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Luigi Russolo

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Luigi Russolo
Luigi Russolo ca. 1916
Luigi Russolo ca. 1916
Background information
Birth nameLuigi Russolo
Born(1885-04-30)30 April 1885
Portogruaro, Italy
Died4 February 1947(1947-02-04) (aged 61)
Laveno Mombello, Italy
Genres
Occupation(s)
Years active1901–1947

Luigi Carlo Filippo Russolo (30 April 1885 – 4 February 1947) was an Italian Futurist painter, composer, builder of experimental musical instruments, and the author of the manifesto The Art of Noises (1913).[1] He is often regarded as one of the first noise music experimental composers with his performances of noise music concerts in 1913–14 and then again after World War I, notably in Paris in 1921.[2] He designed and constructed a number of noise-generating devices called Intonarumori. Russolo is also associated with Italian fascism, for example through exhibiting his work at exhibitions sponsored by Mussolini's government, and through collaboration with Marinetti, author of the Fascist Manifesto.[3]

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Futurism

Futurism

Futurism was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 Manifesto of Futurism, Boccioni's 1913 sculpture Unique Forms of Continuity in Space, Balla's 1913–1914 painting Abstract Speed + Sound, and Russolo's The Art of Noises (1913).

Experimental musical instrument

Experimental musical instrument

An experimental musical instrument is a musical instrument that modifies or extends an existing instrument or class of instruments, or defines or creates a new class of instrument. Some are created through simple modifications, such as cracked drum cymbals or metal objects inserted between piano strings in a prepared piano. Some experimental instruments are created from household items like a homemade mute for brass instruments such as bathtub plugs. Other experimental instruments are created from electronic spare parts, or by mixing acoustic instruments with electric components.

The Art of Noises

The Art of Noises

The Art of Noises is a Futurist manifesto written by Luigi Russolo in a 1913 letter to friend and Futurist composer Francesco Balilla Pratella. In it, Russolo argues that the human ear has become accustomed to the speed, energy, and noise of the urban industrial soundscape; furthermore, this new sonic palette requires a new approach to musical instrumentation and composition. He proposes a number of conclusions about how electronics and other technology will allow futurist musicians to "substitute for the limited variety of timbres that the orchestra possesses today the infinite variety of timbres in noises, reproduced with appropriate mechanisms".

Noise music

Noise music

Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect.

Experimental music

Experimental music

Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include indeterminacy, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may approach a hybrid of disparate styles or incorporate unorthodox and unique elements.

Intonarumori

Intonarumori

Intonarumori are experimental musical instruments invented and built by the Italian futurist Luigi Russolo between roughly 1910 and 1930. There were 27 varieties of intonarumori built in total, with different names.

Italian fascism

Italian fascism

Italian fascism, also known as classical fascism or simply fascism, is the original fascist ideology as developed in Italy by Giovanni Gentile and Benito Mussolini. The ideology is associated with a series of two political parties led by Benito Mussolini: the National Fascist Party (PNF), which ruled the Kingdom of Italy from 1922 until 1943, and the Republican Fascist Party (PFR) that ruled the Italian Social Republic from 1943 to 1945. Italian fascism is also associated with the post-war Italian Social Movement (MSI) and subsequent Italian neo-fascist movements.

Benito Mussolini

Benito Mussolini

Benito Amilcare Andrea Mussolini was an Italian dictator and journalist who founded and led the National Fascist Party (PNF). He was Prime Minister of Italy from the March on Rome in 1922 until his deposition in 1943, as well as "Duce" of Italian fascism from the establishment of the Italian Fasces of Combat in 1919 until his summary execution in 1945 by Italian partisans. As dictator of Italy and principal founder of fascism, Mussolini inspired and supported the international spread of fascist movements during the inter-war period.

Filippo Tommaso Marinetti

Filippo Tommaso Marinetti

Filippo Tommaso Emilio Marinetti was an Italian poet, editor, art theorist, and founder of the Futurist movement. He was associated with the utopian and Symbolist artistic and literary community Abbaye de Créteil between 1907 and 1908. Marinetti is best known as the author of the first Futurist Manifesto, which was written and published in 1909, and as a co-author of the Fascist Manifesto, in 1919.

Fascist Manifesto

Fascist Manifesto

"The Manifesto of the Italian Fasces of Combat", commonly known as the Fascist Manifesto, was the initial declaration of the political stance of the Fasci Italiani di Combattimento the movement founded in Milan by Benito Mussolini in 1919 and an early exponent of Fascism. The Manifesto was authored by national syndicalist Alceste De Ambris and the futurist poet Filippo Marinetti.

Biography

Russolo and his assistant Ugo Piatti in their Milan studio in 1913 with the Intonarumori (noise machines)
Russolo and his assistant Ugo Piatti in their Milan studio in 1913 with the Intonarumori (noise machines)

Luigi Russolo was perhaps the first noise artist.[4][5] His 1913 manifesto, L'Arte dei Rumori (The Art of Noises), stated that the industrial revolution had given modern men a greater capacity to appreciate more complex sounds. Russolo found traditional melodic music confining, and he envisioned noise music as its future replacement.[6]

Russolo designed and constructed a number of noise-generating devices called Intonarumori, and assembled a noise orchestra to perform with them. A performance of his Gran Concerto Futuristico (1917) was met with strong disapproval and violence from the audience, as Russolo himself had predicted.

None of his intoning instruments have survived: some were destroyed in World War II; while others have been lost.[7] Replicas of the instruments have since been built and performed. (See the Intonarumori page.)

Although Russolo's works bear little resemblance to modern noise music, his pioneering creations cannot be overlooked as an essential stage in the evolution of the several genres in this category.[8][9] Many artists are now familiar with Russolo's manifesto.[10]

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Ugo Piatti

Ugo Piatti

Ugo Piatti was an Italian painter and instrument maker, best known for collaborating on the construction of the intonarumori with Luigi Russolo.

The Art of Noises

The Art of Noises

The Art of Noises is a Futurist manifesto written by Luigi Russolo in a 1913 letter to friend and Futurist composer Francesco Balilla Pratella. In it, Russolo argues that the human ear has become accustomed to the speed, energy, and noise of the urban industrial soundscape; furthermore, this new sonic palette requires a new approach to musical instrumentation and composition. He proposes a number of conclusions about how electronics and other technology will allow futurist musicians to "substitute for the limited variety of timbres that the orchestra possesses today the infinite variety of timbres in noises, reproduced with appropriate mechanisms".

Orchestra

Orchestra

An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:bowed string instruments, such as the violin, viola, cello, and double bass woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon brass instruments, such as the horn, trumpet, trombone, cornet, and tuba percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments

Violence

Violence

Violence is "the use of physical force so as to injure, abuse, damage, or destroy". Other definitions are also used, such as the World Health Organization's definition of violence as "the intentional use of physical force or power, threatened or actual, against oneself, another person, or against a group or community, which either results in or has a high likelihood of resulting in injury, death, psychological harm, maldevelopment, or deprivation."

Intonarumori

Intonarumori

Intonarumori are experimental musical instruments invented and built by the Italian futurist Luigi Russolo between roughly 1910 and 1930. There were 27 varieties of intonarumori built in total, with different names.

Noise music

Noise music

Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect.

Manifesto

Manifesto

A manifesto is a published declaration of the intentions, motives, or views of the issuer, be it an individual, group, political party or government. A manifesto usually accepts a previously published opinion or public consensus or promotes a new idea with prescriptive notions for carrying out changes the author believes should be made. It often is political, social or artistic in nature, sometimes revolutionary, but may present an individual's life stance. Manifestos relating to religious belief are generally referred to as creeds or, a confession of faith.

Collaboration with Antonio Russolo

Antonio Russolo, another Italian Futurist composer and Luigi's brother, produced a recording of two works featuring the original Intonarumori. The phonograph recording, made in 1921, included works entitled Corale and Serenata, which combined conventional orchestral music set against the sound of the noise machines. It is the only surviving contemporaneous sound recording of Luigi Russolo's noise music.[11] Russolo and Filippo Tommaso Marinetti gave the first concert of Futurist music, complete with intonarumori, in April 1914, causing a riot.[12] The program comprised four Noise Networks.[13]

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Antonio Russolo

Antonio Russolo

Antonio Russolo (1877–1943) was an Italian Futurist composer and the brother of the more famous Futurist painter, composer and theorist Luigi Russolo. He is noted for composing pieces made with the intonarumori and, together with his brother, introduced The Art of Noises.

Futurism (music)

Futurism (music)

Futurism was an early 20th-century art movement which encompassed painting, sculpture, poetry, theatre, music, architecture, cinema and gastronomy. Filippo Tommaso Marinetti initiated the movement with his Manifesto of Futurism, published in February 1909. Futurist music rejected tradition and introduced experimental sounds inspired by machinery, and influenced several 20th-century composers. According to Rodney Payton, “early in the movement, the term ‘Futurism’ was misused to loosely define any sort of avant-garde effort; in English, the term was used to label a composer whose music was considered ‘difficult.’”

Phonograph

Phonograph

A phonograph, in its later forms also called a gramophone or since the 1940s called a record player, or more recently a turntable, is a device for the mechanical and analogue recording and reproduction of sound. The sound vibration waveforms are recorded as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a "record". To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, very faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or directly to the listener's ears through stethoscope-type earphones.

Filippo Tommaso Marinetti

Filippo Tommaso Marinetti

Filippo Tommaso Emilio Marinetti was an Italian poet, editor, art theorist, and founder of the Futurist movement. He was associated with the utopian and Symbolist artistic and literary community Abbaye de Créteil between 1907 and 1908. Marinetti is best known as the author of the first Futurist Manifesto, which was written and published in 1909, and as a co-author of the Fascist Manifesto, in 1919.

Gallery

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Source: "Luigi Russolo", Wikipedia, Wikimedia Foundation, (2023, February 10th), https://en.wikipedia.org/wiki/Luigi_Russolo.

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See also
Notes
  1. ^ Chilvers & Glaves-Smith, p. 619.
  2. ^ Chilvers & Glaves-Smith, p. 620.
  3. ^ Tracy, Peter. "Luigi Russolo's Cacophonous Futures". The Public Domain Review. Retrieved 10 February 2023.
  4. ^ In Futurism and Musical Notes, Daniele Lombardi discusses the French composer [Louis] Carol-Bérard (1881–1942); a pupil of Isaac Albéniz, Carol-Bérard is said to have composed a Symphony of Mechanical Forces in 1910 – but little evidence as emerged thus far to establish this assertion.
  5. ^ Luigi Russolo, "The Art of Noises"
  6. ^ Chessa, Luciano, Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult, University of California Press, 2012, p. 3
  7. ^ Barclay Brown, "The Noise Instruments of Luigi Russolo", Perspectives of New Music 20, nos. 1 & 2 (Fall–Winter 1981, Spring–Summer 1982): 31–48; citation on 36
  8. ^ Paul Hegarty, Noise/Music: A History (London: Continuum International Publishing Group, 2007), pp. 13–14
  9. ^ László Moholy-Nagy in 1923 recognized the unprecedented efforts of the Italian Futurists to broaden our perception of sound using noise. In an article in Der Sturm #7, he outlined the fundamentals of his own experimentation: "I have suggested to change the gramophone from a reproductive instrument to a productive one, so that on a record without prior acoustic information, the acoustic information, the acoustic phenomenon itself originates by engraving the necessary Ritzschriftreihen [etched grooves]." He presents detailed descriptions for manipulating discs, creating "real sound forms" to train people to be "true music receivers and creators" (" A Brief history of Anti-Records and Conceptual Records" by Ron Rice via UbuWeb, from Unfiled: Music Under New Technology, Chris Cutler (ed.) 1994
  10. ^ Chessa, Luciano, Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult, University of California Press, 2012, p. 3
  11. ^ Albright, Daniel (ed.) Modernism and Music: An Anthology of Source. Chicago: University of Chicago Press, 2004. p. 174
  12. ^ Larry Sitsky (2002). Music of the Twentieth-century Avant-garde: A Biocritical Sourcebook. Westport and London: Greenwood Publishing Group. p. 415. ISBN 978-0-313-29689-5.
  13. ^ Luigi Russolo, The Art of Noise (Futurist Manifesto, 1913), translated by Robert Filliou. p. 14

References

  • Chilvers, Ian; Glaves-Smith, John. A Dictionary of Modern and Contemporary Art. Oxford and New York: Oxford University Press.
  • Chessa, Luciano: Luigi Russolo, Futurist: Noise, Visual Arts, and the Occult. University of California Press, 2012.
  • Luigi Russolo, The Art of Noise (Futurist Manifesto, 1913), translated by Robert Filliou
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