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Art pop

From Wikipedia, in a visual modern way

Art pop (also typeset art-pop or artpop) is a loosely defined style of pop music[1] influenced by art theories[7] as well as ideas from other art mediums, such as fashion, fine art, cinema, and avant-garde literature.[3][8] The genre draws on pop art's integration of high and low culture, and emphasizes signs, style, and gesture over personal expression.[7][9] Art pop musicians may deviate from traditional pop audiences and rock music conventions,[10] instead exploring postmodern approaches and ideas such as pop's status as commercial art, notions of artifice and the self, and questions of historical authenticity.

Starting in the mid-1960s, British and American pop musicians such as Brian Wilson, Phil Spector, and the Beatles began incorporating the ideas of the pop art movement into their recordings.[1] English art pop musicians drew from their art school studies,[8] while in America the style drew on the influence of pop artist Andy Warhol and affiliated band the Velvet Underground.[11] The style would experience its "golden age" in the 1970s among glam rock artists such as David Bowie and Roxy Music, who embraced theatricality and throwaway pop culture.[4]

Art pop's tradition continued in the late 1970s and 1980s through styles such as post-punk and synthpop as well as the British New Romantic scene,[5][10] developing further with artists who rejected conventional rock instrumentation and structure in favor of dance styles and the synthesizer.[10] The 2010s saw new art pop trends develop, such as hip hop artists drawing on visual art and vaporwave artists exploring the sensibilities of contemporary capitalism and the Internet.

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Fashion

Fashion

Fashion is a form of self-expression and autonomy at a particular period and place and in a specific context, of clothing, footwear, lifestyle, accessories, makeup, hairstyle, and body posture. The term implies a look defined by the fashion industry as that which is trending. Everything that is considered fashion is available and popularized by the fashion system.

Fine art

Fine art

In European academic traditions, fine art is made primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwork. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination, unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example. Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life.

Film

Film

A film – also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.

Avant-garde

Avant-garde

In the arts and in literature, the term avant-garde identifies a genre of art, an experimental work of art, and the experimental artist who created the work of art, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus how the artists who created the anti-novel and Surrealism were ahead of their times.

High culture

High culture

In a society, high culture is the subculture that encompasses the cultural objects of aesthetic value, which a society collectively esteem as being exemplary works of art, and the intellectual works of literature and music, history and philosophy, which a society consider representative of their culture.

Commercial art

Commercial art

Commercial art is the art of creative services, referring to art created for commercial purposes, primarily advertising. Commercial art uses a variety of platforms for viewers with the intent of promoting sale and interest of products, services, and ideas. It relies on the iconic image to enhance recall and favorable recognition for a product or service. An example of a product could be a magazine ad promoting a new soda through complementary colors, a catchy message, and appealing illustrative features. Another example could be promoting the prevention of global warming by encouraging people to walk or ride a bike instead of driving in an eye catching poster. It communicates something specific to an audience.

Brian Wilson

Brian Wilson

Brian Douglas Wilson is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. Often called a genius for his novel approaches to pop composition, extraordinary musical aptitude, and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century. His best-known work is distinguished for its high production values, complex harmonies and orchestrations, layered vocals, and introspective or ingenuous themes. Wilson is also known for his formerly high-ranged singing and for his lifelong struggles with mental illness.

Art school

Art school

An art school is an educational institution with a primary focus on the visual arts, including fine art – especially illustration, painting, photography, sculpture, and graphic design. Art schools can offer elementary, secondary, post-secondary, or undergraduate programs, and can also offer a broad-based range of programs. There have been six major periods of art school curricula, and each one has had its own hand in developing modern institutions worldwide throughout all levels of education. Art schools also teach a variety of non-academic skills to many students.

Andy Warhol

Andy Warhol

Andy Warhol was an American visual artist, film director, and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best-known works include the silkscreen paintings Campbell's Soup Cans (1962) and Marilyn Diptych (1962), the experimental films Empire (1964) and Chelsea Girls (1966), and the multimedia events known as the Exploding Plastic Inevitable (1966–67).

Glam rock

Glam rock

Glam rock is a style of rock music that developed in the United Kingdom in the early 1970s and was performed by musicians who wore outrageous costumes, makeup, and hairstyles, particularly platform shoes and glitter. Glam artists drew on diverse sources across music and throwaway pop culture, ranging from bubblegum pop and 1950s rock and roll to cabaret, science fiction, and complex art rock. The flamboyant clothing and visual styles of performers were often camp or androgynous, and have been described as playing with other gender roles. Glitter rock was a more extreme version of glam rock.

David Bowie

David Bowie

David Robert Jones, known professionally as David Bowie, was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music.

Dance music

Dance music

Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times, the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.

Characteristics

Art pop draws on postmodernism's breakdown of the high/low cultural boundary and explores concepts of artifice and commerce.[12][nb 1] The style emphasizes the manipulation of signs over personal expression, drawing on an aesthetic of the everyday and the disposable, in distinction to the Romantic and autonomous tradition embodied by art rock or progressive rock.[13][nb 2] Sociomusicologist Simon Frith has distinguished the appropriation of art into pop music as having a particular concern with style, gesture, and the ironic use of historical eras and genres.[16] Central to particular purveyors of the style were notions of the self as a work of construction and artifice,[10] as well as a preoccupation with the invention of terms, imagery, process, and affect.[17] The Independent's Nick Coleman wrote: "Art-pop is partly about attitude and style; but it's essentially about art. It is, if you like, a way of making pure formalism socially acceptable in a pop context.[18]

Cultural theorist Mark Fisher wrote that the development of art pop evolved out of the triangulation of pop, art, and fashion.[10] Frith states that it was "more or less" directly inspired by Pop art.[2][3][nb 3] According to critic Stephen Holden, art pop often refers to any pop style which deliberately aspires to the formal values of classical music and poetry, though these works are often marketed by commercial interests rather than respected cultural institutions.[1] Writers for The Independent and the Financial Times have noted the attempts of art pop music to distance its audiences from the public at large.[20][21] Robert Christgau wrote in The Village Voice in 1987 that art-pop results "when a fascination with craft spirals up and in until it turns into an aestheticist obsession."[22]

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Art rock

Art rock

Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from entertainment to an artistic statement, opting for a more experimental and conceptual outlook on music. Influences may be drawn from genres such as experimental music, avant-garde music, classical music, and jazz.

Pop art

Pop art

Pop art is an art movement that emerged in the United Kingdom and the United States during the mid- to late-1950s. The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture, such as advertising, comic books and mundane mass-produced objects. One of its aims is to use images of popular culture in art, emphasizing the banal or kitschy elements of any culture, most often through the use of irony. It is also associated with the artists' use of mechanical means of reproduction or rendering techniques. In pop art, material is sometimes visually removed from its known context, isolated, or combined with unrelated material.

Postmodernism

Postmodernism

Postmodernism is an intellectual stance or mode of discourse characterized by skepticism toward the "grand narratives" of modernism, rejection of epistemic certainty or the stability of meaning, and sensitivity to the role of ideology in maintaining political power. Claims to objectivity are dismissed as naïve realism, with attention drawn to the conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-referentiality, epistemological relativism, moral relativism, pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity, hierarchy, and categorization.

Sign

Sign

A sign is an object, quality, event, or entity whose presence or occurrence indicates the probable presence or occurrence of something else. A natural sign bears a causal relation to its object—for instance, thunder is a sign of storm, or medical symptoms a sign of disease. A conventional sign signifies by agreement, as a full stop signifies the end of a sentence; similarly the words and expressions of a language, as well as bodily gestures, can be regarded as signs, expressing particular meanings. The physical objects most commonly referred to as signs generally inform or instruct using written text, symbols, pictures or a combination of these.

Romantic music

Romantic music

Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era. It is closely related to the broader concept of Romanticism—the intellectual, artistic and literary movement that became prominent in Western culture from approximately 1798 until 1837.

Progressive rock

Progressive rock

Progressive rock is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing.

Simon Frith

Simon Frith

Simon Webster Frith is a British sociomusicologist, and former rock critic, who specializes in popular music culture. He is Tovey Chair of Music at University of Edinburgh.

Fashion

Fashion

Fashion is a form of self-expression and autonomy at a particular period and place and in a specific context, of clothing, footwear, lifestyle, accessories, makeup, hairstyle, and body posture. The term implies a look defined by the fashion industry as that which is trending. Everything that is considered fashion is available and popularized by the fashion system.

Gesture

Gesture

A gesture is a form of non-verbal communication or non-vocal communication in which visible bodily actions communicate particular messages, either in place of, or in conjunction with, speech. Gestures include movement of the hands, face, or other parts of the body. Gestures differ from physical non-verbal communication that does not communicate specific messages, such as purely expressive displays, proxemics, or displays of joint attention. Gestures allow individuals to communicate a variety of feelings and thoughts, from contempt and hostility to approval and affection, often together with body language in addition to words when they speak. Gesticulation and speech work independently of each other, but join to provide emphasis and meaning.

Formalism (music)

Formalism (music)

In music theory and especially in the branch of study called the aesthetics of music, formalism is the concept that a composition's meaning is entirely determined by its form.

Stephen Holden

Stephen Holden

Stephen Holden is an American writer, poet, and music and film critic.

Formalism (art)

Formalism (art)

In art history, formalism is the study of art by analyzing and comparing form and style. Its discussion also includes the way objects are made and their purely visual or material aspects. In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art. The context of the work, including the reason for its creation, the historical background, and the life of the artist, that is, its conceptual aspect is considered to be external to the artistic medium itself, and therefore of secondary importance.

Cultural background

What seems clearer in retrospect [...] is a distinction between the first wave of art school musicians, the London provincial r & b players who simply picked up the bohemian attitude and carried it with them into progressive rock, and a second generation, who applied art theories to pop music making

—Simon Frith, Art into Pop (1988)[23]

The boundaries between art and pop music became increasingly blurred throughout the second half of the 20th century.[24] In the 1960s, pop musicians such as John Lennon, Syd Barrett, Pete Townshend, Brian Eno, and Bryan Ferry began to take inspiration from their previous art school studies.[3] Frith states that in Britain, art school represented "a traditional escape route for the bright working class kids, and a breeding ground for young bands like the Beatles and beyond".[12] In North America, art pop was influenced by Bob Dylan and the Beat Generation, and became more literary through folk music's singer-songwriter movement.[1] Before progressive/art rock became the most commercially successful British sound of the early 1970s, the 1960s psychedelic movement brought together art and commercialism, broaching the question of what it meant to be an "artist" in a mass medium.[25] Progressive musicians thought that artistic status depended on personal autonomy, and so the strategy of "progressive" rock groups was to present themselves as performers and composers "above" normal pop practice.[26]

Multimedia performance of Warhol's Exploding Plastic Inevitable featuring Nico (right), 1966.
Multimedia performance of Warhol's Exploding Plastic Inevitable featuring Nico (right), 1966.

Another chief influence on the development of art pop was the Pop art movement.[1] The term "pop art", first coined to describe the aesthetic value of mass-produced goods, was directly applicable to the contemporary phenomenon of rock and roll (including Elvis Presley, an early Pop art icon).[27] According to Frith: "[Pop art] turned out to signal the end of Romanticism, to be an art without artists. Progressive rock was the bohemians' last bet [...] In this context the key Pop art theorist was not [Richard] Hamilton or any of the other British artists who, for all their interest in the mass market, remained its academic admirers only, but Andy Warhol. For Warhol the significant issue wasn't the relative merits of 'high' and 'low' art but the relationship between all art and 'commerce'."[28] Warhol's Factory house band the Velvet Underground was an American group who emulated Warhol's art/pop synthesis, echoing his emphasis on simplicity, and pioneering a modernist avant-garde approach to art rock that ignored the conventional hierarchies of artistic representation.[29][nb 4]

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Bohemianism

Bohemianism

Bohemianism is the practice of an unconventional lifestyle, often in the company of like-minded people and with few permanent ties. It involves musical, artistic, literary, or spiritual pursuits. In this context, bohemians may be wanderers, adventurers, or vagabonds. Bohemian is a 19th-century historical and literary topos that places the milieu of young metropolitan artists and intellectuals—particularly those of the Latin Quarter in Paris—in a context of poverty, hunger, appreciation of friendship, idealization of art and contempt for money. Based on this topos, the most diverse real-world subcultures are often referred to as "bohemian" in a figurative sense, especially if they show traits of a precariat.

Art into Pop

Art into Pop

Art into Pop is a book by Simon Frith and Howard Horne, published in 1987. It analyses the integration of art school sensibilities in popular music since the 1950s. According to the authors, inspiration for the book came when they observed that a "significant number of British pop musicians from the 1960s to the present were educated and first started performing in art schools." According to academic Barry Faulk, it was "the first study to suggest that punk rock was art-school inspired, though without addressing the disparity between sociological reality and the rhetoric of punk rock groups."

John Lennon

John Lennon

John Winston Ono Lennon was an English singer, songwriter, musician and peace activist who achieved worldwide fame as founder, co-songwriter, co-lead vocalist and rhythm guitarist of the Beatles. Lennon's work was characterised by the rebellious nature and acerbic wit of his music, writing and drawings, on film, and in interviews. His songwriting partnership with Paul McCartney remains the most successful in history.

Brian Eno

Brian Eno

Brian Peter George St John le Baptiste de la Salle Eno is a British musician, composer, record producer and visual artist best known for his contributions to ambient music and work in rock, pop and electronica. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music's most influential and innovative figures.

Bryan Ferry

Bryan Ferry

Bryan Ferry CBE is an English singer and songwriter. His voice has been described as an "elegant, seductive croon". He also established a distinctive image and sartorial style: according to The Independent, Ferry and his contemporary David Bowie influenced a generation with both their music and their appearances. Peter York described Ferry as "an art object" who "should hang in the Tate".

Art school

Art school

An art school is an educational institution with a primary focus on the visual arts, including fine art – especially illustration, painting, photography, sculpture, and graphic design. Art schools can offer elementary, secondary, post-secondary, or undergraduate programs, and can also offer a broad-based range of programs. There have been six major periods of art school curricula, and each one has had its own hand in developing modern institutions worldwide throughout all levels of education. Art schools also teach a variety of non-academic skills to many students.

Great Britain

Great Britain

Great Britain is an island in the North Atlantic Ocean off the north-west coast of continental Europe. With an area of 209,331 km2 (80,823 sq mi), it is the largest of the British Isles, the largest European island and the ninth-largest island in the world. It is dominated by a maritime climate with narrow temperature differences between seasons. The 60% smaller island of Ireland is to the west—these islands, along with over 1,000 smaller surrounding islands and named substantial rocks, form the British Isles archipelago.

Bob Dylan

Bob Dylan

Bob Dylan is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture.

Beat Generation

Beat Generation

The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-war era. The bulk of their work was published and popularized by Silent Generationers in the 1950s, better known as Beatniks. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.

Folk music

Folk music

Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations, music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that.

Exploding Plastic Inevitable

Exploding Plastic Inevitable

The Exploding Plastic Inevitable, sometimes simply called Plastic Inevitable or EPI, was a series of multimedia events organized by Andy Warhol in 1966 and 1967, featuring musical performances by The Velvet Underground and Nico, screenings of Warhol's films, and dancing and performances by regulars of Warhol's Factory, especially Mary Woronov and Gerard Malanga. Andy Warhol's Exploding Plastic Inevitable is also the title of an 18-minute film by Ronald Nameth with recordings from one week of performances of the shows which were filmed in Chicago, Illinois, in 1966. In December 1966 Warhol included a one-off magazine called The Plastic Exploding Inevitable as part of the Aspen No. 3 package.

Nico

Nico

Christa Päffgen, known by her stage name Nico, was a German singer, songwriter, actress and model. She had roles in several films, including Federico Fellini's La Dolce Vita (1960) and Andy Warhol's Chelsea Girls (1966). Reviewer Richard Goldstein describes Nico as "half goddess, half icicle" and writes that her distinctive voice "sounds something like a cello getting up in the morning".

1960s: Origins

Holden traces art pop's origins to the mid 1960s, when producers such as Phil Spector and musicians such as Brian Wilson of the Beach Boys began incorporating pseudo-symphonic textures to their pop recordings, as well as the Beatles' first recordings with a string quartet.[1][nb 5] In the words of author Matthew Bannister, Wilson and Spector were both known as "eremitic studio obsessives [...] [who] habitually absented themselves from their own work", and like Warhol, Spector existed "not as presence, but as a controlling or organising principle behind and beneath the surfaces of media. Both vastly successful commercial artists, and both simultaneously absent and present in their own creations."[35]

Writer Erik Davis called Wilson's art pop "unique in music history",[36] while collaborator Van Dyke Parks compared it to the contemporaneous work of Warhol and artist Roy Lichtenstein, citing his ability to elevate common or hackneyed material to the level of "high art".[37][nb 6] In his 2004 book Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings, David Howard credits the Beach Boys' 1966 single "Good Vibrations" with launching the "brief, shining moment [when] pop and art came together as unlikely commercial bedfellows."[41]

In a move that was indicated by the Beatles, the Beach Boys, Phil Spector, and Frank Zappa,[42] the dominant format of pop music transitioned from singles to albums, and many rock bands created works that aspired to make grand artistic statements, where art rock would flourish.[1] Musicologist Ian Inglis writes that the cover art for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band was "perceived as largely responsible for the connections between art and pop to be made explicit".[43] Although Sgt. Pepper's was preceded by several albums that had begun to bridge the line between "disposable" pop and "serious" rock, it successfully gave an established "commercial" voice to an alternative youth culture.[44] Author Michael Johnson wrote that art pop music would continue to exist subsequent to the Beatles, but without ever achieving their level of popular success.[33][nb 7]

The Who was labelled "the first pop art band" by their manager, while member Pete Townshend explains: "We stand for pop art clothes, pop art music and pop art behaviour [...] we don't change offstage; we live pop art."[46] Frith considers their album The Who Sell Out (December 1967) "perhaps the Pop art pop masterpiece", the Who using the "vitality" of commerce itself, a tactic echoed by Roy Wood's the Move and, later, Kevin Godley and Lol Creme of 10cc.[46] Townshend's ideas were notable for their emphasis on commercialism: "[His] use of Pop art rhetoric [...] referred not to music-making as such – to the issue of self-expression – but to commercial music-making, to issues of packaging, selling and publicizing, to the problems of popularity and stardom."[46] In a May 1967 interview, Townshend coined the term "power pop" to describe the music of the Who, the Small Faces, and the Beach Boys. Power pop later developed as a genre known for its reconfiguration of 1960s tropes. Music journalist Paul Lester argued that this component could ratify power pop as one of the first postmodern music genres.[47]

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Album era

Album era

The album era was a period in English-language popular music from the mid-1960s to the mid-2000s in which the album was the dominant form of recorded music expression and consumption. It was primarily driven by three successive music recording formats: the 33⅓ rpm long-playing record (LP), the audiocassette, and the compact disc. Rock musicians from the US and the UK were often at the forefront of the era, which is sometimes called the album-rock era in reference to their sphere of influence and activity. The term "album era" is also used to refer to the marketing and aesthetic period surrounding a recording artist's album release.

Good Vibrations

Good Vibrations

"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966 and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom. Characterized by its complex soundscapes, episodic structure and subversions of pop music formula, it was the most expensive single ever recorded. "Good Vibrations" later became widely acclaimed as one of the finest and most important works of the rock era.

Peter Doggett

Peter Doggett

Peter Doggett is an English music journalist, author and magazine editor. He began his career in music journalism in 1980, when he joined the London-based magazine Record Collector. He subsequently served as the editor there from 1982 to 1999, after which he continued in the role of managing editor. He has also contributed regularly to magazines such as Mojo, Q and GQ.

Phil Spector

Phil Spector

Harvey Phillip Spector was an American record producer and songwriter, best known for his innovative recording practices and entrepreneurship in the 1960s, followed decades later by his two trials and conviction for murder in the 2000s. Spector developed the Wall of Sound, a production style that is characterized for its diffusion of tone colors and dense orchestral sound, which he described as a "Wagnerian" approach to rock and roll. He is widely regarded as one of the most influential figures in pop music history and one of the most successful producers of the 1960s.

Brian Wilson

Brian Wilson

Brian Douglas Wilson is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. Often called a genius for his novel approaches to pop composition, extraordinary musical aptitude, and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century. His best-known work is distinguished for its high production values, complex harmonies and orchestrations, layered vocals, and introspective or ingenuous themes. Wilson is also known for his formerly high-ranged singing and for his lifelong struggles with mental illness.

Erik Davis

Erik Davis

Erik Davis is an American writer, scholar, journalist and public speaker whose writings have ranged from rock criticism to cultural analysis to creative explorations of esoteric mysticism. He is perhaps best known for his book Techgnosis: Myth, Magic and Mysticism in the Age of Information, as well as his work on California counterculture, including Burning Man, the human potential movement, and the writings of Philip K. Dick.

Roy Lichtenstein

Roy Lichtenstein

Roy Fox Lichtenstein was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

Frank Zappa

Frank Zappa

Frank Vincent Zappa was an American musician, composer, and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experimentation, musical virtuosity and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.

Sgt. Pepper's Lonely Hearts Club Band

Sgt. Pepper's Lonely Hearts Club Band

Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.

Roy Wood

Roy Wood

Roy Wood is an English musician and singer-songwriter. He was particularly successful in the 1960s and 1970s as member and co-founder of the Move, Electric Light Orchestra and Wizzard. As a songwriter, he contributed a number of hits to the repertoire of these bands. Altogether he had more than 20 singles in the UK Singles Chart under various guises, including three UK No. 1 hits.

Kevin Godley

Kevin Godley

Kevin Michael Godley is an English singer, songwriter, musician and music video director. He is known as the singer and drummer of the art rock band 10cc and later as part of collaboration duo Godley & Creme with Lol Creme.

Lol Creme

Lol Creme

Laurence Neil "Lol" Creme is an English musician and music video director, best known for his work in 10cc. He sings and plays guitar, bass and keyboards.

1970s: New York scene and glam

Music journalist Paul Lester locates "the golden age of adroit, intelligent art-pop" to when the bands 10cc, Roxy Music and Sparks "were mixing and matching from different genres and eras, well before the term 'postmodern' existed in the pop realm."[4] The effect of the Velvet Underground gave rock musicians like Iggy Pop of the Stooges a self-consciousness about their work. Iggy was inspired to transform his personality into an art object, which would in turn influence singer David Bowie, and led to the Stooges' role as the group linking 1960s hard rock to 1970s punk.[11] In the 1970s, a similarly self-conscious art/pop community (which Frith calls "the most significant" of the period) began to coalesce in the Mercer Arts Center in New York. The school encouraged the continuation of the kinds of collaboration between high and low art once exemplified by the Factory, as drummer Jerry Harrison (later of Talking Heads) explained: "it started with the Velvet Underground and all of the things that were identified with Andy Warhol."[11][nb 8]

Bryan Ferry and Brian Eno in the 1970s
Bryan Ferry and Brian Eno in the 1970s
Bryan Ferry and Brian Eno in the 1970s

The glam rock scene of the early 1970s would again draw widely on art school sensibilities.[12] Inspired partly by the Beatles' use of alter egos on Sgt. Pepper's,[48] glam emphasized outlandish costumes, theatrical performances, and allusions to throwaway pop culture phenomena, becoming one of the most deliberately visual phenomena to emerge in rock music.[49] Some of its artists, like Bowie, Roxy Music, and ex-Velvet Underground member Lou Reed, would continue the practices associated with the modernist avant-garde branch of art rock.[14][nb 9]

Bowie, a former art-school student and painter,[12] made visual presentation a central aspect of his work,[52] deriving his concept of art pop from the work and attitudes of Warhol and the Velvet Underground.[53] Roxy Music is described by Frith as the "archetypical art pop band."[12] Frontman Bryan Ferry incorporated the influence of his mentor, pop art pioneer Richard Hamilton[49][54] while synthesizer player Brian Eno drew on his study of cybernetics and art under theorist Roy Ascott.[55][nb 10] Frith posits that Ferry and Bowie remain "the most significant influences in British pop", writing they were both concerned with "pop as commercial art", and together made glam rock into an art form to be taken seriously, unlike other "camp" acts such as Gary Glitter. This redefined progressive rock and revitalized the idea of the Romantic artist in terms of media fame.[57] According to Armond White, Roxy Music's engagement with pop art practices effectively "showed that pop's surface frivolity and deep pleasure were legitimate and commanding pursuits."[17] After leaving Roxy Music in 1973, Eno would further explore art pop styles on a series of experimental solo albums.[58][nb 11] For the rest of the decade, he developed Warhol's arguments in a different direction from his contemporaries, and collaborated with a wide range of popular musicians of the era.[57]

Discover more about 1970s: New York scene and glam related topics

Glam rock

Glam rock

Glam rock is a style of rock music that developed in the United Kingdom in the early 1970s and was performed by musicians who wore outrageous costumes, makeup, and hairstyles, particularly platform shoes and glitter. Glam artists drew on diverse sources across music and throwaway pop culture, ranging from bubblegum pop and 1950s rock and roll to cabaret, science fiction, and complex art rock. The flamboyant clothing and visual styles of performers were often camp or androgynous, and have been described as playing with other gender roles. Glitter rock was a more extreme version of glam rock.

David Bowie

David Bowie

David Robert Jones, known professionally as David Bowie, was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music.

Paul Lester

Paul Lester

Paul Lester is a British music journalist, author and broadcaster from Elstree, North London.

10cc

10cc

10cc are an English rock band formed in Stockport in 1972. The group initially consisted of four musicians – Graham Gouldman, Eric Stewart, Kevin Godley and Lol Creme – who had written and recorded together since 1968. The group featured two songwriting teams. Stewart and Gouldman were predominantly pop songwriters, who created most of the band's accessible songs. Godley and Creme were the predominantly experimental half of 10cc, featuring art and cinematically inspired writing.

Iggy Pop

Iggy Pop

James Newell Osterberg Jr., known professionally as Iggy Pop, is an American singer, musician, radio broadcaster, songwriter and actor. Called the "Godfather of Punk", he was the vocalist and lyricist of proto-punk band The Stooges, who were formed in 1967 and have disbanded and reunited many times since.

Hard rock

Hard rock

Hard rock or heavy rock is a loosely defined subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf and Deep Purple also produced hard rock.

Punk rock

Punk rock

Punk rock is a music genre that emerged in the mid-1970s. Rooted in 1960s garage rock, punk bands rejected the perceived excesses of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, and often shouted political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record labels.

Jerry Harrison

Jerry Harrison

Jeremiah Griffin Harrison is an American musician, songwriter, producer, and entrepreneur. He began his professional music career as a member of the cult band the Modern Lovers before becoming keyboardist and guitarist for the new wave band Talking Heads. In 2002, Harrison was inducted into the Rock and Roll Hall of Fame as a member of Talking Heads.

Bryan Ferry

Bryan Ferry

Bryan Ferry CBE is an English singer and songwriter. His voice has been described as an "elegant, seductive croon". He also established a distinctive image and sartorial style: according to The Independent, Ferry and his contemporary David Bowie influenced a generation with both their music and their appearances. Peter York described Ferry as "an art object" who "should hang in the Tate".

Brian Eno

Brian Eno

Brian Peter George St John le Baptiste de la Salle Eno is a British musician, composer, record producer and visual artist best known for his contributions to ambient music and work in rock, pop and electronica. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music's most influential and innovative figures.

Lou Reed

Lou Reed

Lewis Allan Reed was an American musician, songwriter, and poet. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground became regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.

Richard Hamilton (artist)

Richard Hamilton (artist)

Richard William Hamilton CH was an English painter and collage artist. His 1955 exhibition Man, Machine and Motion and his 1956 collage Just what is it that makes today's homes so different, so appealing?, produced for the This Is Tomorrow exhibition of the Independent Group in London, are considered by critics and historians to be among the earliest works of pop art. A major retrospective of his work was at Tate Modern until May 2014.

1970s–80s: Post-punk developments

Cultural theorist Mark Fisher characterized a variety of musical developments in the late 1970s, including post-punk, synthpop, and particularly the work of German electronic band Kraftwerk,[60] as situated within art pop traditions.[5] He states that Bowie and Roxy Music's English style of art pop "culminated" with the music of the British group Japan.[8] The Quietus characterized Japan's 1979 album Quiet Life as defining "a very European form of detached, sexually-ambiguous and thoughtful art-pop" similar to that explored by Bowie on 1977's Low.[61] Brian Eno and John Cale would serve a crucial part in the careers of Bowie, Talking Heads, and many key punk and post-punk records.[57] Following the amateurism of the punk movement, post-punk era saw a return to the art school tradition previously embodied by the work of Bowie and Roxy Music,[62][5] with artists drawing ideas from literature, art, cinema, and critical theory into musical and pop cultural contexts while refusing the common distinction between high art and low culture.[63][64][nb 12] An emphasis on multimedia performance and visual art became common.[64]

Fisher characterized subsequent artists such as Grace Jones, the New Romantic groups of the 1980s, and Róisín Murphy as a part of an art pop lineage.[10] He noted that the development of art pop involved the rejection of conventional rock instrumentation and structure in favor of dance styles and the synthesizer.[10] The Quietus names English New Romantic act Duran Duran, who were formatively influenced by the work of Japan, Kraftwerk and David Bowie, as "pioneering art pop up to arena-packing level", developing the style into "a baroque, romantic escape."[61] Critic Simon Reynolds dubbed English singer Kate Bush "the queen of art-pop", citing her merging of glamour, conceptualism, and innovation without forsaking commercial pop success during the late 1970s and 1980s.[68]

Discover more about 1970s–80s: Post-punk developments related topics

Post-punk

Post-punk

Post-punk is a broad genre of rock music that emerged in the late 1970s in the wake of punk rock. Post-punk musicians departed from punk's traditional elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.

New Romantic

New Romantic

The New Romantic movement was an underground subculture movement that originated in the United Kingdom in the late 1970s. The movement emerged from the nightclub scene in London and Birmingham at venues such as Billy's and The Blitz. The New Romantic movement was characterised by flamboyant, eccentric fashion inspired by fashion boutiques such as Kahn and Bell in Birmingham and PX in London. Early adherents of the movement were often referred to by the press by such names as Blitz Kids, New Dandies and Romantic Rebels.

Kraftwerk

Kraftwerk

Kraftwerk is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet.

Japan (band)

Japan (band)

Japan were an English new wave band formed in 1974 in Catford, South London by David Sylvian, Steve Jansen (drums) and Mick Karn, joined by Richard Barbieri (keyboards) and Rob Dean the following year. Initially a glam rock-inspired band, Japan developed their sound and androgynous look to incorporate electronic music and foreign influences.

Quiet Life

Quiet Life

Quiet Life is the third studio album by English new wave band Japan, first released on 17 November 1979 in Canada by record label Hansa.

Low (David Bowie album)

Low (David Bowie album)

Low is the eleventh studio album by the English musician David Bowie, released on 14 January 1977 through RCA Records. After years of drug addiction when living in Los Angeles, Bowie moved to France in 1976 with his friend Iggy Pop to sober up. There, Bowie produced and co-wrote Pop's debut studio album, The Idiot, featuring sounds Bowie would explore on his next record. After completing The Idiot, Bowie began recording the first of three collaborations that became known as the Berlin Trilogy with American producer Tony Visconti and English musician Brian Eno. Sessions began at Hérouville's Château d'Hérouville in September 1976 and ended in October at Hansa Studios in West Berlin, where Bowie and Pop had relocated.

Modernist art

Modernist art

Film

Film

A film – also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.

Critical theory

Critical theory

A critical theory is any approach to social philosophy that focuses on society and culture to reveal, critique and challenge power structures. With roots in sociology and literary criticism, it argues that social problems stem more from social structures and cultural assumptions than from individuals. It argues that ideology is the principal obstacle to human liberation. Critical theory finds applications in various fields of study, including psychoanalysis, sociology, history, communication theory, philosophy and feminist theory.

Multimedia

Multimedia

Multimedia is a form of communication that uses a combination of different content forms such as text, audio, images, animations, or video into a single interactive presentation, in contrast to traditional mass media, such as printed material or audio recordings, which features little to no interaction between users. Popular examples of multimedia include video podcasts, audio slideshows and animated videos. Multimedia also contains the principles and application of effective interactive communication such as the building blocks of software, hardware, and other technologies. The five main building blocks of multimedia are text, image, audio, video, and animation.

The Concordian (Montreal)

The Concordian (Montreal)

The Concordian is an independent, entirely student-run newspaper published weekly for the students of Concordia University; its offices and hard-copy distribution centres are located in Montreal, Quebec, Canada.

Running Up That Hill

Running Up That Hill

"Running Up That Hill", titled "Running Up That Hill (A Deal with God)" on some releases, is a song by the British singer and songwriter Kate Bush. It was released in the United Kingdom as the lead single from Bush's album Hounds of Love on 5 August 1985 by EMI Records. The lyrics imagine a scenario in which a man and a woman make "a deal with God" to exchange places. Bush wrote and produced "Running Up That Hill" using a Fairlight CMI synthesiser and a LinnDrum drum machine.

1990s–present

Björk performing in 2003 at Hurricane Festival.
Björk performing in 2003 at Hurricane Festival.

Icelandic singer Björk was a prominent purveyor of art pop[69] for her wide-ranging integration of disparate forms of art and popular culture.[70] During the 1990s, she became art pop's most commercially successful artist.[71] Discussing Björk in 2015, Jason Farago of The Guardian wrote: "The last 30 years in art history are in large part a story of collaborative enterprises, of collapsed boundaries between high art and low, and of the end of divisions between media. Few cultural figures have made the distinctions seem as meaningless as the Icelandic singer who combined trip hop with 12-tone, and who brought the avant garde to MTV just before both those things disappeared."[72]

West's Yeezus Tour was described by Forbes as "the current mass cultural phenomenon best described as 'artpop.'"[73]
West's Yeezus Tour was described by Forbes as "the current mass cultural phenomenon best described as 'artpop.'"[73]

According to Barry Walters of NPR, 1990s rap group P.M. Dawn developed a style of "kaleidoscopic art-pop" that was initially dismissed by hip hop fans as "too soft, ruminative and far-ranging" but would eventually pave the way for the work of artists like Drake and Kanye West.[74] In 2013, Spin noted a "new art-pop era" in contemporary music, led by West, in which musicians draw on visual art as a signifier of wealth and extravagance as well as creative exploration.[75] Fact labels West's 2008 album 808s & Heartbreak as an "art-pop masterpiece" which would have a substantive influence on subsequent hip hop music, broadening the style beyond its contemporary emphasis on self-aggrandizement and bravado.[76] The New York Times' Jon Caramanica described West's "thought-provoking and grand-scaled" works as having "widened [hip hop]'s gates, whether for middle-class values or high-fashion and high-art dreams."[77]

Contemporary female artists who "merge glamour, conceptualism, innovation and autonomy," such as Grimes, Julia Holter, and FKA twigs, are frequently described as working in the tradition of Kate Bush.[68] Grimes is described by the Montreal Gazette as "an art-pop phenomenon" and part of "a long tradition of fascination with the pop star as artwork in progress", with particular attention drawn to role of the Internet and digital platforms in her success.[78]

In a 2012 piece for Dummy, critic Adam Harper described an accelerationist zeitgeist in contemporary art-pop characterized by an ambiguous engagement with elements of contemporary capitalism.[6] He mentions the Internet-based genre vaporwave as consisting of underground art-pop musicians like James Ferraro and Daniel Lopatin "exploring the technological and commercial frontiers of 21st century hyper-capitalism's grimmest artistic sensibilities".[6] Artists associated with the scene may release music via online pseudonyms while drawing on ideas of virtuality and synthetic 1990s sources such as corporate mood music, lounge music, and muzak.[6]

Discover more about 1990s–present related topics

Hurricane Festival

Hurricane Festival

The Hurricane Festival, also just Hurricane, is a music festival that has taken place at the Eichenring, a speedway race track, in Scheeßel, Germany, since 1997. With more than 80,000 attendees (2022) it is one of the largest music festivals in Germany. Southside Festival, often referred to as Hurricane's "sister" festival, takes place on the same three days and has largely the same line-up. Alongside Southside Festival, Hurricane festival is organised by FKP Konzertproduktionen, MCT Agentur and KoKo Konstanz and takes place every June. Like many other large festivals Hurricane Festival plays a mix of rock, alternative, pop and electro music from established as well as emerging artists. Arrival begins at midday on the Thursday.

Icelanders

Icelanders

Icelanders are a North Germanic ethnic group and nation who are native to the island country of Iceland and speak Icelandic.

Björk

Björk

Björk Guðmundsdóttir is an Icelandic singer, songwriter, composer, record producer, and actress. Noted for her distinct three-octave vocal range and eccentric persona, she has developed an eclectic musical style over her four-decade career that has drawn on electronic, pop, experimental, trip hop, classical, and avant-garde music.

Art history

Art history

Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to an ever-evolving definition of art. Art history encompasses the study of objects created by different cultures around the world and throughout history that convey meaning, importance or serve usefulness primarily through visual representations.

MTV

MTV

MTV is a 24-hour American cable music video channel officially launched on August 1, 1981. Based in New York City, it serves as the flagship property of the MTV Entertainment Group, part of Paramount Media Networks, a division of Paramount Global.

Forbes

Forbes

Forbes is an American business magazine owned by Integrated Whale Media Investments and the Forbes family. Published eight times a year, it features articles on finance, industry, investing, and marketing topics. Forbes also reports on related subjects such as technology, communications, science, politics, and law. It is based in Jersey City, New Jersey. Competitors in the national business magazine category include Fortune and Bloomberg Businessweek. Forbes has an international edition in Asia as well as editions produced under license in 27 countries and regions worldwide.

NPR

NPR

National Public Radio is an American nonprofit media organization headquartered in Washington, D.C., with its NPR West headquarters in Culver City, California. It serves as a national syndicator to a network of over 1,000 public radio stations in the United States. It differs from other non-profit membership media organizations such as the Associated Press, in that it was established by an act of Congress.

P.M. Dawn

P.M. Dawn

P.M. Dawn was an American hip hop and R&B act that formed in 1988 by the brothers Attrell Cordes and Jarrett Cordes in Jersey City, New Jersey. They earned significant crossover success in the early 1990s with music that merged hip hop, older soul, and more pop-oriented urban R&B.

Kanye West

Kanye West

Ye is an American rapper, singer, songwriter, record producer, and fashion designer.

Fact (UK magazine)

Fact (UK magazine)

Fact is a music publication that launched in the UK in 2003. It covers UK, US, and international music and youth culture topics, with particular focus on electronic, pop, rap, and experimental artists.

808s & Heartbreak

808s & Heartbreak

808s & Heartbreak is the fourth studio album by American rapper Kanye West. It was released by Def Jam Recordings and Roc-A-Fella Records on November 24, 2008, having been recorded earlier that year in September and October at Glenwood Studios in Burbank, California and Avex Recording Studio in Honolulu, Hawaii. Dominating its production, West was assisted by fellow producers No I.D., Plain Pat, Jeff Bhasker, and Mr Hudson, while also utilizing guest vocalists for some tracks, including Kid Cudi, Young Jeezy, and Lil Wayne.

Jon Caramanica

Jon Caramanica

Jon Caramanica is an American journalist and pop music critic who writes for The New York Times. He is also known for writing about hip hop music.

List of artists

Source: "Art pop", Wikipedia, Wikimedia Foundation, (2022, December 22nd), https://en.wikipedia.org/wiki/Art_pop.

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Notes
  1. ^ "If postmodernism means a breakdown of high/low cultural boundaries, it means too the end of this historical myth – which is where the art-pop musicians come in, complicating sociological readings of what music means, putting into play their own accounts of authenticity and artifice."[9]
  2. ^ Historically, "art rock" has been used to describe at least two related, but distinct, types of rock music.[14] The first is progressive rock, while the second usage refers to groups who rejected psychedelia and the hippie counterculture in favor of a modernist, avant-garde approach defined by the Velvet Underground.[14] In the rock music of the 1970s, the "art" descriptor was generally understood to mean "aggressively avant-garde" or "pretentiously progressive".[15]
  3. ^ Musicologist Allan Moore surmises that the term "pop music" itself may have originated from Pop art.[19]
  4. ^ When the Velvet Underground first appeared in the mid 1960s, they faced rejection and were commonly dismissed as a "fag" band.[30]
  5. ^ Through their influential work, Wilson and the Beatles' producer George Martin spread the idea of the recording studio as a creative environment that could assist in the songwriting process.[32] Author Michael Johnson credits the Beach Boys' Pet Sounds (1966) and the Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967) as the first documented "ascension" of rock and roll.[33] Spector has also been credited by journalist Richard Williams with transforming rock music as a performing art to an art which could only exist in the recording studio, which "paved the way for art rock".[34]
  6. ^ The Beach Boys were virtually disconnected from the cultural avant-garde, according to biographer Peter Ames Carlin, who concluded that – with the possible exception of Wilson – they "had [not] shown much discernible interest in what you might call the world of ideas."[38] Wilson's unreleased Smile, conceived and recorded in 1966–67, has been described as an attempt to create "the great art pop album"[39] and the "preeminent psychedelic pop art statement" of the era.[40]
  7. ^ Frith likened the album's elaborate design to "reading the underground press [...] [a skill that] was always constructed around a sense of difference from the 'mass' pop audience. Art rock was 'superior' to all levels. [...] the philistines had to be kept out." He also notes that Zappa targeted the issue of pop commercialism with the cover of the Mothers of Invention's 1968 album We're Only in It for the Money, which parodied the cover of Sgt. Pepper's.[45]
  8. ^ Other students of the center included Laurie Anderson, Suicide's Alan Vega, and Blondie's Chris Stein.[11]
  9. ^ Scholar Philip Auslander noted a pattern with artists who irreverently plundered older styles of music, such as Brill Building and Spector's Wall of Sound.[50] Producer Tony Visconti remembers that in 1970, he, Bowie, and T. Rex's Marc Bolan would "get high and listen to Beach Boys albums and Phil Spector albums – we all had that in common, that we loved the Beach Boys."[51]
  10. ^ Eno's initial musical influences were ideas from the classical avant-garde, like John Cage's indeterminacy, La Monte Young's minimalism, and the Velvet Underground — specifically the band's John Cale.[56]
  11. ^ Eno's 1970s work is cited by musicologist Leigh Landy as an archetypal example of a pop musician who "applied developments from the experimental sector while creating their own experimental pop sector".[59]
  12. ^ Among major influences on a variety of post-punk artists were postmodern novelists such as William S. Burroughs and J. G. Ballard and avant-garde political movements such as Situationism and Dada.[65] Additionally, in some locations the creation of post-punk music was closely linked to the development of efficacious subcultures, which played important roles in the production of art, multimedia performances, fanzines related to the music. Simon Reynolds would note: "Beyond the musicians, there was a whole cadre of catalysts and culture warriors, enablers and ideologues who started labels, managed bands, became innovative producers, published fanzines, ran hipster record stores, promoted gigs and organized festivals."[66]
References
  1. ^ a b c d e f g h Holden, Stephen (February 28, 1999). "MUSIC; They're Recording, but Are They Artists?". The New York Times. Retrieved July 17, 2013.
  2. ^ a b Frith & Horne 2016, p. 74.
  3. ^ a b c d Buckley 2012, p. 21.
  4. ^ a b c Lester, Paul (June 11, 2015). "Franz and Sparks: this town is big enough for both of us". The Guardian.
  5. ^ a b c d e Fisher, Mark (2010). "You Remind Me of Gold: Dialogue with Simon Reynolds". Kaleidoscope (9).
  6. ^ a b c d Harper, Adam (December 7, 2012). "Comment: Vaporwave and the pop-art of the virtual plaza". Dummy. Retrieved February 8, 2014.
  7. ^ a b Frith 1989, p. 116, 208.
  8. ^ a b c Fisher 2014, p. 5.
  9. ^ a b Bannister 2007, p. 184.
  10. ^ a b c d e f g Fisher, Mark (November 7, 2007). "Glam's Exiled Princess: Roisin Murphy". Fact. London. Archived from the original on November 10, 2007. Retrieved November 23, 2015.
  11. ^ a b c d Frith & Horne 2016, pp. 113–114.
  12. ^ a b c d e Frith 1989, p. 208.
  13. ^ Frith & Horne 2016, p. 98.
  14. ^ a b c Bannister 2007, p. 37.
  15. ^ Murray, Noel (May 28, 2015). "60 minutes of music that sum up art-punk pioneers Wire". The A.V. Club.
  16. ^ Frith 1989, p. 97.
  17. ^ a b White, Armond. "The Best of Roxy Music Shows Ferry's Talent for Exploring Pop While Creating It". Retrieved March 15, 2016.
  18. ^ Coleman, Nick (August 31, 2003). "Live Box". The Independent. Independent Print Limited.
  19. ^ Moore 2016, "The (Very) Long 60s", pp. 12–13.
  20. ^ DJ Taylor (August 13, 2015). "Electric Shock: From the Gramophone to the iPhone: 125 Years of Pop Music by Peter Doggett, book review". The Independent. Retrieved March 15, 2016.
  21. ^ a b Aspden, Peter. "The Sound and Fury of Pop Music." Financial Times. 14 August 2015.
  22. ^ Christgau, Robert (February 24, 1987). "Christgau's Consumer Guide". The Village Voice. Retrieved April 24, 2019.
  23. ^ Frith & Horne 2016, p. 100.
  24. ^ Edmondson 2013, p. 1233.
  25. ^ Frith & Horne 2016, p. 99.
  26. ^ Frith & Horne 2016, pp. 74, 99–100.
  27. ^ Frith & Horne 2016, p. 103.
  28. ^ Frith & Horne 2016, p. 108.
  29. ^ Bannister 2007, pp. 44–45.
  30. ^ Bannister 2007, p. 45.
  31. ^ Masley, Ed (October 28, 2011). "Nearly 45 years later, Beach Boys' 'Smile' complete". Arizona Central.
  32. ^ Edmondson 2013, p. 890.
  33. ^ a b Johnson 2009, p. 197.
  34. ^ Williams 2003, p. 38.
  35. ^ Bannister 2007, pp. 38, 44–45.
  36. ^ Davis, Erik (November 9, 1990). "Look! Listen! Vibrate! SMILE! The Apollonian Shimmer of the Beach Boys". LA Weekly. Archived from the original on December 4, 2014. Retrieved January 14, 2014.
  37. ^ Himes, Geoffrey. "Surf Music" (PDF). teachrock.org. Rock and Roll: An American History. Archived from the original (PDF) on November 25, 2015.
  38. ^ Carlin 2006, p. 62.
  39. ^ Richardson, Mark (November 2, 2011). "The Smile Sessions review". Pitchfork. Retrieved July 16, 2013.
  40. ^ Staton, Scott (September 22, 2005). "A Lost Pop Symphony". The New York Review of Books. Retrieved September 12, 2013.
  41. ^ Howard 2004, p. 66.
  42. ^ Julien 2008, pp. 30, 160.
  43. ^ Julien 2008, p. 102.
  44. ^ Holm-Hudson 2013, p. 10.
  45. ^ Frith & Horne 2016, pp. 57–58, 99.
  46. ^ a b c Frith & Horne 2016, p. 101.
  47. ^ Lester, Paul (February 11, 2015). "Powerpop: 10 of the best". The Guardian.
  48. ^ MacDonald 2005, p. 232.
  49. ^ a b Molon & Diederichsen 2007, p. 73.
  50. ^ Auslander 2006, pp. 55, 86, 179.
  51. ^ Curtis 1987, p. 263.
  52. ^ Cavna, Michael. "Beyond the music: How David Bowie was one of our smartest visual artists". The Washington Post. Retrieved March 14, 2016.
  53. ^ Jones, Jonathan (March 15, 2013). "David Bowie and the sexual stamina of Dorothy Iannones – the week in art". The Guardian. Retrieved March 5, 2016.
  54. ^ Walker, John. (1987) "Bryan Ferry : music + art school". Cross-Overs: Art into Pop, Pop into Art.
  55. ^ Shanken, Edward (2002). "Cybernetics and Art: Cultural Convergence in the 1960s" (PDF). responsivelandscapes.com.
  56. ^ Frith & Horne 2016, p. 117.
  57. ^ a b c Frith & Horne 2016, p. 116.
  58. ^ Heller, Jason (June 14, 2012). "Getting started with Brian Eno, glam icon and art-pop pioneer". The A.V. Club. Chicago. Retrieved July 17, 2013.
  59. ^ Landy 2013, p. 167.
  60. ^ Fisher 2014, p. 36.
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Bibliography
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