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Max Ernst

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Max Ernst
Max Ernst 1968.jpg
Max Ernst in 1968
Born
Maximilian Maria Ernst

(1891-04-02)2 April 1891
Died1 April 1976(1976-04-01) (aged 84)
Paris, France
NationalityGerman-American-French
Known forPainting, sculpture, poetry
Notable workA Week of Kindness (1934)
MovementDada, Surrealism
Spouses
(m. 1918⁠–⁠1927)
Marie-Berthe Aurenche
(m. 1927⁠–⁠1942)
(m. 1942⁠–⁠1946)
(m. 1946⁠–⁠1976)

Max Ernst (2 April 1891 – 1 April 1976) was a German (naturalised American in 1948 and French in 1958) painter, sculptor, printmaker, graphic artist, and poet.[1] A prolific artist, Ernst was a primary pioneer of the Dada movement and Surrealism in Europe.[1] He had no formal artistic training, but his experimental attitude toward the making of art resulted in his invention of frottage—a technique that uses pencil rubbings of textured objects and relief surfaces to create images—and grattage, an analogous technique in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. Ernst is noted for his unconventional drawing methods as well as for creating novels and pamphlets using the method of collages. He served as a soldier for four years during World War I, and this experience left him shocked, traumatised and critical of the modern world. During World War II he was designated an "undesirable foreigner" while living in France. He died in Paris on 1 April 1976.

Discover more about Max Ernst related topics

Dada

Dada

Dada or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire. New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s.

Surrealism

Surrealism

Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or surreality. It produced works of painting, writing, theatre, filmmaking, photography, and other media.

Europe

Europe

Europe is a continent comprising the westernmost peninsulas of Eurasia, located entirely in the Northern Hemisphere and mostly in the Eastern Hemisphere. It shares the continental landmass of Afro-Eurasia with both Africa and Asia. It is bordered by the Arctic Ocean to the north, the Atlantic Ocean to the west, the Mediterranean Sea to the south, and Asia to the east. Europe is commonly considered to be separated from Asia by the watershed of the Ural Mountains, the Ural River, the Caspian Sea, the Greater Caucasus, the Black Sea and the waterways of the Turkish Straits.

Collage

Collage

Collage is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole.

World War I

World War I

World War I or the First World War, often abbreviated as WWI, was one of the deadliest global conflicts in history. It was fought between two coalitions, the Allies and the Central Powers. Fighting occurred throughout Europe, the Middle East, Africa, the Pacific, and parts of Asia. An estimated 9 million soldiers were killed in combat, plus another 23 million wounded, while 5 million civilians died as a result of military action, hunger, and disease. Millions more died as a result of genocide, while the 1918 Spanish flu pandemic was exacerbated by the movement of combatants during the war.

Biography

Early life

Max Ernst was born in Brühl, near Cologne, the third of nine children of a middle-class Catholic family. His father Philipp was a teacher of the deaf and an amateur painter, a devout Christian and a strict disciplinarian. He inspired in Max a penchant for defying authority, while his interest in painting and sketching in nature influenced Max to take up painting.[2] In 1909, Ernst enrolled in the University of Bonn to read philosophy, art history, literature, psychology and psychiatry.[3] He visited asylums and became fascinated with the art work of the mentally ill patients; he also started painting that year, producing sketches in the garden of the Brühl castle, and portraits of his sister and himself. In 1911, Ernst befriended August Macke and joined his Die Rheinischen Expressionisten group of artists, deciding to become an artist.[3]

In 1912, he visited the Sonderbund exhibition in Cologne, where works by Pablo Picasso and post-Impressionists such as Vincent van Gogh and Paul Gauguin profoundly influenced him. His work was exhibited that year together with that of the Das Junge Rheinland group, at Galerie Feldman in Cologne, and then in several group exhibitions in 1913.[2] In his paintings of this period, Ernst adopted an ironic style that juxtaposed grotesque elements alongside Cubist and Expressionist motifs.[4]

In 1914, Ernst met Hans Arp in Cologne. The two became friends and their relationship lasted for fifty years. After Ernst completed his studies in the summer, his life was interrupted by World War I. Ernst was drafted and served both on the Western and the Eastern Fronts. The effect of the war on Ernst was devastating; in his autobiography, he wrote of his time in the army thus: "On the first of August 1914 M[ax].E[rnst]. died. He was resurrected on the eleventh of November 1918".[5] For a brief period on the Western Front, Ernst was assigned to chart maps, which allowed him to continue painting.[2] Several German Expressionist painters died in action during the war, among them August Macke and Franz Marc.

Dada and surrealism

In 1918, Ernst was demobilised and returned to Cologne. He soon married art history student Luise Straus, of Jewish ancestry, whom he had met in 1914. In 1919, Ernst visited Paul Klee in Munich and studied paintings by Giorgio de Chirico. The same year, inspired by de Chirico and mail-order catalogues, teaching-aide manuals and similar sources, he produced his first collages (notably Fiat modes, a portfolio of lithographs), a technique which would dominate his artistic pursuits. Also in 1919, Ernst, social activist Johannes Theodor Baargeld and several colleagues founded the Cologne Dada group. In 1919–20, Ernst and Baargeld published various short-lived magazines such as Der Strom, die Schammade and organised Dada exhibitions.[2]

Ernst and Luise's son Ulrich 'Jimmy' Ernst was born on 24 June 1920; he also became a painter.[2] Ernst's marriage to Luise was short-lived. In 1921, he met Paul Éluard, who became a lifelong friend. Éluard bought two of Ernst's paintings (Celebes and Oedipus Rex) and selected six collages to illustrate his poetry collection Répétitions. A year later the two collaborated on Les malheurs des immortels and then with André Breton, whom Ernst met in 1921, on the magazine Littérature. In 1922, unable to secure the necessary papers, Ernst entered France illegally and settled into a ménage à trois with Éluard and his wife Gala in Paris suburb Saint-Brice, leaving behind his wife and son.[2] During his first two years in Paris, Ernst took various odd jobs to make a living and continued to paint. In 1923, the Éluards moved to a new home in Eaubonne, near Paris, where Ernst painted numerous murals. The same year his works were exhibited at Salon des Indépendants.[2]

Although apparently accepting the ménage à trois, Éluard eventually became more concerned about the affair. In 1924, he abruptly left, first for Monaco and then for Saigon.[6] He soon asked his wife and Max Ernst to join him; both had to sell paintings to finance the trip. Ernst went to Düsseldorf and sold a large number of his works to a long-time friend, Johanna Ey, owner of gallery Das Junge Rheinland.[2] After a brief time together in Saigon, the trio decided that Gala would remain with Paul. The Éluards returned to Eaubonne in early September, while Ernst followed them some months later, after exploring more of South-East Asia. He returned to Paris in late 1924 and soon signed a contract with Jacques Viot that allowed him to paint full-time. In 1925, Ernst established a studio at 22, rue Tourlaque.[2]

In 1925, Ernst invented a graphic art technique called frottage (see Surrealist techniques), which uses pencil rubbings of objects as a source of images.[7] He also created the 'grattage' technique, in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. He used this technique in his famous painting Forest and Dove (as shown at the Tate Modern). The next year he collaborated with Joan Miró on designs for Sergei Diaghilev. With Miró's help, Ernst developed grattage, in which he trowelled pigment from his canvases. He also explored with the technique of decalcomania, which involves pressing paint between two surfaces.[note 1] Ernst was also active, along with fellow Surrealists, at the Atelier 17.[8]

Ernst developed a fascination with birds that was prevalent in his work. His alter ego in paintings, which he called Loplop, was a bird. He suggested that this alter-ego was an extension of himself stemming from an early confusion of birds and humans.[9] He said that one night when he was young, he woke up and found that his beloved bird had died; a few minutes later, his father announced that his sister was born. Loplop often appeared in collages of other artists' work, such as Loplop presents André Breton. Ernst drew a great deal of controversy with his 1926 painting The Virgin Chastises the infant Jesus before Three Witnesses: André Breton, Paul Éluard, and the Painter.[10] In 1927, Ernst married Marie-Berthe Aurenche [de] and it is thought his relationship with her may have inspired the erotic subject matter of The Kiss and other works of that year.[11] Ernst appeared in the 1930 film L'Âge d'Or, directed by the Surrealist Luis Buñuel. Ernst began to sculpt in 1934 and spent time with Alberto Giacometti. In 1938, the American heiress and artistic patron Peggy Guggenheim acquired a number of Max Ernst's works, which she displayed in her new gallery in London. Ernst and Peggy Guggenheim were married from 1942 to 1946.

World War II and later life

One of two versions of L'Ange du Foyer or The Angel of Hearth and Home (1937) oil on canvas, 112.5 x 144 cm., private collection
One of two versions of L'Ange du Foyer or The Angel of Hearth and Home (1937) oil on canvas, 112.5 x 144 cm., private collection

In September 1939, the outbreak of World War II caused Ernst to be interned as an "undesirable foreigner" in Camp des Milles, near Aix-en-Provence, along with fellow Surrealist, Hans Bellmer, who had recently emigrated to Paris. He had been living with his lover and fellow Surrealist painter, Leonora Carrington who, not knowing whether he would return, saw no option but to sell their house to repay their debts and leave for Spain. Thanks to the intercession of Paul Éluard and other friends, including the journalist Varian Fry, he was released a few weeks later. Soon after the German occupation of France, he was arrested again, this time by the Gestapo but managed to escape and flee to America with the help of Peggy Guggenheim, a member of a wealthy American art collecting family, and Fry.[12] Ernst and Peggy Guggenheim arrived in the United States in 1941 and were married at the end of the year.[13] Along with other artists and friends (Marcel Duchamp and Marc Chagall) who had fled from the war and lived in New York City, Ernst helped inspire the development of Abstract expressionism.[14][15]

His marriage to Guggenheim did not last and in Beverly Hills, California in October 1946, in a double ceremony with Man Ray and Juliet P. Browner, he married American Surrealist painter Dorothea Tanning[16] The couple made their home in Sedona, Arizona from 1946 to 1953, where the high desert landscapes inspired them and recalled Ernst's earlier imagery.[17] Despite the fact that Sedona was remote and populated by fewer than 400 ranchers, orchard workers, merchants and small Native American communities, their presence helped begin what would become an American artists' colony. Among the monumental red rocks, Ernst built a small cottage with his own hands on Brewer Road and he and Tanning hosted intellectuals and European artists such as Henri Cartier-Bresson and Yves Tanguy. Sedona proved an inspiration for the artists and for Ernst, who compiled his book Beyond Painting and completed his sculptural masterpiece Capricorn while living in Sedona. As a result of the book and its publicity, Ernst began to achieve financial success. From the 1950s he lived mainly in France. In 1954 he was awarded the Grand Prize for painting at the Venice Biennale.[18] He died at the age of 84 on 1 April 1976 in Paris and was interred at Père Lachaise Cemetery.[12]

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Cologne

Cologne

Cologne is the largest city of the German western state of North Rhine-Westphalia (NRW) and the fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 million people in the urban region. Centered on the left (west) bank of the Rhine, Cologne is about 35 km (22 mi) southeast of NRW's state capital Düsseldorf and 25 km (16 mi) northwest of Bonn, the former capital of West Germany.

University of Bonn

University of Bonn

The Rhenish Friedrich Wilhelm University of Bonn is a public research university located in Bonn, North Rhine-Westphalia, Germany. It was founded in its present form as the Rhein-Universität on 18 October 1818 by Frederick William III, as the linear successor of the Kurkölnische Akademie Bonn which was founded in 1777. The University of Bonn offers many undergraduate and graduate programs in a range of subjects and has 544 professors. The University of Bonn is a member of the German U15 association of major research-intensive universities in Germany and has the title of "University of Excellence" under the German Universities Excellence Initiative; it is consistently ranked amongst the best German universities in the world rankings and is one of the most research intensive universities in Germany.

Lunatic asylum

Lunatic asylum

The lunatic asylum was an early precursor of the modern psychiatric hospital.

August Macke

August Macke

August Robert Ludwig Macke was a German Expressionist painter. He was one of the leading members of the German Expressionist group Der Blaue Reiter. He lived during a particularly active time for German art: he saw the development of the main German Expressionist movements as well as the arrival of the successive avant-garde movements which were forming in the rest of Europe. As an artist of his time, Macke knew how to integrate into his painting the elements of the avant-garde which most interested him. Like his friend Franz Marc and Otto Soltau, he was one of the young German artists who died in the First World War.

Pablo Picasso

Pablo Picasso

Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.

Vincent van Gogh

Vincent van Gogh

Vincent Willem van Gogh was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful in his career, he struggled with severe depression and poverty, which eventually led to his suicide at age thirty-seven.

Paul Gauguin

Paul Gauguin

Eugène Henri Paul Gauguin was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of colour and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscapes from that region.

Cubism

Cubism

Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related artistic movements in music, literature, and architecture. In Cubist works of art, the subjects are analyzed, broken up, and reassembled in an abstract form—instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term cubism is broadly associated with a variety of artworks produced in Paris or near Paris (Puteaux) during the 1910s and throughout the 1920s.

Eastern Front (World War I)

Eastern Front (World War I)

The Eastern Front or Eastern Theater of World War I was a theater of operations that encompassed at its greatest extent the entire frontier between Russia and Romania on one side and Austria-Hungary, Bulgaria, the Ottoman Empire, and Germany on the other. It stretched from the Baltic Sea in the north to the Black Sea in the south, involved most of Eastern Europe, and stretched deep into Central Europe as well. The term contrasts with "Western Front", which was being fought in Belgium and France.

Franz Marc

Franz Marc

Franz Moritz Wilhelm Marc was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter, a journal whose name later became synonymous with the circle of artists collaborating in it.

Ubu Roi

Ubu Roi

Ubu Roi is a play by French writer Alfred Jarry, then 23 years old. It was first performed in Paris in 1896, by Aurélien Lugné-Poe's Théâtre de l'Œuvre at the Nouveau-Théâtre. The production's single public performance baffled and offended audiences with its unruliness and obscenity. Considered to be a wild, bizarre and comic play, significant for the way it overturns cultural rules, norms and conventions, it is seen by 20th- and 21st-century scholars to have opened the door for what became known as modernism in the 20th century, and as a precursor to Dadaism, Surrealism and the Theatre of the Absurd.

Musée National d'Art Moderne

Musée National d'Art Moderne

The Musée National d'Art Moderne is the national museum for modern art of France. It is located in Paris and is housed in the Centre Pompidou in the 4th arrondissement of the city. In 2021 it ranked 10th in the List of most visited art museums in the world, with 1,501,040 visitors. It is one of the largest museums for modern and contemporary art.

Legacy

Ernst's son Jimmy Ernst, a well-known German/American abstract expressionist painter, who lived on the south shore of Long Island, died in 1984. His memoirs, A Not-So-Still Life, were published shortly before his death. Max Ernst's grandson Eric and his granddaughter Amy are both artists and writers.[19]

Max Ernst's life and career are examined in Peter Schamoni's 1991 documentary Max Ernst. Dedicated to the art historian Werner Spies, it was assembled from interviews with Ernst, stills of his paintings and sculptures, and the memoirs of his wife Dorothea Tanning and son Jimmy. The 101-minute German film was released on DVD with English subtitles by Image Entertainment.

The Max Ernst Museum opened in 2005 in his home town Brühl, Germany. It is housed in a late-classicist 1844 building integrated with a modern glass pavilion. The historic ballroom was once a popular social venue visited by Ernst in his youth. The collection spans 70 years of his career including paintings, drawings, frottages, collages, nearly the entire lithographic works, over 70 bronze sculptures. and more than 700 documents and photographs by Man Ray, Henri Cartier-Bresson, Lee Miller, and others. The core of the collection dates back to 1969 with works donated to the City of Brühl by the artist. Thirty-six paintings, gifts from the artist to his fourth wife Dorothea Tanning, are on permanent loan from the Kreissparkasse Köln. Some noteworthy works include the sculptures The King playing with the Queen (1944) and Teaching Staff for a School of Murderers (1967). The museum also host temporary exhibitions by other artist.[20]

The Menil Collection, in Houston, Texas houses a significant collection of surrealist art including well over 100 pieces by Max Ernst. Notable paintings include In Praise of Freedom (1926), Loplop Presents Loplop (1930), Day and Night (1941–1942), Surrealism and Painting (1942), Euclid (1945), A Swarm of Bees in the Palais de Justice (1960), The Marriage of Heaven and Earth (1964). Ernst's work in the Menil Collection is typically exhibited a few pieces at a time along with other surrealist art in the collection on a rotating basis.[21]

Exhibitions, retrospectives, and honors

Documentary images

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Jimmy Ernst

Jimmy Ernst

Hans-Ulrich Ernst, known as Jimmy Ernst, was an American painter born in Germany.

Long Island

Long Island

Long Island is a densely populated island in the southeastern region of the U.S. state of New York, part of the New York metropolitan area. With over 8 million people, Long Island is the most populous island in the United States and the 18th-most populous in the world. The island begins at New York Harbor approximately 0.35 miles (0.56 km) east of Manhattan Island and extends eastward about 118 miles (190 km) into the Atlantic Ocean, with a maximum north-to-south width of 23 miles (37 km) between Long Island Sound and the Atlantic coast. With a land area of 1,401 square miles (3,630 km2), Long Island is the 11th-largest island in the United States, the largest island in the contiguous United States, and the 149th-largest island in the world.

Man Ray

Man Ray

Man Ray was an American visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all. He was best known for his pioneering photography, and was a renowned fashion and portrait photographer. He is also noted for his work with photograms, which he called "rayographs" in reference to himself.

Henri Cartier-Bresson

Henri Cartier-Bresson

Henri Cartier-Bresson was a French humanist photographer considered a master of candid photography, and an early user of 35mm film. He pioneered the genre of street photography, and viewed photography as capturing a decisive moment.

Lee Miller

Lee Miller

Elizabeth "Lee" Miller, Lady Penrose, was an American photographer and photojournalist. She was a fashion model in New York City in the 1920s before going to Paris, where she became a fashion and fine art photographer. During the Second World War, she was a war correspondent for Vogue, covering events such as the London Blitz, the liberation of Paris, and the concentration camps at Buchenwald and Dachau.

Dorothea Tanning

Dorothea Tanning

Dorothea Margaret Tanning was an American painter, printmaker, sculptor, writer, and poet. Her early work was influenced by Surrealism.

Menil Collection

Menil Collection

The Menil Collection, located in Houston, Texas, refers either to a museum that houses the art collection of founders John de Menil and Dominique de Menil, or to the collection itself of approximately 17,000 paintings, sculptures, prints, drawings, photographs and rare books.

Houston

Houston

Houston is the most populous city in Texas and in the Southern United States. It is the fourth most populous city in the United States after New York City, Los Angeles and Chicago, and the sixth most populous city in North America. With a population of 2,304,580 in 2020, Houston is located in Southeast Texas near Galveston Bay and the Gulf of Mexico, it is the seat and largest city of Harris County and the principal city of the Greater Houston metropolitan area, which is the fifth-most populous metropolitan statistical area in the United States and the second-most populous in Texas after Dallas–Fort Worth. Houston is the southeast anchor of the greater megaregion known as the Texas Triangle.

Loplop

Loplop

Loplop, or more formally, Loplop, Father Superior of the Birds, is the name of a birdlike character that was an alter ego of the Dada-Surrealist artist Max Ernst. Ernst had a ongoing fascination with birds, which often appear in his work. Loplop functioned as a familiar animal. William Rubin wrote of Ernst "Among his more successful works of the thirties are a series begun in 1930 around the theme of his alter ego, Loplop, Superior of the Birds." Loplop is an iconic image of surrealist art, the painting Loplop Introduces Loplop (1930) appears on the front cover of the Gaëtan Picon's book Surrealist and Surrealism 1919-1939, and the drawing and collage Loplop Presents (1932) was used as the frontispiece of Patrick Waldberg's book Surrealism.

Kunsthaus Zürich

Kunsthaus Zürich

The Kunsthaus Zürich is in terms of area the biggest art museum of Switzerland and houses one of the most important art collections in Switzerland, assembled over time by the local art association called Zürcher Kunstgesellschaft. The collection spans from the Middle Ages to contemporary art, with an emphasis on Swiss art.

Moderna Museet

Moderna Museet

Moderna Museet, Stockholm, Sweden, is a state museum for modern and contemporary art located on the island of Skeppsholmen in central Stockholm, opened in 1958. In 2009, the museum opened a new branch in Malmö in the south of Sweden, Moderna Museet Malmö.

Hamburger Kunsthalle

Hamburger Kunsthalle

The Hamburger Kunsthalle is the art museum of the Free and Hanseatic City of Hamburg, Germany. It is one of the largest art museums in the country. The museum consists of three connected buildings, dating from 1869, 1921 (Kuppelsaal) and 1997, located in the Altstadt district between the Hauptbahnhof and the two Alster lakes.

Selected works

Habakuk (1934), bronze, Kunsthalle Düsseldorf, Düsseldorf
Habakuk (1934), bronze, Kunsthalle Düsseldorf, Düsseldorf

Early work, Germany (1891–1922)

First French period (1922–1940)

American period (1941–1952)

Second French period (1953–1976)

  • Mundus est fabula (1959), Museum of Modern Art, New York
  • The Garden of France (1962), Musée National d'Art Moderne, Paris
  • Serenity (1963), Menil Collection, Houston
  • The Marriage of Heaven and Earth (1964), Menil Collection, Houston
  • The World of the Naive (1965), Private collection
  • Ubu, Father and Son (1966), Private collection
  • Teaching Staff for a School of Murderers (1967), bronze sculptures (multiples)
  • Birth of a Galaxy (1969), Beyeler Foundation, Riehen
  • The Last Forest (1960–1970), Private collection
  • The Night Prowling Fish (1974), Private collection

Prints, collages, and illustrations

  • Illustrations for books by Paul Éluard: Répétitions (1922), Les malheurs des immortels (1922), Au défaut du silence (1925)
  • Histoire Naturelle (ca. 1925–1926), a set of 34 collotypes after frottages
  • La femme 100 têtes (1929, graphic novel)
  • Rêve d'une petite fille qui voulut entrer au carmel (1930, graphic novel)
  • Une Semaine de Bonté (1934, graphic novel)
  • Illustrations for editions of works by Lewis Carroll: Symbolic Logic (1966, under the title Logique sans peine), The Hunting of the Snark (1968), and Lewis Carrols Wunderhorn (1970, an anthology of texts)
  • Deux Oiseaux (1970, lithograph in colours)
  • Aux petits agneaux (1971, lithographs)
  • Paysage marin avec capucin (1972, illustrated book with essays by various authors)
  • Maximiliana: the illegal practice of astronomy : hommage à Dorothea Tanning (1974, art book)
  • Oiseaux en péril (1975, etchings with aquatint in colours; published posthumously)

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Solomon R. Guggenheim Museum

Solomon R. Guggenheim Museum

The Solomon R. Guggenheim Museum, often referred to as The Guggenheim, is an art museum at 1071 Fifth Avenue between 88th and 89th Streets on the Upper East Side of Manhattan in New York City. It is the permanent home of a continuously expanding collection of Impressionist, Post-Impressionist, early Modern, and contemporary art and also features special exhibitions throughout the year. The museum was established by the Solomon R. Guggenheim Foundation in 1939 as the Museum of Non-Objective Painting, under the guidance of its first director, Hilla von Rebay. The museum adopted its current name in 1952, three years after the death of its founder Solomon R. Guggenheim.

Aquis Submersus

Aquis Submersus

Aquis Submersus is a painting by the German dadaist and surrealist Max Ernst created in 1919. Influenced by the Italian metaphysical art it is one of Ernst's earliest works showing surrealistic accents. It currently resides at the Städel Museum in Frankfurt, Germany.

Städel

Städel

The Städel, officially the Städelsches Kunstinstitut und Städtische Galerie, is an art museum in Frankfurt, with one of the most important collections in Germany. The Städel Museum owns 3,100 paintings, 660 sculptures, more than 4,600 photographs and more than 100,000 drawings and prints. It has around 7,000 m2 (75,000 sq ft) of display and a library of 115,000 books.

Museum of Modern Art

Museum of Modern Art

The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues.

Little Machine Constructed by Minimax Dadamax in Person

Little Machine Constructed by Minimax Dadamax in Person

Little Machine Constructed by Minimax Dadamax in Person (1919–20) is a mixed-media work of art by the German dadaist and surrealist Max Ernst.

Peggy Guggenheim Collection

Peggy Guggenheim Collection

The Peggy Guggenheim Collection is an art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is one of the most visited attractions in Venice. The collection is housed in the Palazzo Venier dei Leoni, an 18th-century palace, which was the home of the American heiress Peggy Guggenheim for three decades. She began displaying her private collection of modern artworks to the public seasonally in 1951. After her death in 1979, it passed to the Solomon R. Guggenheim Foundation, which opened the collection year-round from 1980.

Murdering Airplane

Murdering Airplane

Murdering Airplane (1920) is a collage by the German dadaist Max Ernst. Early publications identify this piece as simply Untitled collage. One book, in which Max Ernst made some contributions, identifies the piece as "Untitled or The Deadly Female Aeroplane ".

Menil Collection

Menil Collection

The Menil Collection, located in Houston, Texas, refers either to a museum that houses the art collection of founders John de Menil and Dominique de Menil, or to the collection itself of approximately 17,000 paintings, sculptures, prints, drawings, photographs and rare books.

The Hat Makes the Man

The Hat Makes the Man

The Hat Makes the Man (1920) is a collage by the German dadaist/surrealist Max Ernst. It is composed of cut out images of hats from catalogues linked by gouache and pencil outlines to create abstract anthropomorphic figures. There are inscriptions in ink that read "seed-covered stacked-up man seedless waterformer ('edelformer') well fitting nervous system also tightly fitting nerves! ." The idea for this work began as a sculpture made from wooden hat molds.

The Elephant Celebes

The Elephant Celebes

The Elephant Celebes is a 1921 painting by the German Dadaist and surrealist Max Ernst. It is among the most famous of Ernst's early surrealist works and "undoubtedly the first masterpiece of Surrealist painting in the de Chirico tradition." It combines the vivid dreamlike atmosphere of Surrealism with the collage aspects of Dada.

Tate Modern

Tate Modern

Tate Modern is an art gallery located in London. It houses the United Kingdom's national collection of international modern and contemporary art, and forms part of the Tate group together with Tate Britain, Tate Liverpool and Tate St Ives. It is located in the former Bankside Power Station, in the Bankside area of the London Borough of Southwark.

Pietà or Revolution by Night

Pietà or Revolution by Night

Pietà or Revolution by Night (1923) is a painting by German surrealist and Dadaist Max Ernst. Since 1981 it has been part of the collection of the Tate Gallery in London.

Source: "Max Ernst", Wikipedia, Wikimedia Foundation, (2023, March 19th), https://en.wikipedia.org/wiki/Max_Ernst.

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Notes
  1. ^ Max Ernst working in decalcomania is shown in the 1978 documentary on the Dada and Surrealist art movement, Europe After the Rain.
References
  1. ^ a b "MAX ERNST". Kasmin Gallery. Retrieved 13 December 2021.
  2. ^ a b c d e f g h i Spies et al. 2005, pp. 285–286.
  3. ^ a b "The Guggenheim Museums and Foundation". The Guggenheim Museums and Foundation. Retrieved 13 December 2021.
  4. ^ Ernst et al. 1991, p. 56.
  5. ^ Spies et al. 2005, p. xiv.
  6. ^ Warlick 2001, p. 83.
  7. ^ Ernst et al. 1991, p. 128.
  8. ^ "Atelier 17: Europe and the Early Years". Swann Galleries News. 10 October 2011. Retrieved 20 February 2020.
  9. ^ Ernst et al. 1991, p. 285.
  10. ^ Image: The Blessed Virgin Chastises the Infant Jesus Before Three Witnesses: A.B., P.E. and the Artist
  11. ^ Flint, Lucy, Guggenheim Collection. "The Kiss (Le Baiser)". Archived from the original on 6 July 2015.
  12. ^ a b Olga's Gallery. "Max Ernst biography".
  13. ^ Iyengar, Rishi (6 April 2015). "New Google Doodle Honors Surrealist Painter Leonora Carrington". Time. Retrieved 6 April 2015.
  14. ^ "Max Ernst: German Painter and Sculptor". theartstory.{{cite web}}: CS1 maint: url-status (link)
  15. ^ "Max Ernst". Ordovasart.{{cite web}}: CS1 maint: url-status (link)
  16. ^ Flint, Peter B. (21 January 1991). "Juliet Man Ray, 79, The Artist's Model And Muse, Is Dead". The New York Times. Retrieved 3 December 2014.
  17. ^ Waldman 1975, p. .
  18. ^ "Max Ernst 1891–1976". Tate Etc.
  19. ^ "Max Ernst".
  20. ^ Max Ernst Museum, Brühl, Germany (accessed 11 February 2021)
  21. ^ The Menil Collection: Surrealism (accessed 11 February 2021)
  22. ^ Hofmann, Schmied & Spies 1973, p. .
  23. ^ "A Max Ernst Retrospective Opens Today in NY". Art+Auction. 7 April 2005. Retrieved 23 April 2008.
  24. ^ "DADA IS DADA". Bildmuseet. Archived from the original on 24 December 2017.
  25. ^ (15 March 2019). Max Ernst. A beautiful day, (1948). artdesigncafe.com. Retrieved 7 October 2019.

Works cited

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