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Georges Braque

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Georges Braque
Georges Braque, 1908, photograph published in Gelett Burgess, The Wild Men of Paris, Architectural Record, May 1910.jpg
Georges Braque, 1908, photograph published in Gelett Burgess, "The Wild Men of Paris", Architectural Record, May 1910
Born(1882-05-13)13 May 1882
Died31 August 1963(1963-08-31) (aged 81)
Paris, France
Resting placeL'église Saint-Valery, Varengeville-sur-mer, Normandy
NationalityFrench
Known forPainting, Drawing, Sculpture, Printmaking
MovementCubism, Fauvism
Patron(s)Fernand Mourlot

Georges Braque (/brɑːk, bræk/ BRA(H)K, French: [ʒɔʁʒ bʁak]; 13 May 1882 – 31 August 1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso.[1]

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List of French artists

List of French artists

The following is a chronological list of French artists working in visual or plastic media. For alphabetical lists, see the various subcategories of Category:French artists. See other articles for information on French literature, French music, French cinema and French culture.

Collage

Collage

Collage is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole.

Drawing

Drawing

Drawing is a form of visual art in which an artist uses instruments to mark paper or other two-dimensional surface. Drawing instruments include graphite pencils, pen and ink, various kinds of paints, inked brushes, colored pencils, crayons, charcoal, chalk, pastels, erasers, markers, styluses, and metals. Digital drawing is the act of drawing on graphics software in a computer. Common methods of digital drawing include a stylus or finger on a touchscreen device, stylus- or finger-to-touchpad, or in some cases, a mouse. There are many digital art programs and devices.

Sculpture

Sculpture

Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving and modelling, in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast.

Fauvism

Fauvism

Fauvism /ˈfoʊvɪzm̩/ is the style of les Fauves, a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain, Maurice de Vlaminck, and Henri Matisse.

Cubism

Cubism

Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related artistic movements in music, literature, and architecture. In Cubist works of art, the subjects are analyzed, broken up, and reassembled in an abstract form—instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term cubism is broadly associated with a variety of artworks produced in Paris or near Paris (Puteaux) during the 1910s and throughout the 1920s.

Pablo Picasso

Pablo Picasso

Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.

Early life

Georges Braque was born on 13 May 1882 in Argenteuil, Val-d'Oise. He grew up in Le Havre and trained to be a house painter and decorator like his father and grandfather. However, he also studied artistic painting during evenings at the École supérieure d'art et design Le Havre-Rouen, previously known as the École supérieure des Arts in Le Havre, from about 1897 to 1899. In Paris, he apprenticed with a decorator and was awarded his certificate in 1902. The next year, he attended the Académie Humbert, also in Paris, and painted there until 1904. It was here that he met Marie Laurencin and Francis Picabia.[1]

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Argenteuil

Argenteuil

Argenteuil is a commune in the northwestern suburbs of Paris, France. It is located 12.3 km (7.6 mi) from the center of Paris. Argenteuil is a sub-prefecture of the Val-d'Oise department, the seat of the arrondissement of Argenteuil. Argenteuil is part of the Métropole du Grand Paris.

Val-d'Oise

Val-d'Oise

Val-d'Oise is a department in the Île-de-France region, Northern France. It was created in 1968 following the split of the Seine-et-Oise department. In 2019, Val-d'Oise had a population of 1,249,674.

Le Havre

Le Havre

Le Havre is a major port city in the Seine-Maritime department in the Normandy region of northern France. It is situated on the right bank of the estuary of the river Seine on the Channel southwest of the Pays de Caux, very close to the Prime Meridian. Le Havre is the most populous commune of Upper Normandy, although the total population of the greater Le Havre conurbation is smaller than that of Rouen. After Reims, it is also the second largest subprefecture in France. The name Le Havre means "the harbour" or "the port". Its inhabitants are known as Havrais or Havraises.

École supérieure d'art et design Le Havre-Rouen

École supérieure d'art et design Le Havre-Rouen

The École supérieure d'art et design Le Havre-Rouen is a public school of art and design established in two of the main cities of Normandy, Rouen and Le Havre.

Marie Laurencin

Marie Laurencin

Marie Laurencin was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or.

Francis Picabia

Francis Picabia

Francis Picabia was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly abstract planar compositions were colourful and rich in contrasts. He was one of the early major figures of the Dada movement in the United States and in France. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment.

Fauvism

Georges Braque, 1906, L'Olivier près de l'Estaque (The Olive tree near l'Estaque). At least four versions of this scene were painted by Braque, one of which was stolen from the Musée d'Art Moderne de la Ville de Paris in May, 2010.[2]
Georges Braque, 1906, L'Olivier près de l'Estaque (The Olive tree near l'Estaque). At least four versions of this scene were painted by Braque, one of which was stolen from the Musée d'Art Moderne de la Ville de Paris in May, 2010.[2]
Georges Braque, 1907–08, The Viaduct at L'Estaque (Le Viaduc de l'Estaque), oil on canvas, 65.1 x 80.6 cm, Minneapolis Institute of Arts
Georges Braque, 1907–08, The Viaduct at L'Estaque (Le Viaduc de l'Estaque), oil on canvas, 65.1 x 80.6 cm, Minneapolis Institute of Arts
Georges Braque, 1908, Maisons et arbre (Houses at l'Estaque), oil on canvas, 40.5 x 32.5 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art
Georges Braque, 1908, Maisons et arbre (Houses at l'Estaque), oil on canvas, 40.5 x 32.5 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art
Georges Braque, 1908, Le Viaduc de L'Estaque (Viaduct at L'Estaque), oil on canvas, 73 x 60 cm, Tel Aviv Museum of Art
Georges Braque, 1908, Le Viaduc de L'Estaque (Viaduct at L'Estaque), oil on canvas, 73 x 60 cm, Tel Aviv Museum of Art
Georges Braque, 1908, Baigneuse (Le Grand Nu, Large Nude), oil on canvas, 140 × 100 cm, Musée National d'Art Moderne, Centre Pompidou, Paris
Georges Braque, 1908, Baigneuse (Le Grand Nu, Large Nude), oil on canvas, 140 × 100 cm, Musée National d'Art Moderne, Centre Pompidou, Paris

Braque's earliest works were impressionistic, but after seeing the work exhibited by the artistic group known as the "Fauves" (Beasts) in 1905, he adopted a Fauvist style. The Fauves, a group that included Henri Matisse and André Derain among others, used brilliant colors to represent emotional response. Braque worked most closely with the artists Raoul Dufy and Othon Friesz, who shared Braque's hometown of Le Havre, to develop a somewhat more subdued Fauvist style. In 1906, Braque traveled with Friesz to L'Estaque, to Antwerp, and home to Le Havre to paint.[1]

In May 1907, he successfully exhibited works of the Fauve style in the Salon des Indépendants. The same year, Braque's style began a slow evolution as he became influenced by Paul Cézanne who had died in 1906 and whose works were exhibited in Paris for the first time in a large-scale, museum-like retrospective in September 1907. The 1907 Cézanne retrospective at the Salon d'Automne greatly affected the avant-garde artists of Paris, resulting in the advent of Cubism.

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Houses at l'Estaque

Houses at l'Estaque

Houses at l'Estaque is an oil-on-canvas painting by Georges Braque executed in 1908. It is considered either an important Proto-Cubist landscape or the first Cubist landscape. The painting prompted art critic Louis Vauxcelles to mock it as being composed of cubes which led to the name of the movement.

Lille Métropole Museum of Modern, Contemporary and Outsider Art

Lille Métropole Museum of Modern, Contemporary and Outsider Art

The Lille Métropole Museum of Modern, Contemporary and Outsider Art (LaM), formerly known as Villeneuve d'Ascq Museum of Modern Art, is an art museum in Villeneuve d'Ascq, France.

Musée National d'Art Moderne

Musée National d'Art Moderne

The Musée National d'Art Moderne is the national museum for modern art of France. It is located in Paris and is housed in the Centre Pompidou in the 4th arrondissement of the city. In 2021 it ranked 10th in the List of most visited art museums in the world, with 1,501,040 visitors. It is one of the largest museums for modern and contemporary art.

Centre Pompidou

Centre Pompidou

The Centre Pompidou, more fully the Centre national d'art et de culture Georges-Pompidou, also known as the Pompidou Centre in English, is a complex building in the Beaubourg area of the 4th arrondissement of Paris, near Les Halles, rue Montorgueil, and the Marais. It was designed in the style of high-tech architecture by the architectural team of Richard Rogers, Su Rogers, Renzo Piano, along with Gianfranco Franchini.

Impressionism

Impressionism

Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.

Fauvism

Fauvism

Fauvism /ˈfoʊvɪzm̩/ is the style of les Fauves, a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain, Maurice de Vlaminck, and Henri Matisse.

Henri Matisse

Henri Matisse

Henri Émile Benoît Matisse was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.

André Derain

André Derain

André Derain was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse.

Othon Friesz

Othon Friesz

Achille-Émile Othon Friesz, who later called himself Othon Friesz, a native of Le Havre, was a French artist of the Fauvist movement.

L'Estaque

L'Estaque

L'Estaque is a village in southern France, just west of Marseille. Administratively, it belongs to the commune of Marseille.

Antwerp

Antwerp

Antwerp is the largest city in Belgium by area at 204.51 km2 (78.96 sq mi) and the capital of Antwerp Province in the Flemish Region. With a population of 530,504, it is the most populous municipality in Belgium, and with a metropolitan population of around 1,200,000 people, it is the second-largest metropolitan region in Belgium, second only to Brussels.

Avant-garde

Avant-garde

In the arts and in literature, the term avant-garde identifies a genre of art, an experimental work of art, and the experimental artist who created the work of art, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus how the artists who created the anti-novel and Surrealism were ahead of their times.

Cubism

Georges Braque, late 1909, Still Life with Metronome (Still Life with Mandola and Metronome), oil on canvas, 81 x 54.1 cm, Metropolitan Museum of Art. Gift from the Leonard A. Lauder Cubist Collection
Georges Braque, late 1909, Still Life with Metronome (Still Life with Mandola and Metronome), oil on canvas, 81 x 54.1 cm, Metropolitan Museum of Art. Gift from the Leonard A. Lauder Cubist Collection
Georges Braque, 1909–10, La guitare (Mandora, La Mandore), oil on canvas, 71.1 x 55.9 cm, Tate Modern, London
Georges Braque, 1909–10, La guitare (Mandora, La Mandore), oil on canvas, 71.1 x 55.9 cm, Tate Modern, London
Georges Braque, 1910, Violin and Candlestick, San Francisco Museum of Modern Art
Georges Braque, 1910, Violin and Candlestick, San Francisco Museum of Modern Art

Braque's paintings of 1908–1912 reflected his new interest in geometry and simultaneous perspective. He conducted an intense study of the effects of light and perspective and the technical means that painters use to represent these effects, seeming to question the most standard of artistic conventions. In his village scenes, for example, Braque frequently reduced an architectural structure to a geometric form approximating a cube, yet rendered its shading so that it looked both flat and three-dimensional by fragmenting the image. He showed this in the painting Houses at l'Estaque.

Beginning in 1909, Braque began to work closely with Pablo Picasso who had been developing a similar proto-Cubist style of painting. At the time, Pablo Picasso was influenced by Gauguin, Cézanne, African masks and Iberian sculpture while Braque was interested mainly in developing Cézanne's ideas of multiple perspectives. “A comparison of the works of Picasso and Braque during 1908 reveals that the effect of his encounter with Picasso was more to accelerate and intensify Braque’s exploration of Cézanne’s ideas, rather than to divert his thinking in any essential way.”[3] Braque's essential subject is the ordinary objects he has known practically forever. Picasso celebrates animation, while Braque celebrates contemplation.[4] Thus, the invention of Cubism was a joint effort between Picasso and Braque, then residents of Montmartre, Paris. These artists were the style's main innovators. After meeting in October or November 1907,[5] Braque and Picasso, in particular, began working on the development of Cubism in 1908. Both artists produced paintings of monochromatic color and complex patterns of faceted form, now termed Analytic Cubism.

A decisive time of its development occurred during the summer of 1911,[6] when Georges Braque and Pablo Picasso painted side by side in Céret in the French Pyrenees, each artist producing paintings that are difficult—sometimes virtually impossible—to distinguish from those of the other. In 1912, they began to experiment with collage and Braque invented the papier collé technique.[7]

On 14 November 1908, the French art critic Louis Vauxcelles, in his review of Georges Braque's exhibition at Kahnweiler's gallery called Braque a daring man who despises form, "reducing everything, places and a figures and houses, to geometric schemas, to cubes".[8]

Vauxcelles, on 25 March 1909, used the terms "bizarreries cubiques" (cubic oddities) after seeing a painting by Braque at the Salon des Indépendants.[9]

The term 'Cubism', first pronounced in 1911 with reference to artists exhibiting at the Salon des Indépendants, quickly gained wide use but Picasso and Braque did not adopt it initially. Art historian Ernst Gombrich described Cubism as "the most radical attempt to stamp out ambiguity and to enforce one reading of the picture—that of a man-made construction, a colored canvas."[10] The Cubist style spread quickly throughout Paris and then Europe.

The two artists' productive collaboration continued and they worked closely together until the beginning of World War I in 1914, when Braque enlisted with the French Army. In May 1915, Braque received a severe head injury in battle at Carency and suffered temporary blindness.[11] He was trepanned, and required a long period of recuperation.

The things that Picasso and I said to one another during those years will never be said again, and even if they were, no one would understand them anymore. It was like being roped together on a mountain.

— Georges Braque [12][13]

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Metropolitan Museum of Art

Metropolitan Museum of Art

The Metropolitan Museum of Art in New York City, colloquially "the Met", is the largest art museum in the Americas and the most-visited museum in the Western Hemisphere. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately 2-million-square-foot (190,000 m2) building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe.

Leonard Lauder

Leonard Lauder

Leonard Alan Lauder is an American billionaire, philanthropist, art collector. He and his brother, Ronald Lauder, are the sole heirs to the Estée Lauder Companies cosmetics fortune, founded by their parents, Estée Lauder and Joseph Lauder, in 1946. Having been its CEO until 1999, Lauder is the chairman emeritus of The Estée Lauder Companies Inc. During his tenure as the CEO, the company went public at The New York Stock Exchange in 1996 and acquired several major cosmetics brands, including MAC Cosmetics, Aveda, Bobbi Brown, and La Mer.

Houses at l'Estaque

Houses at l'Estaque

Houses at l'Estaque is an oil-on-canvas painting by Georges Braque executed in 1908. It is considered either an important Proto-Cubist landscape or the first Cubist landscape. The painting prompted art critic Louis Vauxcelles to mock it as being composed of cubes which led to the name of the movement.

Pablo Picasso

Pablo Picasso

Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.

Iberian sculpture

Iberian sculpture

Iberian sculpture, a subset of Iberian art, describes the various sculptural styles developed by the Iberians from the Bronze Age up to the Roman conquest. For this reason it is sometimes described as Pre-Roman Iberian sculpture.

Montmartre

Montmartre

Montmartre is a large hill in Paris's northern 18th arrondissement. It is 130 m (430 ft) high and gives its name to the surrounding district, part of the Right Bank. Montmartre is primarily known for its artistic history, for the white-domed Basilica of the Sacré-Cœur on its summit, and as a nightclub district.

Céret

Céret

Céret is a commune in the Pyrénées-Orientales department in southern France. It is the capital of the historic Catalan comarca of Vallespir.

Collage

Collage

Collage is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole.

Papier collé

Papier collé

Papier collé is a type of collage and collaging technique in which paper is adhered to a flat mount. The difference between collage and papier collé is that the latter refers exclusively to the use of paper, while the former may incorporate other two-dimension (non-paper) components. As the term papier collé is not commonly used, this type of work is often simply called collage.

Louis Vauxcelles

Louis Vauxcelles

Louis Vauxcelles was a French art critic. He is credited with coining the terms Fauvism (1905) and Cubism (1908). He used several pseudonyms in various publications: Pinturrichio, Vasari, Coriolès, and Critias.

Daniel-Henry Kahnweiler

Daniel-Henry Kahnweiler

Daniel-Henry Kahnweiler was a German-born art collector, and one of the most notable French art dealers of the 20th century. He became prominent as an art gallery owner in Paris beginning in 1907 and was among the first champions of Pablo Picasso, Georges Braque and the Cubist movement in art.

Ernst Gombrich

Ernst Gombrich

Sir Ernst Hans Josef Gombrich was an Austrian-born art historian who, after settling in England in 1936, became a naturalised British citizen in 1947 and spent most of his working life in the United Kingdom.

Later work

Braque resumed painting in late 1916. Working alone, he began to moderate the harsh abstraction of cubism. He developed a more personal style characterized by brilliant color, textured surfaces, and—after his relocation to the Normandy seacoast—the reappearance of the human figure. He painted many still life subjects during this time, maintaining his emphasis on structure. One example of this is his 1943 work Blue Guitar, which hangs in the Allen Memorial Art Museum.[14] During his recovery he became a close friend of the cubist artist Juan Gris.

He continued to work during the remainder of his life, producing a considerable number of paintings, graphics, and sculptures. Braque, along with Matisse, is credited for introducing Pablo Picasso to Fernand Mourlot, and most of the lithographs and book illustrations he himself created during the 1940s and '50s were produced at the Mourlot Studios. In 1952–53 he also produced The Birds, a ceiling painting for a room in the Louvre. In 1962 Braque worked with master printmaker Aldo Crommelynck to create his series of etchings and aquatints titled L’Ordre des Oiseaux (The Order of Birds),[15] which was accompanied by the poet Saint-John Perse's text.[16]

Braque died on 31 August 1963 in Paris. He is buried in the cemetery of the Church of St. Valery in Varengeville-sur-Mer, Normandy whose windows he designed. Braque's work is in most major museums throughout the world.

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Still life

Still life

A still life is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural or man-made.

Allen Memorial Art Museum

Allen Memorial Art Museum

The Allen Memorial Art Museum (AMAM) is an art museum located in Oberlin, Ohio, and it is run by Oberlin College. Founded in 1917, the collection contains over 15,000 works of art.

Juan Gris

Juan Gris

José Victoriano González-Pérez , better known as Juan Gris, was a Spanish painter born in Madrid who lived and worked in France for most of his active period. Closely connected to the innovative artistic genre Cubism, his works are among the movement's most distinctive.

Fernand Mourlot

Fernand Mourlot

Fernand Mourlot, son of Jules Mourlot, was the director of Mourlot Studios and founder of Editions Mourlot.

Lithography

Lithography

Lithography is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps. Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography.

Mourlot Studios

Mourlot Studios

Mourlot Studios was a commercial print shop founded in 1852 by the Mourlot family and located in Paris, France. It was also known as Imprimerie Mourlot, Mourlot Freres and Atelier Mourlot. Founded by Francois Mourlot, it started off producing wallpaper. Later, his son Jules Mourlot would expand the business to handle the production of chocolate labels for companies such as Chocolat Poulain, as well as ledgers, maps and stationary. Starting in the 1920s, Jules' son, Fernand Mourlot, converted one of the locations into a studio dedicated to printing fine art lithography.

The Birds (painting)

The Birds (painting)

The Birds or The Two Birds is a monumental 1952-1953 ceiling painting by Georges Braque in the Salle Henri II in the Louvre, which had to be renovated at that time. He was commissioned by Georges Salles, director of the museums of France. It was unveiled in 1953. The artist succeeded in scaling an intimate theme dear to him up to a monumental scale. He resolved the problem posed by the vast canvas by using large blocks of colour, giving the work as a whole strength and simplicity.

Louvre

Louvre

The Louvre, or the Louvre Museum, is the world's most-visited museum, and a historic landmark in Paris, France. It is the home of some of the best-known works of art, including the Mona Lisa and the Venus de Milo. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement. At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters. Attendance in 2022 was 7.8 million visitors, up 170 percent from 2021, but still below the 10.8 million visitors in 2018 before the COVID-19 pandemic.

Aldo Crommelynck

Aldo Crommelynck

Aldo Crommelynck was a Belgian master printmaker who made intaglio prints in collaboration with many important European and American artists of the 20th century. At the time of his death, The Guardian termed Crommelynck the 'pre-eminent' and 'the most celebrated printmaker of the second half of the 20th century.'

Saint-John Perse

Saint-John Perse

Alexis Leger, better known by his pseudonym Saint-John Perse, was a French poet-diplomat, awarded the Nobel Prize in Literature in 1960 "for the soaring flight and evocative imagery of his poetry." He was a major French diplomat from 1914 to 1940, after which he lived primarily in the United States until 1967.

Varengeville-sur-Mer

Varengeville-sur-Mer

Varengeville-sur-Mer is a commune in the Seine-Maritime department in the Normandy region in north-western France.

Normandy

Normandy

Normandy is a geographical and cultural region in northwestern Europe, roughly coextensive with the historical Duchy of Normandy.

Style

Braque believed that an artist experienced beauty "… in terms of volume, of line, of mass, of weight, and through that beauty [he] interpret[s] [his] subjective impression...”[17] He described "objects shattered into fragments... [as] a way of getting closest to the object...Fragmentation helped me to establish space and movement in space”.[18] He adopted a monochromatic and neutral color palette in the belief that such a palette would emphasize the subject matter.

Although Braque began his career painting landscapes, during 1908 he, alongside Picasso, discovered the advantages of painting still lifes instead. Braque explained that he “... began to concentrate on still lifes, because in the still-life you have a tactile, I might almost say a manual space... This answered to the hankering I have always had to touch things and not merely see them... In tactile space you measure the distance separating you from the object, whereas in visual space you measure the distance separating things from each other. This is what led me, long ago, from landscape to still-life”[19] A still life was also more accessible, in relation to perspective, than landscape, and permitted the artist to see the multiple perspectives of the object. Braque's early interest in still lifes revived during the 1930s.

During the period between the wars, Braque exhibited a freer, more relaxed style of Cubism, intensifying his color use and a looser rendering of objects. However, he still remained committed to the cubist method of simultaneous perspective and fragmentation. In contrast to Picasso, who continuously reinvented his style of painting, producing both representational and cubist images, and incorporating surrealist ideas into his work, Braque continued in the Cubist style, producing luminous, other-worldly still life and figure compositions. By the time of his death in 1963, he was regarded as one of the elder statesmen of the School of Paris, and of modern art.

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Monochrome painting

Monochrome painting

Monochromatic painting has been an important component of avant-garde visual art throughout the 20th century and into the 21st century. Painters have created the exploration of one color, examining values changing across a surface, texture, and nuance, expressing a wide variety of emotions, intentions, and meanings in many different forms. From geometric precision to expressionism, the monochrome has proved to be a durable idiom in Contemporary art.

Still life

Still life

A still life is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural or man-made.

Surrealism

Surrealism

Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or surreality. It produced works of painting, writing, theatre, filmmaking, photography, and other media.

School of Paris

School of Paris

The School of Paris refers to the French and émigré artists who worked in Paris in the first half of the 20th century.

Modern art

Modern art

Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art.

2010 theft

On 20 May 2010, the Musée d'Art Moderne de la Ville de Paris reported the overnight theft of five paintings from its collection. The paintings taken were Le pigeon aux petits pois (The Pigeon with the Peas) by Pablo Picasso, La Pastorale by Henri Matisse, L'Olivier Près de l'Estaque (Olive Tree near Estaque) by Georges Braque, La Femme à l'Éventail [fr] (Woman with a Fan) by Amedeo Modigliani and Nature Morte aux Chandeliers (Still Life with Chandeliers) by Fernand Léger and were valued at €100 million$123 million USD).[20][21] A window had been smashed and CCTV footage showed a masked man taking the paintings.[20] Authorities believe the thief acted alone.[22] The man carefully removed the paintings from their frames, which he left behind.[23]

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Le pigeon aux petits pois

Le pigeon aux petits pois

Le pigeon aux petit pois, sometimes referred to as Dove with green peas, is a 1911 oil on canvas painting by Pablo Picasso. It is an example of Picasso's Cubist works and has an estimated value of €23 million. The painting was one of five artworks stolen from the Musée d'Art Moderne de la Ville de Paris on 20 May 2010, which together are valued at €100 million. It has so far not been recovered and its whereabouts remain unknown.

Pablo Picasso

Pablo Picasso

Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.

Henri Matisse

Henri Matisse

Henri Émile Benoît Matisse was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.

Amedeo Modigliani

Amedeo Modigliani

Amedeo Clemente Modigliani was an Italian painter and sculptor who worked mainly in France. He is known for portraits and nudes in a modern style characterized by a surreal elongation of faces, necks, and figures that were not received well during his lifetime, but later became much sought-after. Modigliani spent his youth in Italy, where he studied the art of antiquity and the Renaissance. In 1906, he moved to Paris, where he came into contact with such artists as Pablo Picasso and Constantin Brâncuși. By 1912, Modigliani was exhibiting highly stylized sculptures with Cubists of the Section d'Or group at the Salon d'Automne.

Fernand Léger

Fernand Léger

Joseph Fernand Henri Léger was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism which he gradually modified into a more figurative, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art.

Closed-circuit television

Closed-circuit television

Closed-circuit television (CCTV), also known as video surveillance, is the use of video cameras to transmit a signal to a specific place, on a limited set of monitors. It differs from broadcast television in that the signal is not openly transmitted, though it may employ point-to-point (P2P), point-to-multipoint (P2MP), or mesh wired or wireless links. Even though almost all video cameras fit this definition, the term is most often applied to those used for surveillance in areas that require additional security or ongoing monitoring.

Gallery

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Houses at l'Estaque

Houses at l'Estaque

Houses at l'Estaque is an oil-on-canvas painting by Georges Braque executed in 1908. It is considered either an important Proto-Cubist landscape or the first Cubist landscape. The painting prompted art critic Louis Vauxcelles to mock it as being composed of cubes which led to the name of the movement.

Museum of Fine Arts Bern

Museum of Fine Arts Bern

The Museum of Fine Arts Bern, established in 1879 in Bern, is the museum of fine arts of the de facto capital of Switzerland.

Moderna Museet

Moderna Museet

Moderna Museet, Stockholm, Sweden, is a state museum for modern and contemporary art located on the island of Skeppsholmen in central Stockholm, opened in 1958. In 2009, the museum opened a new branch in Malmö in the south of Sweden, Moderna Museet Malmö.

Art Institute of Chicago

Art Institute of Chicago

The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 million people annually. Its collection, stewarded by 11 curatorial departments, is encyclopedic, and includes iconic works such as Georges Seurat's A Sunday on La Grande Jatte, Pablo Picasso's The Old Guitarist, Edward Hopper's Nighthawks, and Grant Wood's American Gothic. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present cutting-edge curatorial and scientific research.

Kunstmuseum Basel

Kunstmuseum Basel

The Kunstmuseum Basel houses the oldest public art collection in the world and is generally considered to be the most important museum of art in Switzerland. It is listed as a heritage site of national significance.

Bavarian State Painting Collections

Bavarian State Painting Collections

The Bavarian State Painting Collections, based in Munich, Germany, oversees artwork held by the Free State of Bavaria. It was established in 1799 as Centralgemäldegaleriedirektion. Artwork includes paintings, sculptures, photographs, video art and installation art. Pieces are on display in numerous galleries and museums throughout Bavaria.

Du "Cubisme"

Du "Cubisme"

Du "Cubisme", also written Du Cubisme, or Du « Cubisme », is a book written in 1912 by Albert Gleizes and Jean Metzinger. This was the first major text on Cubism, predating Les Peintres Cubistes by Guillaume Apollinaire (1913). The book is illustrated with black and white photographs of works by Paul Cézanne (1), Gleizes (5), Metzinger (5), Fernand Léger (5), Juan Gris (1), Francis Picabia (2), Marcel Duchamp (2), Pablo Picasso (1), Georges Braque (1), André Derain (1), and Marie Laurencin (2).

Albert Gleizes

Albert Gleizes

Albert Gleizes was a French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, Du "Cubisme", 1912. Gleizes was a founding member of the Section d'Or group of artists. He was also a member of Der Sturm, and his many theoretical writings were originally most appreciated in Germany, where especially at the Bauhaus his ideas were given thoughtful consideration. Gleizes spent four crucial years in New York, and played an important role in making America aware of modern art. He was a member of the Society of Independent Artists, founder of the Ernest-Renan Association, and both a founder and participant in the Abbaye de Créteil. Gleizes exhibited regularly at Léonce Rosenberg's Galerie de l’Effort Moderne in Paris; he was also a founder, organizer and director of Abstraction-Création. From the mid-1920s to the late 1930s much of his energy went into writing, e.g., La Peinture et ses lois, Vers une conscience plastique: La Forme et l’histoire and Homocentrisme.

Jean Metzinger

Jean Metzinger

Jean Dominique Antony Metzinger was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Cézannian component, leading to some of the first proto-Cubist works.

Kimbell Art Museum

Kimbell Art Museum

The Kimbell Art Museum in Fort Worth, Texas, hosts an art collection as well as traveling art exhibitions, educational programs and an extensive research library. Its initial artwork came from the private collection of Kay and Velma Kimbell, who also provided funds for a new building to house it.

Metropolitan Museum of Art

Metropolitan Museum of Art

The Metropolitan Museum of Art in New York City, colloquially "the Met", is the largest art museum in the Americas and the most-visited museum in the Western Hemisphere. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately 2-million-square-foot (190,000 m2) building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe.

Centre Pompidou

Centre Pompidou

The Centre Pompidou, more fully the Centre national d'art et de culture Georges-Pompidou, also known as the Pompidou Centre in English, is a complex building in the Beaubourg area of the 4th arrondissement of Paris, near Les Halles, rue Montorgueil, and the Marais. It was designed in the style of high-tech architecture by the architectural team of Richard Rogers, Su Rogers, Renzo Piano, along with Gianfranco Franchini.

Source: "Georges Braque", Wikipedia, Wikimedia Foundation, (2023, March 16th), https://en.wikipedia.org/wiki/Georges_Braque.

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See also
References and sources
References
  1. ^ a b c "Georges Braque | MoMA". The Museum of Modern Art.
  2. ^ "Interpol issues global alert for stolen art - CNN.com". www.cnn.com.
  3. ^ Fry 1966, p. 71.
  4. ^ Perl, Jed (2011-10-26). "Relevance of Irrelevance". The New Republic. Retrieved 2011-10-28.
  5. ^ Picasso, P., Rubin, W. S., & Fluegel, J. (1980). Pablo Picasso, a retrospective. New York: Museum of Modern Art. ISBN 0-87070-528-8 p. 99,
  6. ^ "Solomon_R._Guggenheim_Museum". Archived from the original on February 10, 2013.
  7. ^ Cooper, Philip. Cubism. London: Phaidon, 1995, p. 14. ISBN 0714832502
  8. ^ "Gil Blas / dir. A. Dumont". Gallica. November 14, 1908.
  9. ^ Louis Vauxcelles, Le Salon des Indépendants, Gil Blas, 25 March 1909, Gallica (BnF)
  10. ^ Ernst Gombrich (1960) Art and Illusion, as quoted in Marshall McLuhan (1964) Understanding Media, p.12 "McLuhan: Understanding Media". Archived from the original on 2007-10-11. Retrieved 2007-09-04.
  11. ^ Oxford Art Online, "Georges Braque"
  12. ^ Berger, John. 1972. The Look of Things: Selected Essays and Articles. Penguin Books, Ltd. ISBN 0-14-021316-3
  13. ^ Huffington, Arianna S. 1988. Picasso: Creator and Destroyer. Simon and Schuster. ISBN 978-0-7861-0642-4 p. 93
  14. ^ "Allen Memorial Art Museum" (PDF). Archived (PDF) from the original on 2010-05-27.
  15. ^ Grimes, William (January 29, 2009). "Aldo Crommelynck, Master Printer for Prominent Artists, Is Dead at 77". The New York Times. Retrieved 2012-05-27.
  16. ^ Mellby, Julie L. (November 30, 2011). "L'ordre des oiseaux". Highlights from the Graphic Arts Collection, Princeton University Library. Retrieved 2012-05-27.
  17. ^ Mullins 1968, p. 34.
  18. ^ Mullins 1968, p. 55.
  19. ^ Mullins 1968, p. 41.
  20. ^ a b Hewage, Tim (20 May 2010). "Thief Steals Paintings In Paris Art Heist". Sky News. Archived from the original on 26 August 2010. Retrieved 20 May 2010.
  21. ^ Jones, Sam (20 May 2010). "Picasso and Matisse masterpieces stolen from Paris museum". The Guardian. Retrieved 20 May 2010.
  22. ^ "Matisse, Picasso and other masterpieces stolen from Paris museum". France 24. 20 May 2010. Retrieved 20 May 2010.
  23. ^ Bremner, Charles (20 May 2010). "Masked thief steals masterpieces worth €500 million from Paris museum". The Times. Retrieved 20 May 2010.
Sources
External links

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