewitt. Molko was born in Belgium and Olsdal and Schultzberg in Sweden; remaining members Molko and Olsdal both grew up in Luxembourg before separately relocating to London and are both British citizens.

English Summer Rain

English Summer Rain

"English Summer Rain" is the fourth single from Placebo's fourth studio album Sleeping with Ghosts, released in 2004.

Flash animation

Flash animation

Adobe Flash animation or Adobe Flash cartoon is an animation that is created with the Adobe Animate platform or similar animation software and often distributed in the SWF file format. The term Adobe Flash animation refers to both the file format and the medium in which the animation is produced. Adobe Flash animation has enjoyed mainstream popularity since the mid-2000s, with many Adobe Flash-animated television series, television commercials, and award-winning online shorts being produced since then.

Come Together

Come Together

"Come Together" is a song by the English rock band the Beatles, written by John Lennon and credited to Lennon–McCartney. The song is the opening track on their 1969 album Abbey Road and was also released as a single coupled with "Something". The song reached the top of the charts in the United States and Australia, but peaked at No. 4 in the United Kingdom.

Blu-ray

Blu-ray

The Blu-ray Disc (BD), often known simply as Blu-ray, is a digital optical disc data storage format. It was invented and developed in 2005 and released worldwide on June 20, 2006. It was designed to supersede the DVD format, capable of storing several hours of high-definition video. The main application of Blu-ray is as a medium for video material such as feature films and for the physical distribution of video games for the PlayStation 3, PlayStation 4, PlayStation 5, Xbox One, and Xbox Series X. The name "Blu-ray" refers to the blue laser used to read the disc, which allows information to be stored at a greater density than is possible with the longer-wavelength red laser used for DVDs.

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24 Hours of Love

24 Hours of Love

24 Hours of Love was a special programming stunt that aired live on MTV2 starting on September 21, 2002. The official premise of the show was that rock star Courtney Love would do a live broadcast for 24 hours in a row, and that she would be in full control of the programming on MTV2 for those hours.

ABC Rocks

ABC Rocks

ABC Rocks is an American music video show broadcast on ABC from June 22, 1984, to August 2, 1985. The thirty-minute show aired on Friday nights at midnight and featured popular rock videos by artists such as Prince, Billy Idol and David Bowie. It is notable as ABC's attempt to produce a show comparable to cable's MTV and NBC's Friday Night Videos.

American Broadcasting Company

American Broadcasting Company

The American Broadcasting Company (ABC) is an American commercial broadcast television network. It is the flagship property of the Disney Entertainment division of The Walt Disney Company. The network is headquartered in Burbank, California, on Riverside Drive, directly across the street from Walt Disney Studios and adjacent to the Roy E. Disney Animation Building. The network's secondary offices, and headquarters of its news division, are in New York City, at its broadcast center at 77 West 66th Street on the Upper West Side of Manhattan.

America's Top 10

America's Top 10

America's Top 10 was a popular weekly syndicated music television chart show that began airing in 1980 and ran until 1992.

Broadcast syndication

Broadcast syndication

Broadcast syndication is the practice of leasing the right to broadcasting television shows and radio programs to multiple television stations and radio stations, without going through a broadcast network. It is common in the United States where broadcast programming is scheduled by television networks with local independent affiliates. Syndication is less widespread in the rest of the world, as most countries have centralized networks or television stations without local affiliates. Shows can be syndicated internationally, although this is less common.

106 & Park

106 & Park

106 & Park is an American hip hop and R&B music video show, set up in a countdown format, that was broadcast on weekdays at 6:00 pm ET/5:00 pm CT on BET; it aired on a one-day delay on BET International. It was the network's highest-rated show throughout its run. On November 14, 2014, BET cancelled 106 & Park, with an alleged shift to a digital-only format, with occasional specials during network event programming, though the last time it was seen in any form was the 2016 BET Experience, and the digital-only program never aired.

BET

BET

Black Entertainment Television is an American basic cable channel targeting African-American audiences. It is owned by the CBS Entertainment Group unit of Paramount Global via BET Networks and has offices in New York City, Los Angeles, Chicago, and was formerly headquartered in Washington, D.C.

ITV1

ITV1

ITV1 is a British free-to-air public broadcast television channel owned and operated by the British media company ITV plc. It provides the Channel 3 public broadcast service across all of the United Kingdom except for the central and northern areas of Scotland where STV provides the service.

BBC

BBC

The British Broadcasting Corporation (BBC) is the national broadcaster of the United Kingdom, based at Broadcasting House in London, England. It is the world's oldest national broadcaster, and the largest broadcaster in the world by number of employees, employing over 22,000 staff in total, of whom approximately 19,000 are in public-sector broadcasting.

Australian Broadcasting Corporation

Australian Broadcasting Corporation

The Australian Broadcasting Corporation (ABC) is the national broadcaster of Australia. It is principally funded by direct grants from the Australian Government and is administered by a government-appointed board. The ABC is a publicly-owned body that is politically independent and fully accountable, with its charter enshrined in legislation, the Australian Broadcasting Corporation Act 1983. ABC Commercial, a profit-making division of the corporation, also helps to generate funding for content provision.

8-Track Flashback

8-Track Flashback

8-Track Flashback is a TV series hosted by David Cassidy, Leif Garrett, and Suzanne Somers. This rhyming title refers to the fact that it is a "flashback" to the popularity of 8-tracks in the 1970s. The show aired on VH1 from September 23, 1995 to 1998.

Friday Night Videos

Friday Night Videos

Friday Night Videos is an American music video show that was broadcast on NBC from July 29, 1983, to May 24, 2002. It was the network's attempt to capitalize on the emerging popularity of music videos as seen on MTV. From January 5, 2001, to August 30, 2002, the show changed to Late Friday showcasing new stand-up comedian talent with original video of sets from a stand-up club like setting, with an established comedian as guest host.