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Mawlanā Jami
Jami poet.jpg
Jami, artwork of Kamāl ud-Dīn Behzād
Mystic, spiritual poet, historian, theologian
Born7 November 1414[1]
Torbat Jam, Khorasan, Timurid Empire
Died9 November 1492 (aged 78)
Herat, Khorasan, Afghanistan
Venerated inSunni Islam
InfluencesMuhammad, Khwaja Abdullah Ansari, Rumi, Ibn Arabi
InfluencedMuhammad Iqbal
Tradition or genre
Sufi poetry
Illustration from Jami's Rose Garden of the Pious, dated 1553. The image blends Persian poetry and Persian miniature into one, as is the norm for many works of Persian literature.
Illustration from Jami's Rose Garden of the Pious, dated 1553. The image blends Persian poetry and Persian miniature into one, as is the norm for many works of Persian literature.

Nūr ad-Dīn 'Abd ar-Rahmān Jāmī (Persian: نورالدین عبدالرحمن جامی; 7 November 1414 – 9 November 1492), also known as Mawlanā Nūr al-Dīn 'Abd al-Rahmān or Abd-Al-Rahmān Nur-Al-Din Muhammad Dashti, or simply as Jami or Djāmī and in Turkey as Molla Cami, was a Persian[2][3] Sunni[4] poet who is known for his achievements as a prolific scholar and writer of mystical Sufi literature. He was primarily a prominent poet-theologian of the school of Ibn Arabi and a Khwājagānī Sũfī, recognized for his eloquence and for his analysis of the metaphysics of mercy.[5][6] His most famous poetic works are Haft Awrang, Tuhfat al-Ahrar, Layla wa Majnun, Fatihat al-Shabab, Lawa'ih, Al-Durrah al-Fakhirah. Jami belonged to the Naqshbandi Sufi order.[7]

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Persian language

Persian language

Persian, also known by its endonym Farsi, is a Western Iranian language belonging to the Iranian branch of the Indo-Iranian subdivision of the Indo-European languages. Persian is a pluricentric language predominantly spoken and used officially within Iran, Afghanistan, and Tajikistan in three mutually intelligible standard varieties, namely Iranian Persian, Dari Persian and Tajiki Persian. It is also spoken natively in the Tajik variety by a significant population within Uzbekistan, as well as within other regions with a Persianate history in the cultural sphere of Greater Iran. It is written officially within Iran and Afghanistan in the Persian alphabet, a derivation of the Arabic script, and within Tajikistan in the Tajik alphabet, a derivation of the Cyrillic script.

Ibn Arabi

Ibn Arabi

Ibn ʿArabī, nicknamed al-Qushayrī and Sulṭān al-ʿĀrifīn, was an Arab Andalusian Muslim scholar, mystic, poet, and philosopher, extremely influential within Islamic thought. Out of the 850 works attributed to him, some 700 are authentic while over 400 are still extant. His cosmological teachings became the dominant worldview in many parts of the Muslim world.

Khwajagan

Khwajagan

Khwājagān is a Persian title for "the Masters". Khwajagan, as the plural for "Khwāja", is often used to refer to a network of Sufis in Central Asia from the 10th to the 16th century who are often incorporated into later Naqshbandi hierarchies, as well as other Sufi groups, such as the Yasaviyya. In Firdowsi's Shahnama the word is used many times for some rulers and heroes of ancient Iran as well. The special zikr of the Khwajagan is called 'Khatm Khajagan'.

Haft Awrang

Haft Awrang

Haft Awrang by the Persian poet Jami is a classic of Persian literature composed some time between 1468 and 1485. Jami completed the work as seven books following a masnavi format:"Selselat adh-dhahab" : a collection of didactic anecdotes "Yusof-o Zulaikhā" : the romance of Joseph and Zulaikha, wife of Potiphar based on the Islamic traditions. "Sabhat al-abrār" : another collection of didactic anecdotes "Salaman-o Absāl" : A doomed romance between a prince and his nursemaid. The original story is Greek, translated in the early Islamic times to Arabic by Ibn Hunain and then rendered into Persian poem by Jami. Dehkhoda suggests this story might have an Israelite origin. "Tohfat ol-ahrār "Layli-o Majnun" "Kheradnāma-i Eskandari" account of events leading up to Alexander's death.

Layla and Majnun

Layla and Majnun

Layla & Majnun is an old story of Arab origin, about the 7th-century Arabian poet Qays ibn al-Mulawwah and his lover Layla bint Mahdi.

Naqshbandi

Naqshbandi

The Naqshbandi is a major Sunni order of Sufism. Its name is derived from Baha-ud-Din Naqshband Bukhari. Naqshbandi masters trace their lineage to the Islamic prophet Muhammad through Abu Bakr, the first Caliph of Sunni Islam and Ali, the fourth Caliph of Sunni Islam. It is because of this dual lineage through Ali and Abu Bakr through the 6th Imam Jafar al Sadiq that the order is also known as the "convergence of the two oceans" or "Sufi Order of Jafar al Sadiq".

Biography

Jami was born in Kharjerd, in Khorasan.[8] Previously his father Nizām al-Dīn Ahmad b. Shams al-Dīn Muhammad had come from Dasht, a small town in the district of Isfahan.[8] A few years after his birth, his family migrated to Herat, where he was able to study Peripateticism, mathematics, Persian literature, natural sciences, Arabic language, logic, rhetoric, and Islamic philosophy at the Nizamiyyah University.[9] His father, also a Sufi, became his first teacher and mentor.[10] While in Herat, Jami held an important position at the Timurid court, involved in the era's politics, economics, philosophy and religious life.[5] Jami was a Sunni Muslim.[4]

Because his father was from Dasht, Jami's early pen name was Dashti, but later, he chose to use Jami because of two reasons he later mentioned in a poem:

مولدم جام و رشحهء قلمم
جرعهء جام شیخ الاسلامی است
لاجرم در جریدهء اشعار
به دومعنی تخلصم جامی است


My birthplace is Jam, and my pen
Has drunk from (knowledge of) Sheikh-ul-Islam (Ahmad) Jam
Hence in the books of poetry
My pen name is Jami for these two reasons.

Jami was a mentor and friend of the famous Turkic poet Alisher Navoi, as evidenced by his poems:

او که یک ترک بود و من تاجیک،
هردو داشتیم خویشی نزدیک.

U ki yak Turk bud va man Tajik
Hardu doshtim kheshii nazdik

Though he was a Turk, and I am Tajik,
We were close to each other.[11]

Afterward, he went to Samarkand, the most important center of scientific studies in the Muslim world and completed his studies there. He embarked on a pilgrimage that greatly enhanced his reputation and further solidified his importance through the Persian world.[8] Jami had a brother called Molana Mohammad, who was, apparently a learned man and a master in music, and Jami has a poem lamenting his death. Jami fathered four sons, but three of them died before reaching their first year.[12] The surviving son was called Zia-ol-din Yusef and Jami wrote his Baharestan for this son.

Youth seeking his father's advice on love from the Haft Awrang of Jami, in the story "A Father Advises his Son About Love"
Youth seeking his father's advice on love from the Haft Awrang of Jami, in the story "A Father Advises his Son About Love"

At the end of his life he was living in Herat. His epitaph reads "When your face is hidden from me, like the moon hidden on a dark night, I shed stars of tears and yet my night remains dark in spite of all those shining stars."[13] There is a variety of dates regarding his death, but consistently most state it was in November 1492. Although, the actual date of his death is somewhat unknown the year of his death marks an end of both his greater poetry and contribution, but also a pivotal year of political change where Spain was no longer inhabited by the Arabs after 781 years.[14] His funeral was conducted by the prince of Herat and attended by great numbers of people demonstrating his profound impact.[12]

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Khar Gerd

Khar Gerd

Khar Gerd is a village in Miyan Khaf Rural District, in the Central District of Khaf County, Razavi Khorasan Province, Iran. At the 2006 census, its population was 1,407, in 325 families.

Greater Khorasan

Greater Khorasan

Greater Khorāsān, or Khorāsān, is a historical eastern region in the Iranian Plateau between Western and Central Asia. The name Khorāsān is Persian meaning "where the sun arrives from" or "the Eastern Province". The name was first given to the eastern province of Persia during the Sasanian Empire and was used from the late Middle Ages in distinction to neighbouring Transoxiana. Greater Khorasan is today sometimes used to distinguish the larger historical region from the former Khorasan Province of Iran (1906–2004), which roughly encompassed the western half of the historical Greater Khorasan.

Isfahan

Isfahan

Isfahan, from its ancient designation Aspadana and, later, Spahan in middle Persian, rendered in English as Ispahan, is a major city in the Central District of the Isfahan Province of Iran. It is located 440 kilometres south of Tehran and is the capital of Isfahan Province. The city has a population of approximately 2,220,000, making it the third-largest city in Iran, after Tehran and Mashhad, and the second-largest metropolitan area.

Herat

Herat

Herāt is an oasis city and the third-largest city of Afghanistan. In 2020, it had an estimated population of 574,276, and serves as the capital of Herat Province, situated south of the Paropamisus Mountains in the fertile valley of the Hari River in the western part of the country. An ancient civilization on the Silk Road between the Middle East, Central and South Asia, it serves as a regional hub in the country's west.

Mathematics

Mathematics

Mathematics is an area of knowledge that includes the topics of numbers, formulas and related structures, shapes and the spaces in which they are contained, and quantities and their changes. These topics are represented in modern mathematics with the major subdisciplines of number theory, algebra, geometry, and analysis, respectively. There is no general consensus among mathematicians about a common definition for their academic discipline.

Persian literature

Persian literature

Persian literature comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, the Caucasus, and Turkey, regions of Central Asia and South Asia where the Persian language has historically been either the native or official language. For example, Rumi, one of the best-loved Persian poets, born in Balkh or Wakhsh, wrote in Persian and lived in Konya, at that time the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, Pakistan, Bangladesh, India, Tajikistan and other parts of Central Asia. Not all Persian literature is written in Persian, as some consider works written by ethnic Persians or Iranians in other languages, such as Greek and Arabic, to be included. At the same time, not all literature written in Persian is written by ethnic Persians or Iranians, as Turkic, Caucasian, and Indic poets and writers have also used the Persian language in the environment of Persianate cultures.

Logic

Logic

Logic is the study of correct reasoning. It includes both formal and informal logic. Formal logic is the science of deductively valid inferences or of logical truths. It is a formal science investigating how conclusions follow from premises in a topic-neutral way. When used as a countable noun, the term "a logic" refers to a logical formal system that articulates a proof system. Formal logic contrasts with informal logic, which is associated with informal fallacies, critical thinking, and argumentation theory. While there is no general agreement on how formal and informal logic are to be distinguished, one prominent approach associates their difference with whether the studied arguments are expressed in formal or informal languages. Logic plays a central role in multiple fields, such as philosophy, mathematics, computer science, and linguistics.

Rhetoric

Rhetoric

Rhetoric is the art of persuasion, which along with grammar and logic, is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate particular audiences in specific situations. Aristotle defines rhetoric as "the faculty of observing in any given case the available means of persuasion" and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he calls it "a combination of the science of logic and of the ethical branch of politics". Rhetoric typically provides heuristics for understanding, discovering, and developing arguments for particular situations, such as Aristotle's three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric or phases of developing a persuasive speech were first codified in classical Rome: invention, arrangement, style, memory, and delivery.

Islamic philosophy

Islamic philosophy

Islamic philosophy is philosophy that emerges from the Islamic tradition. Two terms traditionally used in the Islamic world are sometimes translated as philosophy—falsafa, which refers to philosophy as well as logic, mathematics, and physics; and Kalam, which refers to a rationalist form of Scholastic Islamic theology which includes the schools of Maturidiyah, Ashaira and Mu'tazila.

Minaret of Jam

Minaret of Jam

The Minaret of Jam is a UNESCO World Heritage Site in western Afghanistan. It is located in a remote and nearly inaccessible region of the Shahrak District, Ghor Province, next to the Hari River. The 62 m (203 ft) or 65 m (213 ft) high minaret was built around 1190 entirely of baked bricks and is famous for its intricate brick, stucco and glazed tile decoration, which consists of alternating bands of kufic and naskhi calligraphy, geometric patterns, and verses from the Qur'an. Since 2002, the minaret has remained on the list of World Heritage in Danger, under serious threat of erosion, and has not been actively preserved. In 2014, the BBC reported that the tower was in imminent danger of collapse.

Samarkand

Samarkand

Samarkand, also known as Samarqand, is a city in southeastern Uzbekistan and among the oldest continuously inhabited cities in Central Asia. There is evidence of human activity in the area of the city from the late Paleolithic Era. Though there is no direct evidence of when Samarkand was founded, several theories propose that it was founded between the 8th and 7th centuries BCE. Prospering from its location on the Silk Road between China, Persia and Europe, at times Samarkand was one of the largest cities of Central Asia. Most of the inhabitants of this city are native speakers of Tajik dialect of Persian language. This city is one of the historical centers of the Tajik people in Central Asia, which in the past was one of the important cities of the great empires of Greater Iran.

Muslim world

Muslim world

The terms Muslim world and Islamic world commonly refer to the Islamic community, which is also known as the Ummah. This consists of all those who adhere to the religious beliefs and laws of Islam or to societies in which Islam is practiced. In a modern geopolitical sense, these terms refer to countries in which Islam is widespread, although there are no agreed criteria for inclusion. The term Muslim-majority countries is an alternative often used for the latter sense.

Teachings and Sufism

In his role as Sufi shaykh, which began in 1453, Jami expounded a number of teachings regarding following the Sufi path. He created a distinction between two types of Sufi's, now referred to as the "prophetic" and the "mystic" spirit.[15] Jami is known for both his extreme piety and mysticism.[5][6] He remained a staunch Sunni on his path toward Sufism and developed images of earthly love and its employment to depict the spiritual passion of the seeker of God.[5][16] He began to take an interest in Sufism at an earlier age when he received a blessing by a principal associate Khwaja Mohammad Parsa who came through town.[17] From there he sought guidance from Sa'd-alDin Kasgari based on a dream where he was told to take God and become his companion.[18] Jami followed Kasagari and the two became tied together upon Jami's marriage to Kasgari's granddaughter.[17] He was known for his commitment to God and his desire for separation from the world to become closer to God often causing him to forget social normalities.[17]

After his re-emergence into the social world he became involved in a broad range of social, intellectual and political actives in the cultural center of Herat.[17] He was engaged in the school of Ibn Arabi, greatly enriching, analyzing, and also changing the school or Ibn Arabi. Jami continued to grow in further understanding of God through miraculous visions and feats, hoping to achieve a great awareness of God in the company of one blessed by Him.[17] He believed there were three goals to achieve "permanent presence with God" through ceaselessness and silence, being unaware of one's earthly state, and a constant state of a spiritual guide.[19] Jami wrote about his feeling that God was everywhere and inherently in everything.[15] He also defined key terms related to Sufism including the meaning of sainthood, the saint, the difference between the Sufi and the one still striving on the path, the seekers of blame, various levels of tawhid, and the charismatic feats of the saints.[19] Oftentimes Jami's methodology did not follow the school of Ibn Arabi, like in the issue of mutual dependence between God and his creatures Jami stated "We and Thou are not separate from each other, but we need Thee, whereas Thou dost not need us."

Jami created an all-embracing unity emphasized in a unity with the lover, beloved, and the love one, removing the belief that they are separated.[15] Jami was in many ways influenced by various predecessors and current Sufi's, incorporating their ideas into his own and developing them further, creating an entirely new concept. In his view, love for Muhammad was the fundamental stepping stone for starting on the spiritual journey. Jami served as a master to several followers and to one student who asked to be his pupil who claimed never to have loved anyone, he said, "Go and love first, then come to me and I will show you the way."[19][20] For several generations, Jami had a group of followers representing his knowledge and impact. Jami continues to be known for not only his poetry, but his learned and spiritual traditions of the Persian speaking world.[19] In analyzing Jami's work greatest contribution may have been his analysis and discussion of God's mercy towards man, redefining the way previous texts were interpreted.

Works

Illustration from the Bahâristân, dated 1595, with two lines of included script
Illustration from the Bahâristân, dated 1595, with two lines of included script

Jami wrote approximately eighty-seven books and letters, some of which have been translated into English. His works range from prose to poetry, and from the mundane to the religious. He has also written works of history and science. As well, he often comments on the work of previous and current theologians, philosophers and Sufi's.[5] In Herat, his manual of irrigation design included advanced drawings and calculations and is still a key reference for the irrigation department.[21] His poetry has been inspired by the ghazals of Hafiz, and his famous and beautiful divan Haft Awrang (Seven Thrones) is, by his own admission, influenced by the works of Nizami. The Haft Awrang also known as the long masnavis or mathnawis are a collection of seven poems.[22] Each poem discusses a different story such as the Salaman va Absal that tells the story of a carnal attraction of a prince for his wet-nurse.[23] Jami uses allegorical symbolism within the tale to depict the key stages of the Sufi path such as repentance and expose philosophical, religious, or ethical questions.[12][22] Each of the allegorical symbols has a meaning highlighting knowledge and intellect, particularly of God. This story reflects Jamī's idea of the Sufi-king as the ideal medieval Islamic ruler to repent and embark upon the Sufi path to realize his rank as God's 'true' vicegerent and become closer to God.[22] As well, Jami is known for his three collections of lyric poems that range from his youth towards the end of his life called the Fatihat al-shabab (The Beginning of Youth), Wasitat al-'ikd (The Central Pearl in the Necklace), and Khatimat al-hayat (The conclusion of Life).[12] Throughout Jami's work references to Sufism and the Sufi emerge as being key topics. One of his most profound ideas was the mystical and philosophical explanations of the nature of divine mercy, which was a result of his commentary on other works.[5]

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Baharestan (book)

Baharestan (book)

Baharestan,, , is a Persian book written by Jami that contains prose. It has stories, tales and moral advice mainly in prose, but also in poetry. Baharestan is divided into eight chapters, an introduction, and a final part. Each of its chapters is called a rowzeh. Jami wrote this book in a year in the 9th century after Muhammad's departure to Medina. In the introduction of Baharestan, Jami stated that he had written this book in the style of Saadi Shirazi's Gulistan for his son who was ten years old at the time and was studying. Baharestan has content about Sufism and mysticism. There are 469 verses of poetry in this book; 16 verses being in Arabic and the rest in Persian. Baharestan has saj' in its texts and the type of its prose is rhymed prose; i.e. it is rhythmic. Each chapter in Baharestan has a specific topic; for example, in the seventh chapter, the topic is the life and the biography of some poets.

Ghazal

Ghazal

The ghazal is a form of amatory poem or ode, originating in Arabic poetry. Ghazals often deal with topics of spiritual and romantic love and may be understood as a poetic expression of both the pain of loss or separation from the beloved and the beauty of love in spite of that pain.

Haft Awrang

Haft Awrang

Haft Awrang by the Persian poet Jami is a classic of Persian literature composed some time between 1468 and 1485. Jami completed the work as seven books following a masnavi format:"Selselat adh-dhahab" : a collection of didactic anecdotes "Yusof-o Zulaikhā" : the romance of Joseph and Zulaikha, wife of Potiphar based on the Islamic traditions. "Sabhat al-abrār" : another collection of didactic anecdotes "Salaman-o Absāl" : A doomed romance between a prince and his nursemaid. The original story is Greek, translated in the early Islamic times to Arabic by Ibn Hunain and then rendered into Persian poem by Jami. Dehkhoda suggests this story might have an Israelite origin. "Tohfat ol-ahrār "Layli-o Majnun" "Kheradnāma-i Eskandari" account of events leading up to Alexander's death.

Nizami Ganjavi

Nizami Ganjavi

Nizami Ganjavi, Nizami Ganje'i, Nizami, or Nezāmi, whose formal name was Jamal ad-Dīn Abū Muḥammad Ilyās ibn-Yūsuf ibn-Zakkī, was a 12th-century Persian Sunni Muslim poet. Nezāmi is considered the greatest romantic epic poet in Persian literature, who brought a colloquial and realistic style to the Persian epic. His heritage is widely appreciated and shared by Afghanistan, Republic of Azerbaijan, Iran, the Kurdistan region and Tajikistan.

Artwork

Jami is also known for his poetry influencing and being included with Persian paintings that depict Persian history through manuscript paintings. Most of his own literature included illustrations that were not yet common for literature. The deep poetry Jami provides, is usually accompanied with enriched paintings reflecting the complexity of Jami's work and Persian culture.[24]

Impact of Jami's works

Jami worked within the Tīmūrid court of Herat helping to serve as an interpreter and communicator.[5] His poetry reflected Persian culture and was popular through Islamic East, Central Asia and the Indian subcontinent.[5] Jami's poetry addressed popular ideas that led to Sufi's and non-Sufi's interest in his work.[15] He was known not only for his poetry, but his theological works and commentary on culture.[5] His work was used in several schools from Samarqand to Istanbul to Khayrābād in Persia as well as in the Mughal Empire.[5] For centuries Jami was known for his poetry and profound knowledge. In the last half-century, Jami has begun to be neglected and his works forgotten, which reflects an overarching issue in the lack of research of Islamic and Persian studies.[5] His poetry reached the Ottoman Empire, due to the poet Basiri emigrating to Istanbul.[25]

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Divan of Jami

Among his works are:

  • Baharestan (Abode of Spring) Modeled upon the Gulestan of Saadi
  • Diwanha-ye Sehganeh (Triplet Divans)
  • Al-Fawaed-Uz-Ziya'iya.[26] A commentary on Ibn al-Hajib's treatise on Arab grammar Al-Kafiya. This commentary has been a staple of Ottoman Madrasas' curricula under its author's name Molla Cami.[27]
  • Haft Awrang (Seven Thrones) His major poetical work. The fifth of the seven stories is his acclaimed "Yusuf and Zulaykha", which tells the story of Joseph and Potiphar's wife based on the Quran.
  • Jame -esokanan-e Kaja Parsa
  • Lawa'ih A treatise on Sufism (Shafts of Light)
  • Nafahat al-Uns (Breaths of Fellowship) Biographies of the Sufi Saints
  • Resala-ye manasek-e hajj
  • Resala-ye musiqi
  • Resala-ye tariq-e Kvajagan
  • Resala-ye sarayet-e dekr
  • Resala-ye so al o jawab-e Hendustan
  • Sara-e hadit-e Abi Zarrin al-Aqili
  • Sar-rešta-yetariqu-e Kājagān (The Quintessence of the Path of the Masters)
  • Shawahidal-nubuwwa (Distinctive Signs of Prophecy)
  • Tajnīs 'al-luġāt (Homonymy/Punning of Languages) A lexicographical work containing homonymous Persian and Arabic lemmata.[28]
  • Tuhfat al-ahrar (The Gift to the Noble)[29]

Along with his works are his contributions to previous works and works that have been created in response to his new ideas.[16]

Legacy

Mawlana Jami in Stamp of Afghanistan, 1968
Mawlana Jami in Stamp of Afghanistan, 1968

Source: "Jami", Wikipedia, Wikimedia Foundation, (2023, March 19th), https://en.wikipedia.org/wiki/Jami.

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See also
References
  1. ^ Jami: Ali Asghar Hikmat, Urdu Translation Arif Naushahi, p. 124
  2. ^ "JĀMI – Encyclopaedia Iranica". www.iranicaonline.org. Retrieved 2019-10-28. JĀMI, ʿABD-AL-RAḤMĀN NUR-AL-DIN b. Neẓām-al-Din Aḥmad-e Dašti, Grammarian, Persian poet, scholar and Sufi of the 15th century
  3. ^ Brill 2014, p. ix, "works of the Persian polymath ʿAbd al-RahmanJami (1414–1492) under the auspices of the Neubauer Collegium for ...".
  4. ^ a b Hamid Dabashi (20 November 2012), The World of Persian Literary Humanism, Harvard University Press, p. 150, ISBN 9780674070615, In addition to being a leading Sufi, Jami was also a devout Sunni, quite critical of Shi'ism..."
  5. ^ a b c d e f g h i j k Rizvi 2006, p. .
  6. ^ a b Williams, John (1961). Islam. New York: George Braziller.
  7. ^ Dabashi 2012, p. 150.
  8. ^ a b c Losensky, Paul (23 June 2008). "JĀMI". Encyclopædia Iranica.
  9. ^ Rizvi 2006, p. 64, "... the family moved to the city of Herat. There Jami continued his studies in the elementary subjects of language, logic and rhetoric... at the Madrasa-yi Bazar-i Khush. As a teenager, he also embarked on the study of the intellectual disciplines of rational theology, philosophy and the exact sciences...".
  10. ^ Rizvi 2006, p. 63.
  11. ^ Abdullaev K.N. From Xinjiang to Khorasan. Dushanbe. 2009, p.70
  12. ^ a b c d Huart, Cl.; Masse, H. "Djami, Mawlana Nur al-Din 'Abd ah-Rahman". Encyclopaedia of Islam.
  13. ^ Ahmed, Rashid (2001). Taliban, p. 40. Yale University Press.
  14. ^ Machatschke 1996, p. .
  15. ^ a b c d Schimmel, AnnMarie (1975). Mystical Dimensions of Islam. Capital Hill: The University of North Carolina Press.
  16. ^ a b Rahman, Fazlur (1966). Islam. Holt, Rinehart, and Winston.
  17. ^ a b c d e Algar, Hamid (June 2008). "Jami and Sufism". Encyclopaedia Iranica.
  18. ^ Kia, Chad (June 2008). "Jami and Sufism". Encyclopaedia Iranica.
  19. ^ a b c d Algar, Hamid (23 June 2008). "Jami and Sufism". Encyclopaedia Iranica.
  20. ^ "VOLUME X_3_4". Wahiduddin.net. 2005-10-18. Retrieved 2014-08-05.
  21. ^ Chokkakula, Srinivas (2009). "Interrogating Irrigation Inequities: Canal Irrigation Systems in Injil District, Herat". Case Study Series. Afghanistan Research and Evaluation Unit. p. 12.
  22. ^ a b c Lingwood, Chad (March 2011). "Jami's Salaman va Absal: Political Statements and Mystical Advice Addressed to the Aq Qoyunlu Court of Sultan Ya'qub (d. 896/1490)". Iranian Studies. 44 (2): 175–191. doi:10.1080/00210862.2011.541687. S2CID 154384698.
  23. ^ Lingwood, Chad (March 2011). "Jami's Salaman va Absal: Political Statements and Mystical Advice Addressed to the Aq Qoyunlu Court of Sultan Ya'qub (d. 896/1490)". Iranian Studies. 44 (2): 174–191. doi:10.1080/00210862.2011.541687. S2CID 154384698.
  24. ^ Kia, Chad (23 June 2008). "Jami and Persian Art". Encyclopaedia Iranica.
  25. ^ Algar 2019, p. 83.
  26. ^ "شـرح مـلا جـامـي – Sharh Mulla Jami". Arabicbookshop.net. Retrieved 2014-08-05.
  27. ^ Okumuş, Ö. (1993). Molla Cami. In İslam Ansiklopedisi (Vol. 7, pp. 94–99). Türkiye Diyanet Vakfı.
  28. ^ Shīrānī, 6.
  29. ^ "Tuhfat-ul-Ahrar by Maulana Jami (Persian) : Maulana Abdul Rahman Jami : Free Download & Streaming : Internet Archive". 2001-03-10. Retrieved 2014-08-05.

Works cited

General sources

  • E.G. Browne. Literary History of Persia. (Four volumes, 2,256 pages, and twenty-five years in the writing). 1998. ISBN 978-0-7007-0406-4
  • Jan Rypka, History of Iranian Literature. Reidel Publishing Company. 1968 OCLC 460598 ISBN 978-90-277-0143-5
  • Aftandil Erkinov A. "La querelle sur l`ancien et le nouveau dans les formes litteraires traditionnelles. Remarques sur les positions de Jâmi et de Navâ`i". Annali del`Istituto Universitario Orientale. 59, (Napoli), 1999, pp. 18–37.
  • Aftandil Erkinov. "Manuscripts of the works by classical Persian authors (Hāfiz, Jāmī, Bīdil): Quantitative Analysis of 17th–19th c. Central Asian Copies". Iran: Questions et connaissances. Actes du IVe Congrès Européen des études iraniennes organisé par la Societas Iranologica Europaea, Paris, 6–10 Septembre 1999. vol. II: Périodes médiévale et moderne. [Cahiers de Studia Iranica. 26], M.Szuppe (ed.). Association pour l`avancement des études iraniennes-Peeters Press. Paris-Leiden, 2002, pp. 213–228.
  • Jami. Flashes of Light: A Treatise on Sufism. Golden Elixir Press, 2010. ISBN 978-0-9843082-2-4 (ebook)
Further reading
  • R. M. Chopra, "Great Poets of Classical Persian", Sparrow Publication, Kolkata, 2014, (ISBN 978-81-89140-75-5)
External links
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