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Joan Miró

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Joan Miró
Portrait of Joan Miro, Barcelona 1935 June 13.jpg
Portrait by Carl Van Vechten, 1935
Born
Joan Miró i Ferrà

(1893-04-20)20 April 1893
Barcelona, Catalonia, Spain
Died25 December 1983(1983-12-25) (aged 90)
EducationEscola de Belles Arts de la Lotja and Escola d'Arte de Francesc Galí, Cercle Artístic de Sant Lluc, 1907–1913
Known forPainting, sculpture, mural and ceramics
MovementSurrealism
Spouse
Pilar Juncosa Iglésias
(m. 1929)
Awards
  • 1954 Venice Biennale Grand Prize for Graphic Work
  • 1958 Guggenheim International Award
  • 1980 Gold Medal of Fine Arts, Spain

Joan Miró i Ferrà (/mɪˈr/ mi-ROH,[1] US also /mˈr/ mee-ROH,[2][3] Catalan: [ʒuˈam miˈɾo j fəˈra]; 20 April 1893 – 25 December 1983) was a Spanish painter, sculptor and ceramicist born in Barcelona. He was known as Joan Miró in the art recognition. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma in 1981.

Earning international acclaim, his work has been interpreted as Surrealism but with a personal style, sometimes also veering into Fauvism and Expressionism.[4] He was notable for his interest in the unconscious or the subconscious mind, reflected in his re-creation of the childlike. His difficult-to-classify works also had a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and declared an "assassination of painting" in favour of upsetting the visual elements of established painting.[5]

Discover more about Joan Miró related topics

American English

American English

American English, sometimes called United States English or U.S. English, is the set of varieties of the English language native to the United States. English is the most widely spoken language in the United States and in most circumstances is the de facto common language used in government, education and commerce. Since the 20th century, American English has become the most influential form of English worldwide.

Barcelona

Barcelona

Barcelona is a city on the coast of northeastern Spain. It is the capital and largest city of the autonomous community of Catalonia, as well as the second most populous municipality of Spain. With a population of 1.6 million within city limits, its urban area extends to numerous neighbouring municipalities within the Province of Barcelona and is home to around 4.8 million people, making it the fifth most populous urban area in the European Union after Paris, the Ruhr area, Madrid, and Milan. It is one of the largest metropolises on the Mediterranean Sea, located on the coast between the mouths of the rivers Llobregat and Besòs, and bounded to the west by the Serra de Collserola mountain range.

Fundació Joan Miró

Fundació Joan Miró

The Fundació Joan Miró is a museum of modern art honoring Joan Miró located on the hill called Montjuïc in Barcelona, Catalonia (Spain).

Fundació Pilar i Joan Miró in Mallorca

Fundació Pilar i Joan Miró in Mallorca

The Fundació Miró Mallorca is a museum in Palma de Mallorca, dedicated to the work of the artist Joan Miró. It comprises a main building exhibiting 6000 works donated by the artist, including paintings and sculptures, a library, a sculpture garden, Miró's studio Sert, and the Finca Son Boter.

Palma de Mallorca

Palma de Mallorca

Palma, also known as Palma de Mallorca is the capital and largest city of the autonomous community of the Balearic Islands in Spain. It is situated on the south coast of Mallorca on the Bay of Palma. The Cabrera Archipelago, though widely separated from Palma proper, is administratively considered part of the municipality. As of 2018, Palma Airport serves over 29 million passengers per year.

Surrealism

Surrealism

Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or surreality. It produced works of painting, writing, theatre, filmmaking, photography, and other media.

Fauvism

Fauvism

Fauvism /ˈfoʊvɪzm̩/ is the style of les Fauves, a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain, Maurice de Vlaminck, and Henri Matisse.

Expressionism

Expressionism

Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaning of emotional experience rather than physical reality.

Subconscious

Subconscious

In psychology, the subconscious is the part of the mind that is not currently of focal awareness.

Catalonia

Catalonia

Catalonia is an autonomous community of Spain, designated as a nationality by its Statute of Autonomy.

Biography

Born into a family of a goldsmith and a watchmaker, Miró grew up in the Barri Gòtic neighborhood of Barcelona.[6] The Miró surname indicates some possible Jewish roots (in terms of marrano or converso Iberian Jews who converted to Christianity).[7][8] His father was Miquel Miró Adzerias and his mother was Dolores Ferrà.[9] He began drawing classes at the age of seven at a private school at Carrer del Regomir 13, a medieval mansion. To the dismay of his father, he enrolled at the fine art academy at La Llotja in 1907. He studied at the Cercle Artístic de Sant Lluc[10] and he had his first solo show in 1918 at the Galeries Dalmau,[11] where his work was ridiculed and defaced.[12] Inspired by Fauve and Cubist exhibitions in Barcelona and abroad, Miró was drawn towards the arts community that was gathering in Montparnasse and in 1920 moved to Paris, but continued to spend his summers in Catalonia.[6][13][14][15]

Career

Joan Miró, 1918, La casa de la palmera (The House with the Palm Tree), oil on canvas, 65 x 73 cm, Museo Nacional Centro de Arte Reina Sofía. Exhibited at Galerie La Licorne, Paris, 1921, reproduced in the catalogue[16]
Joan Miró, 1918, La casa de la palmera (The House with the Palm Tree), oil on canvas, 65 x 73 cm, Museo Nacional Centro de Arte Reina Sofía. Exhibited at Galerie La Licorne, Paris, 1921, reproduced in the catalogue[16]
Joan Miró, 1920, Horse, Pipe and Red Flower, oil on canvas, 82.6 × 74.9 cm, Philadelphia Museum of Art. Exhibited Exposició d'Art francès d'Avantguarda, Galeries Dalmau, 26 October – 15 November 1920, reproduced in the catalogue[17]
Joan Miró, 1920, Horse, Pipe and Red Flower, oil on canvas, 82.6 × 74.9 cm, Philadelphia Museum of Art. Exhibited Exposició d'Art francès d'Avantguarda, Galeries Dalmau, 26 October – 15 November 1920, reproduced in the catalogue[17]

Miró initially went to business school as well as art school. He began his working career as a clerk when he was a teenager, although he abandoned the business world completely for art after suffering a nervous breakdown.[18] His early art, like that of the similarly influenced Fauves and Cubists, was inspired by Vincent van Gogh and Paul Cézanne. The resemblance of Miró's work to that of the intermediate generation of the avant-garde has led scholars to dub this period his Catalan Fauvist period.[19]

A few years after Miró's 1918 Barcelona solo exhibition,[11] he settled in Paris where he finished a number of paintings that he had begun on his parents' summer home and farm in Mont-roig del Camp. One such painting, The Farm, showed a transition to a more individual style of painting and certain nationalistic qualities. Ernest Hemingway, who later purchased the piece, compared the artistic accomplishment to James Joyce's Ulysses and described it by saying, "It has in it all that you feel about Spain when you are there and all that you feel when you are away and cannot go there. No one else has been able to paint these two very opposing things."[20] Miró annually returned to Mont-roig and developed a symbolism and nationalism that would stick with him throughout his career. Two of Miró's first works classified as Surrealist, Catalan Landscape (The Hunter) and The Tilled Field,[21] employ the symbolic language that was to dominate the art of the next decade.[22]

Josep Dalmau arranged Miró's first Parisian solo exhibition, at Galerie la Licorne in 1921.[13][23][24]

In 1924, Miró joined the Surrealist group. The already symbolic and poetic nature of Miró's work, as well as the dualities and contradictions inherent to it, fit well within the context of dream-like automatism espoused by the group. Much of Miró's work lost the cluttered chaotic lack of focus that had defined his work thus far, and he experimented with collage and the process of painting within his work so as to reject the framing that traditional painting provided. This antagonistic attitude towards painting manifested itself when Miró referred to his work in 1924 ambiguously as "x" in a letter to poet friend Michel Leiris.[25] The paintings that came out of this period were eventually dubbed Miró's dream paintings.

Joan Miró, The Tilled Field, (1923–1924), Solomon R. Guggenheim Museum. This early painting, a complex arrangement of objects and figures, was Miró's first Surrealist masterpiece.[26]
Joan Miró, The Tilled Field, (1923–1924), Solomon R. Guggenheim Museum. This early painting, a complex arrangement of objects and figures, was Miró's first Surrealist masterpiece.[26]

Miró did not completely abandon subject matter, though. Despite the Surrealist automatic techniques that he employed extensively in the 1920s, sketches show that his work was often the result of a methodical process. Miró's work rarely dipped into non-objectivity, maintaining a symbolic, schematic language. This was perhaps most prominent in the repeated Head of a Catalan Peasant series of 1924 to 1925. In 1926, he collaborated with Max Ernst on designs for ballet impresario Sergei Diaghilev.

Miró returned to a more representational form of painting with The Dutch Interiors of 1928. Crafted after works by Hendrik Martenszoon Sorgh and Jan Steen seen as postcard reproductions, the paintings reveal the influence of a trip to Holland taken by the artist.[27] These paintings share more in common with Tilled Field or Harlequin's Carnival than with the minimalistic dream paintings produced a few years earlier.

Miró married Pilar Juncosa in Palma (Majorca) on 12 October 1929. Their daughter, María Dolores Miró, was born on 17 July 1930. In 1931, Pierre Matisse opened an art gallery in New York City. The Pierre Matisse Gallery (which existed until Matisse's death in 1989) became an influential part of the Modern art movement in America. From the outset Matisse represented Joan Miró and introduced his work to the United States market by frequently exhibiting Miró's work in New York.[28][29]

In 1932 he created a scenic design for Massine's ballet Jeux d'enfants at Ballet Russe de Monte-Carlo.

Until the outbreak of the Spanish Civil War, Miró habitually returned to Spain in the summers. Once the war began, he was unable to return home. Unlike many of his surrealist contemporaries, Miró had previously preferred to stay away from explicitly political commentary in his work. Though a sense of (Catalan) nationalism pervaded his earliest surreal landscapes and Head of a Catalan Peasant, it was not until Spain's Republican government commissioned him to paint the mural The Reaper, for the Spanish Republican Pavilion at the 1937 Paris Exhibition, that Miró's work took on a politically charged meaning.[30]

In 1939, with Germany's invasion of France looming, Miró relocated to Varengeville in Normandy, and on 20 May of the following year, as Germans invaded Paris, he narrowly fled to Spain (now controlled by Francisco Franco) for the duration of the Vichy Regime's rule.[31] In Varengeville, Palma, and Mont-roig, between 1940 and 1941, Miró created the twenty-three gouache series Constellations. Revolving around celestial symbolism, Constellations earned the artist praise from André Breton, who seventeen years later wrote a series of poems, named after and inspired by Miró's series.[32] Features of this work revealed a shifting focus to the subjects of women, birds, and the moon, which would dominate his iconography for much of the rest of his career.

Shuzo Takiguchi published the first monograph on Miró in 1940. In 1948–49 Miró lived in Barcelona and made frequent visits to Paris to work on printing techniques at the Mourlot Studios and the Atelier Lacourière. He developed a close relationship with Fernand Mourlot and that resulted in the production of over one thousand different lithographic editions.

In 1959, André Breton asked Miró to represent Spain in The Homage to Surrealism exhibition alongside Enrique Tábara, Salvador Dalí, and Eugenio Granell. Miró created a series of sculptures and ceramics for the garden of the Maeght Foundation in Saint-Paul-de-Vence, France, which was completed in 1964.

In 1974, Miró created a tapestry for the World Trade Center in New York City together with the Catalan artist Josep Royo. He had initially refused to do a tapestry, then he learned the craft from Royo and the two artists produced several works together. His World Trade Center Tapestry was displayed at the building[33] and was one of the most expensive works of art lost during the September 11 attacks.[34][35]

In 1977, Miró and Royo finished a tapestry to be exhibited in the National Gallery of Art in Washington, DC.[36][37]

In 1981, Miró's The Sun, the Moon and One Star—later renamed Miró's Chicago—was unveiled. This large, mixed media sculpture is situated outdoors in the downtown Loop area of Chicago, across the street from another large public sculpture, the Chicago Picasso. Miró had created a bronze model of The Sun, the Moon and One Star in 1967. The maquette now resides in the Milwaukee Art Museum.

Late life and death

In 1979 Miró received a doctorate honoris causa from the University of Barcelona. The artist, who suffered from heart failure, died in his home in Palma (Majorca) on 25 December 1983 at age 90.[38] He was later interred in the Montjuïc Cemetery in Barcelona.

Mental health

It has been established through the analysis of personal texts written by Joan Miró that he has experienced multiple episodes of depression throughout his life.[39] He experienced his first depression when he was 18 in 1911.[40] Much of the literature refers to this as if it was a small setback in his life, while it appeared to be much more than that.[41] Miró himself stated: I was demoralized and suffered from a serious depression. I fell really ill, and stayed three months in bed.[42]

There is a clear connection between his mental health and his paintings, since he used painting as a way of dealing with his episodes of depression. It supposedly even made him more calm and his thoughts less dark. Joan Miró said that without painting he became very depressed, gloomy and I get 'black ideas', and I do not know what to do with myself.[43]

The influence of his mental state is very well visible in his painting Carnival of the Harlequin. He tried to paint the chaos he experienced in his mind, the desperation of wanting to leave that chaos behind and the pain created because of that. Miró painted the symbol of the ladder here which is also visible in multiple other paintings after this painting. It is supposed to symbolize escaping.[44]

The relation between creativity and mental illness is very well studied.[45] Creative people have higher chances of suffering from a manic depressive illness or schizophrenia, as well as higher chance to transmit this genetically.[46] Even though we know Miró suffered from episodic depression, it is uncertain whether he also experienced manic episodes, which is often referred to as bipolar disorder.[47]

Discover more about Biography related topics

Goldsmith

Goldsmith

A goldsmith is a metalworker who specializes in working with gold and other precious metals. Nowadays they mainly specialize in jewelry-making but historically, goldsmiths have also made silverware, platters, goblets, decorative and serviceable utensils, and ceremonial or religious items.

Marrano

Marrano

Marranos were Spanish and Portuguese Jews living in the Iberian Peninsula who converted or were forced to convert to Christianity during the Middle Ages, but continued to practice Judaism in secrecy.

Converso

Converso

A converso, "convert", was a Jew who converted to Catholicism in Spain or Portugal, particularly during the 14th and 15th centuries, or one of his or her descendants.

Christianity

Christianity

Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth. It is the world's largest and most widespread religion with roughly 2.4 billion followers representing one-third of the global population. Its adherents, known as Christians, are estimated to make up a majority of the population in 157 countries and territories, and believe that Jesus is the Son of God, whose coming as the Messiah was prophesied in the Hebrew Bible and chronicled in the New Testament.

Cercle Artístic de Sant Lluc

Cercle Artístic de Sant Lluc

The Cercle Artístic de Sant Lluc is an arts society which was founded in Barcelona (Catalonia) in 1893 by Joan Llimona, Josep Llimona, Antoni Utrillo, Alexandre de Riquer, the city councillor Alexandre M. Pons and a group of artists who were followers of bishop Josep Torras i Bages, as a reaction to the anticlerical current present in modernisme and in the Cercle Artístic de Barcelona, which they considered to be frivolous. The society was typified by its vigorous defence of Catholic morals and of family virtue, and its desire to follow in the path of humility that was pursued by the mediaeval guilds.

Galeries Dalmau

Galeries Dalmau

Galeries Dalmau was an art gallery in Barcelona, Spain, from 1906 to 1930. The gallery was founded and managed by the Symbolist painter and restorer Josep Dalmau i Rafel. The aim was to promote, import and export avant-garde artistic talent. Dalmau is credited for having launched avant-garde art in Spain.

Fauvism

Fauvism

Fauvism /ˈfoʊvɪzm̩/ is the style of les Fauves, a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain, Maurice de Vlaminck, and Henri Matisse.

Montparnasse

Montparnasse

Montparnasse is an area in the south of Paris, France, on the left bank of the river Seine, centred at the crossroads of the Boulevard du Montparnasse and the Rue de Rennes, between the Rue de Rennes and boulevard Raspail. It is split between the 6th, 14th, and 15th arrondissements of the city. Montparnasse has been part of Paris since 1669.

Catalonia

Catalonia

Catalonia is an autonomous community of Spain, designated as a nationality by its Statute of Autonomy.

National Gallery of Art

National Gallery of Art

The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western Art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.

Museo Nacional Centro de Arte Reina Sofía

Museo Nacional Centro de Arte Reina Sofía

The Museo Nacional Centro de Arte Reina Sofía is Spain's national museum of 20th-century art. The museum was officially inaugurated on September 10, 1992, and is named for Queen Sofía. It is located in Madrid, near the Atocha train and metro stations, at the southern end of the so-called Golden Triangle of Art.

Paul Cézanne

Paul Cézanne

Paul Cézanne was a French artist and Post-Impressionist painter whose work introduced new modes of representation and influenced avant garde artistic movements of the early 20th century. Cézanne is said to have formed the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic enquiry, Cubism.

Works

Joan Miró, Carrer de Pedralbes, drawing, published in Troços, Segona sèrie, N. 4, March 1918
Joan Miró, Carrer de Pedralbes, drawing, published in Troços, Segona sèrie, N. 4, March 1918

Early fauvist

His early modernist works include Portrait of Vincent Nubiola (1917), Siurana (the path), Nord-Sud (1917) and Painting of Toledo. These works show the influence of Cézanne, and fill the canvas with a colorful surface and a more painterly treatment than the hard-edge style of most of his later works. In Nord-Sud, the literary newspaper of that name appears in the still life, a compositional device common in cubist compositions, but also a reference to the literary and avant-garde interests of the painter.[48]

Magical realism

Starting in 1920, Miró developed a very precise style, picking out every element in isolation and detail and arranging them in deliberate composition. These works, including House with Palm Tree (1918), Nude with a Mirror (1919), Horse, Pipe and Red Flower (1920), and The Table – Still Life with Rabbit (1920), show the clear influence of Cubism, although in a restrained way, being applied to only a portion of the subject. For example, The Farmer's Wife (1922–23), is realistic, but some sections are stylized or deformed, such as the treatment of the woman's feet, which are enlarged and flattened.[49]

The culmination of this style was The Farm (1921–22). The rural Catalan scene it depicts is augmented by an avant-garde French newspaper in the center, showing Miró sees this work transformed by the Modernist theories he had been exposed to in Paris. The concentration on each element as equally important was a key step towards generating a pictorial sign for each element. The background is rendered in flat or patterned in simple areas, highlighting the separation of figure and ground, which would become important in his mature style.

Miró made many attempts to promote this work, but his surrealist colleagues found it too realistic and apparently conventional, and so he soon turned to a more explicitly surrealist approach.[50]

Early surrealism

In 1922, Miró explored abstracted, strongly coloured surrealism in at least one painting.[51] From the summer of 1923 in Mont-roig, Miró began a key set of paintings where abstracted pictorial signs, rather than the realistic representations used in The Farm, are predominant. In The Tilled Field, Catalan Landscape (The Hunter) and Pastoral (1923–24), these flat shapes and lines (mostly black or strongly coloured) suggest the subjects, sometimes quite cryptically. For Catalan Landscape (The Hunter), Miró represents the hunter with a combination of signs: a triangle for the head, curved lines for the moustache, angular lines for the body. So encoded is this work that at a later time Miró provided a precise explanation of the signs used.[52]

Surrealist pictorial language

Through the mid-1920s Miró developed the pictorial sign language which would be central throughout the rest of his career. In Harlequin's Carnival (1924–25), there is a clear continuation of the line begun with The Tilled Field. But in subsequent works, such as The Happiness of Loving My Brunette (1925) and Painting (Fratellini) (1927), there are far fewer foreground figures, and those that remain are simplified.

Soon after Miró also began his Spanish Dancer series of works. These simple collages, were like a conceptual counterpoint to his paintings. In Spanish Dancer (1928) he combines a cork, a feather and a hatpin onto a blank sheet of paper.[50]

Dona i Ocell, 1982, Barcelona, Spain
Dona i Ocell, 1982, Barcelona, Spain

Livres d'Artiste

Miró created over 250 illustrated books.[53] These were known as "Livres d' Artiste." One such work was published in 1974, at the urging of the widow of the French poet Robert Desnos, titled Les pénalités de l'enfer ou les nouvelles Hébrides ("The Penalties of Hell or The New Hebrides"). It was a set of 25 lithographs, five in black, and the others in colors.

In 2006 the book was displayed in "Joan Miró, Illustrated Books" at the Vero Beach Museum of Art. One critic said it is "an especially powerful set, not only for the rich imagery but also for the story behind the book's creation. The lithographs are long, narrow verticals, and while they feature Miró's familiar shapes, there's an unusual emphasis on texture." The critic continued, "I was instantly attracted to these four prints, to an emotional lushness, that's in contrast with the cool surfaces of so much of Miró's work. Their poignancy is even greater, I think, when you read how they came to be. The artist met and became friends with Desnos, perhaps the most beloved and influential surrealist writer, in 1925, and before long, they made plans to collaborate on a livre d'artiste. Those plans were put on hold because of the Spanish Civil War and World War II. Desnos' bold criticism of the latter led to his imprisonment in Auschwitz, and he died at age 45 shortly after his release in 1945. Nearly three decades later, at the suggestion of Desnos' widow, Miró set out to illustrate the poet's manuscript. It was his first work in prose, which was written in Morocco in 1922 but remained unpublished until this posthumous collaboration."

The Fundació Joan Miró Museum on Montjuïc in Barcelona. The building is by rationalist architect Josep Lluís Sert.
The Fundació Joan Miró Museum on Montjuïc in Barcelona. The building is by rationalist architect Josep Lluís Sert.
Pájaro lunar (Moon Bird), 1966, Reina Sofia Museum, Madrid
Pájaro lunar (Moon Bird), 1966, Reina Sofia Museum, Madrid
Pilar and Joan Miró Foundation in Palma de Mallorca. Pictured is Miró's former workshop, built by Josep Lluís Sert.
Pilar and Joan Miró Foundation in Palma de Mallorca. Pictured is Miró's former workshop, built by Josep Lluís Sert.

Discover more about Works related topics

Portrait of Vincent Nubiola

Portrait of Vincent Nubiola

Portrait of Vincent Nubiola is an oil painting by Spanish artist Joan Miró. Painted in 1917 when Miró was 24 years old, a year before his first exhibition, the portrait is now considered a masterpiece from a period when he experimented with both Cubism and Fauvism. It is also said by some art critics to show the influence of Van Gogh. Acquired for a time by Picasso, the painting is now in the permanent collection of the Folkwang Museum in Essen (Germany).

Cubism

Cubism

Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related artistic movements in music, literature, and architecture. In Cubist works of art, the subjects are analyzed, broken up, and reassembled in an abstract form—instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term cubism is broadly associated with a variety of artworks produced in Paris or near Paris (Puteaux) during the 1910s and throughout the 1920s.

The Farm (Miró)

The Farm (Miró)

The Farm is an oil painting made by Joan Miró between the summer of 1921 in Mont-roig del Camp and winter 1922 in Paris. It is a kind of inventory of the masia owned by his family since 1911 in the town of Mont-roig del Camp. Miró himself regarded this work as a key in his career, describing it as "a summary of my entire life in the countryside" and "the summary of one period of my work, but also the point of departure for what was to follow." It is preserved in the National Gallery of Art in Washington DC, where it was given in 1987 by Mary Hemingway, coming from the private collection of American writer Ernest Hemingway, who had described it by saying, “It has in it all that you feel about Spain when you are there and all that you feel when you are away and cannot go there. No one else has been able to paint these two very opposing things.”

Dona i Ocell

Dona i Ocell

Dona i Ocell is a 22-metre high sculpture by Joan Miró located in the Parc Joan Miró in Barcelona, Catalonia, Spain. The sculpture was covered in tiles by the artist's collaborator Joan Gardy Artigas. The sculpture is part of an artwork trilogy commissioned from Miró to welcome visitors to Barcelona.

Artist's book

Artist's book

Artists' books are works of art that utilize the form of the book. They are often published in small editions, though they are sometimes produced as one-of-a-kind objects.

Robert Desnos

Robert Desnos

Robert Desnos was a French poet who played a key role in the Surrealist movement of his day.

Spanish Civil War

Spanish Civil War

The Spanish Civil War was a civil war in Spain fought from 1936 to 1939 between the Republicans and the Nationalists. Republicans were loyal to the left-leaning Popular Front government of the Second Spanish Republic, and consisted of various socialist, communist, separatist, anarchist, and republican parties, some of which had opposed the government in the pre-war period. The opposing Nationalists were an alliance of Falangists, monarchists, conservatives, and traditionalists led by a military junta among whom General Francisco Franco quickly achieved a preponderant role. Due to the international political climate at the time, the war had many facets and was variously viewed as class struggle, a religious struggle, a struggle between dictatorship and republican democracy, between revolution and counterrevolution, and between fascism and communism. According to Claude Bowers, U.S. ambassador to Spain during the war, it was the "dress rehearsal" for World War II. The Nationalists won the war, which ended in early 1939, and ruled Spain until Franco's death in November 1975.

Fundació Joan Miró

Fundació Joan Miró

The Fundació Joan Miró is a museum of modern art honoring Joan Miró located on the hill called Montjuïc in Barcelona, Catalonia (Spain).

Montjuïc

Montjuïc

Montjuïc is a hill in Barcelona, Catalonia, Spain.

Josep Lluís Sert

Josep Lluís Sert

Josep Lluís Sert i López was a Catalan, Spain architect and city planner.

Museo Nacional Centro de Arte Reina Sofía

Museo Nacional Centro de Arte Reina Sofía

The Museo Nacional Centro de Arte Reina Sofía is Spain's national museum of 20th-century art. The museum was officially inaugurated on September 10, 1992, and is named for Queen Sofía. It is located in Madrid, near the Atocha train and metro stations, at the southern end of the so-called Golden Triangle of Art.

Palma de Mallorca

Palma de Mallorca

Palma, also known as Palma de Mallorca is the capital and largest city of the autonomous community of the Balearic Islands in Spain. It is situated on the south coast of Mallorca on the Bay of Palma. The Cabrera Archipelago, though widely separated from Palma proper, is administratively considered part of the municipality. As of 2018, Palma Airport serves over 29 million passengers per year.

Styles and development

In Paris, under the influence of poets and writers, he developed his unique style: organic forms and flattened picture planes drawn with a sharp line. Generally thought of as a Surrealist because of his interest in automatism and the use of sexual symbols (for example, ovoids with wavy lines emanating from them), Miró's style was influenced in varying degrees by Surrealism and Dada,[18] yet he rejected membership in any artistic movement in the interwar European years. André Breton described him as "the most Surrealist of us all." Miró confessed to creating one of his most famous works, Harlequin's Carnival, under similar circumstances:

How did I think up my drawings and my ideas for painting? Well I'd come home to my Paris studio in Rue Blomet at night, I'd go to bed, and sometimes I hadn't any supper. I saw things, and I jotted them down in a notebook. I saw shapes on the ceiling...[54]

Miró's surrealist origins evolved out of "repression" much like all Spanish surrealist and magic realist work, especially because of his Catalan ethnicity, which was subject to special persecution by the Franco regime. Also, Joan Miró was well aware of Haitian Voodoo art and Cuban Santería religion through his travels before going into exile. This led to his signature style of art making.

Experimental style

Joan Miró was among the first artists to develop automatic drawing as a way to undo previous established techniques in painting, and thus, with André Masson, represented the beginning of Surrealism as an art movement. However, Miró chose not to become an official member of the Surrealists to be free to experiment with other artistic styles without compromising his position within the group. He pursued his own interests in the art world, ranging from automatic drawing and surrealism, to expressionism, Lyrical Abstraction, and Color Field painting. Four-dimensional painting was a theoretical type of painting Miró proposed in which painting would transcend its two-dimensionality and even the three-dimensionality of sculpture.[55]

Miró's oft-quoted interest in the assassination of painting is derived from a dislike of bourgeois art, which he believed was used as a way to promote propaganda and cultural identity among the wealthy. Specifically, Miró responded to Cubism in this way, which by the time of his quote had become an established art form in France. He is quoted as saying "I will break their guitar," referring to Picasso's paintings, with the intent to attack the popularity and appropriation of Picasso's art by politics.[56]

The spectacle of the sky overwhelms me. I'm overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge empty spaces. Empty spaces, empty horizons, empty plains – everything which is bare has always greatly impressed me. —Joan Miró, 1958, quoted in Twentieth-Century Artists on Art

In an interview with biographer Walter Erben, Miró expressed his dislike for art critics, saying, they "are more concerned with being philosophers than anything else. They form a preconceived opinion, then they look at the work of art. Painting merely serves as a cloak in which to wrap their emaciated philosophical systems."[57]

In the final decades of his life Miró accelerated his work in different media, producing hundreds of ceramics, including the Wall of the Moon and Wall of the Sun at the UNESCO building in Paris. He also made temporary window paintings (on glass) for an exhibit. In the last years of his life Miró wrote his most radical and least known ideas, exploring the possibilities of gas sculpture and four-dimensional painting.

Discover more about Styles and development related topics

Organic (model)

Organic (model)

Organic describes forms, methods and patterns found in living systems such as the organisation of cells, to populations, communities, and ecosystems.

Surrealist automatism

Surrealist automatism

Surrealist automatism is a method of art-making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway. Early 20th-century Dadaists, such as Hans Arp, made some use of this method through chance operations. Surrealist artists, most notably André Masson, adapted to art the automatic writing method of André Breton and Philippe Soupault who composed with it Les Champs Magnétiques in 1919. The Automatic Message (1933) was one of Breton's significant theoretical works about automatism.

Dada

Dada

Dada or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire. New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s.

Catalonia

Catalonia

Catalonia is an autonomous community of Spain, designated as a nationality by its Statute of Autonomy.

Haitian Vodou

Haitian Vodou

Haitian Vodou is an African diasporic religion that developed in Haiti between the 16th and 19th centuries. It arose through a process of syncretism between several traditional religions of West and Central Africa and Roman Catholicism. There is no central authority in control of the religion and much diversity exists among practitioners, who are known as Vodouists, Vodouisants, or Serviteurs.

Santería

Santería

Santería, also known as Regla de Ocha, Regla Lucumí, or Lucumí, is an African diasporic religion that developed in Cuba during the late 19th century. It arose through a process of syncretism between the traditional Yoruba religion of West Africa, the Catholic form of Christianity, and Spiritism. There is no central authority in control of Santería and much diversity exists among practitioners, who are known as creyentes ("believers").

André Masson

André Masson

André-Aimé-René Masson was a French artist.

Surrealism

Surrealism

Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or surreality. It produced works of painting, writing, theatre, filmmaking, photography, and other media.

Expressionism

Expressionism

Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaning of emotional experience rather than physical reality.

Pablo Picasso

Pablo Picasso

Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.

Art critic

Art critic

An art critic is a person who is specialized in analyzing, interpreting, and evaluating art. Their written critiques or reviews contribute to art criticism and they are published in newspapers, magazines, books, exhibition brochures, and catalogues and on websites. Some of today's art critics use art blogs and other online platforms in order to connect with a wider audience and expand debate about art.

Gas sculpture

Gas sculpture

Gas sculpture is a proposal made by Joan Miró in his late writings to make sculptures out of gaseous materials.

Exhibitions

Throughout the 1960s, Miró was a featured artist in many salon shows assembled by the Maeght Foundation that also included works by Marc Chagall, Giacometti, Brach, Cesar, Ubac, and Tal-Coat.

The large retrospectives devoted to Miró in his old age in places like New York (1972), London (1972), Saint-Paul-de-Vence (1973) and Paris (1974) were a good indication of the international acclaim that had grown steadily over the previous half-century; further major retrospectives took place posthumously. Political changes in his native country led in 1978 to the first full exhibition of his painting and graphic work, at the Museo Nacional Centro de Arte Reina Sofía in Madrid. In 1993, the year of the hundredth anniversary of his birth, several exhibitions were held, among which the most prominent were those held in the Fundació Joan Miró, Barcelona, the Museum of Modern Art, New York, the Museo Nacional Centro de Arte Reina Sofía, Madrid, and the Galerie Lelong, Paris.[58] In 2011, another retrospective was mounted by the Tate Modern, London, and travelled to Fundació Joan Miró and the National Gallery of Art, Washington, D.C.. Joan Miró, Printmaking, Fundación Joan Miró (2013). And two exhibitions in 2014, Miró: From Earth to Sky at Albertina Museum, and Masterpieces from the Kunsthaus Zürich, National Art Center, Tokyo.

Exhibitions entitled Joan Miró: Instinct & Imagination and "Miró: The Experience of Seeing" were held at the Denver Art Museum from 22 March – 28 June 2015 and at the McNay Art Museum from 30 September 2015 – 10 January 2016 (respectively), showing works made by Miró between 1963 and 1981, on loan from the Museo Nacional Centro de Arte Reina Sofía in Madrid.[59][60][61][62][63]

In Spring 2019, the Museum of Modern Art, New York, launched Joan Miró: Birth of the World.[64] Running until July 2019, the exhibit showcases 60 pieces of work from the inception of Miró's career, and including the influence of the World Wars. The exhibit features 60-foot canvasses as well as smaller 8-foot paintings, and the influences range from cubism to abstraction.[65]

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Marc Chagall

Marc Chagall

Marc Chagall was a Russian-French artist. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints.

Raoul Ubac

Raoul Ubac

Raoul Ubac was a French painter, sculptor, photographer and engraver.

Pierre Tal-Coat

Pierre Tal-Coat

Pierre Tal-Coat was a French artist considered to be one of the founders of Tachisme.

Museo Nacional Centro de Arte Reina Sofía

Museo Nacional Centro de Arte Reina Sofía

The Museo Nacional Centro de Arte Reina Sofía is Spain's national museum of 20th-century art. The museum was officially inaugurated on September 10, 1992, and is named for Queen Sofía. It is located in Madrid, near the Atocha train and metro stations, at the southern end of the so-called Golden Triangle of Art.

Fundació Joan Miró

Fundació Joan Miró

The Fundació Joan Miró is a museum of modern art honoring Joan Miró located on the hill called Montjuïc in Barcelona, Catalonia (Spain).

Museum of Modern Art

Museum of Modern Art

The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues.

Tate Modern

Tate Modern

Tate Modern is an art gallery located in London. It houses the United Kingdom's national collection of international modern and contemporary art, and forms part of the Tate group together with Tate Britain, Tate Liverpool and Tate St Ives. It is located in the former Bankside Power Station, in the Bankside area of the London Borough of Southwark.

National Gallery of Art

National Gallery of Art

The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western Art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.

Denver Art Museum

Denver Art Museum

The Denver Art Museum (DAM) is an art museum located in the Civic Center of Denver, Colorado. With encyclopedic collections of more than 70,000 diverse works from across the centuries and world, the DAM is one of the largest art museums between the West Coast and Chicago. It is known for its collection of American Indian art, as well as The Petrie Institute of Western American Art, which oversees the museum's Western art collection. and its other collections of more than 70,000 diverse works from across the centuries and world. The museum's iconic Martin Building was designed by famed Italian architect Gio Ponti in 1971.

McNay Art Museum

McNay Art Museum

The McNay Art Museum, founded in 1954 in San Antonio, is the first modern art museum in the U.S. state of Texas. The museum was created by Marion Koogler McNay's original bequest of most of her fortune, her important art collection and her 24-room Spanish Colonial Revival-style mansion that sits on 23 acres (9.3 ha) that are landscaped with fountains, broad lawns and a Japanese-inspired garden and fishpond.

Legacy and influence

Miró has been a significant influence on late 20th-century art, in particular the American abstract expressionist artists that include: Motherwell, Calder, Gorky, Pollock, Matta and Rothko, while his lyrical abstractions[66] and color field paintings were precursors of that style by artists such as Helen Frankenthaler, Olitski and Louis and others.[67] His work has also influenced modern designers, including Paul Rand[68] and Lucienne Day,[69] and influenced recent painters such as Julian Hatton.[70]

One of Man Ray's 1930s photographs, Miró with Rope, depicts the painter with an arranged rope pinned to a wall, and was published in the single-issue surrealist work Minotaure.

In 2002, American percussionist/composer Bobby Previte released the album The 23 Constellations of Joan Miró on Tzadik Records. Inspired by Miró's Constellations series, Previte composed a series of short pieces (none longer than about 3 minutes) to parallel the small size of Miró's paintings. Privete's compositions for an ensemble of up to ten musicians was described by critics as "unconventionally light, ethereal, and dreamlike".[71]

Discover more about Legacy and influence related topics

Abstract expressionism

Abstract expressionism

Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the Western art world, a role formerly filled by Paris.

Alexander Calder

Alexander Calder

Alexander Calder was an American sculptor known both for his innovative mobiles that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. Calder preferred not to analyze his work, saying, "Theories may be all very well for the artist himself, but they shouldn't be broadcast to other people."

Arshile Gorky

Arshile Gorky

Arshile Gorky was an Armenian-American painter who had a seminal influence on Abstract Expressionism. He spent the last years of his life as a national of the United States. Along with Mark Rothko, Jackson Pollock and Willem de Kooning, Gorky has been hailed as one of the most powerful American painters of the 20th century. The suffering and loss he experienced in the Armenian genocide had crucial influence at Gorky’s development as an artist.

Jackson Pollock

Jackson Pollock

Paul Jackson Pollock was an American painter and a major figure in the abstract expressionist movement. He was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided the critics: some praised the immediacy of the creation, while others derided the random effects. In 2016, Pollock's painting titled Number 17A was reported to have fetched US$200 million in a private purchase.

Lyrical abstraction

Lyrical abstraction

Lyrical abstraction is either of two related but distinct trends in Post-war Modernist painting:

Color field

Color field

Color field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to abstract expressionism, while many of its notable early proponents were among the pioneering abstract expressionists. Color field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favor of an overall consistency of form and process. In color field painting "color is freed from objective context and becomes the subject in itself."

Helen Frankenthaler

Helen Frankenthaler

Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.

Jules Olitski

Jules Olitski

Jevel Demikovski, known professionally as Jules Olitski, was an American painter, printmaker, and sculptor.

Lucienne Day

Lucienne Day

Désirée Lucienne Lisbeth Dulcie Day OBE RDI FCSD was one of the most influential British textile designers of the 1950s and 1960s. Day drew on inspiration from other arts to develop a new style of abstract pattern-making in post-war British textiles, known as ‘Contemporary’ design. She was also active in other fields, such as wallpapers, ceramics and carpets.

Julian Hatton

Julian Hatton

Julian Burroughs Hatton III is an American landscape abstract artist from New York City. The New York Times described his painting style as "vibrant, playful, semi-abstract landscapes" while New York Sun art critic John Goodrich compared him to French painter Bonnard. Hatton's abstract landscapes have been compared to paintings by Arthur Dove and Georgia O'Keeffe because of his "unbridled love of pure, hot color" similar to Gauguin and the Fauves, according to critic Ann Landi of ARTnews. Hatton's vision is of "a nature that you can literally eat with your eyes, eye candy transposed onto the entire world," according to critic Joel Silverstein.

Man Ray

Man Ray

Man Ray was an American visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all. He was best known for his pioneering photography, and was a renowned fashion and portrait photographer. He is also noted for his work with photograms, which he called "rayographs" in reference to himself.

Bobby Previte

Bobby Previte

Bobby Previte is a drummer, composer, and bandleader. He earned a degree in economics from the University at Buffalo, where he also studied percussion. He moved to New York City in 1979 and began professional relationships with John Zorn, Wayne Horvitz, and Elliott Sharp.

Recognition

In 1954 he was given the Venice Biennale print making prize, in 1958 the Guggenheim International Award.[18][72]

In 1981, the Palma City Council (Majorca) established the Fundació Pilar i Joan Miró a Mallorca, housed in the four studios that Miró had donated for the purpose.[73]

In October 2018, the Grand Palais in Paris opened the largest retrospective devoted to the artist until this date. The exhibition included nearly 150 works and was curated by Jean Louis Prat.[74]

Art market

Today, Miró's paintings sell for between US$250,000 and US$26 million; US$17 million at a U.S. auction for the La Caresse des étoiles (1938) on 6 May 2008, at the time the highest amount paid for one of his works.[75] In 2012, Painting-Poem ("le corps de ma brune puisque je l'aime comme ma chatte habillée en vert salade comme de la grêle c'est pareil") (1925) was sold at Christie's London for $26.6 million.[76] Later that year at Sotheby's in London, Peinture (Etoile Bleue) (1927) brought nearly 23.6 million pounds with fees, more than twice what it had sold for at a Paris auction in 2007 and a record price for the artist at auction.[77][78] On 21 June 2017, the work Femme et Oiseaux (1940), one of his Constellations, sold at Sotheby's London for 24,571,250 GBP.[79]

Gallery

Discover more about Gallery related topics

Source: "Joan Miró", Wikipedia, Wikimedia Foundation, (2023, March 14th), https://en.wikipedia.org/wiki/Joan_Miró.

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References
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