Kurt Vonnegut

Family and early life

Kurt Vonnegut Jr. was born in Indianapolis on November 11, 1922, the youngest of three children of Kurt Vonnegut Sr. and his wife Edith (née Lieber). His older siblings were Bernard (born 1914) and Alice (born 1917). He had descended from German immigrants who settled in the United States in the mid-19th century; his paternal great-grandfather, Clemens Vonnegut, settled in Indianapolis and founded the Vonnegut Hardware Company. His father and grandfather Bernard were architects; the architecture firm under Kurt Sr. designed such buildings as Das Deutsche Haus (now called "The Athenæum"), the Indiana headquarters of the Bell Telephone Company, and the Fletcher Trust Building.^[2] Vonnegut's mother was born into Indianapolis high society, as her family, the Liebers, were among the wealthiest in the city with their fortune deriving from ownership of a successful brewery.^[3]

Both of Vonnegut's parents were fluent German speakers, but the ill feeling toward Germany during and after World War I caused them to abandon German culture in order to show their American patriotism. Thus, they did not teach Vonnegut to speak German or introduce him to German literature and traditions, leaving him feeling "ignorant and rootless".^[4][5] Vonnegut later credited Ida Young, his family's African-American cook and housekeeper during the first decade of his life, for raising him and giving him values; he said that she "gave [him] decent moral instruction and was exceedingly nice to [him]", and "was as great an influence on [him] as anybody". He described her as "humane and wise" and added that "the compassionate, forgiving aspects of [his] beliefs" came from her.^[6]

The financial security and social prosperity that the Vonneguts had once enjoyed were destroyed in a matter of years. The Liebers' brewery was closed in 1921 after the advent of prohibition. When the Great Depression hit, few people could afford to build, causing clients at Kurt Sr.'s architectural firm to become scarce.^[7] Vonnegut's brother and sister had finished their primary and secondary educations in private schools, but Vonnegut was placed in a public school called Public School No. 43 (now the James Whitcomb Riley School).^[8] He was bothered by the Great Depression,^[a] and both his parents were affected deeply by their economic misfortune. His father withdrew from normal life and became what Vonnegut called a "dreamy artist".^[10] His mother became depressed, withdrawn, bitter, and abusive. She labored to regain the family's wealth and status, and Vonnegut said that she expressed hatred for her husband that was "as corrosive as hydrochloric acid".^[11] She unsuccessfully tried to sell short stories she had written to Collier's, The Saturday Evening Post, and other magazines.^[4]

High school and Cornell

Vonnegut as a teenager, from the Shortridge High School 1940 yearbook

Vonnegut enrolled at Shortridge High School in Indianapolis in 1936. While there, he played clarinet in the school band and became a co-editor (along with Madelyn Pugh) for the Tuesday edition of the school newspaper, The Shortridge Echo. Vonnegut said that his tenure with the Echo allowed him to write for a large audience—his fellow students—rather than for a teacher, an experience, he said, was "fun and easy".^[2] "It just turned out that I could write better than a lot of other people", Vonnegut observed. "Each person has something he can do easily and can't imagine why everybody else has so much trouble doing it."^[8]

After graduating from Shortridge in 1940, Vonnegut enrolled at Cornell University in Ithaca, New York. He wanted to study the humanities or become an architect like his father, but his father^[b] and brother Bernard, an atmospheric scientist, urged him to study a "useful" discipline.^[2] As a result, Vonnegut majored in biochemistry, but he had little proficiency in the area and was indifferent towards his studies.^[13] As his father had been a member at MIT,^[14] Vonnegut was entitled to join the Delta Upsilon fraternity, and did.^[15] He overcame stiff competition for a place at the university's independent newspaper, The Cornell Daily Sun, first serving as a staff writer, then as an editor.^[16][17] By the end of his first year, he was writing a column titled "Innocents Abroad", which reused jokes from other publications. He later penned a piece "Well All Right" focusing on pacifism, a cause he strongly supported,^[8] arguing against US intervention in World War II.^[18]

World War II

Vonnegut in army uniform during World War II

The attack on Pearl Harbor brought the US into the war. Vonnegut was a member of Reserve Officers' Training Corps, but poor grades and a satirical article in Cornell's newspaper cost him his place there. He was placed on academic probation in May 1942 and dropped out the following January. No longer eligible for a deferment as a member of ROTC, he faced likely conscription into the United States Army. Instead of waiting to be drafted, he enlisted in the Army and in March 1943 reported to Fort Bragg, North Carolina, for basic training.^[19] Vonnegut was trained to fire and maintain howitzers and later received instruction in mechanical engineering at the Carnegie Institute of Technology and the University of Tennessee as part of the Army Specialized Training Program (ASTP).^[12]

In early 1944, the ASTP was canceled due to the Army's need for soldiers to support the D-Day invasion, and Vonnegut was ordered to an infantry battalion at Camp Atterbury, south of Indianapolis in Edinburgh, Indiana, where he trained as a scout.^[20] He lived so close to his home that he was "able to sleep in [his] own bedroom and use the family car on weekends".^[21]

On May 14, 1944, Vonnegut returned home on leave for Mother's Day weekend to discover that his mother had committed suicide the previous night by overdosing on sleeping pills.^[22] Possible factors that contributed to Edith Vonnegut's suicide include the family's loss of wealth and status, Vonnegut's forthcoming deployment overseas, and her own lack of success as a writer. She was inebriated at the time and under the influence of prescription drugs.^[22]

Three months after his mother's suicide, Vonnegut was sent to Europe as an intelligence scout with the 106th Infantry Division. In December 1944, he fought in the Battle of the Bulge, the final German offensive of the war.^[22] During the battle, the 106th Infantry Division, which had only recently reached the front and was assigned to a "quiet" sector due to its inexperience, was overrun by advancing German armored forces. Over 500 members of the division were killed, and over 6,000 were captured.

On December 22, Vonnegut was captured with about 50 other American soldiers.^[23] Vonnegut was taken by boxcar to a prison camp south of Dresden, in the German province of Saxony. During the journey, the Royal Air Force mistakenly attacked the trains carrying Vonnegut and his fellow prisoners of war, killing about 150 of them.^[24] Vonnegut was sent to Dresden, the "first fancy city [he had] ever seen". He lived in a slaughterhouse when he got to the city, and worked in a factory that made malt syrup for pregnant women. Vonnegut recalled the sirens going off whenever another city was bombed. The Germans did not expect Dresden to be bombed, Vonnegut said. "There were very few air-raid shelters in town and no war industries, just cigarette factories, hospitals, clarinet factories."^[25]

Dresden in 1945. More than 90% of the city's center was destroyed.

On February 13, 1945, Dresden became the target of Allied forces. In the hours and days that followed, the Allies engaged in a firebombing of the city.^[22] The offensive subsided on February 15, with about 25,000 civilians killed in the bombing. Vonnegut marveled at the level of both the destruction in Dresden and the secrecy that attended it. He had survived by taking refuge in a meat locker three stories underground.^[8] "It was cool there, with cadavers hanging all around", Vonnegut said. "When we came up the city was gone ... They burnt the whole damn town down."^[25] Vonnegut and other American prisoners were put to work immediately after the bombing, excavating bodies from the rubble.^[26] He described the activity as a "terribly elaborate Easter-egg hunt".^[25]

The American POWs were evacuated on foot to the border of Saxony and Czechoslovakia after US General George S. Patton captured Leipzig. With the captives abandoned by their guards, Vonnegut reached a prisoner-of-war repatriation camp in Le Havre, France, before the end of May 1945, with the aid of the Soviets.^[24] He returned to the United States and continued to serve in the Army, stationed at Fort Riley, Kansas, typing discharge papers for other soldiers.^[27] Soon after he was awarded a Purple Heart, about which he remarked: "I myself was awarded my country's second-lowest decoration, a Purple Heart for frost-bite."^[28] He was discharged from the US Army and returned to Indianapolis.^[29]

Marriage, University of Chicago, and early employment

After he returned to the United States, 22-year-old Vonnegut married Jane Marie Cox, his high-school girlfriend and classmate since kindergarten, on September 1, 1945. The pair relocated to Chicago; there, Vonnegut enrolled in the University of Chicago on the G.I. Bill, as an anthropology student in an unusual five-year joint undergraduate/graduate program that conferred a master's degree. There, he studied under anthropologist Robert Redfield, his "most famous professor".^[30] He augmented his income by working as a reporter for the City News Bureau of Chicago at night. Jane accepted a scholarship from the university to study Russian literature as a graduate student. Jane dropped out of the program after becoming pregnant with the couple's first child, Mark (born May 1947), while Kurt also left the university without any degree (despite having completed his undergraduate education) when his master's thesis on the Ghost Dance religious movement was unanimously rejected by the department.^[c]

Shortly thereafter, General Electric (GE) hired Vonnegut as a technical writer, then publicist,^[32] for the company's Schenectady, New York, research laboratory. Although his work required a college degree, Vonnegut was hired after claiming to hold a master's degree in anthropology from the University of Chicago. His brother Bernard had worked at GE since 1945, contributing significantly to an iodine-based cloud seeding project.

In 1949, Kurt and Jane had a daughter named Edith. Still working for GE, Vonnegut had his first piece, titled "Report on the Barnhouse Effect", published in the February 11, 1950, issue of Collier's, for which he received $750.^[33] Vonnegut wrote another story, after being coached by the fiction editor at Collier's, Knox Burger, and again sold it to the magazine, this time for $950. While Burger supported Vonnegut's writing, he was shocked when Vonnegut quit GE as of January 1, 1951, later stating: "I never said he should give up his job and devote himself to fiction. I don't trust the freelancer's life, it's tough."^[34] Nevertheless, in early 1951 Vonnegut moved with his family to Cape Cod, Massachusetts, to write full time, leaving GE behind.^[35]

First novel

In 1952, Vonnegut's first novel, Player Piano, was published by Scribner's. The novel has a post-Third World War setting, in which factory workers have been replaced by machines.^[36] Player Piano draws upon Vonnegut's experience as an employee at GE. He satirizes the drive to climb the corporate ladder, one that in Player Piano is rapidly disappearing as automation increases, putting even executives out of work. His central character, Paul Proteus, has an ambitious wife, a backstabbing assistant, and a feeling of empathy for the poor. Sent by his boss, Kroner, as a double agent among the poor (who have all the material goods they want, but little sense of purpose), he leads them in a machine-smashing, museum-burning revolution.^[37] Player Piano expresses Vonnegut's opposition to McCarthyism, something made clear when the Ghost Shirts, the revolutionary organization Paul penetrates and eventually leads, is referred to by one character as "fellow travelers".^[38]

In Player Piano, Vonnegut originates many of the techniques he would use in his later works. The comic, heavy-drinking Shah of Bratpuhr, an outsider to this dystopian corporate United States, is able to ask many questions that an insider would not think to ask, or would cause offense by doing so. For example, when taken to see the artificially intelligent supercomputer EPICAC, the Shah asks it "what are people for?" and receives no answer. Speaking for Vonnegut, he dismisses it as a "false god". This type of alien visitor would recur throughout Vonnegut's literature.^[37]

The New York Times writer and critic Granville Hicks gave Player Piano a positive review, favorably comparing it to Aldous Huxley's Brave New World. Hicks called Vonnegut a "sharp-eyed satirist". None of the reviewers considered the novel particularly important. Several editions were printed—one by Bantam with the title Utopia 14, and another by the Doubleday Science Fiction Book Club—whereby Vonnegut gained the repute of a science fiction writer, a genre held in disdain by writers at that time. He defended the genre and deplored a perceived sentiment that "no one can simultaneously be a respectable writer and understand how a refrigerator works".^[36]

Struggling writer

Vonnegut with his wife Jane and children (from left to right): Mark, Edith and Nanette, in 1955

After Player Piano, Vonnegut continued to sell short stories to various magazines. Contracted to produce a second novel (which eventually became Cat's Cradle), he struggled to complete it, and the work languished for years. In 1954, the couple had a third child, Nanette. With a growing family and no financially successful novels yet, Vonnegut's short stories helped to sustain the family, though he frequently needed to find additional sources of income as well. In 1957, he and a partner opened a Saab automobile dealership on Cape Cod, but it went bankrupt by the end of the year.^[39]

In 1958, his sister, Alice, died of cancer two days after her husband, James Carmalt Adams, was killed in a train accident. The Vonneguts took in three of the Adams' young sons—James, Steven, and Kurt, aged 14, 11, and 9, respectively.^[40] A fourth Adams son, Peter (2), also stayed with the Vonneguts for about a year before being given to the care of a paternal relative in Georgia.^[41]

Grappling with family challenges, Vonnegut continued to write, publishing novels vastly dissimilar in terms of plot. The Sirens of Titan (1959) features a Martian invasion of Earth, as experienced by a bored billionaire Malachi Constant. He meets Winston Rumfoord, an aristocratic space traveler, who is virtually omniscient but stuck in a time warp that allows him to appear on Earth every 59 days. The billionaire learns that his actions and the events of all of history are determined by a race of robotic aliens from the planet Tralfamadore, who need a replacement part that can only be produced by an advanced civilization in order to repair their spaceship and return home—human history has been manipulated to produce it. Some human structures, such as the Kremlin, are coded signals from the aliens to their ship as to how long it may expect to wait for the repair to take place. Reviewers were uncertain what to think of the book, with one comparing it to Offenbach's opera The Tales of Hoffmann.^[42]

Rumfoord, who is based on Franklin D. Roosevelt, also physically resembles the former president. Rumfoord is described this way: he "put a cigarette in a long, bone cigarette holder, lighted it. He thrust out his jaw. The cigarette holder pointed straight up."^[43] William Rodney Allen, in his guide to Vonnegut's works, stated that Rumfoord foreshadowed the fictional political figures who would play major roles in God Bless You, Mr. Rosewater and Jailbird.^[44]

Mother Night, published in 1961, received little attention at the time of its publication. Howard W. Campbell Jr., Vonnegut's protagonist, is an American who is raised in Germany from age 11 and joins the Nazi party during the war as a double agent for the US Office of Strategic Services, rising to the regime's highest ranks as a radio propagandist. After the war, the spy agency refuses to clear his name, and he is eventually imprisoned by the Israelis in the same cell block as Adolf Eichmann and later commits suicide. Vonnegut wrote in a foreword to a later edition: "we are what we pretend to be, so we must be careful about what we pretend to be".^[45] Literary critic Lawrence Berkove considered the novel, like Mark Twain's Adventures of Huckleberry Finn, to illustrate the tendency for "impersonators to get carried away by their impersonations, to become what they impersonate and therefore to live in a world of illusion".^[46]

Also published in 1961 was Vonnegut's short story "Harrison Bergeron", set in a dystopic future where all are equal, even if that means disfiguring beautiful people and forcing the strong or intelligent to wear devices that negate their advantages. Fourteen-year-old Harrison is a genius and athlete forced to wear record-level "handicaps" and imprisoned for attempting to overthrow the government. He escapes to a television studio, tears away his handicaps, and frees a ballerina from her lead weights. As they dance, they are killed by the Handicapper General, Diana Moon Glampers.^[47] Vonnegut, in a later letter, suggested that "Harrison Bergeron" might have sprung from his envy and self-pity as a high-school misfit. In his 1976 biography of Vonnegut, Stanley Schatt suggested that the short story shows "in any leveling process, what really is lost, according to Vonnegut, is beauty, grace, and wisdom".^[48] Darryl Hattenhauer, in his 1998 journal article on "Harrison Bergeron", theorized that the story was a satire on American Cold War understandings of communism and socialism.^[48]

With Cat's Cradle (1963), Allen wrote, "Vonnegut hit full stride for the first time".^[49] The narrator, John, intends to write of Dr. Felix Hoenikker, one of the fictional fathers of the atomic bomb, seeking to cover the scientist's human side. Hoenikker, in addition to the bomb, has developed another threat to mankind, "ice-nine", solid water stable at room temperature, but more dense than liquid water. If a particle of ice-nine is dropped in water and sinks, all of the surrounding water eventually becomes ice-nine. Much of the second half of the book is spent on the fictional Caribbean island of San Lorenzo, where John explores a religion called Bokononism, whose holy books (excerpts from which are quoted) give the novel the moral core science does not supply. After the oceans are converted to ice-nine, wiping out most of humankind, John wanders the frozen surface, seeking to save himself and to make sure that his story survives.^[50][51]

Vonnegut based the title character of God Bless You, Mr. Rosewater (1964), on an accountant he knew on Cape Cod, who specialized in clients in trouble and often had to comfort them. Eliot Rosewater, the wealthy son of a Republican senator, seeks to atone for his wartime killing of noncombatant firefighters by serving in a volunteer fire department and by giving away money to those in trouble or need. Stress from a battle for control of his charitable foundation pushes him over the edge, and he is placed in a mental hospital. He recovers and ends the financial battle by declaring the children of his county to be his heirs.^[52] Allen deemed God Bless You, Mr. Rosewater more "a cry from the heart than a novel under its author's full intellectual control", that reflected family and emotional stresses Vonnegut was going through at the time.^[53]

In the mid-1960s, Vonnegut contemplated abandoning his writing career. In 1999, he wrote in The New York Times: "I had gone broke, was out of print and had a lot of kids..." But then, on the recommendation of an admirer, he received a surprise offer of a teaching job at the Iowa Writers' Workshop, employment that he likened to the rescue of a drowning man.^[54]

Slaughterhouse-Five

After spending almost two years at the writer's workshop at the University of Iowa, teaching one course each term, Vonnegut was awarded a Guggenheim Fellowship for research in Germany. By the time he won it, in March 1967, he was becoming a well-known writer. He used the funds to travel in Eastern Europe, including to Dresden, where he found many prominent buildings still in ruins. At the time of the bombing, Vonnegut had not appreciated the sheer scale of destruction in Dresden; his enlightenment came only slowly as information dribbled out, and based on early figures, he came to believe that 135,000 had died there.^[55][d]

Vonnegut had been writing about his war experiences at Dresden ever since he returned from the war, but had never been able to write anything acceptable to himself or his publishers—chapter 1 of Slaughterhouse-Five tells of his difficulties.^[57] Released in 1969, the novel rocketed Vonnegut to fame.^[58] It tells of the life of Billy Pilgrim, who like Vonnegut was born in 1922 and survives the bombing of Dresden. The story is told in a non-linear fashion, with many of the story's climaxes—Billy's death in 1976, his kidnapping by aliens from the planet Tralfamadore nine years earlier, and the execution of Billy's friend Edgar Derby in the ashes of Dresden for stealing a teapot—disclosed in the story's first pages.^[57] In 1970, he was also a correspondent in Biafra during the Nigerian Civil War.^[59][60]

Slaughterhouse-Five received generally positive reviews, with Michael Crichton writing in The New Republic:

"he writes about the most excruciatingly painful things. His novels have attacked our deepest fears of automation and the bomb, our deepest political guilts, our fiercest hatreds and loves. No one else writes books on these subjects; they are inaccessible to normal novelists."^[61]

The book went immediately to the top of The New York Times Best Seller list. Vonnegut's earlier works had appealed strongly to many college students, and the antiwar message of Slaughterhouse-Five resonated with a generation marked by the Vietnam War. He later stated that the loss of confidence in government that Vietnam caused finally allowed an honest conversation regarding events like Dresden.^[58]

Later career and life

After Slaughterhouse-Five was published, Vonnegut embraced the fame and financial security that attended its release. He was hailed as a hero of the burgeoning anti-war movement in the United States, was invited to speak at numerous rallies, and gave college commencement addresses around the country.^[62] In addition to briefly teaching at Harvard University as a lecturer in creative writing in 1970, Vonnegut taught at the City College of New York as a distinguished professor during the 1973–1974 academic year.^[63] He was later elected vice president of the National Institute of Arts and Letters and given honorary degrees by, among others, Indiana University and Bennington College. Vonnegut also wrote a play called Happy Birthday, Wanda June, which opened on October 7, 1970, at New York's Theatre de Lys. Receiving mixed reviews, it closed on March 14, 1971. In 1972, Universal Pictures adapted Slaughterhouse-Five into a film, which the author said was "flawless".^[64]

Meanwhile, Vonnegut's personal life was disintegrating. His wife Jane had embraced Christianity, which was contrary to Vonnegut's atheistic beliefs, and with five of their six children having left home, Vonnegut said that the two were forced to find "other sorts of seemingly important work to do". The couple battled over their differing beliefs until Vonnegut moved from their Cape Cod home to New York in 1971. Vonnegut called the disagreements "painful" and said that the resulting split was a "terrible, unavoidable accident that we were ill-equipped to understand".^[62] The couple divorced but remained friends until Jane's death in late 1986.^[65][62] Beyond his marriage, he was deeply affected when his son Mark suffered a mental breakdown in 1972, which exacerbated Vonnegut's chronic depression and led him to take Ritalin. When he stopped taking the drug in the mid-1970s, he began to see a psychologist weekly.^[64]

Vonnegut's difficulties materialized in numerous ways; most distinctly though, was the painfully slow progress he was making on his next novel, the darkly comical Breakfast of Champions. In 1971, Vonnegut stopped writing the novel altogether.^[64] When it was finally released in 1973, it was panned critically. In Thomas S. Hischak's book American Literature on Stage and Screen, Breakfast of Champions was called "funny and outlandish", but reviewers noted that it "lacks substance and seems to be an exercise in literary playfulness".^[67] Vonnegut's 1976 novel Slapstick, which meditates on the relationship between him and his sister (Alice), met a similar fate. In The New York Times's review of Slapstick, Christopher Lehmann-Haupt said that Vonnegut "seems to be putting less effort into [storytelling] than ever before" and that "it still seems as if he has given up storytelling after all".^[68] At times, Vonnegut was disgruntled by the personal nature of his detractors' complaints.^[64]

In 1979, Vonnegut married Jill Krementz, a photographer whom he met while she was working on a series about writers in the early 1970s. With Jill, he adopted a daughter, Lily, when the baby was three days old.^[69] In subsequent years, his popularity resurged as he published several satirical books, including Jailbird (1979), Deadeye Dick (1982), Galápagos (1985), Bluebeard (1987), and Hocus Pocus (1990).^[70] Although he remained a prolific writer in the 1980s, Vonnegut struggled with depression and attempted suicide in 1984.^[71] Two years later, Vonnegut was seen by a younger generation when he played himself in Rodney Dangerfield's film Back to School.^[72] The last of Vonnegut's fourteen novels, Timequake (1997), was, as University of Detroit history professor and Vonnegut biographer Gregory Sumner said, "a reflection of an aging man facing mortality and testimony to an embattled faith in the resilience of human awareness and agency".^[70] Vonnegut's final book, a collection of essays entitled A Man Without a Country (2005), became a bestseller.^[66]

Death and legacy

Kurt Vonnegut Museum and Library in 2022

In a 2006 Rolling Stone interview, Vonnegut sardonically stated that he would sue the Brown & Williamson tobacco company, the maker of the Pall Mall-branded cigarettes he had been smoking since he was around 12 or 14 years old, for false advertising: "And do you know why? Because I'm 83 years old. The lying bastards! On the package Brown & Williamson promised to kill me."^[73]

Vonnegut died in the Manhattan borough of New York City on the night of April 11, 2007, as a result of brain injuries incurred several weeks prior, from a fall at his brownstone home.^[66][74] His death was reported by his wife Jill. He was 84 years old.^[66] At the time of his death, he had written fourteen novels, three short-story collections, five plays, and five nonfiction books.^[73] A book composed of his unpublished pieces, Armageddon in Retrospect, was compiled and posthumously published by his son Mark in 2008.^[75]

When asked about the impact Vonnegut had on his work, author Josip Novakovich stated that he has "much to learn from Vonnegut—how to compress things and yet not compromise them, how to digress into history, quote from various historical accounts, and not stifle the narrative. The ease with which he writes is sheerly masterly, Mozartian."^[76] Los Angeles Times columnist Gregory Rodriguez said that the author will "rightly be remembered as a darkly humorous social critic and the premier novelist of the counterculture",^[77] and Dinitia Smith of The New York Times dubbed Vonnegut the "counterculture's novelist".^[66]

Vonnegut has inspired numerous posthumous tributes and works. In 2008, the Kurt Vonnegut Society^[78] was established, and in November 2010, the Kurt Vonnegut Museum and Library was opened in Vonnegut's hometown of Indianapolis. The Library of America published a compendium of Vonnegut's compositions between 1963 and 1973 the following April, and another compendium of his earlier works in 2012. Late 2011 saw the release of two Vonnegut biographies: Gregory Sumner's Unstuck in Time and Charles J. Shields's And So It Goes.^[79] Shields's biography of Vonnegut created some controversy. According to The Guardian, the book portrays Vonnegut as distant, cruel and nasty. "Cruel, nasty and scary are the adjectives commonly used to describe him by the friends, colleagues, and relatives Shields quotes", said The Daily Beast's Wendy Smith. "Towards the end he was very feeble, very depressed and almost morose", said Jerome Klinkowitz of the University of Northern Iowa, who has examined Vonnegut in depth.^[80]

Vonnegut's works have evoked ire on several occasions. His most prominent novel, Slaughterhouse-Five, has been objected to or removed at various institutions in at least 18 instances.^[81] In the case of Island Trees School District v. Pico, the United States Supreme Court ruled that a school district's ban on Slaughterhouse-Five—which the board had called "anti-American, anti-Christian, anti-Semitic, and just plain filthy"—and eight other novels was unconstitutional. When a school board in Republic, Missouri, decided to withdraw Vonnegut's novel from its libraries, the Kurt Vonnegut Memorial Library offered a free copy to all the students of the district.^[81]

Tally, writing in 2013, suggests that Vonnegut has only recently become the subject of serious study rather than fan adulation, and much is yet to be written about him. "The time for scholars to say 'Here's why Vonnegut is worth reading' has definitively ended, thank goodness. We know he's worth reading. Now tell us things we don't know."^[82] Todd F. Davis notes that Vonnegut's work is kept alive by his loyal readers, who have "significant influence as they continue to purchase Vonnegut's work, passing it on to subsequent generations and keeping his entire canon in print—an impressive list of more than twenty books that [Dell Publishing] has continued to refurbish and hawk with new cover designs."^[83] Donald E. Morse notes that Vonnegut "is now firmly, if somewhat controversially, ensconced in the American and world literary canon as well as in high school, college and graduate curricula".^[84] Tally writes of Vonnegut's work:^[85]

Vonnegut's 14 novels, while each does its own thing, together are nevertheless experiments in the same overall project. Experimenting with the form of the American novel itself, Vonnegut engages in a broadly modernist attempt to apprehend and depict the fragmented, unstable, and distressing bizarreries of postmodern American experience ... That he does not actually succeed in representing the shifting multiplicities of that social experience is beside the point. What matters is the attempt, and the recognition that ... we must try to map this unstable and perilous terrain, even if we know in advance that our efforts are doomed.

The Science Fiction and Fantasy Hall of Fame inducted Vonnegut posthumously in 2015.^[86][87] The asteroid 25399 Vonnegut is named in his honor.^[88] A crater on the planet Mercury has also been named in his honor.^[89] In 2021, the Kurt Vonnegut Museum and Library in Indianapolis was designated a Literary Landmark by the Literary Landmarks Association.^[90] In 1986, the University of Evansville library located in Evansville, Indiana was named after Vonnegut, where he spoke during the dedication ceremony.

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Kurt Vonnegut Sr.

Kurt Vonnegut Sr.

Kurt Vonnegut Sr. was an American architect and architectural lecturer active in early- to mid-twentieth-century Indianapolis, Indiana. A member of the American Institute of Architects, he was partner in the firms of Vonnegut & Bohn, Vonnegut, Bohn & Mueller, and Vonnegut, Wright, and Yeager. He designed several churches, banks, and became the in-house architect for Indiana Bell and Hooks Drug stores, practicing extensively in the Art Deco style. He was the father of chemist Bernard Vonnegut and author Kurt Vonnegut Jr.

Bernard Vonnegut

Bernard Vonnegut

Bernard Vonnegut was an American atmospheric scientist credited with discovering that silver iodide could be used effectively in cloud seeding to produce snow and rain. He was the older brother of American novelist Kurt Vonnegut.

Clemens Vonnegut

Clemens Vonnegut

Clemens Vonnegut Sr. was a German emigrant to the United States and successful businessman. He was the patriarch of the prominent German-American Vonnegut clan of Indiana – he was the father and grandfather of architects Bernard Vonnegut I and Kurt Vonnegut Sr., respectively, and great-grandfather of scientist Bernard Vonnegut and author Kurt Vonnegut Jr.

Bernard Vonnegut I

Bernard Vonnegut I

Bernard Vonnegut I, WAA, FAIA, was an American lecturer and architect active in late-nineteenth and early-twentieth-century Indiana. He was a co-founder of the locally renowned Indianapolis architectural firm of Vonnegut and Bohn, and was active in a range of residential, religious, institutional, civic, and commercial commissions. He is the namesake and grandfather of scientist Bernard Vonnegut, father of the architect Kurt Vonnegut Sr., and grandfather of author Kurt Vonnegut.

Athenæum (Das Deutsche Haus)

Athenæum (Das Deutsche Haus)

The Athenæum, originally named Das Deutsche Haus, is the most ornate and best-preserved building affiliated with the German American community of Indianapolis. Once used as a German American Turnverein and clubhouse, it currently houses many groups, organizations, and businesses. The Athenæum is located across Massachusetts Avenue from the Old National Centre. It was placed on the National Register of Historic Places on February 21, 1973. On October 31, 2016, it was named the 41st National Historic Landmark in Indiana.

Bell Telephone Company

Bell Telephone Company

The Bell Telephone Company was organized in Boston, Massachusetts, on July 9, 1877, by Alexander Graham Bell's father-in-law Gardiner Greene Hubbard, who also helped organize the New England Telephone and Telegraph Company. A common law joint-stock company, the Bell Telephone Company was started on the basis of holding "potentially valuable patents", principally Bell's master telephone patent #174465. Upon its inception, the Bell Telephone Company was organized with Hubbard as trustee, although he was additionally its de facto president, since he also controlled his daughter's shares by power of attorney, and with Thomas Sanders, its principal financial backer, as treasurer.

Fletcher Trust Building

Fletcher Trust Building

Fletcher Trust Building, officially known as the Hilton Garden Inn Indianapolis Downtown, is a hotel high-rise in Indianapolis, Indiana. The building rises 16 floors and 218 feet (66 m) in height, and is currently the 22nd-tallest building in the city. The structure was completed in 1915. The Fletcher Trust Building currently is home to an Indianapolis branch of Hilton Garden Inn.

Great Depression

Great Depression

The Great Depression (1929–1939) was an economic shock that impacted most countries across the world. It was a period of economic depression that became evident after a major fall in stock prices in the United States. The economic contagion began around September and led to the Wall Street stock market crash of October 24. It was the longest, deepest, and most widespread depression of the 20th century.

James Whitcomb Riley

James Whitcomb Riley

James Whitcomb Riley was an American writer, poet, and best-selling author. During his lifetime he was known as the "Hoosier Poet" and "Children's Poet" for his dialect works and his children's poetry. His poems tend to be humorous or sentimental. Of the approximately 1,000 poems Riley wrote, the majority are in dialect. His famous works include "Little Orphant Annie" and "The Raggedy Man".

Hydrochloric acid

Hydrochloric acid

Hydrochloric acid, also known as muriatic acid, is an aqueous solution of hydrogen chloride. It is a colorless solution with a distinctive pungent smell. It is classified as a strong acid. It is a component of the gastric acid in the digestive systems of most animal species, including humans. Hydrochloric acid is an important laboratory reagent and industrial chemical.

Collier's

Collier's

Collier's was an American general interest magazine founded in 1888 by Peter Fenelon Collier. It was launched as Collier's Once a Week, then renamed in 1895 as Collier's Weekly: An Illustrated Journal, shortened in 1905 to Collier's: The National Weekly and eventually to simply Collier's. The magazine ceased publication with the issue dated the week ending January 4, 1957, although a brief, failed attempt was made to revive the Collier's name with a new magazine in 2012.

War

In the introduction to Slaughterhouse-Five, Vonnegut recounts meeting the film producer Harrison Starr at a party, who asked him whether his forthcoming book was an anti-war novel—"I guess", replied Vonnegut. Starr responded: "Why don't you write an anti-glacier novel?" This underlined Vonnegut's belief that wars were, unfortunately, inevitable, but that it was important to ensure the wars one fought were just wars.

A large painting of Vonnegut on Massachusetts Avenue, Indianapolis, blocks away from the Kurt Vonnegut Museum and the Rathskeller, which was designed by his family's architecture firm

In 2011, NPR wrote: "Kurt Vonnegut's blend of anti-war sentiment and satire made him one of the most popular writers of the 1960s." Vonnegut stated in a 1987 interview: "my own feeling is that civilization ended in World War I, and we're still trying to recover from that", and that he wanted to write war-focused works without glamorizing war itself.^[91] Vonnegut had not intended to publish again, but his anger against the George W. Bush administration led him to write A Man Without a Country.^[92]

Slaughterhouse-Five is the Vonnegut novel best known for its antiwar themes, but the author expressed his beliefs in ways beyond the depiction of the destruction of Dresden. One character, Mary O'Hare, opines that "wars were partly encouraged by books and movies", starring "Frank Sinatra or John Wayne or some of those other glamorous, war-loving, dirty old men".^[93] Vonnegut made a number of comparisons between Dresden and the bombing of Hiroshima in Slaughterhouse-Five^[94] and wrote in Palm Sunday (1991): "I learned how vile that religion of mine could be when the atomic bomb was dropped on Hiroshima".^[95]

Nuclear war, or at least deployed nuclear arms, is mentioned in almost all of Vonnegut's novels. In Player Piano, the computer EPICAC is given control of the nuclear arsenal and is charged with deciding whether to use high-explosive or nuclear arms. In Cat's Cradle, John's original purpose in setting pen to paper was to write an account of what prominent Americans had been doing as Hiroshima was bombed.^[96]

Religion

Vonnegut was an atheist, a humanist and a freethinker, serving as the honorary president of the American Humanist Association.^[98][99] In an interview for Playboy, he stated that his forebears who came to the United States did not believe in God, and he learned his atheism from his parents.^[100] He did not, however, disdain those who seek the comfort of religion, hailing church associations as a type of extended family.^[101] He occasionally attended a Unitarian church, but with little consistency. In his autobiographical work Palm Sunday, Vonnegut says that he is a "Christ-worshipping agnostic";^[102] in a speech to the Unitarian Universalist Association, he called himself a "Christ-loving atheist". However, he was keen to stress that he was not a Christian.^[103]

Vonnegut was an admirer of Jesus' Sermon on the Mount, particularly the Beatitudes, and incorporated it into his own doctrines.^[104] He also referred to it in many of his works.^[105] In his 1991 book Fates Worse than Death, Vonnegut suggests that during the Reagan administration, "anything that sounded like the Sermon on the Mount was socialistic or communistic, and therefore anti-American".^[106] In Palm Sunday, he wrote that "the Sermon on the Mount suggests a mercifulness that can never waver or fade".^[106] However, Vonnegut had a deep dislike for certain aspects of Christianity, often reminding his readers of the bloody history of the Crusades and other religion-inspired violence. He despised the televangelists of the late 20th century, feeling that their thinking was narrow-minded.^[107]

Religion features frequently in Vonnegut's work, both in his novels and elsewhere. He laced a number of his speeches with religion-focused rhetoric^[97][98] and was prone to using such expressions as "God forbid" and "thank God".^[99][108] He once wrote his own version of the Requiem Mass, which he then had translated into Latin and set to music.^[103] In God Bless You, Dr. Kevorkian, Vonnegut goes to heaven after he is euthanized by Dr. Jack Kevorkian. Once in heaven, he interviews 21 deceased celebrities, including Isaac Asimov, William Shakespeare, and Kilgore Trout—the last a fictional character from several of his novels.^[109] Vonnegut's works are filled with characters founding new faiths,^[107] and religion often serves as a major plot device, for example, in Player Piano, The Sirens of Titan and Cat's Cradle. In The Sirens of Titan, Rumfoord proclaims The Church of God the Utterly Indifferent. Slaughterhouse-Five sees Billy Pilgrim, lacking religion himself, nevertheless become a chaplain's assistant in the military and display a large crucifix on his bedroom wall.^[110] In Cat's Cradle, Vonnegut invented the religion of Bokononism.^[111]

Politics

Vonnegut's thoughts on politics were shaped in large part by Robert Redfield, an anthropologist at the University of Chicago, co-founder of the Committee on Social Thought, and one of Vonnegut's professors during his time at the university. In a commencement address, Vonnegut remarked that "Dr. Redfield's theory of the Folk Society ... has been the starting point for my politics, such as they are".^[112] Vonnegut did not particularly sympathize with liberalism or conservatism and mused on the specious simplicity of American politics, saying facetiously: "If you want to take my guns away from me, and you're all for murdering fetuses, and love it when homosexuals marry each other ... you're a liberal. If you are against those perversions and for the rich, you're a conservative. What could be simpler?"^[113] Regarding political parties, Vonnegut said: "The two real political parties in America are the Winners and the Losers. The people don't acknowledge this. They claim membership in two imaginary parties, the Republicans and the Democrats, instead."^[114]

Vonnegut disregarded more mainstream American political ideologies in favor of socialism, which he thought could provide a valuable substitute for what he saw as social Darwinism and a spirit of "survival of the fittest" in American society,^[115] believing that "socialism would be a good for the common man".^[116] Vonnegut would often return to a quote by socialist and five-time presidential candidate Eugene V. Debs: "As long as there is a lower class, I am in it. As long as there is a criminal element, I'm of it. As long as there is a soul in prison, I am not free."^[117][118] Vonnegut expressed disappointment that communism and socialism seemed to be unsavory topics to the average American and believed that they offered beneficial substitutes to contemporary social and economic systems.^[119]

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Just war theory

Just war theory

The just war theory is a doctrine, also referred to as a tradition, of military ethics which is studied by military leaders, theologians, ethicists and policy makers. The purpose of the doctrine is to ensure that a war is morally justifiable through a series of criteria, all of which must be met for a war to be considered just. The criteria are split into two groups: jus ad bellum and jus in bello. The first group of criteria concerns the morality of going to war, and the second group of criteria concerns the moral conduct within war. There have been calls for the inclusion of a third category of just war theory dealing with the morality of post-war settlement and reconstruction. The just war theory postulates the belief that war, while it is terrible but less so with the right conduct, is not always the worst option. Important responsibilities, undesirable outcomes, or preventable atrocities may justify war.

Massachusetts Avenue, Indianapolis

Massachusetts Avenue, Indianapolis

NPR

NPR

National Public Radio is an American nonprofit media organization headquartered in Washington, D.C., with its NPR West headquarters in Culver City, California. It serves as a national syndicator to a network of over 1,000 public radio stations in the United States. It differs from other non-profit membership media organizations such as the Associated Press, in that it was established by an act of Congress.

Presidency of George W. Bush

Presidency of George W. Bush

George W. Bush's tenure as the 43rd president of the United States began with his first inauguration on January 20, 2001, and ended on January 20, 2009. Bush, a Republican from Texas, took office following a narrow victory over Democratic incumbent vice president Al Gore in the 2000 presidential election. Four years later, in the 2004 presidential election, he defeated Democrat nominee John Kerry to win re-election. Bush was succeeded by Democrat Barack Obama, who won the 2008 presidential election.

Frank Sinatra

Frank Sinatra

Francis Albert Sinatra was an American singer and actor. Nicknamed the "Chairman of the Board" and later called "Ol' Blue Eyes", Sinatra was one of the most popular entertainers of the 1940s, 1950s, and 1960s. He is among the world's best-selling music artists with an estimated 150 million record sales.

John Wayne

John Wayne

Marion Robert Morrison, professionally known as John Wayne and nicknamed The Duke or Duke Wayne, was an American actor who became a popular icon through his starring roles in films which were produced during Hollywood's Golden Age, especially through his starring roles in Western and war movies. His career flourished from the silent era of the 1920s through the American New Wave, as he appeared in a total of 179 film and television productions. He was among the top box-office draws for three decades, and he appeared with many other important Hollywood stars of his era. In 1999, the American Film Institute selected Wayne as one of the greatest male stars of classic American cinema.

God Bless You, Dr. Kevorkian

God Bless You, Dr. Kevorkian

God Bless You, Dr. Kevorkian, by Kurt Vonnegut, is a collection of short fictional interviews written by Vonnegut and first broadcast on WNYC. The title parodies that of Vonnegut's 1965 novel God Bless You, Mr. Rosewater. It was published in book form in 1999.

Humanism

Humanism

Humanism is a philosophical stance that emphasizes the individual and social potential, and agency of human beings, whom it considers the starting point for serious moral and philosophical inquiry.

Freethought

Freethought

Freethought is an epistemological viewpoint which holds that beliefs should not be formed on the basis of authority, tradition, revelation, or dogma, and that beliefs should instead be reached by other methods such as logic, reason, and empirical observation. According to the Oxford English Dictionary, a freethinker is "a person who forms their own ideas and opinions rather than accepting those of other people, especially in religious teaching." In some contemporary thought in particular, free thought is strongly tied with rejection of traditional social or religious belief systems. The cognitive application of free thought is known as "freethinking", and practitioners of free thought are known as "freethinkers". Modern freethinkers consider free thought to be a natural freedom from all negative and illusive thoughts acquired from society.

American Humanist Association

American Humanist Association

The American Humanist Association (AHA) is a non-profit organization in the United States that advances secular humanism.

Playboy

Playboy

Playboy is an American men's lifestyle and entertainment magazine, formerly in print and currently online. It was founded in Chicago in 1953, by Hugh Hefner and his associates, and funded in part by a $1,000 loan from Hefner's mother.

Sermon on the Mount

Sermon on the Mount

The Sermon on the Mount is a collection of sayings attributed to Jesus of Nazareth found in the Gospel of Matthew that emphasizes his moral teachings. It is the first of five discourses in the Gospel and has been one of the most widely quoted sections of the Gospels.

Influences

Vonnegut's writing was inspired by an eclectic mix of sources. When he was younger, Vonnegut stated that he read works of pulp fiction, science fiction, fantasy, and action-adventure. He also read the classics, such as the plays of Aristophanes—like Vonnegut's works, humorous critiques of contemporary society.^[120] Vonnegut's life and work also share similarities with that of Adventures of Huckleberry Finn writer Mark Twain. Both shared pessimistic outlooks on humanity and a skeptical take on religion and, as Vonnegut put it, were both "associated with the enemy in a major war", as Twain briefly enlisted in the South's cause during the American Civil War, and Vonnegut's German name and ancestry connected him with the United States' enemy in both world wars.^[121] He also cited Ambrose Bierce as an influence, calling "An Occurrence at Owl Creek Bridge" the greatest American short story and deeming any who disagreed or had not read the story "twerps".^[122]

Vonnegut called George Orwell his favorite writer and admitted that he tried to emulate Orwell. "I like his concern for the poor, I like his socialism, I like his simplicity", Vonnegut said.^[123] Vonnegut also said that Orwell's Nineteen Eighty-Four and Brave New World by Aldous Huxley heavily influenced his debut novel, Player Piano, in 1952. Vonnegut commented that Robert Louis Stevenson's stories were emblems of thoughtfully put together works that he tried to mimic in his own compositions.^[101] Vonnegut also hailed playwright and socialist George Bernard Shaw as "a hero of [his]" and an "enormous influence".^[124] Within his own family, Vonnegut stated that his mother, Edith, had the greatest influence on him. "[My] mother thought she might make a new fortune by writing for the slick magazines. She took short-story courses at night. She studied writers the way gamblers study horses."^[125]

Early on in his career, Vonnegut decided to model his style after Henry David Thoreau, who wrote as if from the perspective of a child, allowing Thoreau's works to be more widely comprehensible.^[121] Using a youthful narrative voice allowed Vonnegut to deliver concepts in a modest and straightforward way.^[126] Other influences on Vonnegut include The War of the Worlds author H. G. Wells and satirist Jonathan Swift. Vonnegut credited American journalist and critic H. L. Mencken for inspiring him to become a journalist.^[101]

Style and technique

The book Pity the Reader: On Writing with Style by Kurt Vonnegut and his longtime friend and former student Suzanne McConnell, published posthumously by Rosetta Books and Seven Stories Press in 2019, delves into the style, humor, and methodologism employed by Vonnegut, including his belief that one should "Write like a human being. Write like a writer."^[127][128]

In his book Popular Contemporary Writers, Michael D. Sharp describes Vonnegut's linguistic style as straightforward; his sentences concise, his language simple, his paragraphs brief, and his ordinary tone conversational.^[117] Vonnegut uses this style to convey normally complex subject matter in a way that is intelligible to a large audience. He credited his time as a journalist for his ability, pointing to his work with the Chicago City News Bureau, which required him to convey stories in telephone conversations.^[129][117] Vonnegut's compositions are also laced with distinct references to his own life, notably in Slaughterhouse-Five and Slapstick.^[130]

Vonnegut believed that ideas, and the convincing communication of those ideas to the reader, were vital to literary art. He did not always sugarcoat his points: much of Player Piano leads up to the moment when Paul, on trial and hooked up to a lie detector, is asked to tell a falsehood, and states: "every new piece of scientific knowledge is a good thing for humanity".^[131] Robert T. Tally Jr., in his volume on Vonnegut's novels, wrote: "rather than tearing down and destroying the icons of twentieth-century, middle-class American life, Vonnegut gently reveals their basic flimsiness".^[132] Vonnegut did not simply propose utopian solutions to the ills of American society, but showed how such schemes would not allow ordinary people to live lives free from want and anxiety. The large artificial families that the US population is formed into in Slapstick soon serve as an excuse for tribalism, with people giving no help to those not part of their group, and with the extended family's place in the social hierarchy becoming vital.^[133]

In the introduction to their essay "Kurt Vonnegut and Humor", Tally and Peter C. Kunze suggest that Vonnegut was not a "black humorist", but a "frustrated idealist" who used "comic parables" to teach the reader absurd, bitter or hopeless truths, with his grim witticisms serving to make the reader laugh rather than cry. "Vonnegut makes sense through humor, which is, in the author's view, as valid a means of mapping this crazy world as any other strategies."^[134] Vonnegut resented being called a black humorist, feeling that, as with many literary labels, it allows readers to disregard aspects of a writer's work that do not fit the label's stereotype.^[135]

Vonnegut's works have, at various times, been labeled science fiction, satire and postmodern.^[136] He also resisted such labels, but his works do contain common tropes that are often associated with those genres. In several of his books, Vonnegut imagines alien societies and civilizations, as is common in works of science fiction. Vonnegut does this to emphasize or exaggerate absurdities and idiosyncrasies in our own world.^[137] Furthermore, Vonnegut often humorizes the problems that plague societies, as is done in satirical works. However, literary theorist Robert Scholes noted in Fabulation and Metafiction that Vonnegut "reject[s] the traditional satirist's faith in the efficacy of satire as a reforming instrument. [He has] a more subtle faith in the humanizing value of laughter."^[138] Examples of postmodernism may also be found in Vonnegut's works.

Postmodernism often entails a response to the theory that the truths of the world will be discovered through science.^[135] Postmodernists contend that truth is subjective, rather than objective, as it is biased towards each individual's beliefs and outlook on the world. They often use unreliable, first-person narration, and narrative fragmentation. One critic has argued that Vonnegut's most famous novel, Slaughterhouse-Five, features a metafictional, Janus-headed outlook, as it seeks to represent actual historical events while problematizing the very notion of doing exactly that. This is encapsulated in the opening lines of the novel: "All this happened, more or less. The war parts, anyway, are pretty much true." This bombastic opening—"All this happened"—"reads like a declaration of complete mimesis", which is radically called into question in the rest of the quote and "[t]his creates an integrated perspective that seeks out extratextual themes [like war and trauma] while thematizing the novel's textuality and inherent constructedness at one and the same time".^[139] While Vonnegut does use elements as fragmentation and metafictional elements, in some of his works, he more distinctly focuses on the peril posed by individuals who find subjective truths, mistake them for objective truths, then proceed to impose these truths on others.^[140]

Themes

Vonnegut was a vocal critic of American society, and this was reflected in his writings. Several key social themes recur in Vonnegut's works, such as wealth, the lack of it, and its unequal distribution among a society. In The Sirens of Titan, the novel's protagonist, Malachi Constant, is exiled to Saturn's moon Titan as a result of his vast wealth, which has made him arrogant and wayward.^[141] In God Bless You, Mr. Rosewater, readers may find it difficult to determine whether the rich or the poor are in worse circumstances, as the lives of both groups' members are ruled by their wealth or their poverty.^[123] Further, in Hocus Pocus, the protagonist is named Eugene Debs Hartke, a homage to the famed socialist Eugene V. Debs and Vonnegut's socialist views.^[117]

In Kurt Vonnegut: A Critical Companion, Thomas F. Marvin states: "Vonnegut points out that, left unchecked, capitalism will erode the democratic foundations of the United States." Marvin suggests that Vonnegut's works demonstrate what happens when a "hereditary aristocracy" develops, where wealth is inherited along familial lines: the ability of poor Americans to overcome their situations is greatly or completely diminished.^[123] Vonnegut also often laments social Darwinism and a "survival of the fittest" view of society. He points out that social Darwinism leads to a society that condemns its poor for their own misfortune and fails to help them out of their poverty because "they deserve their fate".^[115]

Vonnegut also confronts the idea of free will in a number of his pieces. In Slaughterhouse-Five and Timequake the characters have no choice in what they do; in Breakfast of Champions, characters are very obviously stripped of their free will and even receive it as a gift; and in Cat's Cradle, Bokononism views free will as heretical.^[101]

The majority of Vonnegut's characters are estranged from their actual families and seek to build replacement or extended families. For example, the engineers in Player Piano called their manager's spouse "Mom". In Cat's Cradle, Vonnegut devises two separate methods for loneliness to be combated: A "karass", which is a group of individuals appointed by God to do his will, and a "granfalloon", defined by Marvin as a "meaningless association of people, such as a fraternal group or a nation".^[142] Similarly, in Slapstick, the US government codifies that all Americans are a part of large extended families.^[119]

Fear of the loss of one's purpose in life is a theme in Vonnegut's works. The Great Depression forced Vonnegut to witness the devastation many people felt when they lost their jobs, and while at General Electric, Vonnegut witnessed machines being built to take the place of human labor. He confronts these things in his works through references to the growing use of automation and its effects on human society. This is most starkly represented in his first novel, Player Piano, where many Americans are left purposeless and unable to find work, as machines replace human workers. Loss of purpose is also depicted in Galápagos, where a florist rages at her spouse for creating a robot able to do her job, and in Timequake, where an architect kills himself when replaced by computer software.^[143]

Suicide by fire is another common theme in Vonnegut's works; the author often returns to the theory that "many people are not fond of life". He uses this as an explanation for why humans have so severely damaged their environments and made devices such as nuclear weapons that can make their creators extinct.^[119] In Deadeye Dick, Vonnegut features the neutron bomb, which he claims is designed to kill people, but leave buildings and structures untouched. He also uses this theme to demonstrate the recklessness of those who put powerful, apocalypse-inducing devices at the disposal of politicians.^[144]

"What is the point of life?" is a question Vonnegut often pondered in his works. When one of Vonnegut's characters, Kilgore Trout, finds the question "What is the purpose of life?" written in a bathroom, his response is: "To be the eyes and ears and conscience of the Creator of the Universe, you fool." Marvin finds Trout's theory curious, given that Vonnegut was an atheist, and thus for him, there is no Creator to report back to, and comments that, "[as] Trout chronicles one meaningless life after another, readers are left to wonder how a compassionate creator could stand by and do nothing while such reports come in". In the epigraph to Bluebeard, Vonnegut quotes his son Mark and gives an answer to what he believes is the meaning of life: "We are here to help each other get through this thing, whatever it is."^[142]

Awards and nominations

• 1953 International Fantasy Award nomination: Player Piano
• 1960 Writers Guild of America Award: "Auf Wiedersehen"
• 1960 Hugo Award for Best Novel finalist: The Sirens of Titan
• 1964 Hugo Award for Best Novel finalist: Cat's Cradle
• 1970 Nebula Award nomination: Slaughterhouse-Five
• 1970 Hugo Award for Best Novel finalist: Slaughterhouse-Five
• 1971 Drama Desk Award for Outstanding New Play: Happy Birthday Wanda June
• 1973 Seiun Award winner for foreign novel: The Sirens of Titan
• 1973 Hugo Award for Best Dramatic Presentation winner: Slaughterhouse-Five
• 1986 John W. Campbell Award second place: Galapagos
• 2009 Audie Award for Short Stories/Collections: Armageddon in Retrospect
• 2015 Science Fiction and Fantasy Hall of Fame from the Science Fiction Museum
• 2019 Prometheus Hall of Fame award for "Harrison Bergeron" from the Libertarian Futurist Society

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Classics

Classics

Classics or classical studies is the study of classical antiquity. In the Western world, classics traditionally refers to the study of Classical Greek and Roman literature and their related original languages, Ancient Greek and Latin. Classics also includes Greco-Roman philosophy, history, archaeology, anthropology, art, mythology and society as secondary subjects.

Aristophanes

Aristophanes

Aristophanes, son of Philippus, of the deme Kydathenaion, was a comic playwright or comedy-writer of ancient Athens and a poet of Old Attic Comedy. Eleven of his forty plays survive virtually complete. These provide the most valuable examples of a genre of comic drama known as Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries.

Adventures of Huckleberry Finn

Adventures of Huckleberry Finn

Adventures of Huckleberry Finn is a novel by American author Mark Twain, which was first published in the United Kingdom in December 1884 and in the United States in February 1885.

American Civil War

American Civil War

The American Civil War was a civil war in the United States. It was fought between the Union and the Confederacy, the latter formed by states that had seceded. The central cause of the war was the dispute over whether slavery would be permitted to expand into the western territories, leading to more slave states, or be prevented from doing so, which was widely believed would place slavery on a course of ultimate extinction.

Ambrose Bierce

Ambrose Bierce

Ambrose Gwinnett Bierce was an American short story writer, journalist, poet, and American Civil War veteran. His book The Devil's Dictionary was named as one of "The 100 Greatest Masterpieces of American Literature" by the American Revolution Bicentennial Administration. His story "An Occurrence at Owl Creek Bridge" has been described as "one of the most famous and frequently anthologized stories in American literature", and his book Tales of Soldiers and Civilians was named by the Grolier Club as one of the 100 most influential American books printed before 1900.

An Occurrence at Owl Creek Bridge

An Occurrence at Owl Creek Bridge

"An Occurrence at Owl Creek Bridge" (1890) is a short story by the American writer and Civil War veteran Ambrose Bierce. Described as "one of the most famous and frequently anthologized stories in American literature", it was originally published by The San Francisco Examiner on July 13, 1890, and was first collected in Bierce's book Tales of Soldiers and Civilians (1891). The story, which is set during the American Civil War, is known for its irregular time sequence and twist ending. Bierce's abandonment of strict linear narration in favor of the internal mind of the protagonist is an early example of the stream of consciousness narrative mode.

George Orwell

George Orwell

Eric Arthur Blair, better known by his pen name George Orwell, was an English novelist, essayist, journalist, and critic. His work is characterised by lucid prose, social criticism, opposition to totalitarianism, and support of democratic socialism.

Debut novel

Debut novel

A debut novel is the first novel a novelist publishes. Debut novels are often the author's first opportunity to make an impact on the publishing industry, and thus the success or failure of a debut novel can affect the ability of the author to publish in the future. First-time novelists without a previous published reputation, such as publication in nonfiction, magazines, or literary journals, typically struggle to find a publisher.

George Bernard Shaw

George Bernard Shaw

George Bernard Shaw, known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

H. G. Wells

H. G. Wells

Herbert George Wells was an English writer. Prolific in many genres, he wrote more than fifty novels and dozens of short stories. His non-fiction output included works of social commentary, politics, history, popular science, satire, biography and autobiography. Wells is now best remembered for his science fiction novels and has been called the "father of science fiction."

H. L. Mencken

H. L. Mencken

Henry Louis Mencken was an American journalist, essayist, satirist, cultural critic, and scholar of American English. He commented widely on the social scene, literature, music, prominent politicians, and contemporary movements. His satirical reporting on the Scopes Trial, which he dubbed the "Monkey Trial", also gained him attention. The term "Menckenian" has entered multiple dictionaries to describe anything of or pertaining to Mencken, including his combative rhetorical and prose style.

Gavin Extence

Gavin Extence

Gavin Extence is an English writer. Extence won the Waterstones 11 literary prize for his first book The Universe Versus Alex Woods (2013). He has a PhD in Film studies, is married, has a daughter and is also a keen chess player.

Unless otherwise cited, items in this list are taken from Thomas F. Marvin's 2002 book Kurt Vonnegut: A Critical Companion, and the date in parentheses is the date the work was published:^[145]

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Cat's Cradle

Cat's Cradle

Cat's Cradle is a satirical postmodern novel, with science fiction elements, by American writer Kurt Vonnegut. Vonnegut's fourth novel, it was first published in 1963, exploring and satirizing issues of science, technology, the purpose of religion, and the arms race, often through the use of black humor. After turning down his original thesis in 1947, the University of Chicago awarded Vonnegut his master's degree in anthropology in 1971 for Cat's Cradle.

God Bless You, Mr. Rosewater

God Bless You, Mr. Rosewater

God Bless You, Mr. Rosewater, or Pearls Before Swine, Kurt Vonnegut's fifth novel, was published in 1965 by Holt, Rinehart and Winston and as a Dell mass-market paperback in 1970. A piece of postmodern satire, it gave context to Vonnegut's following novel, Slaughterhouse-Five and shared in its success.

Breakfast of Champions

Breakfast of Champions

Breakfast of Champions, or Goodbye Blue Monday is a 1973 novel by the American author Kurt Vonnegut. His seventh novel, it is set predominantly in the fictional town of Midland City, Ohio, and focuses on two characters: Dwayne Hoover, a Midland resident, Pontiac dealer and affluent figure in the city, and Kilgore Trout, a widely published but mostly unknown science fiction author. Breakfast of Champions deals with themes of free will, suicide, and race relations, among others. The novel is full of drawings by the author, substituting descriptive language with depictions requiring no translation.

Jailbird (novel)

Jailbird (novel)

Jailbird is a novel by Kurt Vonnegut, published in 1979. The book is regarded as Kurt Vonnegut's "Watergate novel."

Deadeye Dick

Deadeye Dick

Deadeye Dick is a novel by Kurt Vonnegut originally published in 1982.

Galápagos (novel)

Galápagos (novel)

Galápagos (1985) is the eleventh novel published by American author Kurt Vonnegut. Set in the Galápagos Islands after a global financial disaster, the novel questions the merit of the human brain from an evolutionary perspective. The title is both a reference to the islands on which part of the story plays out, and a tribute to Charles Darwin, on whose theory Vonnegut relies to reach his own conclusions. It was published by Delacorte Press.

Bluebeard (Vonnegut novel)

Bluebeard (Vonnegut novel)

Bluebeard, the Autobiography of Rabo Karabekian (1916–1988) is a 1987 novel by American author Kurt Vonnegut. It is told as a first-person narrative and describes the late years of fictional Abstract Expressionist painter Rabo Karabekian, who first appeared as a minor character in Vonnegut's Breakfast of Champions (1973). Circumstances of the novel bear rough resemblance to the fairy tale of Bluebeard popularized by Charles Perrault. Karabekian mentions this relationship once in the novel.

Hocus Pocus (novel)

Hocus Pocus (novel)

Hocus Pocus, or What's the Hurry, Son? is a 1990 novel by Kurt Vonnegut.

Canary in a Cat House

Canary in a Cat House

Canary in a Cat House is a collection of twelve short stories by American writer Kurt Vonnegut, published in 1961. Eleven of the twelve appear in the later collection Welcome to the Monkey House, with "Hal Irwin's Magic Lamp" being omitted. In a later collection of short stories, Bagombo Snuff Box, there is a story with that title although it is a different version.

Bagombo Snuff Box

Bagombo Snuff Box

Bagombo Snuff Box is a collection of 23 short stories written by Kurt Vonnegut. The stories were originally published in US periodicals between 1950 and 1963, and consisted of virtually all of Vonnegut's previously published short fiction of the 1950s and 60s that had not been collected in 1968's Welcome to the Monkey House. This collection was published in 1999 by G. P. Putnam's Sons.

God Bless You, Dr. Kevorkian

God Bless You, Dr. Kevorkian

God Bless You, Dr. Kevorkian, by Kurt Vonnegut, is a collection of short fictional interviews written by Vonnegut and first broadcast on WNYC. The title parodies that of Vonnegut's 1965 novel God Bless You, Mr. Rosewater. It was published in book form in 1999.

Armageddon in Retrospect

Armageddon in Retrospect

Armageddon in Retrospect is a collection of short stories and essays about war and peace written by Kurt Vonnegut. It is the first posthumous collection of his previously unpublished writings. The book includes an introduction by Mark Vonnegut, a letter from Kurt to his family about his experiences as an American prisoner of war in Nazi Germany, and the fire-bombing of Dresden. Like many of Vonnegut's other books, Armageddon in Retrospect is laden with handwritten quotations and rough drawings by the author.