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Crime fiction

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Sherlock Holmes, third from left, hero of crime fiction, oversees the arrest of a criminal; the character of Holmes popularized the crime fiction genre.
Sherlock Holmes, third from left, hero of crime fiction, oversees the arrest of a criminal; the character of Holmes popularized the crime fiction genre.

Crime fiction, detective story, murder mystery, mystery novel, and police novel are terms used to describe narratives that centre on criminal acts and especially on the investigation, either by an amateur or a professional detective, of a crime, often a murder.[1] It is usually distinguished from mainstream fiction and other genres such as historical fiction or science fiction, but the boundaries are indistinct. Crime fiction has multiple subgenres,[2] including detective fiction (such as the whodunit), courtroom drama, hard-boiled fiction, and legal thrillers. Most crime drama focuses on crime investigation and does not feature the courtroom. Suspense and mystery are key elements that are nearly ubiquitous to the genre.

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Literary fiction

Literary fiction

Literary fiction, mainstream fiction, non-genre fiction or serious fiction is a label that, in the book trade, refers to market novels that do not fit neatly into an established genre ; or, otherwise, refers to novels that are character-driven rather than plot-driven, examine the human condition, use language in an experimental or poetic fashion, or are simply considered serious art.

Historical fiction

Historical fiction

Historical fiction is a literary genre in which the plot takes place in a setting related to the past events, but is fictional. Although the term is commonly used as a synonym for historical fiction literature, it can also be applied to other types of narrative, including theatre, opera, cinema, and television, as well as video games and graphic novels.

Science fiction

Science fiction

Science fiction is a genre of speculative fiction, which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life. Science fiction can trace its roots to ancient mythology. It is related to fantasy, horror, and superhero fiction and contains many subgenres. Its exact definition has long been disputed among authors, critics, scholars, and readers.

Detective fiction

Detective fiction

Detective fiction is a subgenre of crime fiction and mystery fiction in which an investigator or a detective—whether professional, amateur or retired—investigates a crime, often murder. The detective genre began around the same time as speculative fiction and other genre fiction in the mid-nineteenth century and has remained extremely popular, particularly in novels. Some of the most famous heroes of detective fiction include C. Auguste Dupin, Sherlock Holmes, and Hercule Poirot. Juvenile stories featuring The Hardy Boys, Nancy Drew, and The Boxcar Children have also remained in print for several decades.

Whodunit

Whodunit

A whodunit or whodunnit is a complex plot-driven variety of detective fiction in which the puzzle regarding who committed the crime is the main focus. The reader or viewer is provided with the clues to the case, from which the identity of the perpetrator may be deduced before the story provides the revelation itself at its climax. The investigation is usually conducted by an eccentric, amateur, or semi-professional detective.

Hardboiled

Hardboiled

Hardboiled fiction is a literary genre that shares some of its characters and settings with crime fiction. The genre's typical protagonist is a detective who battles the violence of organized crime that flourished during Prohibition (1920–1933) and its aftermath, while dealing with a legal system that has become as corrupt as the organized crime itself. Rendered cynical by this cycle of violence, the detectives of hardboiled fiction are often antiheroes. Notable hardboiled detectives include Dick Tracy, Philip Marlowe, Mike Hammer, Sam Spade, Lew Archer, Slam Bradley, and The Continental Op.

Legal thriller

Legal thriller

The legal thriller genre is a type of crime fiction genre that focuses on the proceedings of the investigation, with particular reference to the impacts on courtroom proceedings and the lives of characters.

Suspense

Suspense

Suspense is a state of mental uncertainty, anxiety, being undecided, or being doubtful. In a dramatic work, suspense is the anticipation of the outcome of a plot or of the solution to an uncertainty, puzzle, or mystery, particularly as it affects a character for whom one has sympathy. However, suspense is not exclusive to fiction.

History

The One Thousand and One Nights (Arabian Nights) contains the earliest known examples of crime fiction.[3] One example of a story of this genre is the medieval Arabic tale of "The Three Apples", one of the tales narrated by Scheherazade in the Arabian Nights. In this tale, a fisherman discovers a heavy locked chest along the Tigris River, and he sells it to the Abbasid Caliph, Harun al-Rashid, who then has the chest broken open, only to find inside it the dead body of a young woman who was cut into pieces. Harun orders his vizier, Ja'far ibn Yahya, to solve the crime and find the murderer within three days, or be executed if he fails his assignment.[4] The story has been described as a "whodunit" murder mystery[5] with multiple plot twists.[6] The story has detective fiction elements.[7]

Two other Arabian Nights stories, "The Merchant and the Thief" and "Ali Khwaja", contain two of the earliest fictional detectives, who uncover clues and present evidence to catch or convict a criminal, with the story unfolding in normal chronology and the criminal already being known to the audience. The latter involves a climax where titular detective protagonist Ali Khwaja presents evidence from expert witnesses in a court.[8] "The Hunchback's Tale" is another early courtroom drama, presented as a suspenseful comedy.[3]

The earliest known modern crime fiction is E. T. A. Hoffmann's 1819 novella "Mademoiselle de Scudéri". Also, Thomas Skinner Sturr's anonymous Richmond, or stories in the life of a Bow Street Officer is from 1827; another early full-length short story in the genre is The Rector of Veilbye by Danish author Steen Steensen Blicher, published in 1829. A further example of crime detection can be found in Letitia Elizabeth Landon's story The Knife, published in 1832, although here the truth remains in doubt at the end.

Better known are the earlier dark works of Edgar Allan Poe.[9] His brilliant and eccentric detective C. Auguste Dupin, a forerunner of Arthur Conan Doyle's Sherlock Holmes, appeared in works such as "The Murders in the Rue Morgue" (1841), "The Mystery of Marie Rogêt" (1842), and "The Purloined Letter" (1844). With his Dupin stories, Poe provided the framework for the classic detective story. The detective's unnamed companion is the narrator of the stories and a prototype for the character of Dr. Watson in later Sherlock Holmes stories.[10]

Wilkie Collins' epistolary novel The Woman in White was published in 1860, while The Moonstone (1868) is often thought to be his masterpiece. French author Émile Gaboriau's Monsieur Lecoq (1868) laid the groundwork for the methodical, scientifically minded detective.

Cover art for 'The mystery of a hansom cab', written by Fergus W. Hume.
Cover art for 'The mystery of a hansom cab', written by Fergus W. Hume.

The evolution of locked-room mysteries was one of the landmarks in the history of crime fiction. The Sherlock Holmes mysteries of Doyle's are said to have been singularly responsible for the huge popularity of this genre. A precursor was Paul Féval, whose series Les Habits Noirs (1862–67) features Scotland Yard detectives and criminal conspiracies. The best-selling crime novel of the 19th century was Fergus Hume's The Mystery of a Hansom Cab (1886), set in Melbourne, Australia.

The evolution of the print mass media in the United Kingdom and the United States in the latter half of the 19th century was crucial in popularising crime fiction and related genres. Literary 'variety' magazines, such as Strand, McClure's, and Harper's, quickly became central to the overall structure and function of popular fiction in society, providing a mass-produced medium that offered cheap, illustrated publications that were essentially disposable.

Like the works of many other important fiction writers of his day—e.g. Wilkie Collins and Charles Dickens—Arthur Conan Doyle's Sherlock Holmes stories first appeared in serial form in the monthly Strand in the United Kingdom. The series quickly attracted a wide and passionate following on both sides of the Atlantic, and when Doyle killed off Holmes in "The Final Problem", the public outcry was so great, and the publishing offers for more stories so attractive, that he was reluctantly forced to resurrect him.

In Italy, early translations of English and American stories and local works were published in cheap yellow covers, thus the genre was baptized with the term libri gialli or yellow books. The genre was outlawed by the Fascists during WWII, but exploded in popularity after the war, especially influenced by the American hard-boiled school of crime fiction. A group of mainstream Italian writers emerged, who used the detective format to create an antidetective or postmodern novel in which the detectives are imperfect, the crimes are usually unsolved, and clues are left for the reader to decipher. Famous writers include Leonardo Sciascia, Umberto Eco, and Carlo Emilio Gadda.[11]

In Spain, The Nail and Other Tales of Mystery and Crime was published by Pedro Antonio de Alarcón in 1853. Crime fiction in Spain (also curtailed in Francoist Spain) took on some special characteristics that reflected the culture of the country. The Spanish writers emphasized the corruption and ineptitude of the police, and depicted the authorities and the wealthy in very negative terms.[11]

In China, modern crime fiction was first developed from translations of foreign works from the 1890s.[12] Cheng Xiaoqing, considered the "Grand Master" of 20th-century Chinese detective fiction, translated Sherlock Holmes into classical and vernacular Chinese. In the late 1910s, Cheng began writing his own detective fiction series, Sherlock in Shanghai, mimicking Conan Doyle's style, but relating better to a Chinese audience.[13] During the Mao era, crime fiction was suppressed and mainly Soviet-styled and anticapitalist. In the post-Mao era, crime fiction in China focused on corruption and harsh living conditions during the Mao era (such as the Cultural Revolution).[11]

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History of crime fiction

History of crime fiction

Crime is a typically 19th-, 20th- and 21st-century genre, dominated by British and American writers. This article explores its historical development as a genre.

One Thousand and One Nights

One Thousand and One Nights

One Thousand and One Nights is a collection of Middle Eastern folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the Arabian Nights, from the first English-language edition, which rendered the title as The Arabian Nights' Entertainment.

Arabic literature

Arabic literature

Arabic literature is the writing, both as prose and poetry, produced by writers in the Arabic language. The Arabic word used for literature is Adab, which is derived from a meaning of etiquette, and which implies politeness, culture and enrichment.

Scheherazade

Scheherazade

Scheherazade is a major female character and the storyteller in the frame narrative of the Middle Eastern collection of tales known as the One Thousand and One Nights.

Abbasid Caliphate

Abbasid Caliphate

The Abbasid Caliphate was the third caliphate to succeed the Islamic prophet Muhammad. It was founded by a dynasty descended from Muhammad's uncle, Abbas ibn Abd al-Muttalib, from whom the dynasty takes its name. They ruled as caliphs for most of the caliphate from their capital in Baghdad in modern-day Iraq, after having overthrown the Umayyad Caliphate in the Abbasid Revolution of 750 CE (132 AH). The Abbasid Caliphate first centered its government in Kufa, modern-day Iraq, but in 762 the caliph Al-Mansur founded the city of Baghdad, near the ancient Babylonian capital city of Babylon. Baghdad became the center of science, culture and invention in what became known as the Golden Age of Islam. This, in addition to housing several key academic institutions, including the House of Wisdom, as well as a multiethnic and multi-religious environment, garnered it a worldwide reputation as the "Center of Learning".

Harun al-Rashid

Harun al-Rashid

Abu Ja'far Harun ibn Muhammad al-Mahdi or Harun ibn al-Mahdi, famously known as Harun al-Rashid, was the fifth Abbasid caliph of the Abbasid Caliphate, reigning from September 786 until his death in March 809. His reign is traditionally regarded to be the beginning of the Islamic Golden Age. His epithet "al-Rashid" translates to "the Orthodox", "the Just", "the Upright", or "the Rightly-Guided".

Ja'far ibn Yahya

Ja'far ibn Yahya

Jaʽfar ibn Yahya Barmaki, Jafar al-Barmaki (767–803) also called Aba-Fadl, was a Persian vizier of the Abbasid caliph Harun al-Rashid, succeeding his father in that position. He was a member of the influential Barmakid family, formerly Buddhist leaders of the Nava Vihara monastery. He was executed in 803 at the orders of Harun al-Rashid.

Plot twist

Plot twist

A plot twist is a literary technique that introduces a radical change in the direction or expected outcome of the plot in a work of fiction. When it happens near the end of a story, it is known as a twist or surprise ending. It may change the audience's perception of the preceding events, or introduce a new conflict that places it in a different context. A plot twist may be foreshadowed, to prepare the audience to accept it, but it usually comes with some element of surprise. There are a variety of methods used to execute a plot twist, such as withholding information from the audience, or misleading them with ambiguous or false information. Not every plot has a twist, but some have multiple lesser ones, and some are defined by a single major twist.

Detective fiction

Detective fiction

Detective fiction is a subgenre of crime fiction and mystery fiction in which an investigator or a detective—whether professional, amateur or retired—investigates a crime, often murder. The detective genre began around the same time as speculative fiction and other genre fiction in the mid-nineteenth century and has remained extremely popular, particularly in novels. Some of the most famous heroes of detective fiction include C. Auguste Dupin, Sherlock Holmes, and Hercule Poirot. Juvenile stories featuring The Hardy Boys, Nancy Drew, and The Boxcar Children have also remained in print for several decades.

Expert witness

Expert witness

An expert witness, particularly in common law countries such as the United Kingdom, Australia, and the United States, is a person whose opinion by virtue of education, training, certification, skills or experience, is accepted by the judge as an expert. The judge may consider the witness's specialized opinion about evidence or about facts before the court within the expert's area of expertise, to be referred to as an "expert opinion". Expert witnesses may also deliver "expert evidence" within the area of their expertise. Their testimony may be rebutted by testimony from other experts or by other evidence or facts.

E. T. A. Hoffmann

E. T. A. Hoffmann

Ernst Theodor Amadeus Hoffmann was a German Romantic author of fantasy and Gothic horror, a jurist, composer, music critic and artist. His stories form the basis of Jacques Offenbach's opera The Tales of Hoffmann, in which Hoffmann appears as the hero. He is also the author of the novella The Nutcracker and the Mouse King, on which Pyotr Ilyich Tchaikovsky's ballet The Nutcracker is based. The ballet Coppélia is based on two other stories that Hoffmann wrote, while Schumann's Kreisleriana is based on Hoffmann's character Johannes Kreisler.

1827 in literature

1827 in literature

This article contains information about the literary events and publications of 1827.

Psychology

Crime fiction provides unique psychological impacts on readers and enables them to become mediated witnesses through identifying with eyewitnesses of a crime. Readers speak of crime fiction as a mode of escapism to cope with other aspects of their lives.[14] Crime fiction provides distraction from readers’ personal lives through a strong narrative at a comfortable distance.[14] Forensic crime novels have been referred to as "distraction therapy", proposing that crime fiction can improve mental health and be considered as a form of treatment to prevent depression.[14]

Catagories

  • Detective fiction is a subgenre of crime fiction and mystery fiction in which an investigator or a detective—either professional, amateur, or retired—investigates a crime, often murder.
  • The cozy mystery is a subgenre of detective fiction in which profanity, sex, and violence are downplayed or treated humorously.
  • The whodunit, the most common form of detective fiction, features a complex, plot-driven story in which the reader is provided with clues from which the identity of the perpetrator of the crime may be deduced before the solution is revealed at the end of the book.
  • The historical whodunit is also a subgenre of historical fiction. The setting of the story and the crime have some historical significance.
  • The locked-room mystery is a specialized kind of a whodunit in which the crime is committed under apparently impossible circumstances, such as a locked room, which no intruder could have entered or left.
  • The American hardboiled school is distinguished by the unsentimental portrayal of sex and violence; the sleuth usually also confronts danger and engages in violence.
  • The police procedural is a story in which the detective is a member of the police, thus the activities of a police force are usually convincingly depicted.
  • Forensic crime fiction is similar to the police procedural. The investigator whom the reader follows is usually a medical examiner or pathologist; they must use the forensic evidence left on the body and at the crime scene to catch the killer. This subgenre was first introduced by Patricia Cornwell.
  • In a legal thriller, the major characters are lawyers and their employees, and they become involved in proving their cases.
  • In spy novels, the major characters are spies, usually working for an intelligence agency.
  • The caper story and the criminal novel are stories told from the point of view of the criminals.
  • The psychological thriller or psychological suspense, a specific subgenre of the thriller, also incorporates elements from detective fiction, as the protagonist must solve the mystery of the psychological conflict presented in these stories.
  • The parody or spoof uses humor or sarcasm.
  • The crime thriller has the central characters involved in crime, either in its investigation, as the perpetrator, or less commonly, a victim.

Pseudonymous authors

In the history of crime fiction, some authors have been reluctant to publish their novels under their real names. More recently, some publish pseudonymously because of the belief that since the large booksellers are aware of their historical sales figures, and command a certain degree of influence over publishers, the only way to "break out" of their current advance numbers is to publish as someone with no track record.

In the late 1930s and 1940s, British County Court Judge Arthur Alexander Gordon Clark (1900–1958) published a number of detective novels under the alias Cyril Hare, in which he made use of his profoundly extensive knowledge of the English legal system. When he was still young and unknown, award-winning British novelist Julian Barnes (born 1946) published some crime novels under the alias Dan Kavanagh. Other authors take delight in cherishing their alter egos; Ruth Rendell (1930–2015) writes one sort of crime novels as Ruth Rendell and another type as Barbara Vine; John Dickson Carr also used the pseudonym Carter Dickson. Author Evan Hunter (which itself was a pseudonym) wrote his crime fiction under the name of Ed McBain.

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Detective fiction

Detective fiction

Detective fiction is a subgenre of crime fiction and mystery fiction in which an investigator or a detective—whether professional, amateur or retired—investigates a crime, often murder. The detective genre began around the same time as speculative fiction and other genre fiction in the mid-nineteenth century and has remained extremely popular, particularly in novels. Some of the most famous heroes of detective fiction include C. Auguste Dupin, Sherlock Holmes, and Hercule Poirot. Juvenile stories featuring The Hardy Boys, Nancy Drew, and The Boxcar Children have also remained in print for several decades.

Cozy mystery

Cozy mystery

Cozy mysteries, also referred to as "cozies", are a subgenre of crime fiction in which sex and violence occur off stage, the detective is an amateur sleuth, and the crime and detection take place in a small, socially intimate community. Cozies thus stand in contrast to hardboiled fiction, in which more violence and explicit sexuality are central to the plot. The term "cozy" was first coined in the late 20th century when various writers produced work in an attempt to re-create the Golden Age of Detective Fiction.

Historical fiction

Historical fiction

Historical fiction is a literary genre in which the plot takes place in a setting related to the past events, but is fictional. Although the term is commonly used as a synonym for historical fiction literature, it can also be applied to other types of narrative, including theatre, opera, cinema, and television, as well as video games and graphic novels.

Locked-room mystery

Locked-room mystery

The "locked-room" or "impossible crime" mystery is a type of crime seen in crime and detective fiction. The crime in question, typically murder, is committed in circumstances under which it appeared impossible for the perpetrator to enter the crime scene, commit the crime, and leave undetected. The crime in question typically involves a situation whereby an intruder could not have left; for example the original literal "locked room": a murder victim found in a windowless room locked from the inside at the time of discovery. Following other conventions of classic detective fiction, the reader is normally presented with the puzzle and all of the clues, and is encouraged to solve the mystery before the solution is revealed in a dramatic climax.

Hardboiled

Hardboiled

Hardboiled fiction is a literary genre that shares some of its characters and settings with crime fiction. The genre's typical protagonist is a detective who battles the violence of organized crime that flourished during Prohibition (1920–1933) and its aftermath, while dealing with a legal system that has become as corrupt as the organized crime itself. Rendered cynical by this cycle of violence, the detectives of hardboiled fiction are often antiheroes. Notable hardboiled detectives include Dick Tracy, Philip Marlowe, Mike Hammer, Sam Spade, Lew Archer, Slam Bradley, and The Continental Op.

Legal thriller

Legal thriller

The legal thriller genre is a type of crime fiction genre that focuses on the proceedings of the investigation, with particular reference to the impacts on courtroom proceedings and the lives of characters.

Espionage

Espionage

Espionage, spying, or intelligence gathering is the act of obtaining secret or confidential information (intelligence). A person who commits espionage is called an espionage agent or spy. Any individual or spy ring, in the service of a government, company, criminal organization, or independent operation, can commit espionage. The practice is clandestine, as it is by definition unwelcome. In some circumstances, it may be a legal tool of law enforcement and in others, it may be illegal and punishable by law.

Intelligence agency

Intelligence agency

An intelligence agency is a government agency responsible for the collection, analysis, and exploitation of information in support of law enforcement, national security, military, public safety, and foreign policy objectives.

Caper story

Caper story

The caper story is a subgenre of crime fiction. The typical caper story involves one or more crimes perpetrated by the main characters in full view of the reader. The actions of police or detectives attempting to prevent or solve the crimes may also be chronicled, but are not the main focus of the story.

Parody

Parody

A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it, but a parody can also be about a real-life person, event, or movement. Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater.

Cyril Hare

Cyril Hare

Alfred Alexander Gordon Clark was an English judge and crime writer under the pseudonym Cyril Hare.

Novelist

Novelist

A novelist is an author or writer of novels, though often novelists also write in other genres of both fiction and non-fiction. Some novelists are professional novelists, thus make a living writing novels and other fiction, while others aspire to support themselves in this way or write as an avocation. Most novelists struggle to have their debut novel published, but once published they often continue to be published, although very few become literary celebrities, thus gaining prestige or a considerable income from their work.

Availability

Quality

As with any other entity, quality of a crime fiction book is not in any meaningful proportion to its availability. Some of the crime novels generally regarded as the finest, including those regularly chosen by experts as belonging to the best 100 crime novels ever written (see bibliography), have been out of print since their first publication, which often dates back to the 1920s or '30s. The bulk of books that can be found today on the shelves labelled "Crime" consists of recent first publications usually no older than a few years.

Classics and bestsellers

Furthermore, only a select few authors have achieved the status of "classics" for their published works. A classic is any text that can be received and accepted universally, because they transcend context. A popular, well-known example is Agatha Christie, whose texts, originally published between 1920 and her death in 1976, are available in UK and US editions in all English-speaking nations. Christie's works, particularly featuring detectives Hercule Poirot or Miss Jane Marple, have given her the title the Queen of Crime, and made her one of the most important and innovative writers in the development of the genre. Her most famous novels include Murder on the Orient Express (1934), Death on the Nile (1937), and the world's best-selling mystery And Then There Were None (1939).[15]

Other less successful, contemporary authors who are still writing have seen reprints of their earlier works, due to current overwhelming popularity of crime fiction texts among audiences. One example is Val McDermid, whose first book appeared as far back as 1987; another is Florida-based author Carl Hiaasen, who has been publishing books since 1981, all of which are readily available.

Revivals

From time to time, publishing houses decide, for commercial purposes, to revive long-forgotten authors, and reprint one or two of their more commercially successful novels. Apart from Penguin Books, which for this purpose have resorted to their old green cover and dug out some of their vintage authors. Pan started a series in 1999 entitled "Pan Classic Crime", which includes a handful of novels by Eric Ambler, but also American Hillary Waugh's Last Seen Wearing .... In 2000, Edinburgh-based Canongate Books started a series called "Canongate Crime Classics" —both whodunnits and roman noir about amnesia and insanity—and other novels. However, books brought out by smaller publishers such as Canongate Books are usually not stocked by the larger bookshops and overseas booksellers. The British Library has also (since 2012) starting republishing "lost" crime classics, with the collection referred to on their website as "British Library Crime Classics series".

Sometimes, older crime novels are revived by screenwriters and directors rather than publishing houses. In many such cases, publishers then follow suit and release a so-called "film tie-in" edition showing a still from the movie on the front cover and the film credits on the back cover of the book—yet another marketing strategy aimed at those cinemagoers who may want to do both: first read the book and then watch the film (or vice versa). Recent examples include Patricia Highsmith's The Talented Mr. Ripley (originally published in 1955), Ira Levin's Sliver (1991), with the cover photograph depicting a steamy sex scene between Sharon Stone and William Baldwin straight from the 1993 movie, and again, Bret Easton Ellis's American Psycho (1991). Bloomsbury Publishing PLC, though, have launched what they call "Bloomsbury Film Classics"—a series of original novels on which feature films were based. This series includes, for example, Ethel Lina White's novel The Wheel Spins (1936), which Alfred Hitchcock—before he went to Hollywood—turned into a much-loved movie entitled The Lady Vanishes (1938), and Ira Levin's (born 1929) science-fiction thriller The Boys from Brazil (1976), which was filmed in 1978.

Older novels can often be retrieved from the ever-growing Project Gutenberg database.

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Agatha Christie

Agatha Christie

Dame Agatha Mary Clarissa Christie, Lady Mallowan, was an English writer known for her 66 detective novels and 14 short story collections, particularly those revolving around fictional detectives Hercule Poirot and Miss Marple. She also wrote the world's longest-running play, the murder mystery The Mousetrap, which has been performed in the West End since 1952. A writer during the "Golden Age of Detective Fiction", Christie has been called the "Queen of Crime". She also wrote six novels under the pseudonym Mary Westmacott. In 1971, she was made a Dame (DBE) by Queen Elizabeth II for her contributions to literature. Guinness World Records lists Christie as the best-selling fiction writer of all time, her novels having sold more than two billion copies.

Hercule Poirot

Hercule Poirot

Hercule Poirot is a fictional Belgian detective created by British writer Agatha Christie. Poirot is one of Christie's most famous and long-running characters, appearing in 33 novels, two plays, and 51 short stories published between 1920 and 1975.

Death on the Nile

Death on the Nile

Death on the Nile is a work of detective fiction by British writer Agatha Christie, published in the UK by the Collins Crime Club on 1 November 1937 and in the US by Dodd, Mead and Company the following year. The UK edition retailed at seven shillings and sixpence (7/6) and the US edition at $2.00.

And Then There Were None

And Then There Were None

And Then There Were None is a mystery novel by the English writer Agatha Christie, described by her as the most difficult of her books to write. It was first published in the United Kingdom by the Collins Crime Club on 6 November 1939, as Ten Little Niggers, after the children's counting rhyme and minstrel song, which serves as a major plot element. The US edition was released in January 1940 with the title And Then There Were None, taken from the last five words of the song. Successive American reprints and adaptations use that title, though Pocket Books paperbacks used the title Ten Little Indians between 1964 and 1986. UK editions continued to use the original title until 1985.

Florida

Florida

Florida is a state in the Southeastern region of the United States, bordered to the west by the Gulf of Mexico; Alabama to the northwest; Georgia to the north; the Bahamas and Atlantic Ocean to the east; and the Straits of Florida and Cuba to the south. It is the only state that borders both the Gulf of Mexico and the Atlantic Ocean. With a population exceeding 21 million, it is the third-most populous state in the nation as of 2020. It spans 65,758 square miles (170,310 km2), ranking 22nd in area among the 50 states. The Miami metropolitan area, anchored by the cities of Miami, Fort Lauderdale, and West Palm Beach, is the state's largest metropolitan area with a population of 6.138 million, and the state's most-populous city is Jacksonville with a population of 949,611. Florida's other major population centers include Tampa Bay, Orlando, Cape Coral, and the state capital of Tallahassee.

Carl Hiaasen

Carl Hiaasen

Carl Hiaasen is an American journalist and novelist. He began his career as a newspaper reporter and by the late 1970s had begun writing novels in his spare time, both for adults and for young-adult readers. Two of his novels have been made into feature films.

Eric Ambler

Eric Ambler

Eric Clifford Ambler OBE was an English author of thrillers, in particular spy novels, who introduced a new realism to the genre. Also working as a screenwriter, Ambler used the pseudonym Eliot Reed for books cowritten with Charles Rodda.

Hillary Waugh

Hillary Waugh

Hillary Baldwin Waugh was a pioneering American mystery novelist. In 1989, he was named a Grand Master by the Mystery Writers of America. Pseudonyms used by Waugh included Elissa Grandower, Harry Walker and H. Baldwin Taylor.

Edinburgh

Edinburgh

Edinburgh is the capital city of Scotland and one of its 32 council areas. The city was historically part of the county of Midlothian, but was administered separately from the surrounding county from 1482. It is located in Lothian on the southern shore of the Firth of Forth. Edinburgh is Scotland's second-most populous city, after Glasgow, and the seventh-most populous city in the United Kingdom.

Canongate Books

Canongate Books

Canongate Books is an independent publishing firm based in Edinburgh, Scotland.

Amnesia

Amnesia

Amnesia is a deficit in memory caused by brain damage or disease, but it can also be caused temporarily by the use of various sedatives and hypnotic drugs. The memory can be either wholly or partially lost due to the extent of damage that was caused. There are two main types of amnesia: retrograde amnesia and anterograde amnesia. Retrograde amnesia is the inability to retrieve information that was acquired before a particular date, usually the date of an accident or operation. In some cases the memory loss can extend back decades, while in others the person may lose only a few months of memory. Anterograde amnesia is the inability to transfer new information from the short-term store into the long-term store. People with anterograde amnesia cannot remember things for long periods of time. These two types are not mutually exclusive; both can occur simultaneously.

Insanity

Insanity

Insanity, madness, lunacy, and craziness are behaviors performed by certain abnormal mental or behavioral patterns. Insanity can manifest as violations of societal norms, including a person or persons becoming a danger to themselves or to other people. Conceptually, mental insanity also is associated with the biological phenomenon of contagion as in the case of copycat suicides. In contemporary usage, the term insanity is an informal, un-scientific term denoting "mental instability"; thus, the term insanity defense is the legal definition of mental instability. In medicine, the general term psychosis is used to include the presence of delusions and/or hallucinations in a patient; and psychiatric illness is "psychopathology", not mental insanity.

Source: "Crime fiction", Wikipedia, Wikimedia Foundation, (2023, February 19th), https://en.wikipedia.org/wiki/Crime_fiction.

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See also
References
  1. ^ Abrams, M.H. (2015). A Glossary of Literary Terms. Cengage Learning. p. 69. ISBN 9788131526354.
  2. ^ Franks, Rachel (2011). "May I Suggest Murder?: An Overview of Crime Fiction for Readers' Advisory Services Staff". Australian Library Journal. 60 (2): 133–143. doi:10.1080/00049670.2011.10722585. S2CID 143615356. Retrieved 18 January 2016.
  3. ^ a b Newland, Courttia; Hershman, Tania (2015). Writing Short Stories: A Writers' and Artists' Companion. Bloomsbury Publishing. p. 17. ISBN 9781474257305.
  4. ^ Pinault, David (1992), Story-Telling Techniques in the Arabian Nights, Brill Publishers, pp. 86–91, ISBN 90-04-09530-6
  5. ^ Marzolph, Ulrich (2006), The Arabian Nights Reader, Wayne State University Press, pp. 239–246 (240–242), ISBN 0-8143-3259-5
  6. ^ Pinault, David (1992), Story-Telling Techniques in the Arabian Nights, Brill Publishers, pp. 86–97 (93, 95, 97), ISBN 90-04-09530-6
  7. ^ Pinault, David (1992), Story-Telling Techniques in the Arabian Nights, Brill Publishers, pp. 86–97 (91–92, 93, 96), ISBN 90-04-09530-6
  8. ^ Gerhardi, Mia I. (1963). The Art of Story-Telling. Brill Archive. pp. 169–170.
  9. ^ Binyon, T.J (1990). Murder Will Out: The Detective in Fiction. Oxford: Faber Finds. ISBN 0-19-282730-8.
  10. ^ Bailey, Frankie Y. (Jul 2017). "Crime Fiction". The Oxford Research Encyclopedia of Criminology & Criminal Justice. doi:10.1093/acrefore/9780190264079.013.29. ISBN 978-0-19-026407-9.
  11. ^ a b c Demko, George J. "The International Diffusion and Adaptation of the Crime Fiction Genre". www.dartmouth.edu. Retrieved 2018-03-21.
  12. ^ Hung, Eva (1998). Giving Texts a Context: Chinese Translations of Classical English Detective Stories, 1896–1916. Amsterdam ; Philadelphia: David Pollard, ed.,Translation and Creation. pp. 151–176. ISBN 9027216282.
  13. ^ Cheng, Xiaoqing (2007). Sherlock in Shanghai: Stories of Crime and Detection. Translated by Wong, Timothy. Honolulu: University of Hawai'i Press. ISBN 9780824830991.
  14. ^ a b c Brewster, Liz (2017-03-01). "Murder by the book: using crime fiction as a bibliotherapeutic resource". Medical Humanities. 43 (1): 62–67. doi:10.1136/medhum-2016-011069. ISSN 1468-215X. PMID 27799411. S2CID 14957608.
  15. ^ Davies, Helen; Marjorie Dorfman; Mary Fons; Deborah Hawkins; Martin Hintz; Linnea Lundgren; David Priess; Julia Clark Robinson; Paul Seaburn; Heidi Stevens; Steve Theunissen (14 September 2007). "21 Best-Selling Books of All Time". Editors of Publications International, Ltd. Retrieved 2009-03-25.
Further reading
  • The Crown Crime Companion. The Top 100 Mystery Novels of All Time Selected by the Mystery Writers of America, annotated by Otto Penzler, compiled by Mickey Friedman (New York, 1995, ISBN 0-517-88115-2)
  • De Andrea, William L: Encyclopedia Mysteriosa. A Comprehensive Guide to the Art of Detection in Print, Film, Radio, and Television (New York, 1994, ISBN 0-02-861678-2)
  • Duncan, Paul: Film Noir. Films of Trust and Betrayal (Harpenden, 2000, ISBN 1-903047-08-0)
  • The Hatchards Crime Companion. 100 Top Crime Novels Selected by the Crime Writers' Association, ed. Susan Moody (London, 1990, ISBN 0-904030-02-4)
  • Hitt, Jim: Words and Shadows. Literature on the Screen (New York, 1992, ISBN 0-8065-1340-3)
  • Mann, Jessica: Deadlier Than the Male (David & Charles, 1981. Macmillan,N.Y, 1981)
  • McLeish, Kenneth and McLeish, Valerie: Bloomsbury Good Reading Guide to Murder. Crime Fiction and Thrillers (London, 1990, ISBN 0-13-359092-5)
  • Ousby, Ian: The Crime and Mystery Book. A Reader's Companion (London, 1997).
  • Symons, Julian: Bloody Murder. From the Detective Story to the Crime Novel: A History (Harmondsworth, 1974).
  • Waterstone's Guide to Crime Fiction, ed. Nick Rennison and Richard Shephard (Brentford, 1997).
  • Willett, Ralph: The Naked City. Urban Crime Fiction in the USA (Manchester, 1996).
External links

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