Luigi Russolo
Luigi Russolo | |
---|---|
![]() Luigi Russolo ca. 1916 | |
Background information | |
Birth name | Luigi Russolo |
Born | Portogruaro, Italy | 30 April 1885
Died | 4 February 1947 Laveno Mombello, Italy | (aged 61)
Genres | |
Occupation(s) |
|
Years active | 1901–1947 |
Luigi Carlo Filippo Russolo (30 April 1885 – 4 February 1947) was an Italian Futurist painter, composer, builder of experimental musical instruments, and the author of the manifesto The Art of Noises (1913).[1] He is often regarded as one of the first noise music experimental composers with his performances of noise music concerts in 1913–14 and then again after World War I, notably in Paris in 1921.[2] He designed and constructed a number of noise-generating devices called Intonarumori. Russolo is also associated with Italian fascism, for example through exhibiting his work at exhibitions sponsored by Mussolini's government, and through collaboration with Marinetti, author of the Fascist Manifesto.[3]
Discover more about Luigi Russolo related topics
Biography

Luigi Russolo was perhaps the first noise artist.[4][5] His 1913 manifesto, L'Arte dei Rumori (The Art of Noises), stated that the industrial revolution had given modern men a greater capacity to appreciate more complex sounds. Russolo found traditional melodic music confining, and he envisioned noise music as its future replacement.[6]
Russolo designed and constructed a number of noise-generating devices called Intonarumori, and assembled a noise orchestra to perform with them. A performance of his Gran Concerto Futuristico (1917) was met with strong disapproval and violence from the audience, as Russolo himself had predicted.
None of his intoning instruments have survived: some were destroyed in World War II; while others have been lost.[7] Replicas of the instruments have since been built and performed. (See the Intonarumori page.)
Although Russolo's works bear little resemblance to modern noise music, his pioneering creations cannot be overlooked as an essential stage in the evolution of the several genres in this category.[8][9] Many artists are now familiar with Russolo's manifesto.[10]
Discover more about Biography related topics
Collaboration with Antonio Russolo
Antonio Russolo, another Italian Futurist composer and Luigi's brother, produced a recording of two works featuring the original Intonarumori. The phonograph recording, made in 1921, included works entitled Corale and Serenata, which combined conventional orchestral music set against the sound of the noise machines. It is the only surviving contemporaneous sound recording of Luigi Russolo's noise music.[11] Russolo and Filippo Tommaso Marinetti gave the first concert of Futurist music, complete with intonarumori, in April 1914, causing a riot.[12] The program comprised four Noise Networks.[13]
Discover more about Collaboration with Antonio Russolo related topics
Gallery
Sintesi plastica dei movimenti di una donna, 1912 oil on canvas, Museum of Grenoble
Russolo's Grave in Laveno-Mombello
1913 score of en-harmonic notation, for Intonarumori
Intonarumori, 1913, instruments built for music-piece Bruitism, partly operating on electricity
Dynamism of a Car, 1913 oil painting
Discover more about Gallery related topics
Source: "Luigi Russolo", Wikipedia, Wikimedia Foundation, (2023, February 10th), https://en.wikipedia.org/wiki/Luigi_Russolo.
Notes
- ^ Chilvers & Glaves-Smith, p. 619.
- ^ Chilvers & Glaves-Smith, p. 620.
- ^ Tracy, Peter. "Luigi Russolo's Cacophonous Futures". The Public Domain Review. Retrieved 10 February 2023.
- ^ In Futurism and Musical Notes, Daniele Lombardi discusses the French composer [Louis] Carol-Bérard (1881–1942); a pupil of Isaac Albéniz, Carol-Bérard is said to have composed a Symphony of Mechanical Forces in 1910 – but little evidence as emerged thus far to establish this assertion.
- ^ Luigi Russolo, "The Art of Noises"
- ^ Chessa, Luciano, Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult, University of California Press, 2012, p. 3
- ^ Barclay Brown, "The Noise Instruments of Luigi Russolo", Perspectives of New Music 20, nos. 1 & 2 (Fall–Winter 1981, Spring–Summer 1982): 31–48; citation on 36
- ^ Paul Hegarty, Noise/Music: A History (London: Continuum International Publishing Group, 2007), pp. 13–14
- ^ László Moholy-Nagy in 1923 recognized the unprecedented efforts of the Italian Futurists to broaden our perception of sound using noise. In an article in Der Sturm #7, he outlined the fundamentals of his own experimentation: "I have suggested to change the gramophone from a reproductive instrument to a productive one, so that on a record without prior acoustic information, the acoustic information, the acoustic phenomenon itself originates by engraving the necessary Ritzschriftreihen [etched grooves]." He presents detailed descriptions for manipulating discs, creating "real sound forms" to train people to be "true music receivers and creators" (" A Brief history of Anti-Records and Conceptual Records" by Ron Rice via UbuWeb, from Unfiled: Music Under New Technology, Chris Cutler (ed.) 1994
- ^ Chessa, Luciano, Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult, University of California Press, 2012, p. 3
- ^ Albright, Daniel (ed.) Modernism and Music: An Anthology of Source. Chicago: University of Chicago Press, 2004. p. 174
- ^ Larry Sitsky (2002). Music of the Twentieth-century Avant-garde: A Biocritical Sourcebook. Westport and London: Greenwood Publishing Group. p. 415. ISBN 978-0-313-29689-5.
- ^ Luigi Russolo, The Art of Noise (Futurist Manifesto, 1913), translated by Robert Filliou. p. 14
References
- Chilvers, Ian; Glaves-Smith, John. A Dictionary of Modern and Contemporary Art. Oxford and New York: Oxford University Press.
- Chessa, Luciano: Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult. University of California Press, 2012.
- Luigi Russolo, The Art of Noise (Futurist Manifesto, 1913), translated by Robert Filliou
External links


- Printed works by Luigi Russolo digitalized on Internet Archive by the Archivio del '900 of Mart Museum, Rovereto, Italy.
- Russolo, Luigi Carlo Filippo. Dizionario Biografico degli Italiani (2017). (in Italian)
- Media Art Net | Russolo, Luigi: Intonarumori (at medienkunstnetz.de)
- Archive Russolo recordings at LTM
- Peggy Guggenheim Collection: Luigi Russolo
- Bob Osborn's Futurism: Luigi Russolo
- Prof. Russolo & His Noise Intoners
- Audio
- [1] Corale, Serenata by Antonio Russolo and Luigi Russolo (1924) were published on cassette in 1988 in the Audio By Visual Artists edition of Tellus Audio Cassette Magazine #21 and are archived on the internet at Ubuweb
- Three audio clips by Luigi Russolo: Serenata, Corale and Risveglio di una città
- Video
Categories
- 1885 births
- 1947 deaths
- 19th-century Italian inventors
- 19th-century Italian male artists
- 19th-century Italian painters
- 20th-century Italian composers
- 20th-century Italian inventors
- 20th-century Italian male artists
- 20th-century Italian male musicians
- 20th-century Italian painters
- 20th-century classical composers
- All articles with incomplete citations
- Articles with BNE identifiers
- Articles with BNF identifiers
- Articles with CANTICN identifiers
- Articles with DBI identifiers
- Articles with DTBIO identifiers
- Articles with FAST identifiers
- Articles with GND identifiers
- Articles with ICCU identifiers
- Articles with ISNI identifiers
- Articles with Italian-language sources (it)
- Articles with J9U identifiers
- Articles with LCCN identifiers
- Articles with MusicBrainz identifiers
- Articles with NKC identifiers
- Articles with NLA identifiers
- Articles with NTA identifiers
- Articles with PLWABN identifiers
- Articles with RKDartists identifiers
- Articles with SNAC-ID identifiers
- Articles with SUDOC identifiers
- Articles with Trove identifiers
- Articles with ULAN identifiers
- Articles with VIAF identifiers
- Articles with VcBA identifiers
- Articles with WORLDCATID identifiers
- Articles with hCards
- Articles with incomplete citations from April 2014
- Articles with short description
- Commons category link is on Wikidata
- Experimental composers
- Futurist composers
- Inventors of musical instruments
- Italian Futurist painters
- Italian classical composers
- Italian composers
- Italian experimental musicians
- Italian male classical composers
- Italian male painters
- Italian musical instrument makers
- Noise musicians
- People from Portogruaro
- Short description is different from Wikidata
- Short description matches Wikidata
- Use dmy dates from February 2020
- Wikipedia articles needing page number citations from December 2009
The content of this page is based on the Wikipedia article written by contributors..
The text is available under the Creative Commons Attribution-ShareAlike Licence & the media files are available under their respective licenses; additional terms may apply.
By using this site, you agree to the Terms of Use & Privacy Policy.
Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization & is not affiliated to WikiZ.com.