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Fiction

From Wikipedia, in a visual modern way
An illustration from Lewis Carroll's 1865 novel Alice's Adventures in Wonderland, depicting the fictional protagonist, Alice, playing a fantastical game of croquet
An illustration from Lewis Carroll's 1865 novel Alice's Adventures in Wonderland, depicting the fictional protagonist, Alice, playing a fantastical game of croquet

Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary.[1][2][3] Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose – often referring specifically to novels, novellas, and short stories.[4][5] More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games.

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Creative work

Creative work

A creative work is a manifestation of creative effort including fine artwork, dance, writing (literature), filmmaking, and composition.

Narrative

Narrative

A narrative, story, or tale is any account of a series of related events or experiences, whether nonfictional or fictional. Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb narrare, which is derived from the adjective gnarus. Narration is a rhetorical mode of discourse, broadly defined, is one of four rhetorical modes of discourse. More narrowly defined, it is the fiction-writing mode in which a narrator communicates directly to an audience. The school of literary criticism known as Russian formalism has applied methods that are more often used to analyse narrative fiction, to non-fictional texts such as political speeches.

Character (arts)

Character (arts)

In fiction, a character is a person or other being in a narrative. The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word χαρακτήρ, the English word dates from the Restoration, although it became widely used after its appearance in Tom Jones by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed. Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating characters, as practiced by actors or writers, has been called characterisation.

Imagination

Imagination

Imagination is the production or simulation of novel objects, sensations, and ideas in the mind without any immediate input of the senses. Stefan Szczelkun characterises it as the forming of experiences in one's mind, which can be re-creations of past experiences, such as vivid memories with imagined changes, or completely invented and possibly fantastic scenes. Imagination helps make knowledge applicable in solving problems and is fundamental to integrating experience and the learning process. As an approach to build theory, it is called "disciplined imagination". A basic training for imagination is listening to storytelling (narrative), in which the exactness of the chosen words is the fundamental factor to "evoke worlds".

History

History

History is the systematic study and documentation of human activity. The time period of events before the invention of writing systems is considered prehistory. "History" is an umbrella term comprising past events as well as the memory, discovery, collection, organization, presentation, and interpretation of these events. Historians seek knowledge of the past using historical sources such as written documents, oral accounts, art and material artifacts, and ecological markers. History is not complete and still has debatable mysteries.

Fact

Fact

A fact is a datum about one or more aspects of a circumstance, which, if accepted as true and proven true, allows a logical conclusion to be reached on a true–false evaluation. Standard reference works are often used to check facts. Scientific facts are verified by repeatable careful observation or measurement by experiments or other means.

Literature

Literature

Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role.

Novel

Novel

A novel is a relatively long work of narrative fiction, typically written in prose and published as a book. The present English word for a long work of prose fiction derives from the Italian: novella for "new", "news", or "short story of something new", itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, John Cowper Powys, preferred the term "romance" to describe their novels.

Media (communication)

Media (communication)

In mass communication, media are the communication outlets or tools used to store and deliver information or data. The term refers to components of the mass media communications industry, such as print media, publishing, the news media, photography, cinema, broadcasting, digital media, and advertising.

Drama

Drama

Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics —the earliest work of dramatic theory.

Film

Film

A film – also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.

Comics

Comics

Comics is a medium used to express ideas with images, often combined with text or other visual information. It typically takes the form of a sequence of panels of images. Textual devices such as speech balloons, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus amongst theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartooning and other forms of illustration are the most common image-making means in comics; fumetti is a form that uses photographic images. Common forms include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, comic albums, and tankōbon have become increasingly common, while online webcomics have proliferated in the 21st century.

Definition

Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people.[6] Because fiction is generally understood to not fully adhere to the real world, the themes and context of a work, such as if and how it relates to real-world issues or events, are open to interpretation.[7] Characters and events within some fictional works may even exist in their own context entirely separate from the known physical universe: an independent fictional universe. The creative art of constructing an imaginary world is known as worldbuilding.

In contrast to fiction, creators of non-fiction works assume responsibility for presenting only information (and sometimes opinion) based in historical and factual reality. Despite the traditional distinction between fiction and non-fiction, some modern works blur this boundary, particularly ones that fall under certain experimental storytelling genres—including some postmodern fiction, autofiction,[8] or creative nonfiction like non-fiction novels and docudramas—as well as the deliberate literary fraud of falsely marketing fiction as nonfiction.[9]

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Character (arts)

Character (arts)

In fiction, a character is a person or other being in a narrative. The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word χαρακτήρ, the English word dates from the Restoration, although it became widely used after its appearance in Tom Jones by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed. Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating characters, as practiced by actors or writers, has been called characterisation.

Theme (narrative)

Theme (narrative)

In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". Themes are often distinguished from premises.

Fictional universe

Fictional universe

A fictional universe, or fictional world, is a self-consistent setting with events, and often other elements, that differ from the real world. It may also be called an imagined, constructed, or fictional realm. Fictional universes may appear in novels, comics, films, television shows, video games, and other creative works.

Worldbuilding

Worldbuilding

Worldbuilding is the process of constructing a world, originally an imaginary one, sometimes associated with a fictional universe. Developing an imaginary setting with coherent qualities such as a history, geography, and ecology is a key task for many science fiction or fantasy writers. Worldbuilding often involves the creation of geography, a backstory, flora, fauna, inhabitants, technology and often if writing speculative fiction, different races. This may include social customs as well as invented languages for the world.

Non-fiction

Non-fiction

Non-fiction is any document or media content that attempts, in good faith, to convey information only about the real world, rather than being grounded in imagination. Non-fiction typically aims to present topics objectively based on historical, scientific, and empirical information. However, some non-fiction ranges into more subjective territory, including sincerely held opinions on real-world topics.

Autofiction

Autofiction

In literary criticism, autofiction is a form of fictionalized autobiography.

Creative nonfiction

Creative nonfiction

Creative nonfiction is a genre of writing that uses literary styles and techniques to create factually accurate narratives. Creative nonfiction contrasts with other nonfiction, such as academic or technical writing or journalism, which are also rooted in accurate fact though not written to entertain based on prose style. Many writers view creative nonfiction as overlapping with the essay.

Non-fiction novel

Non-fiction novel

The non-fiction novel is a literary genre that, broadly speaking, depicts non-fictional elements, such as real historical figures and actual events, woven together with fictitious conversations and uses the storytelling techniques of fiction. The non-fiction novel is an otherwise loosely defined and flexible genre. The genre is sometimes referred to using the slang term "faction", a portmanteau of the words fact and fiction.

Docudrama

Docudrama

Docudrama is a genre of television and film, which features dramatized re-enactments of actual events. It is described as a hybrid of documentary and drama and "a fact-based representation of real event".

Literary forgery

Literary forgery

Literary forgery is writing, such as a manuscript or a literary work, which is either deliberately misattributed to a historical or invented author, or is a purported memoir or other presumably nonfictional writing deceptively presented as true when, in fact, it presents untrue or imaginary information or content.

History

Storytelling has existed in all human cultures, and each culture incorporates different elements of truth and fiction into storytelling. Early fiction was closely associated with history and myth. Greek poets such as Homer, Hesiod, and Aesop developed fictional stories that were told first through oral storytelling and then in writing. Prose fiction was developed in Ancient Greece, influenced by the storytelling traditions of Asia and Egypt. Distinctly fictional work was not recognized as separate from historical or mythological stories until the imperial period. Plasmatic narrative, following entirely invented characters and events, was developed through ancient drama and New Comedy.[10] One common structure among early fiction is a series of strange and fantastic adventures as early writers test the limits of fiction writing. Milesian tales were an early example of fiction writing in Ancient Greece and Italy. As fiction writing developed in Ancient Greece, relatable characters and plausible scenarios were emphasized to better connect with the audience, including elements such as romance, piracy, and religious ceremonies. Heroic romance was developed in medieval Europe, incorporating elements associated with fantasy, including supernatural elements and chivalry.[11]

The structure of the modern novel was developed by Miguel de Cervantes with Don Quixote in the early-17th century.[12] The novel became a primary medium of fiction in the 18th and 19th centuries. They were often associated with Enlightenment ideas such as empiricism and agnosticism. Realism developed as a literary style at this time.[13] New forms of mass media developed in the late-19th and early-20th centuries, including popular-fiction magazines and early film.[14] Interactive fiction was developed in the late-20th century through video games.[15]

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History of literature

History of literature

The history of literature is the historical development of writings in prose or poetry that attempt to provide entertainment, enlightenment, or instruction to the reader/listener/observer, as well as the development of the literary techniques used in the communication of these pieces. Not all writings constitute literature. Some recorded materials, such as compilations of data are not considered literature, and this article relates only to the evolution of the works defined above.

Homer

Homer

Homer was a Greek poet who is credited as the author of the Iliad and the Odyssey, two epic poems that are foundational works of ancient Greek literature. Homer is considered one of the most revered and influential authors in history.

Hesiod

Hesiod

Hesiod was an ancient Greek poet generally thought to have been active between 750 and 650 BC, around the same time as Homer. He is generally regarded by western authors as 'the first written poet in the Western tradition to regard himself as an individual persona with an active role to play in his subject.' Ancient authors credited Hesiod and Homer with establishing Greek religious customs. Modern scholars refer to him as a major source on Greek mythology, farming techniques, early economic thought, archaic Greek astronomy and ancient time-keeping.

Aesop

Aesop

Aesop was a Greek fabulist and storyteller credited with a number of fables now collectively known as Aesop's Fables. Although his existence remains unclear and no writings by him survive, numerous tales credited to him were gathered across the centuries and in many languages in a storytelling tradition that continues to this day. Many of the tales associated with him are characterized by anthropomorphic animal characters.

Ancient Greece

Ancient Greece

Ancient Greece was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity, that comprised a loose collection of culturally and linguistically related city-states and other territories. Most of these regions were officially unified only once, for 13 years, under Alexander the Great's empire from 336 to 323 BC. In Western history, the era of classical antiquity was immediately followed by the Early Middle Ages and the Byzantine period.

Drama

Drama

Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics —the earliest work of dramatic theory.

Milesian tale

Milesian tale

The Milesian tale is a genre of fictional story prominent in ancient Greek and Roman literature. According to most authorities, a Milesian tale is a short story, fable, or folktale featuring love and adventure, usually of an erotic or titillating nature.

Ceremony

Ceremony

A ceremony is a unified ritualistic event with a purpose, usually consisting of a number of artistic components, performed on a special occasion.

Fantasy

Fantasy

Fantasy is a genre of speculative fiction involving magical elements, typically set in a fictional universe and sometimes inspired by mythology and folklore. Its roots are in oral traditions, which then became fantasy literature and drama. From the twentieth century, it has expanded further into various media, including film, television, graphic novels, manga, animations and video games.

Chivalry

Chivalry

Chivalry, or the chivalric code, is an informal and varying code of conduct developed in Europe between 1170 and 1220. It was associated with the medieval Christian institution of knighthood; knights' and gentlemen's behaviours were governed by chivalrous social codes. The ideals of chivalry were popularized in medieval literature, particularly the literary cycles known as the Matter of France, relating to the legendary companions of Charlemagne and his men-at-arms, the paladins, and the Matter of Britain, informed by Geoffrey of Monmouth's Historia Regum Britanniae, written in the 1130s, which popularized the legend of King Arthur and his knights of the Round Table. All of these were taken as historically accurate until the beginnings of modern scholarship in the 19th century.

Miguel de Cervantes

Miguel de Cervantes

Miguel de Cervantes Saavedra was an Early Modern Spanish writer widely regarded as the greatest writer in the Spanish language and one of the world's pre-eminent novelists. He is best known for his novel Don Quixote, a work often cited as both the first modern novel and "the first great novel of world literature". A 2002 poll of around 100 well-known authors voted it the "most meaningful book of all time", from among the "best and most central works in world literature".

Don Quixote

Don Quixote

Don Quixote is a Spanish epic novel by Miguel de Cervantes. Originally published in two parts, in 1605 and 1615, its full title is The Ingenious Gentleman Don Quixote of La Mancha or, in Spanish, El ingenioso hidalgo don Quixote de la Mancha. A founding work of Western literature, it is often labelled as the first modern novel and one of the greatest works ever written. Don Quixote is also one of the most-translated books in the world and the best-selling novel of all time.

Elements

Character

Characters are the main actors within a work of fiction that carry out the story. They typically take the form of humans with names, identities, and character traits, and they typically engage in actions and speech to convey their motives. Characters may be entirely imaginary, or they may have a basis in real-life individuals. In literary fiction, study of the characters is the work's purpose. Memorable characters provide value and iconography to fictional stories.[16] Fictional characters can be perceived similarly to real people by the audience. First impressions are influential in how a character is initially perceived, while familiarity with a character results in expected behaviors. Characters that behave contrary to their previous characterization can be confusing or jarring to the audience. The audience can also form social connections with characters, feeling for them as if they were real.[17]

Plot

Plot is the sequence of events that occurs in a work of fiction. It occurs through cause and effect in which actions produce reactions and cause the story to progress. The plot often corresponds to a conflict between characters or within a character and presents stakes that are at risk within the story. Plot is structured through a series of scenes in which related events occur that lead to subsequent scenes. These events form plot points that cause changes to the story or the character.[18]

Setting

Setting is the time, place, and circumstance in which a story takes place. It includes the physical surroundings that the characters experience and the social conventions that affect characters. The setting may resemble a character in that it has specific traits, undergoes actions that affect the plot, and develops over the course of the story.[19]

Theme

Theme is the underlying idea or message presented by a work. It is more abstract than other elements and can be applied to other circumstances as a broader concept. Theme is a subjective element that is interpreted by the audience and may or may not be intended by the work's creator. The audience may come to different conclusions about a work's theme or develop new ideas about its theme as the work progresses.[20]

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Character (arts)

Character (arts)

In fiction, a character is a person or other being in a narrative. The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word χαρακτήρ, the English word dates from the Restoration, although it became widely used after its appearance in Tom Jones by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed. Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating characters, as practiced by actors or writers, has been called characterisation.

First impression (psychology)

First impression (psychology)

In psychology, a first impression is the event when one person first encounters another person and forms a mental image of that person. Impression accuracy varies depending on the observer and the target being observed. First impressions are based on a wide range of characteristics: age, race, culture, language, gender, physical appearance, accent, posture, voice, number of people present, economic status, and time allowed to process. The first impressions individuals give to others could greatly influence how they are treated and viewed in many contexts of everyday life.

Plot (narrative)

Plot (narrative)

In a literary work, film, or other narrative, the plot is the sequence of events in which each event affects the next one through the principle of cause-and-effect. The causal events of a plot can be thought of as a series of events linked by the connector "and so". Plots can vary from the simple—such as in a traditional ballad—to forming complex interwoven structures, with each part sometimes referred to as a subplot or imbroglio.

Setting (narrative)

Setting (narrative)

A setting is the time and geographic location within a narrative, either non-fiction or fiction. It is a literary element. The setting initiates the main backdrop and mood for a story. The setting can be referred to as story world or milieu to include a context beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and hour. Along with the plot, character, theme, and style, setting is considered one of the fundamental components of fiction.

Theme (narrative)

Theme (narrative)

In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". Themes are often distinguished from premises.

Formats

Traditionally, fiction includes novels, short stories, fables, legends, myths, fairy tales, epic and narrative poetry, plays (including operas, musicals, dramas, puppet plays, and various kinds of theatrical dances). However, fiction may also encompass comic books, and many animated cartoons, stop motions, anime, manga, films, video games, radio programs, television programs (comedies and dramas), etc.

The Internet has had a major impact on the creation and distribution of fiction, calling into question the feasibility of copyright as a means to ensure royalties are paid to copyright holders.[21] Also, digital libraries such as Project Gutenberg make public domain texts more readily available. The combination of inexpensive home computers, the Internet, and the creativity of its users has also led to new forms of fiction, such as interactive computer games or computer-generated comics. Countless forums for fan fiction can be found online, where loyal followers of specific fictional realms create and distribute derivative stories. The Internet is also used for the development of blog fiction, where a story is delivered through a blog either as flash fiction or serial blog, and collaborative fiction, where a story is written sequentially by different authors, or the entire text can be revised by anyone using a wiki.

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Fable

Fable

Fable is a literary genre: a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson, which may at the end be added explicitly as a concise maxim or saying.

Legend

Legend

A legend is a genre of folklore that consists of a narrative featuring human actions, believed or perceived, both by teller or listeners, to have taken place in human history. Narratives in this genre may demonstrate human values, and possess certain qualities that give the tale verisimilitude. Legend, for its active and passive participants may include miracles. Legends may be transformed over time to keep them fresh and vital.

Myth

Myth

Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is popularly used to describe stories that are not objectively true, the identification of a narrative as a myth can be highly controversial. Many religious adherents believe that the narratives told in their respective religious traditions are historical without question, and so object to their identification as myths while labelling traditional narratives from other religions as such. Hence, some scholars may label all religious narratives as "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars may abstain from using the term "myth" altogether for purposes of avoiding placing pejorative overtones on sacred narratives.

Fairy tale

Fairy tale

A fairy tale is a short story that belongs to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends and explicit moral tales, including beast fables. Prevalent elements include dwarfs, dragons, elves, fairies, giants, gnomes, goblins, griffins, mermaids, talking animals, trolls, unicorns, monsters, witches, wizards, and magic and enchantments.

Epic poetry

Epic poetry

An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants.

Narrative poetry

Narrative poetry

Narrative poetry is a form of poetry that tells a story, often using the voices of both a narrator and characters; the entire story is usually written in metered verse. Narrative poems do not need to rhyme. The poems that make up this genre may be short or long, and the story it relates to may be complex. It is normally dramatic, with various characters. Narrative poems include all epic poetry, and the various types of "lay", most ballads, and some idylls, as well as many poems not falling into a distinct type.

Musical theatre

Musical theatre

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Drama

Drama

Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics —the earliest work of dramatic theory.

Concert dance

Concert dance

Concert dance is dance performed for an audience. It is frequently performed in a theatre setting, though this is not a requirement, and it is usually choreographed and performed to set music.

Comic book

Comic book

A comic book, also called comicbook, comic magazine or simply comic, is a publication that consists of comics art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by descriptive prose and written narrative, usually, dialogue contained in word balloons emblematic of the comics art form.

Anime

Anime

Anime is hand-drawn and computer-generated animation originating from Japan. Outside of Japan and in English, anime refers specifically to animation produced in Japan. However, in Japan and in Japanese, anime describes all animated works, regardless of style or origin. Animation produced outside of Japan with similar style to Japanese animation is commonly referred to as anime-influenced animation.

Manga

Manga

Manga are comics or graphic novels originating from Japan. Most manga conform to a style developed in Japan in the late 19th century, and the form has a long history in earlier Japanese art. The term manga is used in Japan to refer to both comics and cartooning. Outside of Japan, the word is typically used to refer to comics originally published in the country.

Literary fiction

The definition of literary fiction is controversial. It may refer to any work of fiction in a written form. However, various other definitions exist, including a written work of fiction that:

  • does not fit neatly into an established genre (as opposed to so-called genre fiction), when used as a marketing label in the book trade
  • is character-driven rather than plot-driven
  • examines the human condition
  • uses language in an experimental or poetic fashion
  • is considered seriously as a work of art[22]

Literary fiction is often used as a synonym for literature, in the narrow sense of writings specifically considered to be an art form.[23] While literary fiction is sometimes regarded as superior to genre fiction, the two are not mutually exclusive, and major literary figures have employed the genres of science fiction, crime fiction, romance, etc., to create works of literature. Furthermore, the study of genre fiction has developed within academia in recent decades.[24]

The term is sometimes used such as to equate literary fiction to literature. The accuracy of this is debated. Neal Stephenson has suggested that while any definition will be simplistic there is today a general cultural difference between literary and genre fiction. On the one hand literary authors nowadays are frequently supported by patronage, with employment at a university or a similar institution, and with the continuation of such positions determined not by book sales but by critical acclaim by other established literary authors and critics. On the other hand, he suggests, genre fiction writers tend to support themselves by book sales.[25] However, in an interview, John Updike lamented that "the category of 'literary fiction' has sprung up recently to torment people like me who just set out to write books, and if anybody wanted to read them, terrific, the more the merrier. ... I'm a genre writer of a sort. I write literary fiction, which is like spy fiction or chick lit".[26] Likewise, on The Charlie Rose Show, he argued that this term, when applied to his work, greatly limited him and his expectations of what might come of his writing, so he does not really like it. He suggested that all his works are literary, simply because "they are written in words".[27]

Literary fiction often involves social commentary, political criticism, or reflection on the human condition.[28] In general, it focuses on "introspective, in-depth character studies" of "interesting, complex and developed" characters.[28] This contrasts with genre fiction where plot is the central concern.[29] Usually in literary fiction the focus is on the "inner story" of the characters who drive the plot, with detailed motivations to elicit "emotional involvement" in the reader. The style of literary fiction is often described as "elegantly written, lyrical, and ... layered".[30] The tone of literary fiction can be darker than genre fiction,[31] while the pacing of literary fiction may be slower than popular fiction.[31] As Terrence Rafferty notes, "literary fiction, by its nature, allows itself to dawdle, to linger on stray beauties even at the risk of losing its way".[32]

Genre fiction

Based on how literary fiction is defined, genre fiction may be a subset (written fiction that aligns to a particular genre), or its opposite: an evaluative label for written fiction that comprises popular culture, as artistically or intellectually inferior to high culture. Regardless, fiction is commonly broken down into a variety of genres: categories of fiction, each differentiated by a particular unifying tone or style; set of narrative techniques, archetypes, or other tropes; media content; or other popularly defined criterion.

Science fiction predicts or supposes technologies that are not realities at the time of the work's creation: Jules Verne's novel From the Earth to the Moon was published in 1865, but only in 1969 did astronauts Neil Armstrong and Buzz Aldrin become the first humans to land on the Moon.

Historical fiction places imaginary characters into real historical events. In the 1814 historical novel Waverley, Sir Walter Scott's fictional character Edward Waverley meets a figure from history, Bonnie Prince Charlie, and takes part in the Battle of Prestonpans. Some works of fiction are slightly or greatly re-imagined based on some originally true story, or a reconstructed biography.[33] Often, even when the fictional story is based on fact, there may be additions and subtractions from the true story to make it more interesting. An example is Tim O'Brien's The Things They Carried, a 1990 series of short stories about the Vietnam War.

Fictional works that explicitly involve supernatural, magical, or scientifically impossible elements are often classified under the genre of fantasy, including Lewis Carroll's 1865 novel Alice's Adventures in Wonderland, J. R. R. Tolkien's The Lord of the Rings, and J. K. Rowling's Harry Potter series. Creators of fantasy sometimes introduce imaginary creatures and beings such as dragons and fairies.[3]

Process of fiction writing

Fiction writing is the process by which an author or creator produces a fictional work. Some elements of the writing process may be planned in advance, while others may come about spontaneously. Fiction writers use different writing styles and have distinct writers' voices when writing fictional stories.[34]

Types by word count

Types of written fiction in prose are distinguished by relative length and include:[35][36]

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Literary fiction

Literary fiction

Literary fiction, mainstream fiction, non-genre fiction or serious fiction is a label that, in the book trade, refers to market novels that do not fit neatly into an established genre ; or, otherwise, refers to novels that are character-driven rather than plot-driven, examine the human condition, use language in an experimental or poetic fashion, or are simply considered serious art.

Genre fiction

Genre fiction

Genre fiction, also known as popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre, in order to appeal to readers and fans already familiar with that genre.

Literature

Literature

Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role.

Art

Art

Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas.

Crime fiction

Crime fiction

Crime fiction, detective story, murder mystery, mystery novel, and police novel are terms used to describe narratives that centre on criminal acts and especially on the investigation, either by an amateur or a professional detective, of a crime, often a murder. It is usually distinguished from mainstream fiction and other genres such as historical fiction or science fiction, but the boundaries are indistinct. Crime fiction has multiple subgenres, including detective fiction, courtroom drama, hard-boiled fiction, and legal thrillers. Most crime drama focuses on crime investigation and does not feature the courtroom. Suspense and mystery are key elements that are nearly ubiquitous to the genre.

Romance novel

Romance novel

A romance novel or romantic novel generally refers to a type of genre fiction novel which places its primary focus on the relationship and romantic love between two people, and usually has an "emotionally satisfying and optimistic ending." Precursors include authors of literary fiction, such as Samuel Richardson, Jane Austen, and Charlotte Brontë.

Neal Stephenson

Neal Stephenson

Neal Town Stephenson is an American writer known for his works of speculative fiction. His novels have been categorized as science fiction, historical fiction, cyberpunk, postcyberpunk, and baroque.

John Updike

John Updike

John Hoyer Updike was an American novelist, poet, short-story writer, art critic, and literary critic. One of only four writers to win the Pulitzer Prize for Fiction more than once, Updike published more than twenty novels, more than a dozen short-story collections, as well as poetry, art and literary criticism and children's books during his career.

Political criticism

Political criticism

Political criticism, also referred to as political commentary or political discussion, is a type of criticism that is specific of or relevant to politics, including policies, politicians, political parties, and types of government.

Human condition

Human condition

The human condition can be defined as the characteristics and key events of human life, including birth, learning, emotion, aspiration, morality, conflict, and death. This is a very broad topic that has been and continues to be pondered and analyzed from many perspectives, including those of anthropology, art, biology, history, literature, philosophy, psychology, and religion.

Popular culture

Popular culture

Popular culture is generally recognized by members of a society as a set of practices, beliefs, artistic output and objects that are dominant or prevalent in a society at a given point in time. Popular culture also encompasses the activities and feelings produced as a result of interaction with these dominant objects. The primary driving force behind popular culture is the mass appeal, and it is produced by what cultural analyst Theodor Adorno refers to as the "culture industry".

High culture

High culture

In a society, high culture is the subculture that encompasses the cultural objects of aesthetic value, which a society collectively esteem as being exemplary works of art, and the intellectual works of literature and music, history and philosophy, which a society consider representative of their culture.

Realism

Realistic fiction typically involves a story whose basic setting (time and location in the world) is real and whose events could feasibly happen in a real-world setting; in contrast, speculative fiction typically involves a story where the opposite is the case, often being set in an entirely imaginary universe, an alternative history of the world other than that currently understood as true, or some other non-existent location or time-period, sometimes even presenting impossible technology or defiance of the currently understood laws of nature. However, all types of fiction arguably invite their audience to explore real ideas, issues, or possibilities in an otherwise imaginary setting or using what is understood about reality to mentally construct something similar to reality, though still distinct from it.[note 1][note 2]

In terms of the traditional separation between fiction and non-fiction, the lines are now commonly understood as blurred, showing more overlap than mutual exclusion. Even fiction usually has elements of or grounding in, truth. The distinction between the two may be best defined from the perspective of the audience, according to whom a work is regarded as non-fiction if its people, places, and events are all historically or factually real, while a work is regarded as fiction if it deviates from reality in any of those areas. The distinction between fiction and non-fiction is further obscured by an understanding, on the one hand, that the truth can be presented through imaginary channels and constructions, while, on the other hand, imagination can just as well bring about significant conclusions about truth and reality.

Literary critic James Wood argues that "fiction is both artifice and verisimilitude", meaning that it requires both creative inventions as well as some acceptable degree of believability,[41] a notion often encapsulated in poet Samuel Taylor Coleridge's term: willing suspension of disbelief. Also, infinite fictional possibilities themselves signal the impossibility of fully knowing reality, provocatively demonstrating that there is no criterion to measure constructs of reality.[42]

Discover more about Realism related topics

Literary realism

Literary realism

Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid-nineteenth-century French literature (Stendhal) and Russian literature. Literary realism attempts to represent familiar things as they are. Realist authors chose to depict everyday and banal activities and experiences.

Setting (narrative)

Setting (narrative)

A setting is the time and geographic location within a narrative, either non-fiction or fiction. It is a literary element. The setting initiates the main backdrop and mood for a story. The setting can be referred to as story world or milieu to include a context beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and hour. Along with the plot, character, theme, and style, setting is considered one of the fundamental components of fiction.

Speculative fiction

Speculative fiction

Speculative fiction is a category of fiction that, in its broadest sense, encompasses the genres that depart from reality, such as in the context of supernatural, futuristic, and other imaginative realms. This umbrella category includes, but is not limited to, science fiction, fantasy, horror, superhero fiction, alternate history, utopian and dystopian fiction, and supernatural fiction, as well as combinations thereof. The term has been used with a variety of meanings for works of literature.

James Wood (critic)

James Wood (critic)

James Douglas Graham Wood is an English literary critic, essayist and novelist.

Samuel Taylor Coleridge

Samuel Taylor Coleridge

Samuel Taylor Coleridge was an English poet, literary critic, philosopher, and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He also shared volumes and collaborated with Charles Lamb, Robert Southey, and Charles Lloyd. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking cultures. Coleridge coined many familiar words and phrases, including "suspension of disbelief". He had a major influence on Ralph Waldo Emerson and American transcendentalism.

Source: "Fiction", Wikipedia, Wikimedia Foundation, (2023, March 19th), https://en.wikipedia.org/wiki/Fiction.

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Notes
  1. ^ As philosopher Stacie Friend explains, "in reading we take works of fiction, like works of non-fiction, to be about the real world—even if they invite us to imagine the world to be different from how it actually is. [Thus], imagining a story world does not mean directing one's imagining toward something other than the real world; it is instead a mental activity that involves constructing a complex representation of what a story portrays".[39]
  2. ^ The research of Weisberg and Goodstein (2009) revealed that, despite not being specifically informed that, say, the fictional character Sherlock Holmes, had two legs, their subjects "consistently assumed that some real-world facts obtained in fiction, although they were sensitive to the kind of fact and the realism of the story."[40]
Citations
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  2. ^ Sageng, John Richard; Fossheim, Hallvard J.; Larsen, Tarjei Mandt, eds. (2012). The Philosophy of Computer Games. Springer Science & Business Media. pp. 186–87. ISBN 9789400742499. Archived from the original on 13 March 2017.
  3. ^ a b Harmon, William; Holman, C. Hugh (1990). A Handbook to Literature (7th ed.). New York: Prentice Hall. p. 212.
  4. ^ Abrams, M. h. (1999). A Glossary of Literary Terms (7th ed.). Fort Worth, Texas: Harcourt Brace. p. 94.
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  6. ^ Farner, Geir (2014). "Chapter 2: What is Literary Fiction?". Literary Fiction: The Ways We Read Narrative Literature. Bloomsbury Publishing USA. ISBN 9781623564261. Archived from the original on 27 August 2022. Retrieved 30 January 2015.
  7. ^ Culler, Jonathan (2000). Literary Theory: A Very Short Introduction. Oxford University Press. p. 31. ISBN 978-0-19-285383-7. Non-fictional discourse is usually embedded in a context that tells you how to take it: an instruction manual, a newspaper report, a letter from a charity. The context of fiction, though, explicitly leaves open the question of what the fiction is really about. Reference to the world is not so much a property of literary [that is, fictional] works as a function they are given by interpretation.
  8. ^ Iftekharuddin, Frahat, ed. (2003). The Postmodern Short Story: Forms and Issues. Greenwood Publishing Group. p. 23. ISBN 9780313323751. Archived from the original on 27 August 2022. Retrieved 22 May 2015.
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  10. ^ Whitmarsh, Tim (2013). "The "Invention of Fiction"". Beyond the Second Sophistic: Adventures in Greek Postclassicism. University of California Press. pp. 11–34. doi:10.1525/california/9780520276819.001.0001. ISBN 9780520957022. Archived from the original on 18 August 2022. Retrieved 16 August 2022.
  11. ^ Dunlop, John Colin (1845). The History of Fiction (3rd ed.). Longman, Brown, Green, and Longmans. pp. 46, 55–56.
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  16. ^ Gass, William H. (2005). "The Concept of Character in Fiction". In Hoffman, Michael J.; Murphy, Patrick D. (eds.). Essentials of the Theory of Fiction (1st ed.). Duke University Press. pp. 113–120. doi:10.1515/9780822386599. ISBN 9780822386599.
  17. ^ Phillips, Brian (2004). "Character in Contemporary Fiction". The Hudson Review. 56 (4): 629–642. doi:10.2307/3852955. ISSN 0018-702X. JSTOR 3852955.
  18. ^ Dibell, Ansen (1999). "What is Plot?". Elements of Fiction Writing - Plot. F+W Media. ISBN 9781599635101.
  19. ^ Rozelle, Ron (2005). "The Importance of Description and Setting". Write Great Fiction - Description & Setting. F+W Media. ISBN 9781582976822.
  20. ^ Kurtz, Victoria; Schober, Michael F. (1 September 2001). "Readers' varying interpretations of theme in short fiction". Poetics. 29 (3): 139–166. doi:10.1016/S0304-422X(01)00040-7. ISSN 0304-422X.
  21. ^ Jones, Oliver. (2015). "Why Fan Fiction is the Future of Publishing Archived 19 May 2015 at the Wayback Machine. " The Daily Beast. The Daily Beast Company LLC.
  22. ^ "Buy Literary Fiction: The Ways We Read Narrative Literature by Geir Farner online in india - Bookchor | 9781623560249". Archived from the original on 6 December 2021. Retrieved 6 December 2021.
  23. ^ "Literature: definition". Oxford Learner's Dictionaries. Archived from the original on 10 June 2021. Retrieved 21 October 2021.
  24. ^ Schneider-Mayerson, Matthew (2010). "Popular Fiction Studies: The Advantages of a New Field". Studies in Popular Culture. 33 (1): 21–3.
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  27. ^ "The Charlie Rose Show from 14 June 2006 with John Updike". Archived from the original on 3 February 2009. Retrieved 12 November 2021.
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  29. ^ Saricks 2009, pp. 181–82.
  30. ^ Saricks 2009, p. 179.
  31. ^ a b Saricks 2009, p. 182.
  32. ^ Rafferty 2011.
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  34. ^ Doyle, Charlotte L. (1 January 1998). "The Writer Tells: The Creative Process in the Writing of Literary Fiction". Creativity Research Journal. 11 (1): 29–37. doi:10.1207/s15326934crj1101_4. ISSN 1040-0419.
  35. ^ Milhorn, H. Thomas (2006). Writing Genre Fiction: A Guide to the Craft Archived 28 September 2015 at the Wayback Machine. Universal Publishers: Boca Raton. pp. 3–4.
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  37. ^ Cuddon, J. A., The Penguin Dictionary of Literary Terms (1992). London: Penguin Books, 1999, p. 600.
  38. ^ Heart of Darkness Novella by Conrad Archived 9 April 2017 at the Wayback MachineEncyclopædia Britannica.
  39. ^ Friend, Stacie (2017). "The Real Foundation of Fictional Worlds" (PDF). Australasian Journal of Philosophy. 95: 29–42. doi:10.1080/00048402.2016.1149736. S2CID 54200723. Archived (PDF) from the original on 20 July 2018. Retrieved 24 November 2018.
  40. ^ Goodstein, Joshua; Weisberg, Deena Skolnick (2009). "What Belongs in a Fictional World?". Journal of Cognition and Culture. 9 (1–2): 69–78. doi:10.1163/156853709X414647.
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  42. ^ Young, George W. (1999). Subversive Symmetry. Exploring the Fantastic in Mark 6: 45 – 56. Leiden: Brill. pp. 98, 106–09. ISBN 90-04-11428-9.
References
  • Rafferty, Terrence (4 February 2011). "Reluctant Seer". The New York Times Sunday Book Review. Retrieved 23 April 2012.
  • Saricks, Joyce (2009). The Readers' Advisory Guide to Genre Fiction (2nd ed.). ALA Editions. p. 402.
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