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Biograph Company

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Biograph Company
IndustryMotion pictures
Founded1895
FounderWilliam Kennedy Dickson
Defunct1916
Headquarters,
Area served
United States, Europe
Key people
ProductsSilent films

The Biograph Company, also known as the American Mutoscope and Biograph Company, was a motion picture company founded in 1895 and active until 1916. It was the first company in the United States devoted entirely to film production and exhibition, and for two decades was one of the most prolific, releasing over 3000 short films and 12 feature films.[1][2] During the height of silent film as a medium, Biograph was America's most prominent film studio and one of the most respected and influential studios worldwide, only rivaled by Germany's UFA, Sweden's Svensk Filmindustri and France's Pathé. The company was home to pioneering director D. W. Griffith and such actors as Mary Pickford, Lillian Gish, and Lionel Barrymore.

Discover more about Biograph Company related topics

Filmmaking

Filmmaking

Filmmaking or film production is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, starting with an initial story, idea, or commission. It then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience that may result in a film release and an exhibition. Filmmaking occurs in a variety of economic, social, and political contexts around the world. It uses a variety of technologies and cinematic techniques.

Feature film

Feature film

A feature film or feature-length film is a narrative film with a running time long enough to be considered the principal or sole presentation in a commercial entertainment program. The term feature film originally referred to the main, full-length film in a cinema program that included a short film and often a newsreel. Matinee programs, especially in the US and Canada, in general, also included cartoons, at least one weekly serial and, typically, a second feature-length film on weekends.

Silent film

Silent film

A silent film is a film with no synchronized recorded sound. Though silent films convey narrative and emotion visually, various plot elements or key lines of dialogue may, when necessary, be conveyed by the use of title cards.

Weimar culture

Weimar culture

Weimar culture was the emergence of the arts and sciences that happened in Germany during the Weimar Republic, the latter during that part of the interwar period between Germany's defeat in World War I in 1918 and Hitler's rise to power in 1933. 1920s Berlin was at the hectic center of the Weimar culture. Although not part of the Weimar Republic, some authors also include the German-speaking Austria, and particularly Vienna, as part of Weimar culture.

Sweden

Sweden

Sweden, formally the Kingdom of Sweden, is a Nordic country located on the Scandinavian Peninsula in Northern Europe. It borders Norway to the west and north, Finland to the east, and is connected to Denmark in the southwest by a bridge–tunnel across the Öresund. At 447,425 square kilometres (172,752 sq mi), Sweden is the largest Nordic country, the third-largest country in the European Union, and the fifth-largest country in Europe. The capital and largest city is Stockholm. Sweden has a total population of 10.5 million, and a low population density of 25.5 inhabitants per square kilometre (66/sq mi), with around 87% of Swedes residing in urban areas, which cover 1.5% of the entire land area, in the central and southern half of the country.

French Third Republic

French Third Republic

The French Third Republic was the system of government adopted in France from 4 September 1870, when the Second French Empire collapsed during the Franco-Prussian War, until 10 July 1940, after the Fall of France during World War II led to the formation of the Vichy government.

Pathé

Pathé

Pathé or Pathé Frères is the name of various French businesses that were founded and originally run by the Pathé Brothers of France starting in 1896. In the early 1900s, Pathé became the world's largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas before a feature film.

D. W. Griffith

D. W. Griffith

David Wark Griffith was an American film director. Considered one of the most influential figures in the history of the motion picture, he pioneered many aspects of film editing and expanded the art of the narrative film.

Mary Pickford

Mary Pickford

Gladys Marie Smith, known professionally as Mary Pickford, was a Canadian-American stage and screen actress and producer with a career that spanned five decades. A pioneer in the US film industry, she co-founded Pickford–Fairbanks Studios and United Artists, and was one of the 36 founders of the Academy of Motion Picture Arts and Sciences. Pickford is considered to be one of the most recognisable women in history.

Lillian Gish

Lillian Gish

Lillian Diana Gish was an American actress, director, and screenwriter. Her film-acting career spanned 75 years, from 1912, in silent film shorts, to 1987. Gish was called the "First Lady of American Cinema", and is credited with pioneering fundamental film performance techniques. In 1999, the American Film Institute ranked Gish as the 17th greatest female movie star of classic Hollywood cinema.

Lionel Barrymore

Lionel Barrymore

Lionel Barrymore was an American actor of stage, screen and radio as well as a film director. He won an Academy Award for Best Actor for his performance in A Free Soul (1931), and remains best known to modern audiences for the role of villainous Mr. Potter in Frank Capra's 1946 film It's a Wonderful Life.

Founding

William Kennedy Dickson in 1891, later the founder of the Biograph Company, while working for Thomas A. Edison, prior to the formation of Dickson's own film studio
William Kennedy Dickson in 1891, later the founder of the Biograph Company, while working for Thomas A. Edison, prior to the formation of Dickson's own film studio

The company was started by William Kennedy Dickson, an inventor at Thomas Edison's laboratory who helped pioneer the technology of capturing moving images on film. Dickson left Edison in April 1895, joining with inventors Herman Casler, Henry Marvin and businessman Elias Koopman to incorporate the American Mutoscope Company in New Jersey on December 30, 1895.[3] The firm manufactured the Mutoscope and made flip-card movies for it as a rival to Edison's Kinetoscope for individual "peep shows", making the company Edison's chief competitor in the nickelodeon market. In the summer of 1896 the Biograph projector was released, offering superior image quality to Edison's Vitascope projector. The company soon became a leader in the film industry, with distribution and production subsidiaries around the world, including the British Mutoscope Co. In 1899 it changed its name to the American Mutoscope and Biograph Company, and in 1908 to simply the Biograph Company.[4]

Still from Biograph's film The Temptation of St. Anthony (1900) with actress in body suit, a scene of simulated nudity in early American cinema decades before the creation of the Motion Picture Production Code
Still from Biograph's film The Temptation of St. Anthony (1900) with actress in body suit, a scene of simulated nudity in early American cinema decades before the creation of the Motion Picture Production Code

To avoid violating Edison's motion picture patents, Biograph cameras from 1895 to 1902 used a large-format film, measuring 2+2332 inches (69 mm) wide, with an image area of 2 by 2+12 inches (51 mm × 64 mm), four times that of Edison's 35 mm format. The camera used friction feed instead of Edison's sprocket feed to guide the film to the aperture. The camera itself punched a sprocket hole on each side of the frame as the film was exposed at 30 frames per second.[5][6] A patent case victory in March 1902 allowed Biograph and other producers and distributors to use the less expensive 35 mm format without an Edison license, although Biograph did not completely phase out 68 mm production until autumn of 1903.[7] Biograph offered prints in both formats to exhibitors until 1905, when it discontinued the larger format.[8][9]

Biograph films before 1903, were mostly "actualities," documentary film footage of actual persons, places and events, each film usually less than two minutes long, such as the one of the Empire State Express, which premiered on October 12, 1896 in New York City.[10] The occasional narrative film, usually a comedy, was typically shot in one scene, with no editing. Spurred on by competition from Edison and British and European producers, Biograph production from 1903 onward was increasingly dominated by narratives. As the stories became more complex the films became longer, with multiple scenes to tell the story, although an individual scene was still usually presented in one shot without editing. Biograph's production of actualities ended by 1908 in favor of the narrative film.

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William Kennedy Dickson

William Kennedy Dickson

William Kennedy Laurie Dickson was a British inventor who devised an early motion picture camera under the employment of Thomas Edison.

Thomas Edison

Thomas Edison

Thomas Alva Edison was an American inventor and businessman. He developed many devices in fields such as electric power generation, mass communication, sound recording, and motion pictures. These inventions, which include the phonograph, the motion picture camera, and early versions of the electric light bulb, have had a widespread impact on the modern industrialized world. He was one of the first inventors to apply the principles of organized science and teamwork to the process of invention, working with many researchers and employees. He established the first industrial research laboratory.

Herman Casler

Herman Casler

Herman Casler was an American inventor and co-founder of the partnership called the K.M.C.D. Syndicate, along with W.K-L. Dickson, Elias Koopman, and Henry Marvin, which eventually was incorporated into the American Mutoscope Company in December 1895.

New Jersey

New Jersey

New Jersey is a state situated within both the Mid-Atlantic and Northeastern regions of the United States. It is the most densely populated U.S. state, and is situated at the center of the Northeast megalopolis, the most populous American urban agglomeration. New Jersey is bordered on its north and east by the state of New York; on its east, southeast, and south by the Atlantic Ocean; on its west by the Delaware River and Pennsylvania; and on its southwest by Delaware Bay and the state of Delaware. At 7,354 square miles (19,050 km2), New Jersey is the fifth-smallest state in land area, but with close to 9.3 million residents as of the 2020 United States census, its highest decennial count ever, ranks 11th in population. The state capital is Trenton, and the most populous city is Newark. New Jersey is the only U.S. state in which every county is deemed urban by the U.S. Census Bureau, with 13 counties included in the New York metropolitan area, seven counties in the Philadelphia metropolitan area, and with Warren County constituting part of the rapidly industrializing Lehigh Valley metropolitan area.

Mutoscope

Mutoscope

The Mutoscope is an early motion picture device, invented by W. K. L. Dickson and Herman Casler and later patented by Herman Casler on November 21, 1894. Like Thomas Edison's Kinetoscope, it did not project on a screen and provided viewing to only one person at a time. Cheaper and simpler than the Kinetoscope, the system, marketed by the American Mutoscope Company, quickly dominated the coin-in-the-slot peep-show business.

Kinetoscope

Kinetoscope

The Kinetoscope is an early motion picture exhibition device, designed for films to be viewed by one person at a time through a peephole viewer window. The Kinetoscope was not a movie projector, but it introduced the basic approach that would become the standard for all cinematic projection before the advent of video: it created the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter. First described in conceptual terms by U.S. inventor Thomas Edison in 1888, it was largely developed by his employee William Kennedy Laurie Dickson between 1889 and 1892. Dickson and his team at the Edison lab in New Jersey also devised the Kinetograph, an innovative motion picture camera with rapid intermittent, or stop-and-go, film movement, to photograph movies for in-house experiments and, eventually, commercial Kinetoscope presentations.

Film still

Film still

A film still is a photograph, taken on or off the set of a movie or television program during production. These photographs are also taken in formal studio settings and venues of opportunity such as film stars' homes, film debut events, and commercial settings. The photos were taken by studio photographers for promotional purposes. Such stills consisted of posed portraits, used for public display or free fan handouts, which are sometimes autographed. They can also consist of posed or candid images taken on the set during production, and may include stars, crew members or directors at work.

35 mm movie film

35 mm movie film

35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide. The standard image exposure length on 35 mm for movies is four perforations per frame along both edges, which results in 16 frames per foot of film.

Documentary film

Documentary film

A documentary film or documentary is a non-fictional motion-picture intended to "document reality, primarily for the purposes of instruction, education or maintaining a historical record". Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries".

Empire State Express

Empire State Express

The Empire State Express was one of the named passenger trains and onetime flagship of the New York Central & Hudson River Railroad. On September 14, 1891, it covered the 436 miles (702 kilometers) between New York City and Buffalo in 7 hours and 6 minutes, averaging 61.4 miles-per-hour (98.8 km/h), with a top speed of 82 mph (132 km/h).

Studio

Biograph's first studio was similar to Edison's Black Maria, pictured here, only located ...... on the roof of 841 Broadway in Manhattan
Biograph's first studio was similar to Edison's Black Maria, pictured here, only located ...
Biograph's first studio was similar to Edison's Black Maria, pictured here, only located ...... on the roof of 841 Broadway in Manhattan
... on the roof of 841 Broadway in Manhattan

The company's first studio was located on the roof of 841 Broadway at 13th St. in Manhattan, known then as the Hackett Carhart Building and today as the Roosevelt Building. The set-up was similar to Thomas Edison's "Black Maria" in West Orange, New Jersey, with the studio itself being mounted on circular tracks to be able to get the best possible sunlight (as of 1988 the foundations of this machinery were still extant). The company moved in 1906 to a converted brownstone mansion at 11 East 14th Street near Union Square, a building that was razed in the 1960s.[11] This was Biograph's first indoor studio, and the first movie studio in the world to rely exclusively on artificial light. Biograph moved again in 1913, as it entered feature-film production, to a new state-of-the-art studio on 175th Street in the Bronx.

There was the problem of the underground "duping" business, where people would illegally duplicate a copyrighted movie and then remove the title screen with the company and copyright notice and sell it to theaters. In order to make the theater audience aware that they were watching an American Biograph movie (regardless of whether it was illegally "duped" or not) the AB logo would be prominently placed in random parts of the movie.[12]

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Biograph Studios

Biograph Studios

Biograph Studios was an early film studio and laboratory complex, built in 1912 by the Biograph Company at 807 East 175th Street, in The Bronx, New York City, New York.

Edison's Black Maria

Edison's Black Maria

The Black Maria was Thomas Edison's film production studio in West Orange, New Jersey. It was the world's first film studio.

Broadway (Manhattan)

Broadway (Manhattan)

Broadway is a road in the U.S. state of New York. Broadway runs from State Street at Bowling Green for 13 mi (21 km) through the borough of Manhattan and 2 mi (3.2 km) through the Bronx, exiting north from New York City to run an additional 18 mi (29 km) through the Westchester County municipalities of Yonkers, Hastings-On-Hudson, Dobbs Ferry, Irvington, and Tarrytown, and terminating north of Sleepy Hollow.

Manhattan

Manhattan

Manhattan is the most densely populated and geographically smallest of the five boroughs of New York City. The borough is also coextensive with New York County, one of the original counties of the U.S. state of New York. Located near the southern tip of New York State, Manhattan is based in the Eastern Time Zone and constitutes both the geographical and demographic center of the Northeast megalopolis and the urban core of the New York metropolitan area, the largest metropolitan area in the world by urban landmass. Over 58 million people live within 250 miles of Manhattan, which serves as New York City’s economic and administrative center, cultural identifier, and the city’s historical birthplace. Residents of the outer boroughs of New York City often refer to Manhattan as "the city". Manhattan has been described as the cultural, financial, media, and entertainment capital of the world, and hosts the United Nations headquarters. Manhattan also serves as the headquarters of the global art market, with numerous art galleries and auction houses collectively hosting half of the world’s art auctions.

Thomas Edison

Thomas Edison

Thomas Alva Edison was an American inventor and businessman. He developed many devices in fields such as electric power generation, mass communication, sound recording, and motion pictures. These inventions, which include the phonograph, the motion picture camera, and early versions of the electric light bulb, have had a widespread impact on the modern industrialized world. He was one of the first inventors to apply the principles of organized science and teamwork to the process of invention, working with many researchers and employees. He established the first industrial research laboratory.

West Orange, New Jersey

West Orange, New Jersey

West Orange is a suburban township in Essex County, in the U.S. state of New Jersey.

14th Street (Manhattan)

14th Street (Manhattan)

14th Street is a major crosstown street in the New York City borough of Manhattan, traveling between Eleventh Avenue on Manhattan's West Side and Avenue C on Manhattan's East Side. It forms a boundary between several neighborhoods and is sometimes considered the border between Lower Manhattan and Midtown Manhattan.

Rise of D. W. Griffith

Biograph moved into this Manhattan brownstown in 1906 and continued to produce films there until 1913
Biograph moved into this Manhattan brownstown in 1906 and continued to produce films there until 1913

Director D. W. Griffith joined Biograph in 1908 as a writer and actor, but within months became its principal director. In 1908, the company's head director Wallace McCutcheon grew ill, and his son Wallace McCutcheon Jr. took his place but was not able to make a successful film for the company.[13] As a result of these failed productions, studio head Henry Marvin gave the position of head director to Griffith, whose first film was The Adventures of Dollie.[13] Griffith helped establish many of the conventions of narrative film, including cross-cutting to show events occurring simultaneously in different places, the flashback, the fade-in/fade-out, the interposition of closeups within a scene, and a moderated acting style more suitable for film. Although Griffith did not invent these techniques, he made them a regular part of the film vocabulary. His prolific output—often one new film a week—and willingness to experiment in many different genres helped the company become a major commercial success. Many early movie stars were Biograph performers, including Mary Pickford, Lionel Barrymore, Lillian Gish, Dorothy Gish, Robert Harron, Arthur V. Johnson, Florence Auer, Robert G. Vignola, Owen Moore, Alan Hale Sr., Florence Lawrence, Blanche Sweet, Harry Carey, James Kirkwood Sr., Mabel Normand, Henry B. Walthall, Mae Marsh, and Dorothy Davenport. Mack Sennett honed his craft as an actor and director of comedies at Biograph. After debuting at Biograph, Mary Pickford also became a top star at the studio and would soon be known to audiences as "The Biograph Girl".[14]

In January 1910, Griffith and Lee Dougherty with the rest of the Biograph acting company travelled to Los Angeles. While the purpose of the trip was to shoot Ramona in authentic locations, it was also to determine the suitability of the West Coast as a place for a permanent studio. The group set up a small facility at Washington Street and Grand Avenue. After this, Griffith and his players decided to go a little further north to a small village they had heard about that was friendly and had beautiful floral scenery. They decided to travel there and fell in love with this little place called Hollywood. Biograph then made the first film ever in Hollywood called In Old California, a Latino melodrama about the early days of Mexico-owned California.[15] Griffith and the Biograph troupe filmed other short movies at various locations, then traveled back to New York. After the East Coast film community heard about Hollywood, other companies began to migrate there. Biograph's little film launched Hollywood as the future movie capital of the world. It opened a studio at Pico and Georgia streets in downtown Los Angeles (where the Los Angeles Convention Center now stands) in 1911, and sent a film crew to work there each year until 1916.

PLAY partial copy of The Wanderer (1913) directed by Griffith for Biograph; runtime time 00:06:23.

Griffith left Biograph in October 1913 after finishing Judith of Bethulia, unhappy with the company's resistance to larger budgets, feature film production or giving onscreen credit to him and the cast. With him went many of the Biograph actors, his cameraman Billy Bitzer and his production crew. As a final slight to Griffith, Biograph delayed release of Judith of Bethulia until March 1914, to avoid a profit-sharing arrangement the company had with him.[16]

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Film director

Film director

A film director is a person who controls a film's artistic and dramatic aspects and visualizes the screenplay while guiding the film crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking.

D. W. Griffith

D. W. Griffith

David Wark Griffith was an American film director. Considered one of the most influential figures in the history of the motion picture, he pioneered many aspects of film editing and expanded the art of the narrative film.

Cross-cutting

Cross-cutting

Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and often in the same place. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions, but this is not always the case. Cross-cutting can also be used for characters in a film with the same goals but different ways of achieving them.

Fade (lighting)

Fade (lighting)

In stage lighting, a fade is a gradual increase or decrease of the intensity of light projected onto the stage. The term fade-in refers to gradually changing the lighting level from complete darkness to a predetermined lighting level. A fade-out refers to gradually decreasing the intensity of light until none is shining on the stage. A crossfade is when lighting levels are gradually altered from one setting to another. A fade-in is sometimes called a build, and where this terminology is used, a fade is understood to be a fade-out.

Dorothy Gish

Dorothy Gish

Dorothy Elizabeth Gish was an American actress of the screen and stage, as well as a director and writer. Dorothy and her older sister Lillian Gish were major movie stars of the silent era. Dorothy also had great success on the stage, and was inducted into the American Theater Hall of Fame. Dorothy Gish was noted as a fine comedian, and many of her films were comedies.

Arthur V. Johnson

Arthur V. Johnson

Arthur Vaughan Johnson was a pioneer actor and director of the early American silent film era.

Florence Auer

Florence Auer

Florence Auer was an American theater and motion picture actress whose career spanned more than five decades.

Alan Hale Sr.

Alan Hale Sr.

Alan Hale Sr. was an American actor and director. He is best remembered for his many character roles, in particular as a frequent sidekick of Errol Flynn, as well as films supporting Lon Chaney, Wallace Beery, Douglas Fairbanks, James Cagney, Clark Gable, Cary Grant, Humphrey Bogart, and Ronald Reagan. Hale was usually billed as Alan Hale and his career in film lasted 40 years. His son, Alan Hale Jr., also became an actor and remains most famous for playing "the Skipper" on the television series Gilligan's Island.

Florence Lawrence

Florence Lawrence

Florence Lawrence was a Canadian-American stage performer and film actress. She is often referred to as the "first movie star", and was long thought to be the first film actor to be named publicly until evidence published in 2019 indicated that the first named film star was French actor Max Linder. At the height of her fame in the 1910s, she was known as the "Biograph Girl" for work as one of the leading ladies in silent films from the Biograph Company. She appeared in almost 300 films for various motion picture companies throughout her career.

Blanche Sweet

Blanche Sweet

Sarah Blanche Sweet was an American silent film actress who began her career in the early days of the motion picture film industry.

Harry Carey (actor)

Harry Carey (actor)

Henry DeWitt Carey II was an American actor and one of silent film's earliest superstars, usually cast as a Western hero. One of his best known performances is as the president of the United States Senate in the drama film Mr. Smith Goes to Washington (1939), for which he was nominated for the Academy Award for Best Supporting Actor. He was the father of Harry Carey Jr., who was also a prominent actor.

James Kirkwood Sr.

James Kirkwood Sr.

James Cornelius Kirkwood Sr. was an American actor and director.

Decline

In December 1908 Biograph joined Edison in forming the Motion Picture Patents Company in an attempt to control the industry and shut out smaller producers.[17] The "Edison Trust," as it was nicknamed, was made up of Edison, Biograph, Essanay Studios, Kalem Company, George Kleine Productions, Lubin Studios, Georges Méliès, Pathé, Selig Studios and Vitagraph Studios, and dominated distribution through the General Film Co. The Motion Picture Patents Co. and the General Film Co. were found guilty of antitrust violation in October 1915 and dissolved.[18]

Shielded by the Trust, Biograph had been slow to enter feature film production. It contracted with the theatrical firm of Klaw & Erlanger in 1913 to produce movie versions of the latter's plays. Its first released feature, Classmates, came out in February 1914, after 69 other American features had been released in 1912–13.[19] Distribution was hampered by Biograph using a special perforation pattern on the Klaw & Erlanger features that was incompatible with standard projectors, forcing exhibitors to lease specialized equipment from Biograph in order to show the films. With the exodus of the studio's best actors to Griffith, Biograph was unable to develop a marketable star system as the independent companies were doing, and after the Trust's fall, Biograph found itself behind the times. The Biograph Co. released its last new feature-length films in 1915 and its last new short films in 1916.[20] Biograph spent the remainder of the silent era reissuing its old films, and leasing its Bronx studio to other producers.

Still from Biograph's film Sherlock Holmes Baffled (1903)
Still from Biograph's film Sherlock Holmes Baffled (1903)

When the company fell on financial hard times, the Biograph Studio facilities and film laboratory in the Bronx were acquired by one of Biograph Company's creditors, the Empire Trust Company, although some of the ex-Biograph staff were retained to manage the studio and laboratory facilities. Herbert Yates acquired the Biograph Studios facilities and film laboratory in 1928. Biograph Studios facilities and film laboratory were made a subsidiary of his Consolidated Film Industries in 1928.[21][22] The studio facilities and laboratory burned down in 1980.[23]

In 1939, Iris Barry, founder of the film department at the Museum of Modern Art, acquired 900 cans of film from the Actinograph Corp. Bronx Biograph studio and laboratory facitlies, which was closing its film vault and planning to destroy all the film. One uncompleted film, Lime Kiln Field Day (1913), with an all African American cast, was found among the many cans of film, and shown at MOMA in November 2014.

From 1954 to 1957, Sterling Television Company distributed a package of 100 quarter-hour television shows titled Movie Museum, featuring Biograph, Edison and other early films from the vaults of the Museum of Modern Art and the George Eastman House.

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Motion Picture Patents Company

Motion Picture Patents Company

The Motion Picture Patents Company, founded in December 1908 and terminated seven years later in 1915 after conflicts within the industry, was a trust of all the major US film companies and local foreign-branches, the leading film distributor and the biggest supplier of raw film stock, Eastman Kodak. The MPPC ended the domination of foreign films on US screens, standardized the manner in which films were distributed and exhibited within the US, and improved the quality of US motion pictures by internal competition. But it also discouraged its members' entry into feature film production, and the use of outside financing, both to its members' eventual detriment.

Essanay Studios

Essanay Studios

The Essanay Film Manufacturing Company was an early American motion picture studio. The studio was founded in 1907 in Chicago, and later developed an additional film lot in Niles Canyon, California. Its various stars included Francis X. Bushman, Gloria Swanson and studio co-owner, actor and director, Broncho Billy Anderson. It is probably best known today for its series of Charlie Chaplin comedies from 1915-1916. In the late 1916 it merged with other studios and stopped issuing films in the fall of 1918. According to film historian Steve Massa, Essanay is one of the important early studios, with comedies as a particular strength.

Kalem Company

Kalem Company

The Kalem Company was an early American film studio founded in New York City in 1907. It was one of the first companies to make films abroad and to set up winter production facilities, first in Florida and then in California. Kalem was sold to Vitagraph Studios in 1917.

George Kleine

George Kleine

George Kleine was an American film producer and cinema pioneer.

Georges Méliès

Georges Méliès

Marie-Georges-Jean Méliès was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema.

Pathé

Pathé

Pathé or Pathé Frères is the name of various French businesses that were founded and originally run by the Pathé Brothers of France starting in 1896. In the early 1900s, Pathé became the world's largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas before a feature film.

Film still

Film still

A film still is a photograph, taken on or off the set of a movie or television program during production. These photographs are also taken in formal studio settings and venues of opportunity such as film stars' homes, film debut events, and commercial settings. The photos were taken by studio photographers for promotional purposes. Such stills consisted of posed portraits, used for public display or free fan handouts, which are sometimes autographed. They can also consist of posed or candid images taken on the set during production, and may include stars, crew members or directors at work.

Biograph Studios

Biograph Studios

Biograph Studios was an early film studio and laboratory complex, built in 1912 by the Biograph Company at 807 East 175th Street, in The Bronx, New York City, New York.

Consolidated Film Industries

Consolidated Film Industries

Consolidated Film Industries was a film laboratory and film processing company and was one of the leading film laboratories in the Los Angeles area for many decades. CFI processed negatives and made prints for motion pictures and television. The company and its employees received many Academy Awards for scientific or technical achievements.

Iris Barry

Iris Barry

Iris Barry was a film critic and curator. In the 1920s she helped establish the original London Film Society, and was the first curator of the film department of the Museum of Modern Art, New York City in 1935.

Museum of Modern Art

Museum of Modern Art

The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues.

Lime Kiln Field Day

Lime Kiln Field Day

Lime Kiln Field Day is a 1913 American black-and-white silent film produced by the Biograph Company and Klaw and Erlanger.

Source: "Biograph Company", Wikipedia, Wikimedia Foundation, (2022, July 31st), https://en.wikipedia.org/wiki/Biograph_Company.

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See also
References
  1. ^ Elias Savada, ed. (1995). The American Film Institute Catalog of Motion Pictures Produced in the United States: Film Beginnings, 1893–1910 — A Work in Progress: v. A. Scarecrow Press. ISBN 0-8108-3021-3.
  2. ^ Lauritzen, Einar; Lundquist, Gunnar (1976). American Film-Index 1908–1915: Motion Pictures, July 1908 – December 1915. distributed by Akademiebokhandeln, University of Stockholm. Stockholm: Film-Index. ISBN 91-7410-001-7.
  3. ^ New Jersey. Dept. of State (1900). Corporations of New Jersey: List of Certificates Filed in the Department of State During the Year 1895–1899 Inclusive. MacCrellish & Quigley. p. 30.
  4. ^ Slide, Anthony (1998). The New Historical Dictionary of the American Film Industry. Lanham, Maryland: Scarecrow Press. ISBN 0-8108-3426-X.
  5. ^ Billy Bitzer. "The Biograph Camera". The Operating Cameraman. No. Spring 1995. Society of Camera Operators. Archived from the original on November 1, 2004. Retrieved November 30, 2004.
  6. ^ Musser, Charles (1994). The Emergence of Cinema: The American Screen to 1907. Berkeley, California: University of California Press. pp. 303–313. ISBN 0-520-08533-7.
  7. ^ "Continued Legal Battles". A Guide to Motion Picture Catalogs by American Producers and Distributors. Rutgers University.
  8. ^ Gunning, Tom (December 12, 1993). D. W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. University of Illinois Press. p. 88. ISBN 0-252-06366-X. Accessed via Google Print.
  9. ^ Vaidhyanathan, Siva (April 1, 2003). Copyrights and Copywrongs: The Rise of Intellectual Property and How It Threatens Creativity. New York University Press. p. 88. ISBN 0-8147-8807-6. Accessed via Google Print.
  10. ^ SilentEra entry
  11. ^ Alleman, Richard (1988), The Movie Lover's Guide to New York, New York: Harper & Row, ISBN 0060960809, p. 147–148
  12. ^ Griffith, Richard; Mayer, Arthur; Bowser, Eileen. The Movies, Simon & Schuster (1981 edition)
  13. ^ a b "D.W. Griffith Biography". starpulse.com. Archived from the original on August 30, 2008.
  14. ^ "Mary Pickford, Silent Movie Star". goldensilents.com. Retrieved July 24, 2019.
  15. ^ Robertson, Patrick (2001). Film Facts. New York: Billboard Books. p. 21. ISBN 0-8230-7943-0. Although In Old California was the first movie shot specifically in Hollywood, Biograph had already filmed A Daring Hold-Up in Southern California in Los Angeles in 1906. Niver, Kemp R. (1971). Biograph Bulletins, 1896–1908. Los Angeles: Locare Research Group. p. 262. The Selig Polyscope Company made pictures in the Los Angeles area in 1908 and 1909, and began construction of a movie studio in Edendale, just east of Hollywood, in 1909.
  16. ^ Bowser, Eileen (1990). The Transformation of Cinema 1907–1915. Berkeley: University of California Press. p. 253. ISBN 0-520-08534-5.
  17. ^ "Motion Picture Patents Company". Encyclopædia Britannica. Encyclopædia Britannica Online. Archived from the original on May 8, 2006. Retrieved April 13, 2007.
  18. ^ "Company Records Series – Motion Picture Patents Company". The Thomas A. Edison Papers. Archived from the original on May 25, 2007. Retrieved April 13, 2007.
  19. ^ Hanson, Patricia King, ed. (1989). The American Film Institute Catalog of Motion Pictures: Feature Films, 1911–1920. Berkeley: University of California Press. ISBN 0-520-06301-5.
  20. ^ Lauritzen, Einar; Gunnar Lundquist (1984). American Film-Index, 1916–1920: Motion Pictures, January 1916 – December 1920. Distributed by Tonnheims (Huddinge, Sweden). Stockholm, Sweden: Film-Index. ISBN 91-86568-01-9.
  21. ^ Tuska, Jon (1999). The Vanishing Legion: A History of Mascot Pictures, 1927–1935. Jefferson, North Carolina: McFarland & Company. p. 42. ISBN 0-7864-0749-2. The last trade of Biograph stock was reported by The New York Times on December 27, 1928, p. 39. The Biograph trademarks were legally abandoned by 1942. 15 USC 1127. The last of the Biograph film copyrights expired in 1945, without any of them having been renewed for a second term. Hurst, Walter E. (1992–1994). Film Superlist: Motion Pictures in the U.S. Public Domain. Hollywood, California: Hollywood Film Archive. ISBN 0-911370-73-0.
  22. ^ "Screen News Here and in Hollywood". The New York Times. September 27, 1939. p. 29. Empire Trust Company, one of Biograph's creditors, had acquired the Bronx studio but retained some of the Biograph staff to manage it. Empire Trust later reassigned the management of the studios to one of its own subsidiaries, The Actinograph Corp., which held it until 1948. R.H. Hammer, Biograph's ex-general manager going back to its Griffith days, donated what remained of Biograph's film collection to the Museum of Modern Art in 1939, around the time Actinograph Corp. closed its Biograph Bronx studio and laboratory facilities. Iris Barry, "Why Wait for Posterity?" Hollywood Quarterly, January 1946, pp. 131–137. Reprinted in Hollywood Quarterly: Film Culture in Postwar America, 1945–1957.
  23. ^ "Bronx Blaze Damages Old Biograph Studios," The New York Times, July 9, 1980, p. B4.
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