Cinemation Industries

Inga is a 1968 Swedish sexploitation film directed by Joseph W. Sarno. Three years later, Sarno also directed the sequel The Seduction of Inga.

Fanny Hill is a 1968 Swedish film written and directed by Mac Ahlberg and starring Diana Kjær based on the 1748 erotic novel Memoirs of a Woman of Pleasure by John Cleland.

An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following.

Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills–Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypes often involved in crime. The genre does rank among the first after the race films in the 1940s and 1960s in which black characters and communities are the protagonists and subjects of film and television, rather than sidekicks, antagonists or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.

Melvin Van Peebles was an American actor, filmmaker, writer, and composer. He worked as an active filmmaker into the 2000s. His feature film debut, The Story of a Three-Day Pass (1967), was based on his own French-language novel La Permission and was shot in France, as it was difficult for a black American director to get work at the time. The film won an award at the San Francisco International Film Festival which gained him the interest of Hollywood studios, leading to his American feature debut Watermelon Man, in 1970. Eschewing further overtures from Hollywood, he used the successes he had so far to bankroll his work as an independent filmmaker.

Ralph Bakshi is an American animator, filmmaker, and painter. In the 1970s, he established an alternative to mainstream animation through independent and adult-oriented productions. Between 1972 and 1992, he directed nine theatrically released feature films, five of which he wrote. He has also been involved in numerous television projects as director, writer, producer, and animator.

Fritz the Cat is a 1972 American independent adult animated black comedy film written and directed by Ralph Bakshi in his feature film debut. Based on the comic strip by R. Crumb and starring Skip Hinnant, the film focuses on Fritz (Hinnant), a glib, womanizing and fraudulent cat in an anthropomorphic animal version of New York City during the mid-to-late 1960s. Fritz decides on a whim to drop out of college, interacts with inner city African American crows, unintentionally starts a race riot, and becomes a leftist revolutionary. The film is a satire focusing on American college life of the era, race relations, and the free love movement, and serves as a criticism of the countercultural political revolution and dishonest political activists.

Peter Henry Fonda was an American actor. He was the son of Henry Fonda, younger brother of Jane Fonda, and father of Bridget Fonda. He was a prominent figure in the counterculture of the 1960s. Fonda was nominated for the Academy Award for Best Original Screenplay for Easy Rider (1969), and the Academy Award for Best Actor for Ulee's Gold (1997). For the latter, he won the Golden Globe Award for Best Actor – Motion Picture Drama. Fonda also won the Golden Globe Award for Best Supporting Actor – Series, Miniseries or Television Film for The Passion of Ayn Rand (1999).

Idaho Transfer is a 1973 science fiction film directed by Peter Fonda. It stars Kelley Bohanon, Kevin Hearst, Dale Hopkins, and Keith Carradine.

Frederick William Francis was an English cinematographer and film director.

Oh! Calcutta! is an avant-garde, risque theatrical revue created by British drama critic Kenneth Tynan. The show, consisting of sketches on sex-related topics, debuted Off-Broadway in 1969 and then in the West End in 1970. It ran in London for over 3,900 performances, and in New York initially for 1,314. Revivals enjoyed even longer runs, including a Broadway revival that ran for 5,959 performances, making the show the longest-running revue in Broadway history at the time.