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Jackson Pollock

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Jackson Pollock
Jackson Pollock.jpg
Studio portrait at about age 16 circa 1928
Born
Paul Jackson Pollock

(1912-01-28)January 28, 1912
DiedAugust 11, 1956(1956-08-11) (aged 44)
EducationArt Students League of New York
Known forPainting
Notable work
MovementAbstract expressionism
Spouse
(m. 1945)
Signature
Jackson Pollock Signature.svg

Paul Jackson Pollock (/ˈpɒlək/; January 28, 1912 – August 11, 1956) was an American painter and a major figure in the abstract expressionist movement. He was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided the critics: some praised the immediacy of the creation, while others derided the random effects. In 2016, Pollock's painting titled Number 17A was reported to have fetched US$200 million in a private purchase.

A reclusive and volatile personality, Pollock struggled with alcoholism for most of his life. In 1945, he married the artist Lee Krasner, who became an important influence on his career and on his legacy. Pollock died at the age of 44 in an alcohol-related single-car collision when he was driving. In December 1956, four months after his death, Pollock was given a memorial retrospective exhibition at the Museum of Modern Art (MoMA) in New York City. A larger, more comprehensive exhibition of his work was held there in 1967. In 1998 and 1999, his work was honored with large-scale retrospective exhibitions at MoMA and at The Tate in London.[1][2]

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Abstract expressionism

Abstract expressionism

Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the Western art world, a role formerly filled by Paris.

Drip painting

Drip painting

Drip painting is a form of abstract art in which paint is dripped or poured on to the canvas. This style of action painting was experimented with in the first half of the twentieth century by such artists as Francis Picabia, André Masson and Max Ernst, who employed drip painting in his works The Bewildered Planet, and Young Man Intrigued by the Flight of a Non-Euclidean Fly (1942). Ernst used the novel means of painting Lissajous figures by swinging a punctured bucket of paint over a horizontal canvas.

All-over painting

All-over painting

All-over painting refers to the non-differential treatment of the surface of a work of two-dimensional art, for instance a painting. This concept is most popularly thought of as emerging in relation to the so-called "drip" paintings of Jackson Pollock and the "automatic writing" or "abstract calligraphy" of Mark Tobey in the 1950s, though the applicability of the term all-over painting would be wider than that. "All-over painting" is not a formal style of painting and the term does not represent an "art movement." Some painting under the heading color field painting displays the "all-over" painting style. Such a painting would fail to treat the top, for instance, differently from the bottom; the left than the right. Uniform treatment of all sections of the surface are the hallmark of all-over painting. All-over paintings would lack a dominant point of interest, or any indication of which way is "up." Some paintings by Cy Twombly have had this term applied to them.

Action painting

Action painting

Action painting, sometimes called "gestural abstraction", is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist.

Number 17A

Number 17A

Number 17A is an abstract expressionist painting by Jackson Pollock. It is owned by hedge fund manager Kenneth C. Griffin, who purchased it in September 2015 from David Geffen for $200 million, a then record-breaking price, at which time it was lent to the Art Institute of Chicago. As of September 2022, it is ranked 5th on the list of most expensive paintings.

Lee Krasner

Lee Krasner

Lenore "Lee" Krasner was an American abstract expressionist painter, with a strong speciality in collage. She was married to Jackson Pollock. Although there was much cross-pollination between their two styles, the relationship somewhat overshadowed her contribution for some time. Krasner's training, influenced by George Bridgman and Hans Hofmann, was the more formalized, especially in the depiction of human anatomy, and this enriched Pollock's more intuitive and unstructured output.

Retrospective

Retrospective

A retrospective, generally, is a look back at events that took place, or works that were produced, in the past. As a noun, retrospective has specific meanings in medicine, software development, popular culture and the arts. It is applied as an adjective, synonymous with the term retroactive, to laws, standards, and awards.

Museum of Modern Art

Museum of Modern Art

The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues.

Tate Britain

Tate Britain

Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and Tate St Ives. It is the oldest gallery in the network, having opened in 1897. It houses a substantial collection of the art of the United Kingdom since Tudor times, and in particular has large holdings of the works of J. M. W. Turner, who bequeathed all his own collection to the nation. It is one of the largest museums in the country. The museum had 525,144 visitors in 2021, an increase of 34 percent from 2020 but still well below pre- COVID-19 pandemic levels. In 2021 it ranked 50th on the list of most-visited art museums in the world.

Early life (1912–1936)

Paul Jackson Pollock was born in Cody, Wyoming, in 1912,[3] the youngest of five brothers. His parents, Stella May (née McClure) and LeRoy Pollock, were born and grew up in Tingley, Iowa, and were educated at Tingley High School. Pollock's mother is interred at Tingley Cemetery, Ringgold County, Iowa. His father had been born with the surname McCoy, but took the surname of his adoptive parents, neighbors who adopted him after his own parents had died within a year of each other. Stella and LeRoy Pollock were Presbyterian; they were of Irish and Scots-Irish descent, respectively.[4] LeRoy Pollock was a farmer and later a land surveyor for the government, moving for different jobs.[3] Stella, proud of her family's heritage as weavers, made and sold dresses as a teenager.[5] In November 1912, Stella took her sons to San Diego; Jackson was just 10 months old and would never return to Cody.[5] He subsequently grew up in Arizona and Chico, California.

While living in the Vermont Square neighborhood of Los Angeles, he enrolled at Manual Arts High School,[6] from which he was expelled. He had already been expelled in 1928 from another high school. During his early life, Pollock explored Native American culture while on surveying trips with his father.[3][7] He was also heavily influenced by Mexican muralists, particularly José Clemente Orozco,[8][9] whose fresco Prometheus he would later call "the greatest painting in North America".[10]

In 1930, following his older brother Charles Pollock, he moved to New York City, where they both studied under Thomas Hart Benton at the Art Students League. Benton's rural American subject matter had little influence on Pollock's work, but his rhythmic use of paint and his fierce independence were more lasting.[3] In the early 1930s, Pollock spent a summer touring the Western United States together with Glen Rounds, a fellow art student, and Benton, their teacher.[11][12]

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Cody, Wyoming

Cody, Wyoming

Cody is a city in Northwest Wyoming and the seat of government of Park County, Wyoming, United States. It is named after Buffalo Bill Cody for his part in the founding of Cody in 1896.

Presbyterianism

Presbyterianism

Presbyterianism is a part of the Reformed tradition within Protestantism that broke from the Roman Catholic Church. Presbyterian churches derive their name from the presbyterian form of church government by representative assemblies of elders. Many Reformed churches are organised this way, but the word Presbyterian, when capitalized, is often applied to churches that trace their roots to the Church of Scotland or to English Dissenter groups that formed during the English Civil War.

Irish people

Irish people

Irish people are an ethnic group and nation native to the island of Ireland, who share a common history and culture. There have been humans in Ireland for about 33,000 years, and it has been continually inhabited for more than 10,000 years. For most of Ireland's recorded history, the Irish have been primarily a Gaelic people. From the 9th century, small numbers of Vikings settled in Ireland, becoming the Norse-Gaels. Anglo-Normans also conquered parts of Ireland in the 12th century, while England's 16th/17th century conquest and colonisation of Ireland brought many English and Lowland Scots to parts of the island, especially the north. Today, Ireland is made up of the Republic of Ireland and Northern Ireland. The people of Northern Ireland hold various national identities including British, Irish, Northern Irish or some combination thereof.

Arizona

Arizona

Arizona is a state in the Southwestern United States. It is the 6th-largest and the 14th-most-populous of the 50 states. Its capital and largest city is Phoenix. Arizona is part of the Four Corners region with Utah to the north, Colorado to the northeast, and New Mexico to the east; its other neighboring states are Nevada to the northwest, California to the west and the Mexican states of Sonora and Baja California to the south and southwest.

Chico, California

Chico, California

Chico is the most populous city in Butte County, California, United States. Located in the Sacramento Valley region of Northern California, the city had a population of 101,475 in the 2020 census, reflecting an increase from 86,187 in the 2010 Census. Chico is the cultural and economic center of the northern Sacramento Valley, as well as the largest city in California north of the capital city of Sacramento. The city is known as a college town, as the home of California State University, Chico, and for Bidwell Park, one of the largest urban parks in the world.

Manual Arts High School

Manual Arts High School

Manual Arts High School is a secondary public school in Los Angeles, California, United States.

Native Americans in the United States

Native Americans in the United States

Native Americans, also known as American Indians, First Americans, Indigenous Americans, and other terms, are the Indigenous peoples of the mainland United States. There are 574 federally recognized tribes living within the US, about half of which are associated with Indian reservations. As defined by the United States Census, "Native Americans" are Indigenous tribes that are originally from the contiguous United States, along with Alaska Natives. Indigenous peoples of the United States who are not listed as American Indian or Alaska Native include Native Hawaiians, Samoan Americans, and Chamorros. The US Census groups these peoples as "Native Hawaiian and other Pacific Islanders".

José Clemente Orozco

José Clemente Orozco

José Clemente Orozco was a Mexican caricaturist and painter, who specialized in political murals that established the Mexican Mural Renaissance together with murals by Diego Rivera, David Alfaro Siqueiros, and others. Orozco was the most complex of the Mexican muralists, fond of the theme of human suffering, but less realistic and more fascinated by machines than Rivera. Mostly influenced by Symbolism, he was also a genre painter and lithographer. Between 1922 and 1948, Orozco painted murals in Mexico City, Orizaba, Claremont, California, New York City, Hanover, New Hampshire, Guadalajara, Jalisco, and Jiquilpan, Michoacán. His drawings and paintings are exhibited by the Carrillo Gil Museum in Mexico City, and the Orozco Workshop-Museum in Guadalajara. Orozco was known for being a politically committed artist, and he promoted the political causes of peasants and workers.

Prometheus (Orozco)

Prometheus (Orozco)

Prometheus is a fresco by Mexican muralist José Clemente Orozco depicting the Greek Titan Prometheus stealing fire from the heavens to give to humans. It was commissioned for Pomona College's Frary Dining Hall and completed in June 1930, becoming the first modern fresco in the United States. It has received widespread critical acclaim.

Charles Pollock

Charles Pollock

Charles Cecil Pollock was an American abstract painter and the eldest brother of artist Jackson Pollock.

Art Students League of New York

Art Students League of New York

The Art Students League of New York is an art school at 215 West 57th Street in Manhattan, New York City, New York. The League has historically been known for its broad appeal to both amateurs and professional artists.

Glen Rounds

Glen Rounds

Glen Harold Rounds was an American writer and illustrator. In a career that exceeded six decades, he wrote and illustrated well over 100 books. He was the recipient of more than 25 literary awards.

Career (1936–1954)

Pollock was introduced to the use of liquid paint in 1936 at an experimental workshop in New York City by the Mexican muralist David Alfaro Siqueiros. In the summer, he went to Dartmouth College to study Jose Clemente Orozco's 3,200 square foot mural, “The Epic of American Civilization.”[13] He later used paint pouring as one of several techniques on canvases of the early 1940s, such as Male and Female and Composition with Pouring I. After his move to Springs, New York, he began painting with his canvases laid out on the studio floor and he developed what was later called his "drip" technique.

From 1938 to 1942 Pollock worked for the WPA Federal Art Project.[14] During this time Pollock was trying to deal with his established alcoholism; from 1938 through 1941 he underwent Jungian psychotherapy with Dr. Joseph L. Henderson and later with Dr. Violet Staub de Laszlo in 1941–42. Henderson engaged him through his art, encouraging Pollock to make drawings. Jungian concepts and archetypes were expressed in his paintings.[15][16] Some historians have hypothesized that Pollock might have had bipolar disorder.[17] Pollock signed a gallery contract with Peggy Guggenheim in July 1943. He received the commission to create the 8-by-20-foot (2.4 by 6.1 m) Mural (1943)[18] for the entry to her new townhouse. At the suggestion of her friend and advisor Marcel Duchamp, Pollock painted the work on canvas, rather than the wall, so that it would be portable. After seeing the big mural, the art critic Clement Greenberg wrote: "I took one look at it and I thought, 'Now that's great art,' and I knew Jackson was the greatest painter this country had produced."[19] The catalog introducing his first exhibition described Pollock's talent as "volcanic. It has fire. It is unpredictable. It is undisciplined. It spills out of itself in a mineral prodigality, not yet crystallized."[20]

Drip period

Pollock's most famous paintings were made during the "drip period" between 1947 and 1950. He became famous following an August 8, 1949, four-page spread in Life magazine that asked, "Is he the greatest living painter in the United States?" Thanks to the mediation of Alfonso Ossorio, a close friend of Pollock, and the art historian Michel Tapié, the young gallery owner Paul Facchetti, from March 7, 1952, managed to realize the first exhibition of Pollock's works from 1948 to 1951[21] in his Studio Paul Facchetti in Paris and in Europe.[22] At the peak of his fame, Pollock abruptly abandoned the drip style.[23] Pollock's drip paintings were influenced by the artist Janet Sobel; the art critic Clement Greenberg would later report that Pollock "admitted" to him that Sobel's work "had made an impression on him."[24]

Pollock's work after 1951 was darker in color, including a collection painted in black on unprimed canvases. These paintings have been referred to as his "Black pourings" and when he exhibited them at the Betty Parsons Gallery in New York, none of them sold. Parsons later sold one to a friend at half the price. These works show Pollock attempting to find a balance between abstraction and depictions of the figure.[25]

He later returned to using color and continued with figurative elements.[26] During this period, Pollock had moved to the Sidney Janis Gallery, a more commercial gallery; the demand for his work from collectors was great. In response to this pressure, along with personal frustration, his alcoholism deepened.[27]

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David Alfaro Siqueiros

David Alfaro Siqueiros

David Alfaro Siqueiros was a Mexican social realist painter, best known for his large public murals using the latest in equipment, materials and technique. Along with Diego Rivera and José Clemente Orozco, he was one of the most famous of the "Mexican muralists". He was a member of the Mexican Communist Party, and a Stalinist and supporter of the Soviet Union who led an unsuccessful attempt to assassinate Leon Trotsky in May 1940.

Dartmouth College

Dartmouth College

Dartmouth College is a private Ivy League research university in Hanover, New Hampshire. Established in 1769 by Eleazar Wheelock, it is one of the nine colonial colleges chartered before the American Revolution. Although founded to educate Native Americans in Christian theology and the English way of life, the university primarily trained Congregationalist ministers during its early history before it gradually secularized. It emerged from relative obscurity into national prominence at the turn of the 20th century, and was considered to be the most prestigious undergraduate college in the United States in the early 1900s. While Dartmouth is now a research university rather than simply an undergraduate college, it continues to go by "Dartmouth College" to emphasize its focus on undergraduate education.

Drip painting

Drip painting

Drip painting is a form of abstract art in which paint is dripped or poured on to the canvas. This style of action painting was experimented with in the first half of the twentieth century by such artists as Francis Picabia, André Masson and Max Ernst, who employed drip painting in his works The Bewildered Planet, and Young Man Intrigued by the Flight of a Non-Euclidean Fly (1942). Ernst used the novel means of painting Lissajous figures by swinging a punctured bucket of paint over a horizontal canvas.

Federal Art Project

Federal Art Project

The Federal Art Project (1935–1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented American design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression. According to American Heritage, “Something like 400,000 easel paintings, murals, prints, posters, and renderings were produced by WPA artists during the eight years of the project’s existence, virtually free of government pressure to control subject matter, interpretation, or style.”

Joseph L. Henderson

Joseph L. Henderson

Joseph Lewis Henderson was an American physician and a Jungian psychologist. Called by some the “Dean of American analytical psychologists", he was a co-founder of the C.G. Jung Institute in San Francisco and continued in private practice into his 102nd year. When he died, at the age of 104, he was "the last of the first generation of Jungian analysts who had their primary analysis with Jung."

Bipolar disorder

Bipolar disorder

Bipolar disorder, previously known as manic depression, is a mental disorder characterized by periods of depression and periods of abnormally elevated mood that last from days to weeks each. If the elevated mood is severe or associated with psychosis, it is called mania; if it is less severe, it is called hypomania. During mania, an individual behaves or feels abnormally energetic, happy or irritable, and they often make impulsive decisions with little regard for the consequences. There is usually also a reduced need for sleep during manic phases. During periods of depression, the individual may experience crying and have a negative outlook on life and poor eye contact with others. The risk of suicide is high; over a period of 20 years, 6% of those with bipolar disorder died by suicide, while 30–40% engaged in self-harm. Other mental health issues, such as anxiety disorders and substance use disorders, are commonly associated with bipolar disorder.

Marcel Duchamp

Marcel Duchamp

Henri-Robert-Marcel Duchamp was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. He is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. He has had an immense impact on 20th- and 21st-century art, and a seminal influence on the development of conceptual art. By the time of World War I, he had rejected the work of many of his fellow artists as "retinal", intended only to please the eye. Instead, he wanted to use art to serve the mind.

Clement Greenberg

Clement Greenberg

Clement Greenberg, occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formalist aesthetician. He is best remembered for his association with the art movement abstract expressionism and the painter Jackson Pollock.

Life (magazine)

Life (magazine)

Life was an American magazine published weekly from 1883 to 1972, as an intermittent "special" until 1978, and as a monthly from 1978 until 2000. During its golden age from 1936 to 1972, Life was a wide-ranging weekly general-interest magazine known for the quality of its photography, and was one of the most popular magazines in the nation, regularly reaching one-quarter of the population.

Alfonso A. Ossorio

Alfonso A. Ossorio

Alfonso Angel Yangco Ossorio was a Filipino American abstract expressionist artist who was born in Manila in 1916 to wealthy Filipino parents from the province of Negros Occidental. His heritage was Hispanic, Filipino, and Chinese. Between the ages of eight and thirteen, he attended school in England. At age fourteen, he moved to the United States. Ossorio attended Portsmouth Priory in Rhode Island, graduating in 1934. From 1934 to 1938, he studied fine art at Harvard University and then continued his studies at the Rhode Island School of Design. He became an American citizen in 1933 and served as a medical illustrator in the United States Army during World War II.

Janet Sobel

Janet Sobel

Janet Sobel, born Jennie Olechovsky, was a Ukrainian-born American Abstract Expressionist painter whose career started mid-life, at age forty-five in 1938. Sobel pioneered the drip painting technique that directly influenced Jackson Pollock. She was credited as exhibiting the first instance of all-over painting seen by Clement Greenberg, a notable art critic.

Canvas

Canvas

Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbags, electronic device cases, and shoes. It is popularly used by artists as a painting surface, typically stretched across a wooden frame.

Relationship with Lee Krasner

The two artists met while they both exhibited at the McMillen Gallery in 1942. Krasner was unfamiliar yet intrigued with Pollock's work and went to his apartment, unannounced, to meet him following the gallery exhibition.[28] In October 1945, Pollock and Lee Krasner were married in a church with two witnesses present for the event.[29] In November, they moved out of the city to the Springs area of East Hampton on the south shore of Long Island. With the help of a down-payment loan from Peggy Guggenheim, they bought a wood-frame house and barn at 830 Springs Fireplace Road. Pollock converted the barn into a studio. In that space, he perfected his big "drip" technique of working with paint, with which he would become permanently identified. When the couple found themselves free from work they enjoyed spending their time together cooking and baking, working on the house and garden, and entertaining friends.[30]

Pollock's studio in Springs, New York
Pollock's studio in Springs, New York

Krasner's influence on her husband's art was something critics began to reassess by the latter half of the 1960s due to the rise of feminism at the time.[31] Krasner's extensive knowledge and training in modern art and techniques helped her bring Pollock up to date with what contemporary art should be. Krasner is often considered to have tutored her husband in the tenets of modernistic painting.[32][33] Pollock was then able to change his style to fit a more organized and cosmopolitan genre of modern art, and Krasner became the one judge he could trust.[32][34] At the beginning of the two artists' marriage, Pollock would trust his peers' opinions on what did or did not work in his pieces.[34] Krasner was also responsible for introducing him to many collectors, critics, and artists, including Herbert Matter, who would help further his career as an emerging artist.[35] Art dealer John Bernard Myers once said "there would never have been a Jackson Pollock without a Lee Pollock", whereas fellow painter Fritz Bultman referred to Pollock as Krasner's "creation, her Frankenstein", both men recognizing the immense influence Krasner had on Pollock's career.[36]

Jackson Pollock's influence on his wife's artwork is often discussed by art historians. Many people thought that Krasner began to reproduce and reinterpret her husband's chaotic paint splatters in her own work.[37] There are several accounts where Krasner intended to use her own intuition as a way to move towards Pollock's I am nature technique in order to reproduce nature in her art.[38]

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Lee Krasner

Lee Krasner

Lenore "Lee" Krasner was an American abstract expressionist painter, with a strong speciality in collage. She was married to Jackson Pollock. Although there was much cross-pollination between their two styles, the relationship somewhat overshadowed her contribution for some time. Krasner's training, influenced by George Bridgman and Hans Hofmann, was the more formalized, especially in the depiction of human anatomy, and this enriched Pollock's more intuitive and unstructured output.

Springs, New York

Springs, New York

Springs is a census-designated place (CDP) roughly corresponding to the hamlet by the same name in the Town of East Hampton in Suffolk County, New York, United States, on the South Fork of Long Island. As of the 2010 United States Census, the CDP population was 6,592.

Long Island

Long Island

Long Island is a densely populated island in the southeastern region of the U.S. state of New York, part of the New York metropolitan area. With over 8 million people, Long Island is the most populous island in the United States and the 18th-most populous in the world. The island begins at New York Harbor approximately 0.35 miles (0.56 km) east of Manhattan Island and extends eastward about 118 miles (190 km) into the Atlantic Ocean, with a maximum north-to-south width of 23 miles (37 km) between Long Island Sound and the Atlantic coast. With a land area of 1,401 square miles (3,630 km2), Long Island is the 11th-largest island in the United States, the largest island in the contiguous United States, and the 149th-largest island in the world.

Herbert Matter

Herbert Matter

Herbert Matter was a Swiss-born American photographer and graphic designer known for his pioneering use of photomontage in commercial art. Matter's innovative and experimental work helped shape the vocabulary of 20th-century graphic design.

Fritz Bultman

Fritz Bultman

Fritz Bultman was an American abstract expressionist painter, sculptor, and collagist and a member of the New York School of artists.

Later years and death (1955–1956)

Jackson Pollock's grave in the rear with Lee Krasner's grave in front in the Green River Cemetery
Jackson Pollock's grave in the rear with Lee Krasner's grave in front in the Green River Cemetery

In 1955, Pollock painted Scent and Search, his last two paintings.[39] He did not paint at all in 1956, but was making sculptures at Tony Smith's home: constructions of wire, gauze, and plaster.[26] Shaped by sand-casting, they have heavily textured surfaces similar to what Pollock often created in his paintings.[40]

Pollock and Krasner's relationship began to crumble by 1956, owing to Pollock's continuing alcoholism and infidelity involving another artist, Ruth Kligman.[41] On August 11, 1956, at 10:15 p.m., Pollock died in a single-car crash in his Oldsmobile convertible while driving under the influence of alcohol. At the time, Krasner was visiting friends in Europe; she abruptly returned on hearing the news from a friend.[41] One of the passengers, Edith Metzger, was also killed in the accident, which occurred less than a mile from Pollock's home. The other passenger, Ruth Kligman, survived.[42] In December 1956, four months after his death, Pollock was given a memorial retrospective exhibition at the Museum of Modern Art (MoMA) in New York City. A larger, more comprehensive exhibition of his work was held there in 1967. In 1998 and 1999, his work was honored with large-scale retrospective exhibitions at MoMA and at The Tate in London.[1][2]

For the rest of her life, his widow Lee Krasner managed his estate and ensured that Pollock's reputation remained strong despite changing art world trends. The couple are buried in Green River Cemetery in Springs with a large boulder marking his grave and a smaller one marking hers.

In 2023, an unknown Pollock painting was reportedly discovered in Bulgaria after international police agencies were able to track down a group of international art smugglers. The painting is reportedly worth up to 50 million euros. [43]

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Green River Cemetery

Green River Cemetery

Green River Cemetery is a cemetery in the hamlet of Springs, New York within the Town of East Hampton.

Tony Smith (sculptor)

Tony Smith (sculptor)

Anthony Peter Smith was an American sculptor, visual artist, architectural designer, and a noted theorist on art. He is often cited as a pioneering figure in American Minimalist sculpture.

Ruth Kligman

Ruth Kligman

Ruth Kligman was an American abstract artist who was romantically involved with two prominent American artists of the mid-20th century, Jackson Pollock and Willem de Kooning.

Oldsmobile

Oldsmobile

Oldsmobile or formally the Oldsmobile Division of General Motors was a brand of American automobiles, produced for most of its existence by General Motors. Originally established as "Olds Motor Vehicle Company" by Ransom E. Olds in 1897, it produced over 35 million vehicles, including at least 14 million built at its Lansing, Michigan factory alone. During its time as a division of General Motors, Oldsmobile slotted into the middle of GM's five divisions, and was noted for several groundbreaking technologies and designs.

Retrospective

Retrospective

A retrospective, generally, is a look back at events that took place, or works that were produced, in the past. As a noun, retrospective has specific meanings in medicine, software development, popular culture and the arts. It is applied as an adjective, synonymous with the term retroactive, to laws, standards, and awards.

Museum of Modern Art

Museum of Modern Art

The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues.

Tate Britain

Tate Britain

Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and Tate St Ives. It is the oldest gallery in the network, having opened in 1897. It houses a substantial collection of the art of the United Kingdom since Tudor times, and in particular has large holdings of the works of J. M. W. Turner, who bequeathed all his own collection to the nation. It is one of the largest museums in the country. The museum had 525,144 visitors in 2021, an increase of 34 percent from 2020 but still well below pre- COVID-19 pandemic levels. In 2021 it ranked 50th on the list of most-visited art museums in the world.

Artistry

Influence and technique

The work of Thomas Hart Benton, Pablo Picasso and Joan Miró influenced Pollock.[44][45][46] Pollock started using synthetic resin-based paints called alkyd enamels, which at that time was a novel medium. Pollock described this use of household paints, instead of artist's paints, as "a natural growth out of a need".[47] He used hardened brushes, sticks, and even basting syringes as paint applicators. Pollock's technique of pouring and dripping paint is thought to be one of the origins of the term action painting. With this technique, Pollock was able to achieve his own signature style palimpsest paintings, with paints flowing from his chosen tool onto the canvas. By defying the convention of painting on an upright surface, he added a new dimension by being able to view and apply paint to his canvases from all directions.[48]

In 1936, Pollock participated in an experimental workshop run by the Mexican muralist David Alfaro Siqueiros.[49] It was there that he first used liquid enamel paints, which he continued to incorporate in his paintings in the early to mid 1940s, long before he encountered the work of the Ukrainian American artist Janet Sobel (1894–1968) (born Jennie Lechovsky).[50] Peggy Guggenheim included Sobel's work in her The Art of This Century Gallery in 1945.[51] Jackson Pollock and art critic Clement Greenberg saw Sobel's work there in 1946 and later Greenberg noted that Sobel was "a direct influence on Jackson Pollock's drip painting technique".[52] In his essay "American-Type Painting", Greenberg noted those works were the first of all-over painting he had seen, and said, "Pollock admitted that these pictures had made an impression on him".[53]

While painting this way, Pollock moved away from figurative representation, and challenged the Western tradition of using easel and brush. He used the force of his whole body to paint, which was expressed on the large canvases. In 1956, Time magazine dubbed Pollock "Jack the Dripper" due to his painting style.[54]

My painting does not come from the easel. I prefer to tack the unstretched canvas to the hard wall or the floor. I need the resistance of a hard surface. On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.

I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc. I prefer sticks, trowels, knives and dripping fluid paint or a heavy impasto with sand, broken glass or other foreign matter added.

When I am in my painting, I'm not aware of what I'm doing. It is only after a sort of "get acquainted" period that I see what I have been about. I have no fear of making changes, destroying the image, etc., because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.

— Jackson Pollock, My Painting, 1947[55]

Pollock observed Native American sandpainting demonstrations in the 1940s. Referring to his style of painting on the floor, Pollock stated, "I feel nearer, more a part of the painting, since this way I can walk round it, work from the four sides and literally be in the painting. This is akin to the methods of the Indian sand painters of the West."[56] Other influences on his drip technique include the Mexican muralists and Surrealist automatism. Pollock denied reliance on "the accident"; he usually had an idea of how he wanted a particular work to appear. His technique combined the movement of his body, over which he had control, the viscous flow of paint, the force of gravity, and the absorption of paint into the canvas. It was a mixture of controllable and uncontrollable factors. Flinging, dripping, pouring, and spattering, he would move energetically around the canvas, almost as if in a dance, and would not stop until he saw what he wanted to see.

Austrian artist Wolfgang Paalen's article on totem art of the indigenous people of British Columbia, in which the concept of space in totemist art is considered from an artist's point of view, influenced Pollock as well; Pollock owned a signed and dedicated copy of the Amerindian Number of Paalen's magazine (DYN 4–5, 1943). He had also seen Paalen's surrealist paintings in an exhibition in 1940.[57] Another strong influence must have been Paalen's surrealist fumage technique, which appealed to painters looking for new ways to depict what was called the "unseen" or the "possible". The technique was once demonstrated in Matta's workshop, about which Steven Naifeh reports, "Once, when Matta was demonstrating the Surrealist technique [Paalen's] Fumage, Jackson [Pollock] turned to (Peter) Busa and said in a stage whisper: 'I can do that without the smoke.'"[58] Pollock's painter friend Fritz Bultman even stated, "It was Wolfgang Paalen who started it all."[59]

In 1950, Hans Namuth, a young photographer, wanted to take pictures—both stills and moving—of Pollock at work. Pollock promised to start a new painting especially for the photographic session, but when Namuth arrived, Pollock apologized and told him the painting was finished.

Photographer Hans Namuth extensively documented Pollock's unique painting techniques
Photographer Hans Namuth extensively documented Pollock's unique painting techniques

Namuth said that when he entered the studio:

A dripping wet canvas covered the entire floor ... There was complete silence ... Pollock looked at the painting. Then, unexpectedly, he picked up can and paint brush and started to move around the canvas. It was as if he suddenly realized the painting was not finished. His movements, slow at first, gradually became faster and more dance like as he flung black, white, and rust colored paint onto the canvas. He completely forgot that Lee and I were there; he did not seem to hear the click of the camera shutter ... My photography session lasted as long as he kept painting, perhaps half an hour. In all that time, Pollock did not stop. How could one keep up this level of activity? Finally, he said "This is it."

Pollock's finest paintings ... reveal that his all-over line does not give rise to positive or negative areas: we are not made to feel that one part of the canvas demands to be read as figure, whether abstract or representational, against another part of the canvas read as ground. There is not inside or outside to Pollock's line or the space through which it moves. ... Pollock has managed to free line not only from its function of representing objects in the world, but also from its task of describing or bounding shapes or figures, whether abstract or representational, on the surface of the canvas.

— Karmel, 132

From naming to numbering

Continuing to evade the viewer's search for figurative elements in his paintings, Pollock abandoned titles and started numbering his works. He said about this, "[L]ook passively and try to receive what the painting has to offer and not bring a subject matter or preconceived idea of what they are to be looking for." His wife said, "He used to give his pictures conventional titles ... but now he simply numbers them. Numbers are neutral. They make people look at a picture for what it is—pure painting."[47]

Critical debate

Pollock's work has been the subject of important critical debates. Critic Robert Coates once derided a number of Pollock's works as "mere unorganized explosions of random energy, and therefore meaningless".[60] Reynold's News, in a 1959 headline, said, "This is not art—it's a joke in bad taste."[61] French abstract painter Jean Hélion, on the other hand, remarked on first seeing a Pollock, "It filled out space going on and on because it did not have a start or end to it."[62] Clement Greenberg supported Pollock's work on formalistic grounds. It fit well with Greenberg's view of art history as a progressive purification in form and elimination of historical content. He considered Pollock's work to be the best painting of its day and the culmination of the Western tradition via Cubism and Cézanne to Manet.

In a 1952 article in ARTnews, Harold Rosenberg coined the term "action painting" and wrote that "what was to go on the canvas was not a picture but an event. The big moment came when it was decided to paint 'just to paint'. The gesture on the canvas was a gesture of liberation from value—political, aesthetic, moral." Many people assumed that he had modeled his "action painter" paradigm on Pollock.[63]

The Congress for Cultural Freedom, an organization to promote American culture and values, backed by the Central Intelligence Agency (CIA), sponsored exhibitions of Pollock's work. Some left-wing scholars, including Eva Cockcroft, have argued that the United States government and wealthy elite embraced Pollock and abstract expressionism to place the United States in the forefront of global art and devalue socialist realism.[61][64] Cockcroft wrote that Pollock became a "weapon of the Cold War".[65]

Pollock described his art as "motion made visible memories, arrested in space".[66]

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Pablo Picasso

Pablo Picasso

Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.

Joan Miró

Joan Miró

Joan Miró i Ferrà was a Spanish painter, sculptor and ceramicist born in Barcelona. He was known as Joan Miró in the art recognition. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma in 1981.

Alkyd

Alkyd

An alkyd is a polyester resin modified by the addition of fatty acids and other components. Alkyds are derived from polyols and organic acids including dicarboxylic acids or carboxylic acid anhydride and triglyceride oils. The term alkyd is a modification of the original name "alcid", reflecting the fact that they are derived from alcohol and organic acids. The inclusion of a fatty acid confers a tendency to form flexible coatings. Alkyds are used in paints, varnishes and in moulds for casting. They are the dominant resin or binder in most commercial oil-based coatings. Approximately 200,000 tons of alkyd resins are produced each year. The original alkyds were compounds of glycerol and phthalic acid sold under the name Glyptal. These were sold as substitutes for the darker-colored copal resins, thus creating alkyd varnishes that were much paler in colour. From these, the alkyds that are known today were developed.

Action painting

Action painting

Action painting, sometimes called "gestural abstraction", is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist.

Janet Sobel

Janet Sobel

Janet Sobel, born Jennie Olechovsky, was a Ukrainian-born American Abstract Expressionist painter whose career started mid-life, at age forty-five in 1938. Sobel pioneered the drip painting technique that directly influenced Jackson Pollock. She was credited as exhibiting the first instance of all-over painting seen by Clement Greenberg, a notable art critic.

Clement Greenberg

Clement Greenberg

Clement Greenberg, occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formalist aesthetician. He is best remembered for his association with the art movement abstract expressionism and the painter Jackson Pollock.

All-over painting

All-over painting

All-over painting refers to the non-differential treatment of the surface of a work of two-dimensional art, for instance a painting. This concept is most popularly thought of as emerging in relation to the so-called "drip" paintings of Jackson Pollock and the "automatic writing" or "abstract calligraphy" of Mark Tobey in the 1950s, though the applicability of the term all-over painting would be wider than that. "All-over painting" is not a formal style of painting and the term does not represent an "art movement." Some painting under the heading color field painting displays the "all-over" painting style. Such a painting would fail to treat the top, for instance, differently from the bottom; the left than the right. Uniform treatment of all sections of the surface are the hallmark of all-over painting. All-over paintings would lack a dominant point of interest, or any indication of which way is "up." Some paintings by Cy Twombly have had this term applied to them.

Impasto

Impasto

Impasto is a technique used in painting, where paint is laid on an area of the surface thickly, usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture; the paint appears to be coming out of the canvas.

Native Americans in the United States

Native Americans in the United States

Native Americans, also known as American Indians, First Americans, Indigenous Americans, and other terms, are the Indigenous peoples of the mainland United States. There are 574 federally recognized tribes living within the US, about half of which are associated with Indian reservations. As defined by the United States Census, "Native Americans" are Indigenous tribes that are originally from the contiguous United States, along with Alaska Natives. Indigenous peoples of the United States who are not listed as American Indian or Alaska Native include Native Hawaiians, Samoan Americans, and Chamorros. The US Census groups these peoples as "Native Hawaiian and other Pacific Islanders".

Mural

Mural

A mural is any piece of graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage.

Fumage

Fumage

Fumage is a surrealist art technique popularized by Wolfgang Paalen in which impressions are made by the smoke of a candle or kerosene lamp on a piece of paper or canvas. Paalen's first Fumage Dictated by a Candle was presented 1936 in the International Surrealist Exhibition in London. In the same year Paalen painted his first oil based on the fumage, "Pays interdit". Several other Surrealists as Roberto Matta, but also Salvador Dalí later utilized the technique, Dali calling the technique "sfumato". The technique has been utilized by artists including Bimal Banerjee, Adam Blakemore, Alberto Burri, Burhan Doğançay, Jiri Georg Dokoupil, Hugh Parker Guiler, Yves Klein, Antonio Muñiz, and Otto Piene.

Fritz Bultman

Fritz Bultman

Fritz Bultman was an American abstract expressionist painter, sculptor, and collagist and a member of the New York School of artists.

Legacy

Influence

Pollock's staining into raw canvas was adapted by the Color Field painters Helen Frankenthaler and Morris Louis. Frank Stella made "all-over composition" a hallmark of his works of the 1960s. The Happenings artist Allan Kaprow, sculptors Richard Serra and Eva Hesse, and many contemporary artists have retained Pollock's emphasis on the process of creation; they were influenced by his approach to the process, rather than the look of his work.[67]

In 2004, One: Number 31, 1950 was ranked the eighth-most influential piece of modern art in a poll of 500 artists, curators, critics, and dealers.[68]

In pop culture and media

In 1960, Ornette Coleman's album Free Jazz: A Collective Improvisation featured a Pollock painting, White Light, as its cover artwork.

In the early 1990s, three groups of movie makers were developing Pollock biographical projects, each based on a different source. The project that at first seemed most advanced was a joint venture between Barbra Streisand's Barwood Films and Robert De Niro's TriBeCa Productions (De Niro's parents were friends of Krasner and Pollock). The script, by Christopher Cleveland, was to be based on Jeffrey Potter's 1985 oral biography, To a Violent Grave, a collection of reminiscences by Pollock's friends. Streisand was to play the role of Lee Krasner, and De Niro was to portray Pollock. A second was to be based on Love Affair (1974), a memoir by Ruth Kligman, who was Pollock's lover in the six months before his death. This was to be directed by Harold Becker, with Al Pacino playing Pollock.[69]

In 2000, the biographical film Pollock, based on the Pulitzer Prize-winning biography, Jackson Pollock: An American Saga, directed by and starring Ed Harris, was released. Marcia Gay Harden won the Academy Award for Best Supporting Actress for her portrayal of Lee Krasner. The movie was the project of Harris, who was nominated for the Academy Award for Best Actor. Harris himself painted the works seen in the film.[70] The Pollock-Krasner Foundation did not authorize or collaborate with any production.[69]

In September 2009, the art historian Henry Adams claimed in Smithsonian magazine that Pollock had written his name in his famous painting Mural (1943).[71] The painting is now insured for US$140 million. In 2011, the Republican Iowa State Representative Scott Raecker introduced a bill to force the sale of the artwork, held by the University of Iowa, to fund scholarships, but his bill created such controversy that it was quickly withdrawn.[18][72]

Art market

In 1973, Number 11, 1952 (also known as Blue Poles) was purchased by the Australian Whitlam government for the National Gallery of Australia for US$2 million (A$1.3 million at the time of payment). At the time, this was the highest price ever paid for a modern painting. The painting is now one of the most popular exhibits in the gallery.[73] It was a centerpiece of the Museum of Modern Art's 1998 retrospective in New York, the first time the painting had been shown in America since its purchase.

In November 2006, Pollock's No. 5, 1948 became the world's most expensive painting, when it was sold privately to an undisclosed buyer for the sum of US$140 million. Another artist record was established in 2004, when No. 12 (1949), a medium-sized drip painting that had been shown in the United States Pavilion at the 1950 Venice Biennale, fetched US$11.7 million at Christie's, New York.[74] In 2012, Number 28, 1951, one of the artist's combinations of drip and brushwork in shades of silvery gray with red, yellow, and shots of blue and white, also sold at Christie's, New York, for US$20.5 million—US$23 million with fees—within its estimated range of US$20 million to US$30 million.[75]

In 2013, Pollock's Number 19 (1948) was sold by Christie's for a reported US$58,363,750 during an auction that ultimately reached US$495 million total sales in one night, which Christie's reports as a record to date as the most expensive auction of contemporary art.[76]

In February 2016, Bloomberg News reported that Kenneth C. Griffin had purchased Jackson Pollock's 1948 painting Number 17A for US$200 million, from David Geffen.[77]

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Helen Frankenthaler

Helen Frankenthaler

Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.

Morris Louis

Morris Louis

Morris Louis Bernstein, known professionally as Morris Louis, was an American painter. During the 1950s he became one of the earliest exponents of Color Field painting. While living in Washington, D.C., Louis, along with Kenneth Noland and other Washington painters, formed an art movement that is known today as the Washington Color School.

Frank Stella

Frank Stella

Frank Philip Stella is an American painter, sculptor and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. Stella lives and works in New York City.

Allan Kaprow

Allan Kaprow

Allan Kaprow was an American painter, assemblagist and a pioneer in establishing the concepts of performance art. He helped to develop the "Environment" and "Happening" in the late 1950s and 1960s, as well as their theory. His Happenings — some 200 of them — evolved over the years. Eventually Kaprow shifted his practice into what he called "Activities", intimately scaled pieces for one or several players, devoted to the study of normal human activity in a way congruent to ordinary life. Fluxus, performance art, and installation art were, in turn, influenced by his work.

Eva Hesse

Eva Hesse

Eva Hesse was a German-born American sculptor known for her pioneering work in materials such as latex, fiberglass, and plastics. She is one of the artists who ushered in the postminimal art movement in the 1960s.

Ornette Coleman

Ornette Coleman

Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He was best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues phrasing. AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."

Free Jazz: A Collective Improvisation

Free Jazz: A Collective Improvisation

Free Jazz: A Collective Improvisation is the sixth album by jazz saxophonist and composer Ornette Coleman, released on Atlantic Records in 1961, his fourth for the label. Its title established the name of the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New York City. The sole outtake from the album session, "First Take," was later released on the 1971 compilation Twins.

Barbra Streisand

Barbra Streisand

Barbara Joan "Barbra" Streisand is an American singer, actress and director. With a career spanning over six decades, she has achieved success in multiple fields of entertainment, and is among the few performers awarded an Emmy, Grammy, Oscar, and Tony (EGOT).

Jeffrey Potter

Jeffrey Potter

Jeffrey Potter was an American biographer best known for his 1985 biography of Jackson Pollock, whom he had befriended in 1949. He also published two children’s books and two non-fiction works: one about environmental disaster, and an authorised biography of Dorothy Schiff.

Harold Becker

Harold Becker

Harold Becker is an American film and television director, producer, and photographer from New York City, associated with the New Hollywood movement and best known for his work in the thriller genre. His body of work includes films like The Onion Field, Taps, The Boost, Sea of Love, Malice, City Hall and Mercury Rising.

Al Pacino

Al Pacino

Alfredo James Pacino is an American actor. Considered one of the greatest and most influential actors of the 20th century, he has received numerous accolades: including an Academy Award, two Tony Awards, and two Primetime Emmy Awards, making him one of the few performers to have achieved the Triple Crown of Acting. He has also been honored with the Cecil B. DeMille Award in 2001, the AFI Life Achievement Award in 2007, the National Medal of Arts in 2011, and the Kennedy Center Honors in 2016.

Jackson Pollock: An American Saga

Jackson Pollock: An American Saga

Jackson Pollock: An American Saga is a 1989 biography of abstract expressionist painter Jackson Pollock, by Steven Naifeh and Gregory White Smith. It was awarded the 1991 Pulitzer Prize for Biography or Autobiography.

Authenticity issues

The Pollock-Krasner Authentication Board was created by the Pollock-Krasner Foundation in 1990 to evaluate newly found works for an upcoming supplement to the 1978 catalogue.[78] In the past, however, the Pollock-Krasner Foundation has declined to be involved in authentication cases.[79]

In 2006, a documentary, Who the *$&% Is Jackson Pollock?, was made concerning Teri Horton, a truck driver who bought an abstract painting for five dollars at a thrift store in California in 1992. This work may be a lost Pollock painting, but its authenticity is debated.

Untitled 1950, which the New York-based Knoedler Gallery had sold in 2007 for $17 million to Pierre Lagrange, a London hedge-fund multimillionaire, was subject to an authenticity suit before the United States District Court for the Southern District of New York. Done in the painter's classic drip-and-splash style and signed "J. Pollock", the modest-sized painting (15 by 28 1/2 in) was found to contain yellow paint pigments not commercially available until about 1970.[80] The suit was settled in a confidential agreement in 2012.[81]

Fractal computer analysis

In 1999, physicist and artist Richard Taylor used computer analysis to show similarities between Pollock's painted patterns and fractals (patterns that recur on multiple size scales) found in natural scenery,[82] reflecting Pollock's own words: "I am nature".[83] His research team labelled Pollock's style fractal expressionism.[84]

In 2003, 24 Pollockesque paintings and drawings were found in a locker in Wainscott, New York. In 2005, The Pollock-Krasner Foundation requested a fractal analysis to be used for the first time in an authenticity dispute.[85][86][87][88][89] Researchers at the University of Oregon used the technique to identify differences between the patterns in the six disputed paintings analyzed and those in 14 established Pollocks.[85] Pigment analysis of the paintings by researchers at Harvard University showed the presence in one painting of a synthetic pigment that was not patented until the 1980s, and materials in two others that were not available in Pollock's lifetime.[90][91]

In 2007, a traveling museum exhibition of the paintings was mounted and was accompanied by a comprehensive book, Pollock Matters, written by Ellen G. Landau, one of the four sitting scholars from the former Pollock Krasner Foundation authentication panel from the 1990s, and Claude Cernuschi, a scholar in Abstract Expressionism. In the book, Landau demonstrates the many connections between the family who owns the paintings and Jackson Pollock during his lifetime to place the paintings in what she believes to be their proper historic context. Landau also presents the forensic findings of Harvard University and presents possible explanations for the forensic inconsistencies that were found in three of the 24 paintings.[92][93] However, the scientist who invented one of the modern pigments dismissed the possibility that Pollock used this paint as being "unlikely to the point of fantasy".

Subsequently, over 10 scientific groups have performed fractal analysis on over 50 of Pollock's works.[94][95][96][97][98][99][100][101][102][103] A 2015 study that used fractal analysis as one of its techniques achieved a 93% success rate distinguishing real from fake Pollocks.[104] Current research of Fractal Expressionism focuses on human response to viewing fractals. Cognitive neuroscientists have shown that Pollock's fractals induce the same stress-reduction in observers as computer-generated fractals and naturally-occurring fractals.[105][106]

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United States District Court for the Southern District of New York

United States District Court for the Southern District of New York

The United States District Court for the Southern District of New York is a federal trial court whose geographic jurisdiction encompasses eight counties of New York State. Two of these are in New York City: New York (Manhattan) and Bronx; six are in the Hudson Valley: Westchester, Putnam, Rockland, Orange, Dutchess, and Sullivan. Appeals from the Southern District of New York are taken to the United States Court of Appeals for the Second Circuit.

Computer

Computer

A computer is a machine that can be programmed to carry out sequences of arithmetic or logical operations (computation) automatically. Modern digital electronic computers can perform generic sets of operations known as programs. These programs enable computers to perform a wide range of tasks. A computer system is a nominally complete computer that includes the hardware, operating system, and peripheral equipment needed and used for full operation. This term may also refer to a group of computers that are linked and function together, such as a computer network or computer cluster.

Fractal

Fractal

In mathematics, a fractal is a geometric shape containing detailed structure at arbitrarily small scales, usually having a fractal dimension strictly exceeding the topological dimension. Many fractals appear similar at various scales, as illustrated in successive magnifications of the Mandelbrot set. This exhibition of similar patterns at increasingly smaller scales is called self-similarity, also known as expanding symmetry or unfolding symmetry; if this replication is exactly the same at every scale, as in the Menger sponge, the shape is called affine self-similar. Fractal geometry lies within the mathematical branch of measure theory.

Fractal expressionism

Fractal expressionism

Fractal expressionism is used to distinguish fractal art generated directly by artists from fractal art generated using mathematics and/or computers. Fractals are patterns that repeat at increasingly fine scales and are prevalent in natural scenery. Fractal expressionism implies a direct expression of nature's patterns in an art work.

Wainscott, New York

Wainscott, New York

Wainscott is a census-designated place (CDP) that roughly corresponds to the hamlet with the same name in the Town of East Hampton in Suffolk County, New York, United States, on the South Fork of Long Island. As of the 2010 United States Census, the CDP population was 650. The CDP was created for the 2000 census.

Harvard University

Harvard University

Harvard University is a private Ivy League research university in Cambridge, Massachusetts. Founded in 1636 as Harvard College and named for its first benefactor, the Puritan clergyman John Harvard, it is the oldest institution of higher learning in the United States and is widely considered to be one of the most prestigious universities in the world.

Computer-generated imagery

Computer-generated imagery

Computer-Generated Imagery (CGI) is a specific technology or application of computer graphics for creating or improving images in art, printed media, simulators, videos and video games. These images are either static or dynamic. CGI both refers to 2D computer graphics and 3D computer graphics with the purpose of designing characters, virtual worlds, or scenes and special effects. The application of CGI for creating/improving animations is called computer animation, or CGI animation.

Archives

Lee Krasner donated Pollock's papers to the Archives of American Art in 1983. They were later archived with her own papers. The Archives of American Art also houses the Charles Pollock papers, which include correspondence, photographs, and other files relating to his brother Jackson.

A separate organization, the Pollock-Krasner Foundation, was established in 1985. The foundation functions as the official estate for both Pollock and his widow, but also under the terms of Krasner's will, serves "to assist individual working artists of merit with financial need".[107] The U.S. copyright representative for the Pollock-Krasner Foundation is the Artists Rights Society.[108]

The Pollock-Krasner House and Studio is owned and administered by the Stony Brook Foundation, a nonprofit affiliate of Stony Brook University. Regular tours of the house and studio occur from May through October.

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Archives of American Art

Archives of American Art

The Archives of American Art is the largest collection of primary resources documenting the history of the visual arts in the United States. More than 20 million items of original material are housed in the Archives' research centers in Washington, D.C. and New York City.

Pollock-Krasner Foundation

Pollock-Krasner Foundation

The Pollock-Krasner Foundation was established in 1985 for the purpose of providing financial assistance to individual working artists of established ability. It was established at the bequest of Lee Krasner, who was an American abstract expressionist painter and the widow of fellow painter Jackson Pollock. Krasner left approximately $23 million in cash, securities, and art to the foundation.

Artists Rights Society

Artists Rights Society

Artists Rights Society (ARS) is a copyright, licensing, and monitoring organization for visual artists in the United States. Founded in 1987, ARS is a member of the International Confederation of Societies of Authors and Composers and as such represents in the United States the intellectual property rights interests of over 122,000 visual artists and estates of visual artists from around the world.

Stony Brook University

Stony Brook University

Stony Brook University, officially the State University of New York at Stony Brook, is a public research university in Stony Brook, New York. Along with the University at Buffalo, it is one of the State University of New York system's two flagship institutions. Its campus consists of 213 buildings on over 1,454 acres of land in Suffolk County and it is the largest public university in the state of New York.

List of major works

The She Wolf, 1943
The She Wolf, 1943
Pollock's studio-floor in Springs, New York, the visual result of being his primary painting surface from 1946 until 1953
Pollock's studio-floor in Springs, New York, the visual result of being his primary painting surface from 1946 until 1953

Discover more about List of major works related topics

Springs, New York

Springs, New York

Springs is a census-designated place (CDP) roughly corresponding to the hamlet by the same name in the Town of East Hampton in Suffolk County, New York, United States, on the South Fork of Long Island. As of the 2010 United States Census, the CDP population was 6,592.

Philadelphia Museum of Art

Philadelphia Museum of Art

The Philadelphia Museum of Art (PMoA) is an art museum originally chartered in 1876 for the Centennial Exposition in Philadelphia. The main museum building was completed in 1928 on Fairmount, a hill located at the northwest end of the Benjamin Franklin Parkway at Eakins Oval. The museum administers collections containing over 240,000 objects including major holdings of European, American and Asian origin. The various classes of artwork include sculpture, paintings, prints, drawings, photographs, armor, and decorative arts.

Museum of Modern Art

Museum of Modern Art

The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues.

Peggy Guggenheim Collection

Peggy Guggenheim Collection

The Peggy Guggenheim Collection is an art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is one of the most visited attractions in Venice. The collection is housed in the Palazzo Venier dei Leoni, an 18th-century palace, which was the home of the American heiress Peggy Guggenheim for three decades. She began displaying her private collection of modern artworks to the public seasonally in 1951. After her death in 1979, it passed to the Solomon R. Guggenheim Foundation, which opened the collection year-round from 1980.

Mural (1943)

Mural (1943)

Mural is a large painting by American artist Jackson Pollock. Although signed and dated 1943, the signature and date were not added until 1947, and the work was probably completed around the fall of 1943. It was made with oil paint on linen, and is Pollock's largest canvas, measuring 2.43 by 6.04 metres. The work was commissioned by Peggy Guggenheim for the long entrance hall of her townhouse at 155 East 61st Street in New York City.

Peggy Guggenheim

Peggy Guggenheim

Marguerite "Peggy" Guggenheim was an American art collector, bohemian and socialite. Born to the wealthy New York City Guggenheim family, she was the daughter of Benjamin Guggenheim, who went down with the Titanic in 1912, and the niece of Solomon R. Guggenheim, who established the Solomon R. Guggenheim Foundation. Guggenheim collected art in Europe and America primarily between 1938 and 1946. She exhibited this collection as she built it; in 1949, she settled in Venice, where she lived and exhibited her collection for the rest of her life. The Peggy Guggenheim Collection is a modern art museum on the Grand Canal in Venice, Italy, and is one of the most visited attractions in Venice.

Ohara Museum of Art

Ohara Museum of Art

The Ohara Museum of Art in Kurashiki was the first collection of Western art to be permanently exhibited in Japan. The museum opened in 1930 and originally consisted almost entirely of French paintings and sculptures of the 19th and 20th centuries. The collection has now expanded to include paintings of the Italian Renaissance and of the Dutch and Flemish 17th century. Well-known American and Italian artists of the 20th century are also included in the collection.

Norton Museum of Art

Norton Museum of Art

The Norton Museum of Art is an art museum located in West Palm Beach, Florida. Its collection includes over 8,200 works, with a concentration in European, American, and Chinese art as well as in contemporary art and photography. In 2003, it overtook the John and Mable Ringling Museum of Art, in Sarasota, and became the largest museum in Florida.

Museum of Fine Arts, Boston

Museum of Fine Arts, Boston

The Museum of Fine Arts is an art museum in Boston, Massachusetts. It is the 20th-largest art museum in the world, measured by public gallery area. It contains 8,161 paintings and more than 450,000 works of art, making it one of the most comprehensive collections in the Americas. With more than 1.2 million visitors a year, it is the 52nd–most visited art museum in the world as of 2019.

Art Institute of Chicago

Art Institute of Chicago

The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 million people annually. Its collection, stewarded by 11 curatorial departments, is encyclopedic, and includes iconic works such as Georges Seurat's A Sunday on La Grande Jatte, Pablo Picasso's The Old Guitarist, Edward Hopper's Nighthawks, and Grant Wood's American Gothic. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present cutting-edge curatorial and scientific research.

Frieder Burda

Frieder Burda

Frieder Burda was a German art collector and Honorary Citizen of Baden-Baden.

Dallas Museum of Art

Dallas Museum of Art

The Dallas Museum of Art (DMA) is an art museum located in the Arts District of downtown Dallas, Texas, along Woodall Rodgers Freeway between St. Paul and Harwood. In the 1970s, the museum moved from its previous location in Fair Park to the Arts District. The new building was designed by Edward Larrabee Barnes and John MY Lee Associates, the 2007 winner of the American Institute of Architects Gold Medal. The construction of the building spanned in stages over a decade.

Tribute

On 28 January 2019, Google Doodle celebrated Jackson Pollock’s Birthday.[150][151]


Source: "Jackson Pollock", Wikipedia, Wikimedia Foundation, (2023, March 22nd), https://en.wikipedia.org/wiki/Jackson_Pollock.

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References
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