Fringe (TV series)

Fringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; Dr. Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades. They are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research. The Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes. The Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, Dr. William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown). The team is also watched silently by a group of bald, pale white men who are called "Observers".

Season 1 introduces the Fringe Division as they investigate cases that form "the Pattern" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event. The ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.^[2] Olivia comes to learn she was a child test subject for Walter years ago (then known as Olive) for a nootropic drug, Cortexiphan, giving her weak psionic abilities.^[3] Walter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, "his" Peter having died as a child.^[2]

In Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release. The Fringe team deals with more cases that are leading to a "great storm" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.^[4] Walter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease. Walter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across. On return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of "the boy", which Walter took to mean Peter.^[5] Walter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their center. Walter has been looking for a sign of forgiveness in the form of a white tulip.^[6]

Season 3 presents episodes that alternate between the two universes. "Walternate", Walter's doppelgänger in the parallel universe, is the U.S. Secretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.^[7] He also sent his Olivia, "Fauxlivia"², to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.^[8] By happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.^[9] Walternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.^[10] Peter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter. Recovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.^[11]

Season 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.^[12] This creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge. Peter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel). Peter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.^[13] September also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.^[14] Meanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse. The Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan. Walter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world. Olivia's "death" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities. As Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers "are coming".^[15]

The fifth and final season begins in 2036, following from the flash-forward fourth-season episode "Letters of Transit".^[16] As September warned, Observers, bald white males, from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted "The Purge", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.^[17] The Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta ("Etta") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015. Walter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab. The tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan. Etta is killed during these events, driving Olivia and Peter to complete the plan for her sake. Through Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future. September explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created. September is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion. As predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.

Parallel universe

One of Fringe's location titles. In this example, from "Olivia", the episode takes place in the alternate universe's version of Manhattan, whose name is spelled with only one T. One notable difference in the alternate universe is that while the September 11 attacks occurred, the World Trade Center towers were not destroyed.

Much of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies. A significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of "Manhatan". The South Tower was used as the office of William Bell in several episodes.^[18][19]

The producers were strongly interested in "world-building," and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world. An alternate universe also allowed them to show "how small choices that you make define you as a person and can change your life in large ways down the line," according to co-director Jeff Pinkner.^[18] However, the producers also realized the concept of the alternate universe could be confusing to viewers. To avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second-season finale and the third season. J. H. Wyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.^[20] Such world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to "make two shows about one show," a concept that the network executives embraced.^[21]

Glyph code

Marketing posters used to promote the series often featured one of the glyphs used in the show's interstitial, each being a twist on a common image. Pictured here is a leaf with an embedded Greek capital letter delta.

Prior to commercial breaks, a brief image of a glyph is shown. Abrams revealed in an interview that the glyphs had a hidden meaning. "It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show."^[22] Abrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying "it's part of the code of the show."^[22] The glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word "observer".^[23] Additionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from "Johari Window", the seahorse strain of DNA from "The Bishop Revival"). In "Jacksonville", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall. An episode-by-episode key to the various glyphs was made available on Fringepedia.^[24]

Opening sequence

The show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as "teleportation" and "dark matter." Within the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like "hypnosis" and "neuroscience". The difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.^[25] In the third-season episode "Entrada", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.^[26] In the two flashback episodes, "Peter" and "Subject 13," a variation on the sequence, using retro graphics akin to 1980s technology and phrases like "personal computing" and "genetic engineering," was used.^[27] For the dystopian future third-season episode "The Day We Died," a black-toned theme, with more dire phrases like "hope" and "water," was used.^[28] The fourth-season premiere, "Neither Here Nor There" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.^[29] The fourth-season episode "Letters of Transit," which returned to the future dystopian universe, and the subsequent fifth-season episodes, feature a cold-toned title sequence with phrases such as "joy," "private thought," "free will," and "freedom," ideas which have been lost in this future.^[30] There is one frame in the opening sequence in which the words "Observers are here" flash very quickly, and the opening sequence must be paused to see them.^[31]

Discover more about Plot related topics

List of Fringe episodes

List of Fringe episodes

Fringe is an American science fiction television series that originally aired on the Fox network from September 9, 2008, to January 18, 2013. The series follows the Fringe Team as it investigates bizarre scientific occurrences related to "The Pattern", a string of freak, fringe science–related incidents worldwide. The team consists of FBI special agent Olivia Dunham, eccentric scientist Walter Bishop and his genius son Peter Bishop, as well as others at the FBI and the Department of Homeland Security. The series' narrative evolves and it later centers on a parallel universe and then on the mysterious Observers – a group of expressionless, pale, bald men in suits who have appeared throughout documented human history at significant historical events.

Federal Bureau of Investigation

Federal Bureau of Investigation

The Federal Bureau of Investigation (FBI) is the domestic intelligence and security service of the United States and its principal federal law enforcement agency. Operating under the jurisdiction of the United States Department of Justice, the FBI is also a member of the U.S. Intelligence Community and reports to both the Attorney General and the Director of National Intelligence. A leading U.S. counterterrorism, counterintelligence, and criminal investigative organization, the FBI has jurisdiction over violations of more than 200 categories of federal crimes.

Mad scientist

Mad scientist

The mad scientist is a stock character of a scientist who is perceived as "mad, bad and dangerous to know" or "insane" owing to a combination of unusual or unsettling personality traits and the unabashedly ambitious, taboo or hubristic nature of their experiments. As a motif in fiction, the mad scientist may be villainous or antagonistic, benign, or neutral; may be insane, eccentric, or clumsy; and often works with fictional technology or fails to recognise or value common human objections to attempting to play God. Some may have benevolent intentions, even if their actions are dangerous or questionable, which can make them accidental antagonists.

Lance Reddick

Lance Reddick

Lance Solomon Reddick was an American actor and musician. He was best known for playing Cedric Daniels in The Wire (2002–2008), Phillip Broyles in Fringe (2008–2013), and Chief Irvin Irving in Bosch (2014–2020). In film, he was best known for starring as Charon in the John Wick franchise (2014–2023) and David Gentry in Angel Has Fallen (2019).

Jasika Nicole

Jasika Nicole

Jasika Nicole Pruitt, is an American actress and illustrator from Birmingham, Alabama. She is known for her role as Agent Astrid Farnsworth on the Fox series Fringe. She has guest-starred in Scandal as Kim Munoz. She starred as Carly Lever, the head of pathology, in the ABC medical drama The Good Doctor.

Fringe science

Fringe science

Fringe science refers to ideas whose attributes include being highly speculative or relying on premises already refuted. Fringe science theories are often advanced by persons who have no traditional academic science background, or by researchers outside the mainstream discipline. The general public has difficulty distinguishing between science and its imitators, and in some cases a "yearning to believe or a generalized suspicion of experts is a very potent incentive to accepting pseudoscientific claims".

Massive Dynamic

Massive Dynamic

Massive Dynamic is a fictional multinational conglomerate from the TV series Fringe that develops the advancement of weapons testing, robotics, medical equipment, aeronautics, genetics, pharmaceuticals, telecommunication, energy, transportation, and entertainment technology. Fictionally, the headquarters of Massive Dynamic is located at 655 18th Street, New York ("Olivia"). However, in reality, the exterior of the new 7 World Trade Center in Lower Manhattan is used as its headquarters. For the pilot episode, interior scenes of Massive Dynamic were filmed in the Michael Lee-Chin Crystal entrance of the Royal Ontario Museum in Toronto, Ontario. In the episode "Brown Betty", Massive Dynamic's headquarters are located in the South Tower of the original World Trade Center.

Leonard Nimoy

Leonard Nimoy

Leonard Simon Nimoy was an American actor, famed for playing Spock in the Star Trek franchise for almost 50 years. This includes originating Spock in the original Star Trek series in 1966, then Star Trek: The Animated Series, the first six Star Trek films, and Star Trek: The Next Generation. Nimoy also directed films, including Star Trek III: The Search for Spock (1984) and Star Trek IV: The Voyage Home (1986), and appeared in several films, television shows, and voice acted in several video games. Outside of acting, Nimoy was a film director, photographer, author, singer, and songwriter.

Blair Brown

Blair Brown

Bonnie Blair Brown is an American theater, film and television actress. She has had a number of high-profile roles, including in the play Copenhagen on Broadway, the leading actress in the films Altered States (1980), Continental Divide (1981) and Strapless (1989), as well as a run as the title character in the comedy-drama television series The Days and Nights of Molly Dodd, which ran from 1987 to 1991. Her later roles include Nina Sharp on the Fox television series Fringe and Judy King on the Netflix series Orange Is the New Black.

Fringe (season 1)

Fringe (season 1)

The first season of the American science fiction television series Fringe commenced airing on the Fox network on September 9, 2008, and concluded on May 12, 2009. It was produced by Bad Robot Productions in association with Warner Bros. Television, and its showrunners were Jeff Pinkner and J.H. Wyman. The first season introduces a Federal Bureau of Investigation "Fringe Division" team based in Boston, Massachusetts under the supervision of Homeland Security. The team uses unorthodox "fringe" science and FBI investigative techniques to investigate a series of unexplained, often ghastly occurrences, which are related to mysteries surrounding a parallel universe. FBI agent Olivia Dunham is portrayed by actress Anna Torv, while actors Joshua Jackson and John Noble play father-son duo Peter and Walter Bishop. Other regular cast members include Lance Reddick, Jasika Nicole, Blair Brown, Mark Valley, and Kirk Acevedo.

Jared Harris

Jared Harris

Jared Francis Harris is a British actor. His roles include Lane Pryce in the AMC television drama series Mad Men, for which he was nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series; David Robert Jones in the science fiction series Fringe; King George VI in the historical drama series The Crown; Anderson Dawes on the science fiction series The Expanse; Captain Francis Crozier in the AMC series The Terror; and Valery Legasov in the HBO miniseries Chernobyl, for which he won the British Academy Television Award for Best Actor and was nominated for the 2019 Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or Movie. He has also had significant supporting roles in films such as Mr. Deeds (2002), The Curious Case of Benjamin Button (2008), Sherlock Holmes: A Game of Shadows (2011), Lincoln (2012), and Allied (2016). In 2021, he took the role of Hari Seldon, a leading character in the Apple TV+ science fiction series Foundation.

Fringe (season 2)

Fringe (season 2)

The second season of the American science fiction television series Fringe commenced airing on the Fox network on September 17, 2009, and concluded on May 20, 2010. The season was produced by Bad Robot Productions in association with Warner Bros. Television, and its showrunners were Jeff Pinkner and J. H. Wyman. Actors Anna Torv, John Noble, and Joshua Jackson reprised their roles as FBI agent Olivia Dunham and father-son duo Walter and Peter Bishop, respectively. Previous series regulars Lance Reddick, Jasika Nicole, Blair Brown, and Kirk Acevedo also returned, though with Acevedo in a limited capacity.

The cast and crew of Fringe at the 2010 San Diego Comic-Con. From left to right: Jasika Nicole (Astrid Farnsworth), Blair Brown (Nina Sharp), Lance Reddick (Phillip Broyles), John Noble (Walter Bishop), Joshua Jackson (Peter Bishop), Anna Torv (Olivia Dunham), and executive producers J. H. Wyman and Jeff Pinkner

Main

• Anna Torv as Olivia Dunham: a Northwestern University-educated Federal Bureau of Investigation (FBI) agent assigned to investigate the spread of unexplained phenomena. She later discovers Walter performed tests on her when she was a child using nootropic drug Cortexiphan, giving her unusual abilities. Torv also plays Olivia's counterpart in the alternate universe, dubbed by the characters of the prime universe as "Fauxlivia", as well as William Bell.
• Joshua Jackson as Peter Bishop: a jack-of-all-trades who is brought in as a civilian consultant by Olivia to work with his estranged father, Walter. Peter is actually "Walternate's" son from the alternate universe, abducted by Walter shortly after his own Peter's death at a young age.
• John Noble as Dr. Walter Bishop: a former government researcher in the field of fringe science who was seen as a mad scientist and institutionalized after a lab accident in which his assistant was killed. Noble also portrays the Walter's alternate, dubbed "Walternate" by the characters in the prime universe. Walternate rose to power as the U.S. Secretary of Defense and instigated the war against the prime universe after the abduction of his son Peter.
• Lance Reddick as Phillip Broyles (seasons 1–4; recurring season 5): a Homeland Security agent and Senior-Agent-in-Charge (SAC) who runs Fringe Division. Reddick also portrays Broyles' alternate (known as Colonel Broyles), who finds sympathy for Olivia and sacrifices himself during the third season to allow her to escape the parallel universe. In the fourth season's alternate timeline, Colonel Broyles remains alive.
• Jasika Nicole as Astrid Farnsworth: an FBI Junior Agent and assistant to Olivia and Walter. Nicole also plays Astrid's counterpart in the alternate universe, who has behaviours similar to Asperger syndrome as tribute to Nicole's sister who has this neurodiverse condition.^[32]
• Blair Brown as Nina Sharp (season 1–4; recurring season 5): the Chief Operating Officer of Massive Dynamic, a leading firm in science and technology research and longtime friend of Walter and William. She also plays her doppelganger in the parallel universe within the alternate timeline of season 4 as an agent for David Robert Jones' plans.
• Kirk Acevedo as Charlie Francis (season 1–2; recurring season 3): An FBI senior agent, Olivia's colleague and close friend, and the second-in-command of Fringe Division before his demise. Though Charlie is killed early in the second season, Acevedo reprises the role of Charlie in the alternate universe.
• Mark Valley as John Scott (season 1): Olivia's former FBI partner and secret lover, whose death in "Pilot" leads Olivia to join the Fringe division.
• Seth Gabel as Lincoln Lee (season 4; guest star seasons 2 and 5; recurring season 3): an agent of the parallel universe Fringe Division. The prime universe version of Lincoln, also played by Gabel, was introduced in the episode "Stowaway" as a special agent stationed at the FBI building in Hartford, Connecticut, later joining Fringe division within season 4.^[33][34]

Mark Valley played Olivia's partner and lover, John Scott, in the first season.

Seth Gabel, a guest star during seasons 2 and 3, joined Fringe as a series regular in season 4 as agent Lincoln Lee. He reappears in season 5.

Michael Cerveris plays September, one of the bald-headed Observers, and appears several times throughout the series.

Leonard Nimoy portrays William Bell, Walter's associate, both as a live action character in seasons 1, 2, and 4, and voicing an animated Bell in season 3.

Recurring

• Michael Cerveris as September/the Observer/Donald: one of several "Observers," a traveling chronicler and enforcer of extraordinary events. An Observer appears in one form or another, usually in an Alfred Hitchcock-like cameo, in each episode.
• Clark Middleton as Edward Markham: A man who operates a bookstore specializing in rare collectables. He appears in one episode every season.
• Ari Graynor as Rachel Dunham (seasons 1–2): Olivia's sister.
• Lily Pilblad as Ella Blake (seasons 1–3): Olivia's niece, the daughter of Rachel. Emily Meade portrays the future Ella.
• David Call as Nick Lane (seasons 1–2, 4): Olivia's partner during the experimental trials in her childhood. Liam Mackie also portrays Young Nick in season 3.
• Leonard Nimoy as Dr. William Bell (seasons 1–4): Walter's former lab partner, the founder of Massive Dynamic, apparently killed in the season 2 finale. Nimoy, who had retired from acting after season 2, agreed to provide the voice of Bell, allowing for the character's reappearance via an animated character in season 3. He reappears in season 4 after the timeline is altered.
• Michael Gaston as Sanford Harris (season 1): an old nemesis of Olivia's assigned to assess Fringe Division.
• Jared Harris as David Robert Jones (seasons 1, 4): leader of the ZFT cult, and killed in the season 1 finale. In the alternate timeline Peter is projected into, it appears he is alive, and that the shapeshifters have been working for him.
• Chance Kelly as Mitchell Loeb (season 1): an FBI agent and mole working for ZFT.
• Ryan McDonald as Brandon Fayette (seasons 2–4): a scientist at Massive Dynamic. In the parallel universe, Brandon works directly for Secretary of Defense Bishop, overseeing many of his less ethical projects.
• Kevin Corrigan as Sam Weiss (seasons 2–3): Olivia's Yoda-like amateur psychologist and manager of a Boston-area bowling alley; his family line maintains knowledge of the "First People," a race of intelligent beings believed to have created the doomsday device.
• Karen Holness as Diane Broyles (seasons 2–4): the wife of Colonel Broyles in the parallel universe and ex-wife of General Broyles in the prime universe.
• Sebastian Roché as Thomas Jerome Newton (seasons 2–3): the leader of the shapeshifters, human/machine hybrids and undercover agents from the alternate universe. The character commits suicide during the third season.
• Orla Brady as Elizabeth Bishop (seasons 2–4): Walter's wife and Peter's mother. Brady portrays both the prime and alternate versions.
• Philip Winchester as Frank Stanton (seasons 2–3): a virologist for the CDC and introduced as Fauxlivia's romantic interest in season 2. Their relationship ends off-screen in season 4.
• Michelle Krusiec as Nadine Park (season 4): a shape-shifting soldier from the alternate timeline, with different features from shapeshifters seen in the normal timeline.
• Georgina Haig as Henrietta "Etta" Bishop (seasons 4–5): Peter and Olivia's adult daughter in 2036. Though she is part of the Fringe team, loyal to the Observers, she secretly works with the human resistance to try to reclaim the earth for humans.
• Michael Kopsa as Captain Windmark (seasons 4–5): the lead Observer in 2036 and primary antagonist of the Resistance.

Discover more about Cast and characters related topics

List of Fringe characters

List of Fringe characters

This article lists the major and recurring fictional characters on the science fiction television series, Fringe, created by J. J. Abrams, Alex Kurtzman, and Roberto Orci.

Jasika Nicole

Jasika Nicole

Jasika Nicole Pruitt, is an American actress and illustrator from Birmingham, Alabama. She is known for her role as Agent Astrid Farnsworth on the Fox series Fringe. She has guest-starred in Scandal as Kim Munoz. She starred as Carly Lever, the head of pathology, in the ABC medical drama The Good Doctor.

Blair Brown

Blair Brown

Bonnie Blair Brown is an American theater, film and television actress. She has had a number of high-profile roles, including in the play Copenhagen on Broadway, the leading actress in the films Altered States (1980), Continental Divide (1981) and Strapless (1989), as well as a run as the title character in the comedy-drama television series The Days and Nights of Molly Dodd, which ran from 1987 to 1991. Her later roles include Nina Sharp on the Fox television series Fringe and Judy King on the Netflix series Orange Is the New Black.

Lance Reddick

Lance Reddick

Lance Solomon Reddick was an American actor and musician. He was best known for playing Cedric Daniels in The Wire (2002–2008), Phillip Broyles in Fringe (2008–2013), and Chief Irvin Irving in Bosch (2014–2020). In film, he was best known for starring as Charon in the John Wick franchise (2014–2023) and David Gentry in Angel Has Fallen (2019).

John Noble

John Noble

John Noble is an Australian actor. He is known for his roles as Denethor in the Lord of the Rings film trilogy, Dr. Walter Bishop on the science fiction series Fringe, Henry Parrish on the action-horror series Sleepy Hollow, and Morland Holmes on the police procedural Elementary. Noble has also done voice work as Leland Monroe in the video game L.A. Noire, Unicron in the animated series Transformers: Prime, and Scarecrow in the DC Comics video game Batman: Arkham Knight.

Joshua Jackson

Joshua Jackson

Joshua Carter Jackson is a Canadian-American actor. He is known for his starring role as Charlie Conway in Mighty Ducks, as Pacey Witter in The WB teen drama series Dawson's Creek (1998–2003), Peter Bishop in the Fox science fiction series Fringe (2008–2013), Cole Lockhart in the Showtime drama series The Affair (2014–2018), Mickey Joseph in the drama miniseries When They See Us (2019), Bill Richardson in the drama miniseries Little Fires Everywhere (2020), and Dr. Christopher Duntsch in Dr. Death (2021).

Anna Torv

Anna Torv

Anna Torv is an Australian actress. She is known for her roles as Olivia Dunham on the Fox science fiction series Fringe (2008–2013), Wendy Carr in the Netflix crime thriller series Mindhunter (2017–2019), and Tess in the HBO post-apocalyptic drama series The Last of Us (2023). Her performance in Fringe earned her four Saturn Awards for Best Actress on Television and nominations for the Critics' Choice Television Award for Best Actress in a Drama Series.

J. H. Wyman

J. H. Wyman

Joel Howard "J. H." Wyman is a film and TV producer, screenwriter, director and musician. He is best known for his work on the Fox science fiction shows Fringe and Almost Human, and wrote and produced the films The Mexican (2001) and Dead Man Down (2013).

Jeff Pinkner

Jeff Pinkner

Jeff Pinkner is an American television and movie writer and producer.

Federal Bureau of Investigation

Federal Bureau of Investigation

The Federal Bureau of Investigation (FBI) is the domestic intelligence and security service of the United States and its principal federal law enforcement agency. Operating under the jurisdiction of the United States Department of Justice, the FBI is also a member of the U.S. Intelligence Community and reports to both the Attorney General and the Director of National Intelligence. A leading U.S. counterterrorism, counterintelligence, and criminal investigative organization, the FBI has jurisdiction over violations of more than 200 categories of federal crimes.

Nootropic

Nootropic

Nootropics are numerous natural, semi-synthetic and synthetic molecules that improve cognitive functions.

Jack of all trades, master of none

Jack of all trades, master of none

"Jack of all trades, master of none" is a figure of speech used in reference to a person who has dabbled in many skills, rather than gaining expertise by focusing on only one.

Conception

Co-created by J. J. Abrams, Roberto Orci and Alex Kurtzman, Fringe was produced by Bad Robot in association with Warner Bros. Television, as part of a commitment that Abrams previously made with the studio.^[35] At the time, Abrams was working with Orci and Kurtzman on the Star Trek film, and met at one of the Comic-Cons during Star Trek's production to brainstorm ideas for the show.^[35][36] Abrams later brought Bryan Burk, a producer on several of his films, to help with developing the series.^[36]

Abrams's inspiration for Fringe came from a range of sources, including the writings of Michael Crichton, the film Altered States, films by David Cronenberg, and the television series The X-Files and The Twilight Zone.^[35][37] Orci stated that Fringe is a "new kind of storytelling", combining procedural shows such as Law & Order, and an "extremely serialized and very culty" series like Lost.^[38] The procedural aspect was chosen because, at the time of its premiere, six of the ten top shows were procedural in nature; Orci stated that "you have to be a fool not to go study what it is that they're doing".^[35] Abrams had originally considered naming the series The Lab, as they had envisioned Walter's laboratory to be "the epicenter of the conversation", and where "anything is possible".^[36]

Though the team saw this as a way of presenting "mystery of the week"-type episodes, they wanted to focus more on how these stories were told in unpredictable ways rather than the actual mystery, recognizing that most of their target audience has seen such mysteries before through previous shows and films.^[38] Instead, they wanted their storytelling to be original and unexpected, and, as claimed by Kurtzman, one of the most challenging aspects of developing the individual episodes.^[38] Serialization of the show was important to tell their overall story with larger plot elements, but Abrams recognized the difficulties that his earlier serialized shows, such as Lost and Alias, had in attracting and maintaining viewers that had not seen these shows from the start or who missed episodes sporadically.^[35] For Fringe, Abrams instead sought to create, as stated by David Itzkoff of the New York Times, "a show that suggested complexity but was comprehensible in any given episode".^[35][36] The writers aimed to balance a line between stand-alone episodes, a factor requested by Fox, and a heavily serialized show; they balanced these by moving the serialization aspect to the growth and development of their characters. This gave them the ability to write self-contained episodes that still contained elements related to the overall mythos.^[36] However, as production continued, the creative staff found the show itself took on a more serialized nature and opted towards this approach in later seasons while still balancing self-contained episodes.^[36]

One method was by introducing overarching themes that individual episodes could be tied to, such as "The Pattern" in Season 1, providing information repeatedly about the larger plot over the course of several episodes or seasons.^[35] Abrams also created characters whose alliances to the larger narrative were clear, avoiding a similar problem that had occurred during the first and second seasons of Alias.^[35] A final step taken was to script out all of the major long-running plot elements, including the show's finale, prior to full-time production. Abrams contrasted this to the process used in Lost, where ideas like character flashbacks and the hatch from the second season were introduced haphazardly and made difficulties in defining when they should be presented to the viewers. Instead, with Fringe, they were able to create "clearly defined goalposts" (in Itzkoff's words) that could be altered as necessary with network and seasonal changes but always provided a clear target for the overarching plot.^[35] These approaches also allowed the team to introduce unique plot elements to be introduced in time that would have altered the show's fate if known at the start. Abrams stated that "There are certain details that are hugely important that I believe, if shared, will destroy any chance of actually getting on the air."^[35] Abrams noted that they are able to benefit from "how open Fox as a network has been to a show that is embracing the weirdness and the long-term stories that we want to tell".^[38] During the third season, executive producer Jeff Pinkner noted that "We have six to eight seasons worth of material. We see it as having certain chapters that would enrich the overall story, but aren't necessary to tell the overall story. God willing, the network allows us the time to tell our complete story."^[39]

As part of the larger story, the writers have placed elements in earlier episodes that are referenced in episodes seasons later. For example, in the first-season episode "The Ghost Network", the Fringe team encounters an amber-like substance, which is later shown to be a critical means to combat the breakdown of the parallel universe and eventually for the same in the prime universe with the third-season episode "6B".^[21] Pinkner compared this aspect to "planting seeds", some which they know how they plan to use later in the show's story, while others they can find ways of incorporating into these later episodes.^[21]

He further attributed these elements as part of the "world building" to flesh out the show beyond episodic content.^[21] The producers have stated that when the show's mythology is introduced, it is not simply there to tie episodes together, but "to provide answers that generate consequences".^[40]

Certain elements of the show's mythology were established from the start. The parallel universe was always part of the original concept, though aspects of when and how to introduce it were tackled as the show proceeded.^[41] The idea of Peter being from the parallel universe came early into the show's production, but this came to lead the team to jokingly refer to Peter as their "hatch", one of the early mysteries in Lost, as with the hatch in Lost, they initially had no idea how to introduce this within the show.^[41] FOX's Reilly was also initially concerned about the parallel universe aspect, but as the show progressed into the first season and found its groove, the concept was readily accepted.^[41] The most poignant introduction of the parallel universe was in the conclusion of the first-season finale, "There's More Than One of Everything", where they showed the Twin Towers of the World Trade Center were still standing in the parallel universe, a concept introduced by writer Andrew Kreisberg as an iconic image to leave viewers with; Jackson stated, "I don't know that we've ever had a better visual or a better cliff-hanger."^[41]

Other mythos elements were devised as the series progressed. The writers had originally envisioned only spending small portions of episodes within the parallel universe, but as they wrote these episodes within Season 3, they brought out the idea of setting entire episodes within the parallel universe.^[41] This necessitated the development of the alternate versions of the main characters, which Pinkner considered "a great playground just for imagination".^[41] The actors themselves found this concept exciting, as it allowed them to play different characters but with the same background and considered it a creative challenge.^[41] Similarly, having Peter erased from the timeline as part of the finale for Season 3 was an idea that grew over the course of that season.^[42] The writers were aware this would be a risky move but felt the idea was very appropriate for Fringe, and opted to write towards this after considering all the consequences.^[42] Pinkner noted that this gave them an opportunity to "reset the character relationships" and determine the key aspects that would remain without Peter, as well as "making the audience uncomfortable at times".^[42] The cast was not initially sold with the idea, but came around as the fourth season progressed.^[42]

Production

Jeff Pinkner (left) and/or J. H. Wyman (right) served as showrunners for the entirety of the series.

After developing the core concepts of the show, Abrams began to seek studios to develop the show; Abrams' past successes led to Warner Bros. Television and the Fox Television Network to quickly jump on board the project. Peter Roth, the chief executive of Warner Bros. Television, had been actively seeking to bring any Abrams' project to his studio, and heard Abrams' pitch for Fringe at a dinner meeting in August 2007.^[36] Similarly, Kevin Reilly, the entertainment chairman at Fox, knew that it was critical for him to bring the next Abrams' project to his network, and worked with Roth to assure this would happen.^[36]

Jeff Pinkner was selected to act as the head showrunner and executive producer. Abrams noted that he trusts Pinkner after working together with him on Alias and Lost.^[43] Pinkner became interested in the show during a visit to the set of Star Trek, during which Abrams was discussing the concept of Fringe with Orci and Kurtzman, knowing that they would not be involved in the direct production of the work. Abrams pitched the idea to Pinkner, who was intrigued by the importance of characters in a science fiction drama.^[36] In season two, J.H. Wyman was brought on as executive producer and showrunner with Pinkner. Wyman had been a science fiction enthusiast but had worried that he had not written anything in that genre but after learning about the concept of the show, felt his role as an executive producer was "a match made in heaven".^[36]

Michael Giacchino, Abrams' frequent collaborator, composed the music for the pilot of Fringe, before handing over duties to his assistants Chad Seiter and Chris Tilton; Tilton took over scoring duties from Season 2 onward.^[44] While Giacchino retains an on-screen credit, Abrams himself wrote the series theme music.^[45]

The two-hour pilot episode, filmed in Toronto, Ontario, Canada, cost a total of $10 million to create.^[46] A basement of an old church was used for Walter's lab set in the pilot, and this set was replicated at other film sites in New York and Vancouver when the show moved.^[47] The lab set was designed by Carol Spier, the production designer for several of Cronenberg's films.^[36] John Noble called his character's lab "the heart and soul of Fringe", so consequently, "That has to remain constant."^[47] A cow used in the pilot episode had to be recast when production of Season 1 was moved to New York, due to livestock restrictions preventing it from being brought from Canada to the United States.^[48][49] Other locations used in the first season included other universities to stage for the Harvard University campus, where Walter's lab is located. These included Pratt Institute and Yale University,^[50] including its Old Campus (particularly Phelps Hall and Durfee Hall), Branford College, and the exterior of Yale Law School, University of Toronto's University College, Brooklyn College.^[50]

Filming of the Fringe episode "6B" in December 2010 at the Vancouver Film School building at Hastings and Cambie streets in Vancouver, staged as New York City

On February 21, 2009, it was reported that in the event that Fringe would be renewed for a second season, the show would move production to Vancouver from New York City as a cost-cutting measure.^[51] Executive producer Jeff Pinkner explained:

We want to stay in New York, New York has been incredibly good to us. It feels like we're being kicked out of the city. I know we're not, but they're making it impossible for us to afford doing the show ... Our New York crew is spectacular, they've worked their [butts] off to make the show look great. But it looks like New York is not renewing a tax credit that makes it possible to make our budget in New York. So it looks like, out of necessity, we'll have to leave New York, which is not anything we are welcoming.^[52]

As plans were being made to move the production to Canada, the New York state legislature passed continuation of the film and tax credits, as planned.^[53] Upon productions moving to Vancouver, British Columbia, Canada for season 2, the University of British Columbia now stands in for Harvard.^[50] The area around New Westminster often serves as filming locations for Fringe stories that take place in the parallel universe.^[54][55]

Prior to the start of production for the fifth season, Pinkner announced that he was leaving the production of the show to pursue other projects; Wyman would remain as the sole showrunner for the show.^[56]

Casting

The show's main characters, Olivia, Peter, and Walter, were at the core of the concept for Fringe. The creators recognized early that "the idea that telling a father-son story and a relationship story was a really compelling one and a very accessible one", according to Kurtzman.^[38] They were able to provide the characters with backstories that, like with other long-term plot elements, could be alluded to over several episodes and seasons.^[38]

The characters would also contrast with the typical procedural genre show; rather than having clearly defined roles episode to episode, they instead "have an emotional memory and an emotional investment", as stated by Orci.^[38] This also allowed for, as necessary, characters to be removed or introduced to the show and have a larger impact on the other characters.^[38]

The first actors cast were Kirk Acevedo and Mark Valley, who portrayed FBI agents Charlie Francis and John Scott, respectively.^[57][58] John Noble and Lance Reddick, who play Dr. Walter Bishop and Homeland Security agent Phillip Broyles, joined the cast later on.^[59][60] Casting of Anna Torv, Blair Brown, and Jasika Nicole, who play Olivia Dunham, Massive Dynamic employee Nina Sharp, and Astrid Farnsworth, a federal agent and assistant to Olivia Dunham, respectively, followed;^[61] while Joshua Jackson, who plays Peter Bishop, was the last main character to be cast.^[62] Jackson auditioned for James T. Kirk in Abrams' Star Trek and believed this is what impressed the producer to cast him in his television project,^[63] though Abrams later clarified that it was recalling his previous experience with working with Jackson on his television series Felicity.^[36] For the principal and recurring actors, they were all intrigued by the script for the pilot, comparing it to a two-hour-long movie, as well as Abrams' reputation.^[36]

On April 8, 2009, it was announced that Leonard Nimoy would appear as Walter Bishop's former lab partner, Dr. William Bell, in the first season's finale, which explores the existence of an ominous parallel universe. This choice led one reviewer to question if Fringe's plot might be a homage to the Star Trek episode "Mirror, Mirror", which explored the concept of an alternate reality referred to as a "mirror universe", and an evil version of Spock distinguished by a goatee.^[64] Nimoy returned as Dr. Bell for an extended arc, and according to Orci, Bell is "the beginning of the answers to even bigger questions."^[65][66] Nimoy reprised his role in the second-season finale, where his character and Walter met for a "showdown".^[67] Nimoy's character is apparently dead after the season finale, having used himself to help Walter, Peter and the Alternate Olivia back to the prime universe. As he had retired from acting, it was thought unlikely that his character would return.^[68] In February 2011 however, he announced his definite plan to return to Fringe and reprise his role as William Bell.^[69] He returned to voice the character in the animated segments of the third-season episode "Lysergic Acid Diethylamide",^[70] and appeared as a computer-generated character in the fourth-season episode "Letters of Transit".^[71] In the two-part finale of the fourth season, Nimoy returned to play the ultimate antagonist of the alternate timeline story arc.

Discover more about Development related topics

J. J. Abrams

J. J. Abrams

Jeffrey Jacob Abrams is an American filmmaker and composer. He is best known for his works in the genres of action, drama, and science fiction. Abrams wrote and produced such films as Regarding Henry (1991), Forever Young (1992), Armageddon (1998), Cloverfield (2008), Star Trek (2009), Star Wars: The Force Awakens (2015), and Star Wars: The Rise of Skywalker (2019).

Roberto Orci

Roberto Orci

Roberto Gaston Orcí is a Mexican-American film and television screenwriter and producer. He began his longtime collaboration with Alex Kurtzman while at school in California. Together they have been employed on television series such as Hercules: The Legendary Journeys and Xena: Warrior Princess. In 2008, together with J. J. Abrams, they created Fringe. In 2013, they created Sleepy Hollow alongside Phillip Iscove. Orci and Kurtzman's first film project was Michael Bay's The Island, and due to that partnership they went on to write the scripts for the first two films of the Transformers film series. Orci first became a film producer with 2008's Eagle Eye and again with 2009's The Proposal.

Alex Kurtzman

Alex Kurtzman

Alexander Hilary Kurtzman is an American filmmaker. He is best known for his work on the Star Trek franchise since 2009, co-writing the scripts to Transformers (2007), Transformers: Revenge of the Fallen and Star Trek (2009), Star Trek Into Darkness (2013), and The Amazing Spider-Man 2 (2014) with his writing and producing partner Roberto Orci, and directing and co-writing The Mummy (2017). He made his directorial debut with People Like Us (2012), co-written by him, Orci, and Jody Lambert from a story by him.

Star Trek (film)

Star Trek (film)

Star Trek is a 2009 American science fiction action film directed by J. J. Abrams and written by Roberto Orci and Alex Kurtzman. It is the 11th film in the Star Trek franchise, and is also a reboot that features the main characters of the original Star Trek television series portrayed by a new cast, as the first in the rebooted film series. The film follows James T. Kirk and Spock aboard the USS Enterprise as they combat Nero, a Romulan from their future who threatens the United Federation of Planets. The story takes place in an alternate reality that features both an alternate birth location for James T. Kirk and further alterations in history stemming from the time travel of both Nero and the original series Spock. The alternate reality was created in an attempt to free the film and the franchise from established continuity constraints while simultaneously preserving original story elements.

Bryan Burk

Bryan Burk

Bryan Burk is an American film and television producer.

Michael Crichton

Michael Crichton

John Michael Crichton was an American author and filmmaker. His books have sold over 200 million copies worldwide, and over a dozen have been adapted into films. His literary works heavily feature technology and are usually within the science fiction, techno-thriller, and medical fiction genres. His novels often explore technology and failures of human interaction with it, especially resulting in catastrophes with biotechnology. Many of his novels have medical or scientific underpinnings, reflecting his medical training and scientific background.

Altered States

Altered States

Altered States is a 1980 American science fiction body horror film directed by Ken Russell and based on the novel of the same name by playwright and screenwriter Paddy Chayefsky. The film was adapted from Chayefsky's 1978 novel and is his final screenplay. The novel and the film are based in part on John C. Lilly's sensory deprivation research conducted in isolation tanks, under the influence of psychoactive drugs like mescaline, ketamine and LSD.

David Cronenberg

David Cronenberg

David Paul Cronenberg is a Canadian film director, screenwriter, and actor. He is a principal originator of the genre commonly known as body horror, with his films exploring visceral bodily transformation, infectious diseases, and the intertwining of the psychological, the physical and the technological. Cronenberg is best known for exploring these themes through sci-fi horror films such as Shivers (1975), Scanners (1981), Videodrome (1983) and The Fly (1986), though he has also directed dramas, psychological thrillers and gangster films.

Law & Order

Law & Order

Law & Order is an American police procedural and legal drama television series created by Dick Wolf and produced by Wolf Entertainment, launching the Law & Order franchise.

Lost (TV series)

Lost (TV series)

Lost is an American science fiction drama television series created by Jeffrey Lieber, J. J. Abrams, and Damon Lindelof that aired on ABC from September 22, 2004, to May 23, 2010, over six seasons, comprising a total of 121 episodes. The show contains elements of supernatural fiction, and follows the survivors of a commercial jet airliner flying between Sydney and Los Angeles, after the plane crashes on a mysterious island somewhere in the South Pacific Ocean. Episodes typically feature a primary storyline set on the island, augmented by flashback or flashforward sequences which provide additional insight into the involved characters.

Alias (TV series)

Alias (TV series)

Alias is an American action thriller and science fiction television series created by J. J. Abrams, which was broadcast on ABC for five seasons from September 30, 2001, to May 22, 2006. It stars Jennifer Garner as Sydney Bristow, a double agent for the Central Intelligence Agency posing as an operative for SD-6, a worldwide criminal and espionage organization. Main co-stars throughout all five seasons included Michael Vartan as Michael Vaughn, Ron Rifkin as Arvin Sloane, and Victor Garber as Jack Bristow.

6B (Fringe)

6B (Fringe)

"6B" is the 14th episode of the third season of the American science fiction drama television series Fringe, and the 57th episode overall. In the episode, the fringe team investigates mysterious deaths at an apartment building, the result of a merging between the prime and parallel universes; while there, they encounter a woman who claims to be able to see the ghost of her deceased husband.

Early reception through the first season was generally lukewarm, with many noting its "lackluster" start and the "dullness" of the characters. However, changes in the approach and storytelling of the show in the second and subsequent seasons led to more positive critical reception and made it a media favorite. As a whole, the series was well received by the critics and has developed a cult following.^[72]

First season

The pilot episode was watched by 9.13 million viewers, garnering 3.2/9 Nielsen ratings among adults 18–49, with ratings improving over the course of the episode.^[73] Ratings improved greatly for the second episode, "The Same Old Story" which 13.27 million people watched, making it the fifth most watched show of the week.^[74] As of October 2008, the show had achieved the first place in the 18–49 demographic among new shows.^[75] Barry Garron at The Hollywood Reporter found it promising and "reminiscent of battle-of-the-sexes charm."^[76] Robert Bianco, of USA Today, said, "What Abrams brings to Fringe is a director's eye for plot and pace, a fan's love of sci-fi excitement, and a story-teller's gift for investing absurd events with real emotions and relatable characters."^[77] Travis Fickett of IGN gave it 7.6 out of 10, calling it "a lackluster pilot that promises to be a pretty good series".^[78] While Tim Goodman of the San Francisco Chronicle remarked that it was "boundlessly ambitious",^[79] Chicago Sun-Times's Misha Davenport called it an "update of The X-Files with the addition of terrorism and the office of Homeland Security".^[80] In a 2016 retrospective of the series, A.V. Club writer Joshua Alston noted that the similarities to The X-Files, including the "monster of the week" approach and tepid romance between two of the series' lead characters, as well as the relatively recent release of The X-Files: I Want to Believe, had turned audiences off the show since "it was retreading what The X-Files had already done."^[72]

In its 2008 Year in Review, Television Without Pity declared Fringe one of the year's biggest TV disappointments, commenting that the show is "entertaining" and "the cast is largely strong" but the character development is insufficient, and describing main character Olivia Dunham as "wooden and distant."^[81] Meanwhile, in other articles recounting the best and worst of 2008, The New York Times stated that Fringe "is the best of a rash of new series that toy with the paranormal". The author goes on to praise the cast saying that "Much credit belongs to Anna Torv who stars as an F.B.I. agent investigating bizarre murders that all appear to be linked to a powerful and mysterious multinational corporation", and "Ms. Torv is backed up ably by John Noble as a crazy but brilliant fringe scientist and his level-headed but skeptical son, played by Joshua Jackson".^[82]

Subsequent seasons

Seasons of Fringe after the first season were seen as vast improvements on the first.^[72] Entertainment Weekly stated, "The best new show of the year took a few weeks to grow on me, but now it's a full-blown addiction."^[83] The Los Angeles Times called Walter Bishop one of the best characters of 2008, noting, "the role of the modern-day mad scientist could so easily have been a disaster, but the 'Fringe' writers and the masterful John Noble have conspired to create a character that seems, as trite as it sounds, more Shakespearean than sci-fi."^[84]

Chicago Tribune stated that some episodes are "distressingly predictable and formulaic" but adds that there have also been some excellent episodes.^[52] The New York Times named Fringe one of the top 10 television shows in 2010,^[85] while Television Without Pity, previously dismissive of the show, listed it amongst their 2010 "Most Memorable TV Moments", stating "there were so many great Fringe moments this year" and "we were treated to some of the best sci-fi on television this past fall".^[86]

The A.V. Club named Fringe the 15th best show of 2010, stated that the episode "Peter" gave "the series' overarching storyline a devastating emotional core", making the series a "rare blend of inventive ideas, wild ambition, and unexpected soulfulness".^[87] IGN named Fringe the 18th best science fiction show of all time in a 2011 listing, stating that since the middle of the first season, "it's been nothing but a series of satisfyingly jaw-dropping 'holy eff!' moments layered with wonderful, nuanced performances from Anna Torv, Joshua Jackson and John Noble".^[88]

In 2012, Entertainment Weekly listed the show at #17 in the "25 Best Cult TV Shows from the Past 25 Years", saying, "Fringe was conceived as a mass-appeal genre procedural, with a background mythology that wouldn't detract from monster-of-the-week episodes. ... But the mythology overtook the monsters following the revelation of a parallel universe. By its third season, Fringe was overpopulated by multiple versions of every character. Unfortunately, that increasing narrative complexity has steadily pigeonholed it as a niche show."^[89]

In 2015, Bustle declared "White Tulip" as "one of the greatest hours in television history". He wrote, "'White Tulip' is an hour of television that shouldn't work, that technically doesn't even exist ... but thank god it does, because it's one of the most powerful episodes ever created — and it showcases why Fringe is one of the most criminally underrated series of our time."^[90]

U.S. ratings and series renewal history

Fringe premiered in the 2008 United States television season at a regular timeslot of 9:00 p.m. Eastern on Tuesdays. During Season 1, Fringe was part of a Fox initiative known as "Remote-Free TV". Episodes of Fringe were longer than standard dramas on current network television. The show ran with half the commercials, adding about six minutes to the show's runtime.^[106] When the show went to a commercial, a short bumper aired informing the viewer of roughly how much time commercials would consume before the program resumed. The pilot episode was leaked via BitTorrent, three months before the series premiere; similar to leaked fellow Fox series Terminator: The Sarah Connor Chronicles.^[107] The series was renewed for a second season on May 4, 2009,^[108] and moved to 9:00 p.m. on Thursday.^[109]

It was renewed for a third season on March 6, 2010.^[110] As part of a reorganization of its 2010 midseason line up to capture more market for American Idol, the Fox network shifted Fringe to 9:00 p.m. on Fridays. This timeslot, commonly considered the "Friday night death slot" for several previous Fox shows due to cancellation shortly following the move to that slot, left critics considering the show's fate. While The X-Files originally premiered during this slot and would continue to be a highly successful series, critics were unsure if Fringe could duplicate this performance. In this slot, the show competed with Supernatural, a series that attracts similar types of viewers.^[111] Fox's Entertainment President Kevin Reilly, in response to these concerns, stated that 45% of Fringe's viewership is from time shifting recording through digital video receivers, and does not expect the viewership numbers to change significantly with the change to Friday. Reilly further postulated that "If it does anywhere near what it did on Thursdays, we can glue that show to the schedule because it can be a big win for us".^[112] Further promoted by the critical reaction to the rescheduling, the Fox network created a self-deprecating promotional advertisement acknowledging the reputation of the time slot, including quotes from other media outlets concerned about the move, but asserted that the move would "re-animate" the show.^[113][114] The network also created a music video, set to "Echoes" by the band Klaxons as a means of summarizing the third season to date prior to the first Friday broadcast.^[115] Joshua Jackson, who plays Peter Bishop on the show, cautioned that time-shifted viewership may not be enough to save the show: "It's not that not enough people are watching Fringe, it's that not enough people are watching Fringe during the hour that it's on the air, which is key for the network."^[116]

Producers Pinkner and Wyman also were excited about the move to Fridays, considering the slot as "open territory that can be conquered" and that they "can actually deliver like The X-Files did".^[117] Series creator Abrams was less optimistic of the move to Friday nights, aware that the show's likelihood to be renewed for a fourth season would be highly dependent on the number of niche viewers that continue to watch the show.^[118] Abrams did affirm that moving to Friday nights allows them to take more creative freedoms to maintain viewership in the new timeslot, but feels that if the show was not renewed for another season, they would be "hard pressed" to resolve the story by the end of the third season.^[118]

The show's first episode at the Friday 9:00 p.m. timeslot ("The Firefly") scored a 1.9 in the key 18–49 demographic which was an increase of 12% over its last Thursday-aired episode ("Marionette") which scored a 1.7,^[119] and maintained similar numbers in the second week for "Reciprocity".^[120] Though viewership slipped in further weeks, the show was renewed for a fourth season in March 2011. The move was unexpected based on these ratings, given the past performance of shows with similar viewership numbers in the Friday night slot, but several critics attribute it to the strong fanbase that the show has garnered, which contributes in part to consistently higher time-shifted viewership.^[121] Fox's Reilly stated that:

Fringe has truly hit a creative stride and has distinguished itself as one of television's most original programs. The series' ingenious producers, amazingly talented cast and crew, as well as some of the most passionate and loyal fans on the planet, made this fourth-season pickup possible. When we moved the show to Fridays, we asked the fans to follow and they did. We're thrilled to bring it back for another full season and keep it part of the Fox family.

— Kevin Reilly, President of Fox Entertainment^[122]

Reilly further added that the renewal was also prompted by the high risk of trying to replace Fringe with another show with unknown viewership metrics; he commented that they "have a far better shot of sticking with a show that has an audience that [they] think [they] can grow".^[123] Prior to the onset of the fourth season, Reilly reiterated that they do not expect any significant growth in Fringe's viewership within that season: "It's a pretty complex show. If Fringe can do exactly what Fringe did last year, we're going to be very happy. They're right in the pocket creatively once again."^[124] Wyman stated in an interview with The Hollywood Reporter that the Fox network had been "supportive throughout this process", and though the show's viewership "wasn't exactly what they would've hoped for", aspects such as a loyal fan base and supportive critics were enough to take the show forward for another season.^[125] Pinkner commented that "there were no creative conditions" on the show's renewal, nor any cuts in the show's budget, though was unsure if the show will be moved to a different time slot.^[126] Noble, at the 2011 Comic-Con Fringe panel, reiterated that the fans were responsible for the livelihood of the show, stated, "Seriously, without your efforts, your rabid support, we wouldn't be here right now. You are the best fans that ever existed".^[127] The fourth season premiered on September 23, 2011.^[128]

Before the renewal of the fifth season, Abrams stated some skepticism for a renewal opportunity, but hoped that if it was cancelled, that it may be picked up by another network. On the other hand, Abrams considered that if Fox did pick up the show for a fifth season, "the next year would be the great ending for the show".^[129] Similarly, Fox's Reilly remained cautious about a renewal, noting that while the show is one of the top shows in the Friday night slot, "it's an expensive show. We lose a lot of money on the show."^[129] Reilly further reiterated the dedication of the fans of the show for helping it to its fourth season and continued success.^[129] When asked about whether the writers would have enough notice to write the fourth-season finale as a series finale if necessary, Reilly stated, "That's a Peter Roth issue" (chief executive of Warner Bros. Television).^[130] To which Roth responded, "We have no plans to give viewers closure this season because we expect the series to continue".^[131] In late January 2012, Fox and Warner Bros. Television were working on negotiating a lower licensing cost for the show to allow a fifth season to occur; this would not only help Fox reduce its losses on the show, but would also bring the total number of episodes above 100, giving Warner Bros. a better opportunity to syndicate reruns of the show.^[132] Before the announcement of the fifth season, Wyman and Pinkner stated that they would have created a series finale for the end of the fourth season should the show be cancelled; Wyman stated "We want to take care of the fans. We want them to see where it would have gone, but we also know the show has been a commitment and we want everyone to be satisfied with it."^[133]

The show was officially renewed for a fifth and final season for the 2012–2013 television season, consisting of a shortened set of 13 episodes, on April 26, 2012, with its premiere on September 28, 2012.^[134][135] Reilly, in announcing the renewal, stated that "Fringe is a remarkably creative series that has set the bar as one of television's most imaginative dramas. Bringing it back for a final 13 allows us to provide the climactic conclusion that its passionate and loyal fans deserve".^[136] The writing team crafted an idea for a cohesive story-driven set of thirteen episodes as a means to complete the series, and to "honor the audience that had served us so well was to say a proper farewell", according to Roth.^[137] Noble called it "the season for the fans", with the story revisiting many of the elements from the show's past.^[137]

Awards and nominations

Fringe and its cast and crew have been nominated and won several awards including Emmys, Saturn Awards, Golden Reel Awards, Satellite Awards, and Writers Guild of America Awards.

Discover more about Reception related topics

Cult following

Cult following

A cult following refers to a group of fans who are highly dedicated to some person, idea, object, movement, or work, often an artist, in particular a performing artist, or an artwork in some medium. The lattermost is often called a cult classic. A film, book, musical artist, television series, or video game, among other things, is said to have a cult following when it has a small but very passionate fanbase.

Nielsen ratings

Nielsen ratings

Nielsen TV ratings are the audience measurement systems operated by Nielsen Media Research that seek to determine the audience size and composition of television programming in the United States using a rating system. Nielsen is no longer accredited by the Media Rating Council (MRC).

Demographic profile

Demographic profile

A demographic profile is a form of demographic analysis in which information is gathered about a group to better understand the group's composition or behaviors for the purpose of providing more relevant services.

The Hollywood Reporter

The Hollywood Reporter

The Hollywood Reporter (THR) is an American digital and print magazine which focuses on the Hollywood film, television, and entertainment industries. It was founded in 1930 as a daily trade paper, and in 2010 switched to a weekly large-format print magazine with a revamped website. As of 2020, the day-to-day operations of the company are handled by Penske Media Corporation through a joint venture with Eldridge Industries.

IGN

IGN

IGN is an American video game and entertainment media website operated by IGN Entertainment Inc., a subsidiary of Ziff Davis, Inc. The company's headquarters is located in San Francisco's SoMa district and is headed by its former editor-in-chief, Peer Schneider. The IGN website was the brainchild of media entrepreneur Chris Anderson and launched on September 29, 1996. It focuses on games, films, anime, television, comics, technology, and other media. Originally a network of desktop websites, IGN is also distributed on mobile platforms, console programs on the Xbox and PlayStation, FireTV, Roku, and via YouTube, Twitch, Hulu, and Snapchat.

San Francisco Chronicle

San Francisco Chronicle

The San Francisco Chronicle is a newspaper serving primarily the San Francisco Bay Area of Northern California. It was founded in 1865 as The Daily Dramatic Chronicle by teenage brothers Charles de Young and Michael H. de Young. The paper is owned by the Hearst Corporation, which bought it from the de Young family in 2000. It is the only major daily paper covering the city and county of San Francisco.

Chicago Sun-Times

Chicago Sun-Times

The Chicago Sun-Times is a daily newspaper published in Chicago, Illinois, United States. Since 2022, it is the flagship paper of Chicago Public Media, and has the second largest circulation among Chicago newspapers, after the Chicago Tribune. The modern paper grew out of the 1948 merger of the Chicago Sun and the Chicago Daily Times. Journalists at the paper have received eight Pulitzer prizes, mostly in the 1970s; one recipient was film critic Roger Ebert (1975), who worked at the paper from 1967 until his death in 2013. Long owned by the Marshall Field family, since the 1980s ownership of the paper has changed hands numerous times, including twice in the late 2010s.

Television Without Pity

Television Without Pity

Television Without Pity was a website that provided detailed recaps of select television dramas, situation comedies and reality TV shows along with discussion forums. These recaps were written with sarcastic criticism and opinion alongside a retelling of an episode's events, which the site referred to as "snark". Their official motto is "Spare the snark, spoil the networks," a takeoff on "spare the rod, spoil the child" and its mascot is Tubeelzebub, a devilish television set with horns and a pointed tail.

Entertainment Weekly

Entertainment Weekly

Entertainment Weekly is an American digital-only entertainment magazine based in New York City, published by Dotdash Meredith, that covers film, television, music, Broadway theatre, books, and popular culture. The magazine debuted on February 16, 1990, in New York City, and ceased print publication in 2022.

Los Angeles Times

Los Angeles Times

The Los Angeles Times, abbreviated as LA Times, is a daily newspaper that started publishing in Los Angeles in 1881. Based in the Los Angeles suburb of El Segundo since 2018, it is the sixth-largest newspaper by circulation in the United States. The publication has won more than 40 Pulitzer Prizes. It is owned by Patrick Soon-Shiong and published by the Times Mirror Company. The newspaper's coverage has evolved more recently away from U.S. and international headlines and toward emphasizing California and especially Southern California stories.

Chicago Tribune

Chicago Tribune

The Chicago Tribune is a daily newspaper based in Chicago, Illinois, United States, owned by Tribune Publishing. Founded in 1847, and formerly self-styled as the "World's Greatest Newspaper", it remains the most-read daily newspaper in the Chicago metropolitan area and the Great Lakes region. In 2017, it had the sixth-highest circulation of any American newspaper.

The A.V. Club

The A.V. Club

The A.V. Club is an American online newspaper and entertainment website featuring reviews, interviews, and other articles that examine films, music, television, books, games, and other elements of pop-culture media. The A.V. Club was created in 1993 as a supplement to its satirical parent publication, The Onion. While it was a part of The Onion's 1996 website launch, The A.V. Club had minimal presence on the website at that point.

International

Fringe premiered in Canada on CTV simultaneous to its U.S. premiere and was the most watched program in Canada that week.^[158] The show would fluctuate between airing on CTV and A during its first two seasons. Beginning with the third season, Fringe was broadcast on City in Canada.^[159]

A version of the show (edited for time) premiered on the Nine Network in Australia on September 17, 2008. In the season one episode "In Which We Meet Mr. Jones", the opening scene where doctors discover a parasite on Detective Loeb's heart was cut, going straight to the opening credits.^[160] Nine Network later dropped the show from its primetime schedule.^[161] This was temporary as the show returned during the December to January non-ratings period.^[162] The series later moved to Nine's digital multi-channel, GO!, where the last few seasons were played out.

The series premiered in the United Kingdom on Sky1 on October 5, 2008.^[163]

Syndication

With 13 episodes in its final season, Fringe has a total of 100 episodes, a critical number for syndication deals for Warner Bros., and considered part of the reason for the show's final renewal. The show premiered in syndication on the Science Network on November 20, 2012.^[164][165]

Home video releases

The first season of Fringe was released on DVD and Blu-ray Disc on September 8, 2009, in region 1.^[166][167] In addition to all the episodes that had been aired, extras include three commentary tracks, unaired scenes, gag reels and behind the scenes features. A "Fringe Pattern Analysis" feature is included on the Blu-ray version as an exclusive. The sets were released on September 28, 2009, in region 2^[168] and on September 30, 2009, in region 4.^[169]

The second season features four commentary tracks, a gag reel, deleted scenes, behind the scenes videos, and the episode "Unearthed", an episode, produced for the first season, which aired out of schedule during the second season. It was released on DVD and Blu-ray on September 14, 2010, in region 1,^[170][171] on September 27, 2010, in region 2,^[172] and on November 10, 2010, in region 4.^[173]

The third season features two commentary tracks, a gag reel, behind the scenes videos, and two features exclusive to the Blu-ray version. It was released on DVD and Blu-ray on September 6, 2011, in region 1,^[174][175] on September 26, 2011, in region 2,^[176] and on October 26, 2011, in region 4.^[177]

The fourth season includes several special features, including "The Culture of Fringe", a roundtable discussion with series writers and university professors regarding the science featured in the series; features on how the disappearance of Peter affects the timeline, and the role of the Observers; two features covering the Fringe comic series; and a gag reel.^[178] It was released on DVD and Blu-ray on September 4, 2011, in region 1,^[179] on September 24, 2012, in region 2,^[180] and on October 31, 2012, in region 4.^[181]

The fifth season includes featurettes titled "A Farewell to Fringe" and "Fringe Panel at Comic-Con 2012", as well audio commentaries and a gag reel. It was released on Blu-ray and DVD on May 7, 2013, in region 1^[182] and on May 13, 2013, in region 2.^[183] A complete series box set was also released on the same dates of the fifth season release in the respective regions.^[184][185]

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CTV Television Network

CTV Television Network

The CTV Television Network, commonly known as CTV, is a Canadian English-language terrestrial television network. Launched in 1961 and acquired by BCE Inc. in 2000, CTV is Canada's largest privately owned television network and is now a division of the Bell Media subsidiary of BCE. It is Canada's largest privately or commercially owned network consisting of 22 owned-and-operated stations nationwide and two privately owned affiliates, and has consistently been placed as Canada's top-rated network in total viewers and in key demographics since 2002, after several years trailing the rival Global Television Network in key markets.

Citytv

Citytv

Citytv is a Canadian television network owned by the Rogers Sports & Media subsidiary of Rogers Communications. The network consists of six owned-and-operated (O&O) television stations located in the metropolitan areas of Toronto, Montreal, Winnipeg, Calgary, Edmonton, and Vancouver, a cable-only service that serves the province of Saskatchewan, and three independently owned affiliates serving smaller cities in Alberta and British Columbia.

Nine Network

Nine Network

The Nine Network is an Australian commercial free-to-air television network. It is owned by parent company Nine Entertainment and is one of five main free-to-air television networks in Australia.

In Which We Meet Mr. Jones

In Which We Meet Mr. Jones

"In Which We Meet Mr. Jones" is the seventh episode of the first season of the American science fiction drama television series Fringe. The story begins when an FBI agent collapses from a parasite constricting his heart, and Olivia must meet with biochemist David Robert Jones in Frankfurt in order to find a cure. It featured the first appearance by Harris.

Unearthed (Fringe)

Unearthed (Fringe)

"Unearthed" is a bonus special standalone episode released during the second season of the American science fiction drama television series Fringe. While it serves as the 31st released episode of the series, it was produced during the first season and is recognized by Fox as the 21st episode of Fringe overall. Despite this, it does not fit into the series' continuity nor is it recognized as the season finale; it was released later due to an accounting error.

Games

An alternate reality game, centered on the fictional Massive Dynamic corporation, was introduced during the pilot and featured "strange symbols paired with glowing dots" appearing throughout the episode and an "advertisement" for the company shown at the end with a web address for the game.^[186]

Books and comics

On August 27, 2008, a prequel comic book (leading right up to the moment in the pilot where Olivia 'first' meets Walter) written by Zack Whedon was released by DC Comics under its WildStorm imprint.^[187][188] This was to be the first issue of a monthly 6-issue limited series but the others were delayed until January 2009, when monthly publication resumed, with the sixth and final issue scheduled for release on June 17.^[189] The Vice President of WildStorm, Hank Kanalz, explained the publication hiatus: "The writers of the show want to make sure the comic book is integrated into the mythology of the Fringe world, so we have decided to refocus the direction of the comic book. Unfortunately, this means that we will have some delays, but will be back in January."^[190]

On June 23, 2010, the first issue of Tales From the Fringe, the second six-part monthly series, was released, while the final issue was released on November 24, 2010.^[191]

Additionally, in September 2011, DC released the first issue of Beyond the Fringe comic series. With the first story written by Joshua Jackson titled "Peter and the Machine". Jhonen Vasquez, Becky Cloonan, Cole Fowler, Jorge Jimenez, Kristen Cantrell, Ben Templesmith, Tom Mandrake, and Carrie Strachen are among the other creators on the series. The comic issues will alternate with an 'A' story and a 'B' story each. For example, "Peter and the Machine" will take place in issues one, three, and so on until the story is finished and a new 'A' story starts up.^[192]

An encyclopedia guide, September's Notebook — The Bishop Paradox, written by Tara Bennett and Paul Terry who had previously written the Lost Encyclopedia for Lost, was released in March 2013.^[193] A three-part series of prequel novels written by Christa Faust was released throughout 2013 and 2014. Each novel deals with a member of the Fringe team's past. The first is titled The Zodiac Paradox and is about Walter and his discovery of Cortexiphan. The second in the series is titled The Burning Man and is based on Olivia and how she was first exposed to Cortexiphan. The third is titled Sins of the Father and is about Peter's life in 2008 just before the point of time when the series starts.^[194]

Possible film

At San Diego Comic-Con 2012, actor John Noble mentioned that a film could be made further down the line.^[195]

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Alternate reality game

Alternate reality game

An alternate reality game (ARG) is an interactive networked narrative that uses the real world as a platform and employs transmedia storytelling to deliver a story that may be altered by players' ideas or actions.

Prequel

Prequel

A prequel is a literary, dramatic or cinematic work whose story precedes that of a previous work, by focusing on events that occur before the original narrative. A prequel is a work that forms part of a backstory to the preceding work.

Comic book

Comic book

A comic book, also called comicbook, comic magazine or simply comic, is a publication that consists of comics art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by descriptive prose and written narrative, usually, dialogue contained in word balloons emblematic of the comics art form.

DC Comics

DC Comics

DC Comics, Inc. is an American comic book publisher and the flagship unit of DC Entertainment, a subsidiary of Warner Bros. Discovery.

Limited series (comics)

Limited series (comics)

In the field of comic books, a limited series is a comics series with a predetermined number of issues. A limited series differs from an ongoing series in that the number of issues is finite and determined before production, and it differs from a one shot in that it is composed of multiple issues. The term is often used interchangeably with miniseries (mini-series) and maxiseries (maxi-series), usually depending on the length and number of issues. In Dark Horse Comics' definition of a limited series, "this term primarily applies to a connected series of individual comic books. A limited series refers to a comic book series with a clear beginning, middle and end". Dark Horse Comics and DC Comics refer to limited series of two to eleven issues as miniseries and series of twelve issues or more as maxiseries, but other publishers alternate terms.

Hank Kanalz

Hank Kanalz

Hank Kanalz is an American comic book writer and editor. He is the Senior Vice President of Vertigo and Integrated Publishing at DC Comics, and was formerly General Manager of the WildStorm brand for DC Comics. He also serves as Head of Publishing for Immortal Studios, a content provider that specializes in comics and more in the Wuxia genre.

Jhonen Vasquez

Jhonen Vasquez

Jhonen C. Vasquez is an American cartoonist, animator, screenwriter, music video director, and voice actor. He is best known for creating the comic book Johnny the Homicidal Maniac—along with its spin-off comics Squee!, Fillerbunny, and I Feel Sick—and the Nickelodeon animated series Invader Zim.

Becky Cloonan

Becky Cloonan

Becky Cloonan is an American comic book creator, known for work published by Tokyopop and Vertigo. In 2012 she became the first female artist to draw the main Batman title for DC Comics.

Ben Templesmith

Ben Templesmith

Ben Templesmith is an Australian comic book artist best known for his work in the American comic book industry, most notably the Image Comics series Fell, with writer Warren Ellis, and IDW's 30 Days of Night with writer Steve Niles, which was adapted into a motion picture of the same name. He has also created book covers, movie posters, trading cards, and concept work for film.

Lost (TV series)

Lost (TV series)

Lost is an American science fiction drama television series created by Jeffrey Lieber, J. J. Abrams, and Damon Lindelof that aired on ABC from September 22, 2004, to May 23, 2010, over six seasons, comprising a total of 121 episodes. The show contains elements of supernatural fiction, and follows the survivors of a commercial jet airliner flying between Sydney and Los Angeles, after the plane crashes on a mysterious island somewhere in the South Pacific Ocean. Episodes typically feature a primary storyline set on the island, augmented by flashback or flashforward sequences which provide additional insight into the involved characters.

Christa Faust

Christa Faust

Christa Faust is an American author who writes original novels, as well as novelizations and media tie-ins. Faust won the 2009 Crimespree Award for Money Shot. Money Shot also received nominations for Best Paperback Original from the Edgar Awards, Anthony Awards, and Barry Awards.

John Noble

John Noble

John Noble is an Australian actor. He is known for his roles as Denethor in the Lord of the Rings film trilogy, Dr. Walter Bishop on the science fiction series Fringe, Henry Parrish on the action-horror series Sleepy Hollow, and Morland Holmes on the police procedural Elementary. Noble has also done voice work as Leland Monroe in the video game L.A. Noire, Unicron in the animated series Transformers: Prime, and Scarecrow in the DC Comics video game Batman: Arkham Knight.