Get Our Extension

Celesta

From Wikipedia, in a visual modern way
Celesta
Celesta Schiedmayer Studio.jpg
Keyboard instrument
Other namesCeleste
Classification Idiophone
Hornbostel–Sachs classification111.222
(Sets of percussion plaques)
Inventor(s)
Developed
  • 1860
  • 1886
Playing range
C3 - F8
Related instruments
Sound sample
excerpt from Raymonda by Alexander Glazunov, arranged for solo celesta and performed by Celia García-García

The celesta /sɪˈlɛstə/ or celeste /sɪˈlɛst/, also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovsky's "Dance of the Sugar Plum Fairy" from The Nutcracker.

The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, celeste, meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or section. The delicate, bell-like sound is not loud enough to be used in full ensemble sections; as well, the celesta is rarely given standalone solos.

The celesta is a transposing instrument; it sounds one octave higher than the written pitch. Instruments of different sizes exist with ranges of three to five and a half octaves. Its four-octave sounding range is generally considered to be C4 to C8. The fundamental frequency of 4186 Hz makes this one of the highest pitches in common use. The original French instrument had a five-octave range, but because the lowest octave was considered somewhat unsatisfactory, it was omitted from later models. The standard French four-octave instrument is now gradually being replaced in symphony orchestras by a larger, five-octave German model. Although it is a member of the percussion family, in orchestral terms it is more properly considered a member of the keyboard section and usually played by a keyboardist. The celesta part is normally written on two braced staves, called a grand staff.

Discover more about Celesta related topics

Idiophone

Idiophone

An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow, strings (chordophones), membranes (membranophones) or electricity (electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification. The early classification of Victor-Charles Mahillon called this group of instruments autophones. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand or indirectly, with scraping or shaking motions. Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp.

Keyboard instrument

Keyboard instrument

A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings.

Piano

Piano

The piano is a keyboard instrument with strings struck by wooden hammers coated with a softer material. It is played using its keyboard, which is a row of keys touched by the performer with the fingers and thumbs of both hands, causing the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700.

Octave

Octave

In music, an octave or perfect octave is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music", the use of which is "common in most musical systems". The interval between the first and second harmonics of the harmonic series is an octave.

Resonator

Resonator

A resonator is a device or system that exhibits resonance or resonant behavior. That is, it naturally oscillates with greater amplitude at some frequencies, called resonant frequencies, than at other frequencies. The oscillations in a resonator can be either electromagnetic or mechanical. Resonators are used to either generate waves of specific frequencies or to select specific frequencies from a signal. Musical instruments use acoustic resonators that produce sound waves of specific tones. Another example is quartz crystals used in electronic devices such as radio transmitters and quartz watches to produce oscillations of very precise frequency.

Pyotr Ilyich Tchaikovsky

Pyotr Ilyich Tchaikovsky

Pyotr Ilyich Tchaikovsky was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin.

The Nutcracker

The Nutcracker

The Nutcracker is an 1892 two-act "fairy ballet" set on Christmas Eve at the foot of a Christmas tree in a child's imagination. The music is by Pyotr Ilyich Tchaikovsky, his Opus 71. The plot is an adaptation of E. T. A. Hoffmann's 1816 short story The Nutcracker and the Mouse King. The ballet's first choreographer was Marius Petipa, with whom Tchaikovsky had worked three years earlier on The Sleeping Beauty, assisted by Lev Ivanov. Although the complete and staged The Nutcracker ballet was not as successful as had been the 20-minute Nutcracker Suite that Tchaikovsky had premiered nine months earlier, The Nutcracker soon became popular.

Glockenspiel

Glockenspiel

The glockenspiel or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone.

Timbre

Timbre

In music, timbre, also known as tone color or tone quality, is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category.

Percussion instrument

Percussion instrument

A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone.

Keyboard section

Keyboard section

The keyboard section of an orchestra or concert band includes keyboard instruments. Keyboard instruments are not usually a standard member of a 2010-era orchestra or concert band, but they are included occasionally. In orchestras from the 1600s to the mid-1750s, a keyboard instrument such as the pipe organ or harpsichord normally played with an orchestra, with the performer improvising chords from a figured bass part. This practice, called basso continuo, was phased out after 1750.

Musical keyboard

Musical keyboard

A musical keyboard is the set of adjacent depressible levers or keys on a musical instrument. Keyboards typically contain keys for playing the twelve notes of the Western musical scale, with a combination of larger, longer keys and smaller, shorter keys that repeats at the interval of an octave. Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine, plucking a string (harpsichord), causing air to flow through a pipe organ, striking a bell (carillon), or, on electric and electronic keyboards, completing a circuit. Since the most commonly encountered keyboard instrument is the piano, the keyboard layout is often referred to as the piano keyboard.

History

The Mustel celesta mechanism
The Mustel celesta mechanism

The celesta was invented in 1886 by the Parisian harmonium builder Auguste Mustel [fr]. His father, Charles Victor Mustel, had developed the forerunner of the celesta, the typophone, in 1860. This instrument produced sound by striking tuning forks instead of the metal plates that would be used in the celesta. The dulcitone functioned identically to the typophone and was developed concurrently in Scotland; it is unclear whether their creators were aware of one another's instrument.[1] The typophone/dulcitone's uses were limited by its low volume, too quiet to be heard in a full orchestra.

abbreviated concert performance of Dance of the Sugar Plum Fairy by the orchestra of the Moscow Conservatory

Pyotr Ilyich Tchaikovsky is usually cited as the first major composer to use this instrument in a work for full symphony orchestra. He first used it in his symphonic poem The Voyevoda, Op. posth. 78, premiered in November 1891.[2] The following year, he used the celesta in passages of his ballet The Nutcracker (Op. 71, 1892), most notably in the Variation de la Fée Dragée (commonly known as the Dance of the Sugar Plum Fairy), in response to instructions from the Balletmaster Marius Petipa that the music should resemble "...drops of water shooting out of fountains...".[3]

However, Ernest Chausson preceded Tchaikovsky by employing the celesta in December 1888 in his incidental music, written for a small orchestra, for La tempête (a French translation by Maurice Bouchor of William Shakespeare's The Tempest).[4]

The celesta is also notably used in Gustav Mahler's Symphony No. 6, particularly in the 1st, 2nd and 4th movements, in his Symphony No. 8 and Das Lied von der Erde. Karol Szymanowski featured it in his Symphony No. 3. Gustav Holst employed the instrument in his 1918 orchestral work The Planets, particularly in the final movement, Neptune, the Mystic. It also features prominently in Béla Bartók's 1936 Music for Strings, Percussion and Celesta. Ottorino Respighi included it in a number of his works, particularly the "Roman triptych" of tone poems. George Gershwin included a celesta solo in the score to An American in Paris. Ferde Grofe also wrote an extended cadenza for the instrument in the third movement of his Grand Canyon Suite. Dmitri Shostakovich included parts for celesta in seven out of his fifteen symphonies, with a notable use in the fourth symphony's coda.

Twentieth-century American composer Morton Feldman used the celesta in many of his large-scale chamber pieces such as Crippled Symmetry and For Philip Guston, and it figured in much of his orchestral music and other pieces. In some works, such as "Five Pianos" one of the players doubles on celesta.

The celesta is used in Carl Orff's cantata Carmina Burana (1936),[5] and in some 20th-century operas such as the Silver Rose scene in Der Rosenkavalier (1911).[6]

The keyboard glockenspiel part in Mozart's The Magic Flute is nowadays often played by a celesta.[7]

Discover more about History related topics

Paris

Paris

Paris is the capital and most populous city of France, with an official estimated population of 2,102,650 residents as of 1 January 2023 in an area of more than 105 km², making it the fourth-most populated city in the European Union as well as the 30th most densely populated city in the world in 2022. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its early and extensive system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world.

Pump organ

Pump organ

The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark.

Dulcitone

Dulcitone

A dulcitone is a keyboard instrument in which sound is produced by a range of tuning forks, which vibrate when struck by felt-covered hammers activated by the keyboard. The instrument was designed by Thomas Machell of Glasgow in the 1860s, at the same time as Victor Mustel's organologically synonymous typophone, and manufactured by the firm of Thomas Machell & Sons during the late nineteenth and early twentieth centuries.

Moscow Conservatory

Moscow Conservatory

The Moscow Conservatory, also officially Moscow State Tchaikovsky Conservatory is a musical educational institution located in Moscow, Russia. It grants undergraduate and graduate degrees in musical performance and musical research. The conservatory offers various degrees including Bachelor of Music Performance, Master of Music and PhD in research.

Composer

Composer

A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music.

Orchestra

Orchestra

An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:bowed string instruments, such as the violin, viola, cello, and double bass woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon brass instruments, such as the horn, trumpet, trombone, cornet, and tuba percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments

Ballet

Ballet

Ballet is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways.

Marius Petipa

Marius Petipa

Marius Ivanovich Petipa, born Victor Marius Alphonse Petipa, was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history.

Ernest Chausson

Ernest Chausson

Amédée-Ernest Chausson was a French Romantic composer who died just as his career was beginning to flourish.

Incidental music

Incidental music

Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack.

Maurice Bouchor

Maurice Bouchor

Maurice Bouchor was a French poet.

Gustav Mahler

Gustav Mahler

Gustav Mahler was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.

Use in other musical genres

Jazz

Since Earl Hines took it up in 1928, other jazz pianists have occasionally used the celesta as an alternative instrument. In the 1930s, Fats Waller sometimes played celesta with his right hand and piano simultaneously with his left hand. Other notable jazz pianists who occasionally played the celesta include Memphis Slim, Meade "Lux" Lewis, Willie "The Lion" Smith, Art Tatum, Duke Ellington, Thelonious Monk, Buddy Greco, Oscar Peterson, McCoy Tyner, Sun Ra, Keith Jarrett, and Herbie Hancock. A celesta provides the introduction to Someday You'll Be Sorry, a song Louis Armstrong recorded for RCA, and is featured prominently throughout the piece. A celesta is used by the pianist Russ Freeman on tracks from Chet Baker Sings (such as My Ideal and I Get Along Without You Very Well (Except Sometimes)). A number of recordings Frank Sinatra made for Columbia in the 1940s feature the instrument (for instance I'll Never Smile Again),[8] as do many of his albums recorded for Capitol in the 1950s (In the Wee Small Hours, Close to You and Songs for Swingin' Lovers).[9]

Rock and pop

Notable pop and rock songs recorded with the celesta include:

Icelandic band Sigur Rós included celesta on their album Takk...,[14] as did lead singer Jónsi on Go Quiet, the acoustic version of his solo album Go. Steven Wilson also uses it on various tracks in his solo works.

The Italian 1970s progressive rock band Celeste was named after the instrument.

Bruce Springsteen and the E Street Band used a celesta heavily in their early days, with Danny Federici often playing a Jenco Celestette in the band's live performances throughout the 1970s and 80s.

Sheryl Crow plays celesta on her 2017 album, Be Myself.[15]

The band A-ha used, among other instruments, a Jenco celesta during their MTV Unplugged: Summer Solstice performances, recorded and released in 2017.

Soundtrack

The celesta has been common in cinema for decades. In addition to supplementing numerous soundtrack orchestrations for films of the 1930s, 1940s and 1950s, the celesta has occasionally been spotlighted to invoke a whimsical air. For example, in Pinocchio (1940), a small motif on the celesta is used whenever the Blue Fairy appears out of thin air or performs magic. Celesta also provides the signature opening of Pure Imagination, a song (sung by Gene Wilder) from the 1971 film Willy Wonka & the Chocolate Factory. Composer John Williams's scores for the first three Harry Potter films feature the instrument, particularly in the first two films' frequent statements of "Hedwig's Theme".

Another notable use of the celesta was in the music on the children's television series Mister Rogers' Neighborhood. It was most famously heard in the intro to the theme song of the programme, "Won't You Be My Neighbor", which began with a dreamy sequence on the instrument. The song was sung by Fred Rogers and played by Johnny Costa. It was also used from time to time in other music sequences throughout the programme, such as the one heard as the Neighborhood Trolley moved in and out of the Neighborhood of Make Believe.

A celesta is used in the full orchestral version of the theme song from the TV series The West Wing, composed by W. G. Snuffy Walden.[16]

Discover more about Use in other musical genres related topics

Earl Hines

Earl Hines

Earl Kenneth Hines, also known as Earl "Fatha" Hines, was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz".

Fats Waller

Fats Waller

Thomas Wright "Fats" Waller was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid much of the basis for modern jazz piano. His best-known compositions, "Ain't Misbehavin'" and "Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as "the soul of melody... a man who made the piano sing... both big in body and in mind... known for his generosity... a bubbling bundle of joy". It is likely that he composed many more popular songs than he has been credited with: when in financial difficulties he had a habit of selling songs to other writers and performers who claimed them as their own.

Memphis Slim

Memphis Slim

John Len Chatman, known professionally as Memphis Slim, was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, "Every Day I Have the Blues", has become a blues standard, recorded by many other artists. He made over 500 recordings.

Art Tatum

Art Tatum

Arthur Tatum Jr. was an American jazz pianist who is widely regarded as one of the greatest ever. From early in his career, fellow musicians acclaimed Tatum's technical ability as extraordinary. Tatum also extended jazz piano's vocabulary and boundaries far beyond his initial stride influences, and established new ground through innovative use of reharmonization, voicing, and bitonality.

Duke Ellington

Duke Ellington

Edward Kennedy "Duke" Ellington was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life.

Buddy Greco

Buddy Greco

Armando Joseph "Buddy" Greco was an American jazz and pop singer and pianist who had a long career in the US and UK. His recordings have sold millions, including "Oh Look A-There Ain't She Pretty", "Up, Up and Away", and "Around the World". His most successful single was "The Lady Is a Tramp", which sold over one million copies. During his career, he recorded over sixty albums. He conducted the London Symphony Orchestra and performed for Queen Elizabeth II and with the Beatles.

McCoy Tyner

McCoy Tyner

Alfred McCoy Tyner was an American jazz pianist and composer known for his work with the John Coltrane Quartet and his long solo career afterwards. He was an NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated electric keyboards or synthesizers into his work. Tyner has been widely imitated, and is one of the most recognizable and influential pianists in jazz history.

Keith Jarrett

Keith Jarrett

Keith Jarrett is an American jazz and classical music pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, Jarrett has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music.

Herbie Hancock

Herbie Hancock

Herbert Jeffrey Hancock is an American jazz pianist, keyboardist, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, using a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, Head Hunters.

Louis Armstrong

Louis Armstrong

Louis Daniel Armstrong, nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. He received numerous accolades including the Grammy Award for Best Male Vocal Performance for Hello, Dolly! in 1965, as well as a posthumous win for the Grammy Lifetime Achievement Award in 1972, and the induction into the National Rhythm & Blues Hall of Fame in 2017.

Chet Baker Sings

Chet Baker Sings

Chet Baker Sings is the debut vocal album by jazz musician Chet Baker, released in 1954 by Pacific Jazz Records. In 2001, the album received the Grammy Hall of Fame Award. Baker would return to selections from this album throughout his career. "My Funny Valentine" was regularly included in his concert performances, and is considered by some to be his signature song.

I Get Along Without You Very Well (Except Sometimes)

I Get Along Without You Very Well (Except Sometimes)

"I Get Along Without You Very Well" is a popular song composed by Hoagy Carmichael in 1939, with lyrics based on a poem written by Jane Brown Thompson, and the main melodic theme on the Fantaisie-Impromptu in C sharp minor, Op 66, by Frédéric Chopin. Thompson's identity as the author of the poem was for many years unknown; she died the night before the song was introduced on radio by Dick Powell.

Manufacturers

Inside view of a celesta
Inside view of a celesta
Celesta with back cover removed
Celesta with back cover removed

Schiedmayer[17] and Yamaha[18] are the only companies currently making celestas. Other known manufacturers that made celestas in the past include:

  • Mustel & Company (Paris, France)
  • Simone Bros. Celeste MFGS (Philadelphia and New York, US)
  • Morley (England)
  • Jenco (Decatur, Illinois, US)
  • Helmes (New York, US)

Substitutes

If an ensemble or orchestra lacks a celesta, a piano, synthesizer, or sampler and electronic keyboards are often used as a substitute.

Source: "Celesta", Wikipedia, Wikimedia Foundation, (2023, March 14th), https://en.wikipedia.org/wiki/Celesta.

Enjoying Wikiz?

Enjoying Wikiz?

Get our FREE extension now!

See also
Notes
  1. ^ Mo, Sue. "Dulcitone". Sumo55 Websites & Multi Media Design. Retrieved 28 September 2016.
  2. ^ Freed, Richard. [LP Jacket notes.] "Tchaikovsky: 'Fatum,' ... 'The Storm,' ... 'The Voyevoda.'" Bochum Orchestra. Othmar Maga, conductor. Vox Stereo STPL 513.460. New York: Vox Productions, 1975.
  3. ^ Wiley, Roland John (1985). Tchaikovsky's Ballets. New York: Oxford University Press. p. 379. ISBN 9780193153141.
  4. ^ Blades, James and Holland, James. "Celesta"; Gallois, Jean. "Chausson, Ernest: Works", Grove Music Online (Accessed 8 April 2006) (subscription required)
  5. ^ "Juan Vicente Mas Quiles – Carmina Burana, published by Schott Music
  6. ^ Luttrell, Guy L. (1979). The Instruments of Music, p.165. Taylor & Francis.
  7. ^ "An Overview of Yamaha Celestas" retrieved 13 March 2012
  8. ^ "All Or Nothing At All: A Life of Frank Sinatra", DonaldClarkeMusicBox.com.
  9. ^ "500 Greatest Albums of All Time, 100/500: In the Wee Small Hours – Frank Sinatra Archived 2012-05-27 at the Wayback Machine", RollingStone.com.
  10. ^ "Everyday by Buddy Holly", SongFacts.com.
  11. ^ "'Baby It's You' History", BeatlesBooks.com.
  12. ^ "Lou Reed—Sunday Morning", CreemMagazine.com.
  13. ^ (August 27, 2010). "Iggy Pop keeps Stooges raw, real", ChicagoTribune.com.
  14. ^ "Takk... documentary", sigur-ros.co.uk.
  15. ^ Be Myself at Discogs
  16. ^ 2017. Armando Stettner, personal correspondence with composer.
  17. ^ "Schiedmayer Celesta". Schiedmayer GmbH. Retrieved 2016-01-03. Schiedmayer's website claims that it "... is today the only Celesta manufacturer worldwide": Schiedmayer is the only company manufacturing celestas according to the patent of A. Mustel and claims the instruments build by Yamaha are "keyboard glockenspiels". However, this claim is contradicted by Yamaha.
  18. ^ "An Overview of Yamaha Celestas". Yamaha Corporation. Retrieved 2016-01-03. Yamaha's website states that it has manufactured Celestas since 1992.
References
External links

The content of this page is based on the Wikipedia article written by contributors..
The text is available under the Creative Commons Attribution-ShareAlike Licence & the media files are available under their respective licenses; additional terms may apply.
By using this site, you agree to the Terms of Use & Privacy Policy.
Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization & is not affiliated to WikiZ.com.