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Art Deco

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Art Deco
Chrysler Building 1 (4684845155).jpg
Chicago world's fair, a century of progress, expo poster, 1933, 2.jpg
Victoire 2 by Rene Lalique Toyota Automobile Museum.jpg
Top to bottom: Chrysler Building in New York City (1930); poster for the Chicago World's Fair by Weimer Pursell (1933); and hood ornament Victoire by René Lalique (1928)
Years activec. 1910s–1950s
CountryGlobal

Art Deco, short for the French Arts Décoratifs, and sometimes just called Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s (just before World War I),[1] and flourished in the United States and Europe during the 1920s and 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look (clothing, fashion and jewelry), Art Deco has influenced bridges, buildings (from skyscrapers to cinemas), ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners.[2]

It got its name after the 1925 Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris.[3]

Art Deco combined modern styles with fine craftsmanship and rich materials. During its heyday, it represented luxury, glamour, exuberance, and faith in social and technological progress.

From its outset, Art Deco was influenced by the bold geometric forms of Cubism and the Vienna Secession; the bright colours of Fauvism and of the Ballets Russes; the updated craftsmanship of the furniture of the eras of Louis XVI and Louis Philippe I; and the exoticized styles of China, Japan, India, Persia, ancient Egypt and Maya art. It featured rare and expensive materials, such as ebony and ivory, and exquisite craftsmanship. The Empire State Building, Chrysler Building, and other skyscrapers of New York City built during the 1920s and 1930s are monuments to the style.

In the 1930s, during the Great Depression, Art Deco became more subdued. New materials arrived, including chrome plating, stainless steel and plastic. A sleeker form of the style, called Streamline Moderne, appeared in the 1930s, featuring curving forms and smooth, polished surfaces.[4] Art Deco is one of the first truly international styles, but its dominance ended with the beginning of World War II and the rise of the strictly functional and unadorned styles of modern architecture and the International Style of architecture that followed.[5]

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Architecture

Architecture

Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief', and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

France

France

France, officially the French Republic, is a country located primarily in Western Europe. It also includes overseas regions and territories in the Americas and the Atlantic, Pacific and Indian Oceans, giving it one of the largest discontiguous exclusive economic zones in the world. Its metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea; overseas territories include French Guiana in South America, Saint Pierre and Miquelon in the North Atlantic, the French West Indies, and many islands in Oceania and the Indian Ocean. Its eighteen integral regions span a combined area of 643,801 km2 (248,573 sq mi) and had a total population of over 68 million as of January 2023. France is a unitary semi-presidential republic with its capital in Paris, the country's largest city and main cultural and commercial centre; other major urban areas include Marseille, Lyon, Toulouse, Lille, Bordeaux, and Nice.

Cubism

Cubism

Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related artistic movements in music, literature, and architecture. In Cubist works of art, the subjects are analyzed, broken up, and reassembled in an abstract form—instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term cubism is broadly associated with a variety of artworks produced in Paris or near Paris (Puteaux) during the 1910s and throughout the 1920s.

Fauvism

Fauvism

Fauvism /ˈfoʊvɪzm̩/ is the style of les Fauves, a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain, Maurice de Vlaminck, and Henri Matisse.

Ballets Russes

Ballets Russes

The Ballets Russes was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there.

Chinese art

Chinese art

Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based in or draws on Chinese culture, heritage, and history. Early "Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years. The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art.

Art of ancient Egypt

Art of ancient Egypt

Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs.

Ancient Maya art

Ancient Maya art

Ancient Maya art is the visual arts of the Maya civilization, an eastern and south-eastern Mesoamerican culture made up of a great number of small kingdoms in present-day Mexico, Guatemala, Belize and Honduras. Many regional artistic traditions existed side by side, usually coinciding with the changing boundaries of Maya polities. This civilization took shape in the course of the later Preclassic Period, when the first cities and monumental architecture started to develop and the hieroglyphic script came into being. Its greatest artistic flowering occurred during the seven centuries of the Classic Period.

Empire State Building

Empire State Building

The Empire State Building is a 102-story Art Deco skyscraper in Midtown Manhattan, New York City. The building was designed by Shreve, Lamb & Harmon and built from 1930 to 1931. Its name is derived from "Empire State", the nickname of the state of New York. The building has a roof height of 1,250 feet (380 m) and stands a total of 1,454 feet (443.2 m) tall, including its antenna. The Empire State Building was the world's tallest building until the first tower of the World Trade Center was topped out in 1970; following the September 11 attacks in 2001, the Empire State Building was New York City's tallest building until it was surpassed in 2012. As of 2022, the building is the seventh-tallest building in New York City, the ninth-tallest completed skyscraper in the United States, the 54th-tallest in the world, and the sixth-tallest freestanding structure in the Americas.

Chrysler Building

Chrysler Building

The Chrysler Building is an Art Deco skyscraper on the East Side of Manhattan in New York City, at the intersection of 42nd Street and Lexington Avenue in Midtown Manhattan. At 1,046 ft (319 m), it is the tallest brick building in the world with a steel framework, and it was the world's tallest building for 11 months after its completion in 1930. As of 2019, the Chrysler is the 11th-tallest building in the city, tied with The New York Times Building.

Art Deco architecture of New York City

Art Deco architecture of New York City

Art Deco architecture flourished in New York City during the 1920s and 1930s. The style—characterized by ornament and verticality, as well as the use of contemporary materials—is found in government edifices, commercial projects, and residential buildings in all five boroughs. The architecture of the period was influenced not just by worldwide decorative arts trends and the rise of mechanization, but also New York City's 1916 Zoning Resolution which influenced the setback feature in most of the buildings.

Chrome plating

Chrome plating

Chrome plating is a technique of electroplating a thin layer of chromium onto a metal object. A chrome plated part is called chrome, or is said to have been chromed. The chromium layer can be decorative, provide corrosion resistance, facilitate cleaning, or increase surface hardness. Sometimes, a less expensive substitute for chrome such as nickel may be used for aesthetic purposes.

Etymology

Art Deco took its name, short for arts décoratifs, from the Exposition Internationale des Arts Décoratifs et Industriels Modernes held in Paris in 1925,[3] though the diverse styles that characterised it had already appeared in Paris and Brussels before World War I.

Arts décoratifs was first used in France in 1858 in the Bulletin de la Société française de photographie.[6] In 1868, the Le Figaro newspaper used the term objets d'art décoratifs for objects for stage scenery created for the Théâtre de l'Opéra.[7][8][9] In 1875, furniture designers, textile, jewellers, glass-workers, and other craftsmen were officially given the status of artists by the French government. In response, the École royale gratuite de dessin (Royal Free School of Design), founded in 1766 under King Louis XVI to train artists and artisans in crafts relating to the fine arts, was renamed the École nationale des arts décoratifs (National School of Decorative Arts). It took its present name, ENSAD (École nationale supérieure des arts décoratifs), in 1927.

At the 1925 Exposition, architect Le Corbusier wrote a series of articles about the exhibition for his magazine L'Esprit Nouveau, under the title "1925 EXPO. ARTS. DÉCO.", which were combined into a book, L'art décoratif d'aujourd'hui (Decorative Art Today). The book was a spirited attack on the excesses of the colourful, lavish objects at the Exposition, and on the idea that practical objects such as furniture should not have any decoration at all; his conclusion was that "Modern decoration has no decoration".[10]

The actual term art déco did not appear in print until 1966, in the title of the first modern exhibition on the subject, held by the Museum of Decorative Arts in Paris, Les Années 25 : Art déco, Bauhaus, Stijl, Esprit nouveau, which covered the variety of major styles in the 1920s and 1930s.[11] The term was then used in a 1966 newspaper article by Hillary Gelson in The Times (London, 12 November), describing the different styles at the exhibit.[12]

Art Deco gained currency as a broadly applied stylistic label in 1968 when historian Bevis Hillier published the first major academic book on it, Art Deco of the 20s and 30s.[2] He noted that the term was already being used by art dealers, and cites The Times (2 November 1966) and an essay named Les Arts Déco in Elle magazine (November 1967) as examples.[13] In 1971, he organized an exhibition at the Minneapolis Institute of Arts, which he details in his book The World of Art Deco.[14][15]

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Paris

Paris

Paris is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km², making it the fourth-most populated city in the European Union as well as the 30th most densely populated city in the world in 2022. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world.

Brussels

Brussels

Brussels, officially the Brussels-Capital Region, is a region of Belgium comprising 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country and is a part of both the French Community of Belgium and the Flemish Community, but is separate from the Flemish Region and the Walloon Region.

World War I

World War I

World War I or the First World War, often abbreviated as WWI, was one of the deadliest global conflicts in history. It was fought between two coalitions, the Allies and the Central Powers. Fighting occurred throughout Europe, the Middle East, Africa, the Pacific, and parts of Asia. An estimated 9 million soldiers were killed in combat, plus another 23 million wounded, while 5 million civilians died as a result of military action, hunger, and disease. Millions more died as a result of genocide, while the 1918 Spanish flu pandemic was exacerbated by the movement of combatants during the war.

France

France

France, officially the French Republic, is a country located primarily in Western Europe. It also includes overseas regions and territories in the Americas and the Atlantic, Pacific and Indian Oceans, giving it one of the largest discontiguous exclusive economic zones in the world. Its metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea; overseas territories include French Guiana in South America, Saint Pierre and Miquelon in the North Atlantic, the French West Indies, and many islands in Oceania and the Indian Ocean. Its eighteen integral regions span a combined area of 643,801 km2 (248,573 sq mi) and had a total population of over 68 million as of January 2023. France is a unitary semi-presidential republic with its capital in Paris, the country's largest city and main cultural and commercial centre; other major urban areas include Marseille, Lyon, Toulouse, Lille, Bordeaux, and Nice.

Le Figaro

Le Figaro

Le Figaro is a French daily morning newspaper founded in 1826. It is headquartered on Boulevard Haussmann in the 9th arrondissement of Paris. The oldest national newspaper in France, Le Figaro is one of three French newspapers of record, along with Le Monde and Libération.

Salle Le Peletier

Salle Le Peletier

The Salle Le Peletier or Lepeletier was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the garden of the Hôtel de Choiseul on the rue Lepeletier. Due to the many changes in government and management during the theatre's existence, it had a number of different official names, the most important of which were: Théâtre de l'Académie Royale de Musique (1821–1848), Opéra-Théâtre de la Nation (1848–1850), Théâtre de l'Académie Nationale de Musique (1850–1852), Théâtre de l'Académie Impériale de Musique (1852–1854), Théâtre Impérial de l'Opéra (1854–1870), and Théâtre National de l'Opéra (1870–1873).

École nationale supérieure des arts décoratifs

École nationale supérieure des arts décoratifs

The École nationale supérieure des Arts Décoratifs is a public grande école of art and design of PSL Research University. The school is located in the Rue d'Ulm in Paris.

Le Corbusier

Le Corbusier

Charles-Édouard Jeanneret, known as Le Corbusier, was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now regarded as modern architecture. He was born in Switzerland and became a French citizen in 1930. His career spanned five decades, and he designed buildings in Europe, Japan, India, and North and South America. He considered that "the roots of modern architecture are to be found in Viollet-le-Duc".

The Times

The Times

The Times is a British daily national newspaper based in London. It began in 1785 under the title The Daily Universal Register, adopting its current name on 1 January 1788. The Times and its sister paper The Sunday Times are published by Times Newspapers, since 1981 a subsidiary of News UK, in turn wholly owned by News Corp. The Times and The Sunday Times, which do not share editorial staff, were founded independently and have only had common ownership since 1966. In general, the political position of The Times is considered to be centre-right.

Bevis Hillier

Bevis Hillier

Bevis Hillier is an English art historian, author and journalist. He has written on Art Deco, and also a biography of Sir John Betjeman.

Art Deco of the 20s and 30s

Art Deco of the 20s and 30s

Art Deco of the 20s and 30s is an art history book by English historian Bevis Hillier. It was initially published in 1968 by Studio Vista. The author discusses how the style of cubism, expressionism, Ancient Egyptian art, Mayan art, and so on influenced Art Deco, and how Art Deco itself changed the style of disciplines as various as modern architecture, jewelry, ceramics, tableware, metalwork, glass, textiles, and many others.

Elle (magazine)

Elle (magazine)

Elle is a worldwide women's magazine of French origin that offers a mix of fashion and beauty content, together with culture, society and lifestyle. The title means "she" or "her" in French. Elle is considered one of the world's largest fashion magazines, with 45 editions around the world and 46 local websites. It now counts 21 million readers and 100 million unique visitors per month, with an audience of mostly women. It was founded in Paris in 1945 by Hélène Gordon-Lazareff and her husband, the writer Pierre Lazareff. The magazine's readership has continuously grown since its founding, increasing to 800,000 across France by the 1960s. Elle editions have since multiplied, creating a global network of publications and readers. Elle's Japanese publication was launched in 1969, beginning an international expansion. Its first issues in English were launched in 1985.

Origins

Society of Decorative Artists (1901–1945)

The emergence of Art Deco was closely connected with the rise in status of decorative artists, who until late in the 19th century were considered simply as artisans. The term arts décoratifs had been invented in 1875, giving the designers of furniture, textiles, and other decoration official status. The Société des artistes décorateurs (Society of Decorative Artists), or SAD, was founded in 1901, and decorative artists were given the same rights of authorship as painters and sculptors. A similar movement developed in Italy. The first international exhibition devoted entirely to the decorative arts, the Esposizione Internazionale d'Arte Decorativa Moderna, was held in Turin in 1902. Several new magazines devoted to decorative arts were founded in Paris, including Arts et décoration and L'Art décoratif moderne. Decorative arts sections were introduced into the annual salons of the Sociéte des artistes français, and later in the Salon d'Automne. French nationalism also played a part in the resurgence of decorative arts, as French designers felt challenged by the increasing exports of less expensive German furnishings. In 1911, SAD proposed a major new international exposition of decorative arts in 1912. No copies of old styles would be permitted, only modern works. The exhibit was postponed until 1914; and then, because of the war, until 1925, when it gave its name to the whole family of styles known as "Déco".[16]

Parisian department stores and fashion designers also played an important part in the rise of Art Deco. Prominent businesses such as silverware firm Christofle, glass designer René Lalique, and the jewellers Louis Cartier and Boucheron began designing products in more modern styles.[17][18] Beginning in 1900, department stores recruited decorative artists to work in their design studios. The decoration of the 1912 Salon d'Automne was entrusted to the department store Printemps,[19][20] and that year it created its own workshop, Primavera.[20] By 1920 Primavera employed more than 300 artists, whose styles ranged from updated versions of Louis XIV, Louis XVI, and especially Louis Philippe furniture made by Louis Süe and the Primavera workshop, to more modern forms from the workshop of the Au Louvre department store. Other designers, including Émile-Jacques Ruhlmann and Paul Follot, refused to use mass production, insisting that each piece be made individually. The early Art Deco style featured luxurious and exotic materials such as ebony, ivory and silk, very bright colours and stylized motifs, particularly baskets and bouquets of flowers of all colours, giving a modernist look.[21]

Vienna Secession and Wiener Werkstätte (1897–1912)

The architects of the Vienna Secession (formed 1897), especially Josef Hoffmann, had a notable influence on Art Deco. His Stoclet Palace, in Brussels (1905–1911), was a prototype of the Art Deco style, featuring geometric volumes, symmetry, straight lines, concrete covered with marble plaques, finely-sculpted ornament, and lavish interiors, including mosaic friezes by Gustav Klimt. Hoffmann was also a founder of the Wiener Werkstätte (1903–1932), an association of craftsmen and interior designers working in the new style. This became the model for the Compagnie des arts français, created in 1919, which brought together André Mare, and Louis Süe, the first leading French Art Deco designers and decorators.[22]

New materials and technologies

New materials and technologies, especially reinforced concrete, were key to the development and appearance of Art Deco. The first concrete house was built in 1853 in the Paris suburbs by François Coignet. In 1877 Joseph Monier introduced the idea of strengthening the concrete with a mesh of iron rods in a grill pattern. In 1893 Auguste Perret built the first concrete garage in Paris, then an apartment building, house, then, in 1913, the Théâtre des Champs-Élysées. The theatre was denounced by one critic as the "Zeppelin of Avenue Montaigne", an alleged Germanic influence, copied from the Vienna Secession. Thereafter, the majority of Art Deco buildings were made of reinforced concrete, which gave greater freedom of form and less need for reinforcing pillars and columns. Perret was also a pioneer in covering the concrete with ceramic tiles, both for protection and decoration. The architect Le Corbusier first learned the uses of reinforced concrete working as a draftsman in Perret's studio.[23]

Other new technologies that were important to Art Deco were new methods in producing plate glass, which was less expensive and allowed much larger and stronger windows, and for mass-producing aluminium, which was used for building and window frames and later, by Corbusier, Warren McArthur, and others, for lightweight furniture.

Théâtre des Champs-Élysées (1910–1913)

Antoine Bourdelle, 1910–12, Apollon et sa méditation entourée des 9 muses (Apollo and His Meditation Surrounded by the 9 Muses), bas-relief, on the Théâtre des Champs-Élysées. This work represents one of the earliest examples of what became known as Art Deco sculpture.
Antoine Bourdelle, 1910–12, Apollon et sa méditation entourée des 9 muses (Apollo and His Meditation Surrounded by the 9 Muses), bas-relief, on the Théâtre des Champs-Élysées. This work represents one of the earliest examples of what became known as Art Deco sculpture.

The Théâtre des Champs-Élysées (1910–1913), by Auguste Perret, was the first landmark Art Deco building completed in Paris. Previously, reinforced concrete had been used only for industrial and apartment buildings, Perret had built the first modern reinforced-concrete apartment building in Paris on rue Benjamin Franklin in 1903–04. Henri Sauvage, another important future Art Deco architect, built another in 1904 at 7, rue Trétaigne (1904). From 1908 to 1910, the 21-year-old Le Corbusier worked as a draftsman in Perret's office, learning the techniques of concrete construction. Perret's building had clean rectangular form, geometric decoration and straight lines, the future trademarks of Art Deco. The décor of the theatre was also revolutionary; the façade was decorated with high reliefs by Antoine Bourdelle, a dome by Maurice Denis, paintings by Édouard Vuillard, and an Art Deco curtain by Ker-Xavier Roussel. The theatre became famous as the venue for many of the first performances of the Ballets Russes.[24] Perret and Sauvage became the leading Art Deco architects in Paris in the 1920s.[25][26]

Salon d'Automne (1903–1914)

At its birth between 1910 and 1914, Art Deco was an explosion of colours, featuring bright and often clashing hues, frequently in floral designs, presented in furniture upholstery, carpets, screens, wallpaper and fabrics. Many colourful works, including chairs and a table by Maurice Dufrêne and a bright Gobelin carpet by Paul Follot were presented at the 1912 Salon des artistes décorateurs. In 1912–1913 designer Adrien Karbowsky made a floral chair with a parrot design for the hunting lodge of art collector Jacques Doucet.[27] The furniture designers Louis Süe and André Mare made their first appearance at the 1912 exhibit, under the name of the Atelier français, combining polychromatic fabrics with exotic and expensive materials, including ebony and ivory. After World War I, they became one of the most prominent French interior design firms, producing the furniture for the first-class salons and cabins of the French transatlantic ocean liners.[28]

The vivid hues of Art Deco came from many sources, including the exotic set designs by Léon Bakst for the Ballets Russes, which caused a sensation in Paris just before World War I. Some of the colours were inspired by the earlier Fauvism movement led by Henri Matisse; others by the Orphism of painters such as Sonia Delaunay;[29] others by the movement known as Les Nabis, and in the work of symbolist painter Odilon Redon, who designed fireplace screens and other decorative objects. Bright shades were a feature of the work of fashion designer Paul Poiret, whose work influenced both Art Deco fashion and interior design.[28][30][31]

Cubism

Joseph Csaky, 1912, Danseuse (Femme à l'éventail, Femme à la cruche), original plaster, exhibited at the 1912 Salon d'Automne and the 1914 Salon des Indépendants, a Proto-Art Deco sculpture
Joseph Csaky, 1912, Danseuse (Femme à l'éventail, Femme à la cruche), original plaster, exhibited at the 1912 Salon d'Automne and the 1914 Salon des Indépendants, a Proto-Art Deco sculpture

The art movement known as Cubism appeared in France between 1907 and 1912, influencing the development of Art Deco.[24][29][30] In Art Deco Complete: The Definitive Guide to the Decorative Arts of the 1920s and 1930s Alastair Duncan writes "Cubism, in some bastardized form or other, became the lingua franca of the era's decorative artists."[30][32] The Cubists, themselves under the influence of Paul Cézanne, were interested in the simplification of forms to their geometric essentials: the cylinder, the sphere, the cone.[33][34]

In 1912, the artists of the Section d'Or exhibited works considerably more accessible to the general public than the analytical Cubism of Picasso and Braque. The Cubist vocabulary was poised to attract fashion, furniture and interior designers.[29][31][34][35]

The 1912 writings of André Vera, Le Nouveau style, published in the journal L'Art décoratif, expressed the rejection of Art Nouveau forms (asymmetric, polychrome and picturesque) and called for simplicité volontaire, symétrie manifeste, l'ordre et l'harmonie, themes that would eventually become common within Art Deco;[18] though the Deco style was often extremely colourful and often complex.[36]

In the Art Décoratif section of the 1912 Salon d'Automne, an architectural installation was exhibited known as La Maison Cubiste.[37][38] The facade was designed by Raymond Duchamp-Villon. The décor of the house was by André Mare.[39][40] La Maison Cubiste was a furnished installation with a façade, a staircase, wrought iron banisters, a bedroom, a living room—the Salon Bourgeois, where paintings by Albert Gleizes, Jean Metzinger, Marie Laurencin, Marcel Duchamp, Fernand Léger and Roger de La Fresnaye were hung.[41][42][43] Thousands of spectators at the salon passed through the full-scale model.[44]

The façade of the house, designed by Duchamp-Villon, was not very radical by modern standards; the lintels and pediments had prismatic shapes, but otherwise the façade resembled an ordinary house of the period. For the two rooms, Mare designed the wallpaper, which featured stylized roses and floral patterns, along with upholstery, furniture and carpets, all with flamboyant and colourful motifs. It was a distinct break from traditional décor. The critic Emile Sedeyn described Mare's work in the magazine Art et Décoration: "He does not embarrass himself with simplicity, for he multiplies flowers wherever they can be put. The effect he seeks is obviously one of picturesqueness and gaiety. He achieves it."[45] The Cubist element was provided by the paintings. The installation was attacked by some critics as extremely radical, which helped make for its success.[46] This architectural installation was subsequently exhibited at the 1913 Armory Show, New York City, Chicago and Boston.[29][34][47][48][49] Thanks largely to the exhibition, the term "Cubist" began to be applied to anything modern, from women's haircuts to clothing to theater performances."[46]

The Cubist influence continued within Art Deco, even as Deco branched out in many other directions.[29][30] In 1927, Cubists Joseph Csaky, Jacques Lipchitz, Louis Marcoussis, Henri Laurens, the sculptor Gustave Miklos, and others collaborated in the decoration of a Studio House, rue Saint-James, Neuilly-sur-Seine, designed by the architect Paul Ruaud and owned by the French fashion designer Jacques Doucet, also a collector of Post-Impressionist art by Henri Matisse and Cubist paintings (including Les Demoiselles d'Avignon, which he bought directly from Picasso's studio). Laurens designed the fountain, Csaky designed Doucet's staircase,[50] Lipchitz made the fireplace mantel, and Marcoussis made a Cubist rug.[29][51][52][53]

Besides the Cubist artists, Doucet brought in other Deco interior designers to help in decorating the house, including Pierre Legrain, who was in charge of organizing the decoration, and Paul Iribe, Marcel Coard, André Groult, Eileen Gray and Rose Adler to provide furniture. The décor included massive pieces made of macassar ebony, inspired by African art, and furniture covered with Morocco leather, crocodile skin and snakeskin, and patterns taken from African designs.[54]

Cubism's adumbrated geometry became coin of the realm in the 1920s. Art Deco's development of Cubism's selective geometry into a wider array of shapes carried Cubism as a pictorial taxonomy to a much broader audience and wider appeal. (Richard Harrison Martin, Metropolitan Museum of Art)[55]

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Prima Esposizione Internazionale d'Arte Decorativa Moderna

Prima Esposizione Internazionale d'Arte Decorativa Moderna

The Prima Esposizione Internazionale d'Arte Decorativa Moderna, held in Turin, Italy in 1902, was a world arts exhibition that was important in spreading the popularity of Art Nouveau design, especially to Italy. Its aim was explicitly modern: "Only original products that show a decisive tendency toward aesthetic renewal of form will be admitted. Neither mere imitations of past styles nor industrial products not inspired by an artistic sense will be accepted."

Maurice Dufrêne

Maurice Dufrêne

Maurice Dufrêne (1876–1955) was a French decorative artist who headed the Maîtrise workshop of the Galeries Lafayette department store.

Paul Follot

Paul Follot

Paul Follot was a French designer of luxury furniture and decorative art objects before World War I. He was one of the leaders of the Art Deco movement, and had huge influence in France and elsewhere.After the war he became head of the Pomone decorative art workshop of Le Bon Marché department store, making affordable but still elegant and high-quality work.

George Barbier (illustrator)

George Barbier (illustrator)

George Barbier, né Georges Augustin Barbier, (1882–1932) was one of the great French illustrators of the early 20th century.

Paul Poiret

Paul Poiret

Paul Poiret was a French fashion designer, a master couturier during the first two decades of the 20th century. He was the founder of his namesake haute couture house.

Christofle

Christofle

Christofle is a French manufacturer and retailer of high-end tableware, jewelry and home accessories. Founded in Paris by Charles Christofle in 1830, the company is known for making fine silverware. Christofle was acquired in 2012 by one of its shareholders, the Chalhoub family.

Boucheron

Boucheron

Boucheron is a French luxury jewelry and watch house located in Paris, 26 Place Vendôme, owned by Kering.

Printemps

Printemps

Printemps is a French department store chain. The Printemps stores focus on beauty, lifestyle, fashion, accessories, and men's wear. The Printemps was a founder and has been a member of the International Association of department stores from 1928 to 1997, an international body still active as of today. The flagship Printemps store is located on Boulevard Haussmann in the 9th arrondissement of Paris, along with other well-known department stores like Galeries Lafayette. There are other Printemps stores in Paris and throughout France.

Louis XIV style

Louis XIV style

The Louis XIV style or Louis Quatorze, also called French classicism, was the style of architecture and decorative arts intended to glorify King Louis XIV and his reign. It featured majesty, harmony and regularity. It became the official style during the reign of Louis XIV (1643–1715), imposed upon artists by the newly established Académie royale de peinture et de sculpture and the Académie royale d'architecture. It had an important influence upon the architecture of other European monarchs, from Frederick the Great of Prussia to Peter the Great of Russia. Major architects of the period included François Mansart, Jules Hardouin Mansart, Robert de Cotte, Pierre Le Muet, Claude Perrault, and Louis Le Vau. Major monuments included the Palace of Versailles, the Grand Trianon at Versailles, and the Church of Les Invalides (1675–1691).

Louis XVI style

Louis XVI style

Louis XVI style, also called Louis Seize, is a style of architecture, furniture, decoration and art which developed in France during the 19-year reign of Louis XVI (1774–1793), just before the French Revolution. It saw the final phase of the Baroque style as well as the birth of French Neoclassicism. The style was a reaction against the elaborate ornament of the preceding Baroque period. It was inspired in part by the discoveries of Ancient Roman paintings, sculpture and architecture in Herculaneum and Pompeii. Its features included the straight column, the simplicity of the post-and-lintel, the architrave of the Greek temple. It also expressed the Rousseau-inspired values of returning to nature and the view of nature as an idealized and wild but still orderly and inherently worthy model for the arts to follow.

Louis Philippe style

Louis Philippe style

The style of architecture and design under King Louis Philippe I (1830–1848) was a more eclectic development of French neoclassicism, incorporating elements of neo-Gothic and other styles. It was the first French decorative style imposed not by royalty, but by the tastes of the growing French upper class. In painting, neoclassicism and romanticism contended to become the dominant style. In literature and music, France had a golden age, as the home of Frédéric Chopin, Franz Liszt, Victor Hugo, Honoré de Balzac, and other major poets and artists.

Louis Süe

Louis Süe

Louis Süe was a French painter, architect, designer and decorator. He and André Mare co-founded the Compagnie des arts français, which produced Art Deco furniture and interior decorations for wealthy customers. He also designed buildings and interiors, including the interiors of two passenger liners.

Influences

Art Deco was not a single style, but a collection of different and sometimes contradictory styles. In architecture, Art Deco was the successor to and reaction against Art Nouveau, a style which flourished in Europe between 1895 and 1900, and also gradually replaced the Beaux-Arts and neoclassical that were predominant in European and American architecture. In 1905 Eugène Grasset wrote and published Méthode de Composition Ornementale, Éléments Rectilignes,[56] in which he systematically explored the decorative (ornamental) aspects of geometric elements, forms, motifs and their variations, in contrast with (and as a departure from) the undulating Art Nouveau style of Hector Guimard, so popular in Paris a few years earlier. Grasset stressed the principle that various simple geometric shapes like triangles and squares are the basis of all compositional arrangements. The reinforced-concrete buildings of Auguste Perret and Henri Sauvage, and particularly the Théâtre des Champs-Élysées, offered a new form of construction and decoration which was copied worldwide.[57]

In decoration, many different styles were borrowed and used by Art Deco. They included pre-modern art from around the world and observable at the Musée du Louvre, Musée de l'Homme and the Musée national des Arts d'Afrique et d'Océanie. There was also popular interest in archaeology due to excavations at Pompeii, Troy, and the tomb of the 18th dynasty Pharaoh Tutankhamun. Artists and designers integrated motifs from ancient Egypt, Africa, Mesopotamia, Greece, Rome, Asia, Mesoamerica and Oceania with Machine Age elements.[58][59][60][61][62][63]

Other styles borrowed included Russian Constructivism and Italian Futurism, as well as Orphism, Functionalism, and Modernism in general.[34][58][64][65] Art Deco also used the clashing colours and designs of Fauvism, notably in the work of Henri Matisse and André Derain, inspired the designs of art deco textiles, wallpaper, and painted ceramics.[34] It took ideas from the high fashion vocabulary of the period, which featured geometric designs, chevrons, zigzags, and stylized bouquets of flowers. It was influenced by discoveries in Egyptology, and growing interest in the Orient and in African art. From 1925 onwards, it was often inspired by a passion for new machines, such as airships, automobiles and ocean liners, and by 1930 this influence resulted in the style called Streamline Moderne.[66]

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Ballets Russes

Ballets Russes

The Ballets Russes was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there.

Jeanne Paquin

Jeanne Paquin

Jeanne Paquin (1869–1936) was a leading French fashion designer, known for her resolutely modern and innovative designs. She was the first major female couturier and one of the pioneers of the modern fashion business.

450 Sutter Street

450 Sutter Street

450 Sutter Street, also called the Four Fifty Sutter Building, is a twenty-six-floor, 105-meter (344-foot) skyscraper in San Francisco, California, completed in 1929. The tower is known for its "Neo-Mayan" Art Deco design by architect Timothy L. Pflueger. The building's vertically faceted exterior later influenced Pietro Belluschi in his similarly faceted exterior of 555 California, the former Bank of America Center completed in 1969.

Ancient Maya art

Ancient Maya art

Ancient Maya art is the visual arts of the Maya civilization, an eastern and south-eastern Mesoamerican culture made up of a great number of small kingdoms in present-day Mexico, Guatemala, Belize and Honduras. Many regional artistic traditions existed side by side, usually coinciding with the changing boundaries of Maya polities. This civilization took shape in the course of the later Preclassic Period, when the first cities and monumental architecture started to develop and the hieroglyphic script came into being. Its greatest artistic flowering occurred during the seven centuries of the Classic Period.

Bucharest

Bucharest

Bucharest is the capital and largest city of Romania. It is described as the cultural, financial, entertainment, and media center in the country with a significant influence in Eastern and Southeastern Europe as well. It is also a city with a significant influence in terms of education, tourism, research, technology, health care, art, fashion, sports, and politics. It is located in the south-east of Romania, on the banks of the Dâmbovița river, less than 60 km (37.3 mi) north of the Danube River and the border with Bulgaria. It is also one of the most populated cities of the European Union (EU) within city limits and the most populated capital in Southeastern Europe. It was the capital of Wallachia from 1659 to 1859 and the capital of the United Principalities of Moldavia and Wallachia from 1859 to 1881.

Futurism

Futurism

Futurism was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 Manifesto of Futurism, Boccioni's 1913 sculpture Unique Forms of Continuity in Space, Balla's 1913–1914 painting Abstract Speed + Sound, and Russolo's The Art of Noises (1913).

Constructivism (art)

Constructivism (art)

Constructivism is an early twentieth-century art movement founded in 1915 by Vladimir Tatlin and Alexander Rodchenko. Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space. The movement rejected decorative stylization in favor of the industrial assemblage of materials. Constructivists were in favour of art for propaganda and social purposes, and were associated with Soviet socialism, the Bolsheviks and the Russian avant-garde.

New York (state)

New York (state)

New York, often called New York state to distinguish it from its largest city, New York City, is a state in the Northeastern United States. With 20.2 million people enumerated at the 2020 United States census, its highest decennial count ever, it is the fourth-most populous state in the United States as of 2021, approximately 44% of the state's population lives in New York City, including 25% in the boroughs of Brooklyn and Queens; and 15% of the state's population is on the remainder of Long Island, the most populous island in the United States. With a total area of 54,556 square miles (141,300 km2), New York is the 27th-largest U.S. state by area. The state is bordered by New Jersey and Pennsylvania to its south, and Connecticut, Massachusetts, and Vermont to its east; it shares a maritime border with Rhode Island, east of Long Island; and an international border with the Canadian provinces of Quebec to its north and Ontario to its northwest.

Beaux-Arts architecture

Beaux-Arts architecture

Beaux-Arts architecture was the academic architectural style taught at the École des Beaux-Arts in Paris, particularly from the 1830s to the end of the 19th century. It drew upon the principles of French neoclassicism, but also incorporated Renaissance and Baroque elements, and used modern materials, such as iron and glass. It was an important style in France until the end of the 19th century.

Neoclassical architecture

Neoclassical architecture

Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes.

Eugène Grasset

Eugène Grasset

Eugène Samuel Grasset was a Swiss decorative artist who worked in Paris, France in a variety of creative design fields during the Belle Époque. He is considered a pioneer in Art Nouveau design.

Hector Guimard

Hector Guimard

Hector Guimard was a French architect and designer, and a prominent figure of the Art Nouveau style. He achieved early fame with his design for the Castel Beranger, the first Art Nouveau apartment building in Paris, which was selected in an 1899 competition as one of the best new building facades in the city. He is best known for the glass and iron edicules or canopies, with ornamental Art Nouveau curves, which he designed to cover the entrances of the first stations of the Paris Metro.

Style of luxury and modernity

Art Deco was associated with both luxury and modernity; it combined very expensive materials and exquisite craftsmanship put into modernistic forms. Nothing was cheap about Art Deco: pieces of furniture included ivory and silver inlays, and pieces of Art Deco jewellery combined diamonds with platinum, jade, coral and other precious materials. The style was used to decorate the first-class salons of ocean liners, deluxe trains, and skyscrapers. It was used around the world to decorate the great movie palaces of the late 1920s and 1930s. Later, after the Great Depression, the style changed and became more sober.

A good example of the luxury style of Art Deco is the boudoir of the fashion designer Jeanne Lanvin, designed by Armand-Albert Rateau (1882–1938) made between 1922 and 1925. It was located in her house at 16 rue Barbet de Jouy, in Paris, which was demolished in 1965. The room was reconstructed in the Museum of Decorative Arts in Paris. The walls are covered with moulded lambris below sculpted bas-reliefs in stucco. The alcove is framed with columns of marble on bases and a plinth of sculpted wood. The floor is of white and black marble, and in the cabinets decorative objects are displayed against a background of blue silk. Her bathroom had a tub and washstand made of sienna marble, with a wall of carved stucco and bronze fittings.[67]

By 1928 the style had become more comfortable, with deep leather club chairs. The study designed by the Paris firm of Alavoine for an American businessman in 1928–30, is now in the Brooklyn Museum.

By the 1930s, the style had been somewhat simplified, but it was still extravagant. In 1932 the decorator Paul Ruaud made the Glass Salon for Suzanne Talbot. It featured a serpentine armchair and two tubular armchairs by Eileen Gray, a floor of mat silvered glass slabs, a panel of abstract patterns in silver and black lacquer, and an assortment of animal skins.[68]

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Jeanne Lanvin

Jeanne Lanvin

Jeanne-Marie Lanvin was a French haute couture fashion designer. She founded the Lanvin fashion house and the beauty and perfume company Lanvin Parfums.

Brooklyn Museum

Brooklyn Museum

The Brooklyn Museum is an art museum located in the New York City borough of Brooklyn. At 560,000 square feet (52,000 m2), the museum is New York City's second largest and contains an art collection with around 500,000 objects. Located near the Prospect Heights, Crown Heights, Flatbush, and Park Slope neighborhoods of Brooklyn, the museum's Beaux-Arts building was designed by McKim, Mead and White.

New York (state)

New York (state)

New York, often called New York state to distinguish it from its largest city, New York City, is a state in the Northeastern United States. With 20.2 million people enumerated at the 2020 United States census, its highest decennial count ever, it is the fourth-most populous state in the United States as of 2021, approximately 44% of the state's population lives in New York City, including 25% in the boroughs of Brooklyn and Queens; and 15% of the state's population is on the remainder of Long Island, the most populous island in the United States. With a total area of 54,556 square miles (141,300 km2), New York is the 27th-largest U.S. state by area. The state is bordered by New Jersey and Pennsylvania to its south, and Connecticut, Massachusetts, and Vermont to its east; it shares a maritime border with Rhode Island, east of Long Island; and an international border with the Canadian provinces of Quebec to its north and Ontario to its northwest.

Eileen Gray

Eileen Gray

Eileen Gray was an Irish architect and furniture designer who became a pioneer of the Modern Movement in architecture. Over her career, she was associated with many notable European artists of her era, including Kathleen Scott, Adrienne Gorska, Le Corbusier, and Jean Badovici, with whom she was romantically involved. Her most famous work is the house known as E-1027 in Roquebrune-Cap-Martin, France.

L'Illustration

L'Illustration

L'Illustration was a weekly French newspaper published in Paris from 1843 to 1944. It was founded by Édouard Charton with the first issue published on 4 March 1843, it became the first illustrated newspaper in France then, after 1906, the first international illustrated magazine; distributed in 150 countries.

Great Depression

Great Depression

The Great Depression (1929–1939) was an economic shock that impacted most countries across the world. It was a period of economic depression that became evident after a major fall in stock prices in the United States. The economic contagion began around September and led to the Wall Street stock market crash of October 24. It was the longest, deepest, and most widespread depression of the 20th century.

Armand-Albert Rateau

Armand-Albert Rateau

Armand-Albert Rateau was a French furniture maker and interior designer. In 2006, The Grove Encyclopedia of Decorative Arts characterized him as "the most eminent of the ensembliers, the high-style designer-decorators" who worked with luxury materials for the socially elite. In 2012, Architectural Digest described him as "one of the most exclusive interior designers of the 1920s." Two of his more notable achievements are the bronze furniture of his manufacture and the designs he assembled in decorating the apartment of Jeanne Lanvin.

International Exhibition of Modern Decorative and Industrial Arts (1925)

The event that marked the zenith of the style and gave it its name was the International Exhibition of Modern Decorative and Industrial Arts which took place in Paris from April to October in 1925. This was officially sponsored by the French government, and covered a site in Paris of 55 acres, running from the Grand Palais on the right bank to Les Invalides on the left bank, and along the banks of the Seine. The Grand Palais, the largest hall in the city, was filled with exhibits of decorative arts from the participating countries. There were 15,000 exhibitors from twenty different countries, including Austria, Belgium, Czechoslovakia, Denmark, Great Britain, Italy, Japan, the Netherlands, Poland, Spain, Sweden, and the new Soviet Union. Germany was not invited because of tensions after the war; The United States, misunderstanding the purpose of the exhibit, declined to participate. The event was visited by sixteen million people during its seven-month run. The rules of the exhibition required that all work be modern; no historical styles were allowed. The main purpose of the Exhibit was to promote the French manufacturers of luxury furniture, porcelain, glass, metalwork, textiles, and other decorative products. To further promote the products, all the major Paris department stores, and major designers had their own pavilions. The Exposition had a secondary purpose in promoting products from French colonies in Africa and Asia, including ivory and exotic woods.

The Hôtel du Collectionneur was a popular attraction at the Exposition; it displayed the new furniture designs of Emile-Jacques Ruhlmann, as well as Art Deco fabrics, carpets, and a painting by Jean Dupas. The interior design followed the same principles of symmetry and geometric forms which set it apart from Art Nouveau, and bright colours, fine craftsmanship rare and expensive materials which set it apart from the strict functionality of the Modernist style. While most of the pavilions were lavishly decorated and filled with hand-made luxury furniture, two pavilions, those of the Soviet Union and Pavilion de L'Esprit Nouveau, built by the magazine of that name run by Le Corbusier, were built in an austere style with plain white walls and no decoration; they were among the earliest examples of modernist architecture.[69]

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International Exhibition of Modern Decorative and Industrial Arts

International Exhibition of Modern Decorative and Industrial Arts

The International Exhibition of Modern Decorative and Industrial Arts was a World's fair held in Paris, France, from April to October 1925. It was designed by the French government to highlight the new style moderne of architecture, interior decoration, furniture, glass, jewelry and other decorative arts in Europe and throughout the world. Many ideas of the international avant-garde in the fields of architecture and applied arts were presented for the first time at the Exposition. The event took place between the esplanade of Les Invalides and the entrances of the Grand Palais and Petit Palais, and on both banks of the Seine. There were 15,000 exhibitors from twenty different countries, and it was visited by sixteen million people during its seven-month run. The Style Moderne presented at the Exposition later became known as "Art Deco", after the name of the Exposition.

Place de la Concorde

Place de la Concorde

The Place de la Concorde is one of the major public squares in Paris, France. Measuring 7.6 ha in area, it is the largest square in the French capital. It is located in the city's eighth arrondissement, at the eastern end of the Champs-Élysées.

Pierre Patout

Pierre Patout

Pierre Patout (1879-1965) was a French architect and interior designer, who was one of the major figures of the Art Deco movement, as well as a pioneer of Streamline Moderne design. His works included the design of the main entrance and the Pavillion d'un Collecteur at the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925, and the interiors of the ocean liner Normandie and other French transatlantic liners in the 1930s.

Galeries Lafayette

Galeries Lafayette

The Galeries Lafayette is an upmarket French department store chain, the biggest in Europe. Its flagship store is on Boulevard Haussmann in the 9th arrondissement of Paris but it now operates in a number of other locations in France and other countries. In 2019, Galeries Lafayette recorded earnings of over five billion euros. It is a part of the company Groupe Galeries Lafayette and has been a member of the International Association of department stores since 1960.

Émile-Jacques Ruhlmann

Émile-Jacques Ruhlmann

Émile-Jacques Ruhlmann, , was a French furniture designer and interior decorator, who was one of the most important figures in the Art Deco movement. His furniture featured sleek designs, expensive and exotic materials and extremely fine craftsmanship, and became a symbol of the luxury and modernity of Art Deco. It also produced a reaction from other designers and architects, such as Le Corbusier, who called for simpler, functional furniture.

Jean Dupas

Jean Dupas

Jean Théodore Dupas was a French painter, artist, designer, poster artist, and decorator in the Art Nouveau and Art Deco styles.

Grand Palais

Grand Palais

The Grand Palais des Champs-Élysées, commonly known as the Grand Palais, is a historic site, exhibition hall and museum complex located at the Champs-Élysées in the 8th arrondissement of Paris, France. Construction of the Grand Palais began in 1897 following the demolition of the Palais de l'Industrie to prepare for the Universal Exposition of 1900. That exposition also produced the adjacent Petit Palais and Pont Alexandre III.

Les Invalides

Les Invalides

The Hôtel des Invalides, commonly called Les Invalides, is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the Musée de l'Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the former hospital chapel, now national cathedral of the French military, and the adjacent former Royal Chapel known as the Dôme des Invalides, the tallest church building in Paris at a height of 107 meters. The latter has been converted into a shrine of some of France's leading military figures, most notably the tomb of Napoleon.

Soviet Union

Soviet Union

The Soviet Union, officially the Union of Soviet Socialist Republics (USSR), was a transcontinental country spanning most of northern Eurasia that existed from 30 December 1922 to 26 December 1991. A flagship communist state, it was nominally a federal union of fifteen national republics; in practice, both its government and its economy were highly centralized until its final years. It was a one-party state governed by the Communist Party of the Soviet Union, with the city of Moscow serving as its capital as well as that of its largest and most populous republic: the Russian SFSR. Other major cities included Leningrad, Kiev, Minsk, Tashkent, Alma-Ata, and Novosibirsk. It was the largest country in the world, covering over 22,402,200 square kilometres (8,649,500 sq mi) and spanning eleven time zones.

L'Esprit Nouveau

L'Esprit Nouveau

L'Esprit Nouveau was a magazine founded by architect Le Corbusier, poet Paul Dermée, and painter Amédée Ozenfant in 1920. The publication addressed a wide range of artistic disciplines including literature, visual arts, and architecture.

Modernist architecture

Modernist architecture

Skyscrapers

American skyscrapers marked the summit of the Art Deco style; they became the tallest and most recognizable modern buildings in the world. They were designed to show the prestige of their builders through their height, their shape, their color, and their dramatic illumination at night.[70] The American Radiator Building by Raymond Hood (1924) combined Gothic and Deco modern elements in the design of the building. Black brick on the frontage of the building (symbolizing coal) was selected to give an idea of solidity and to give the building a solid mass. Other parts of the façade were covered in gold bricks (symbolizing fire), and the entry was decorated with marble and black mirrors. Another early Art Deco skyscraper was Detroit's Guardian Building, which opened in 1929. Designed by modernist Wirt C. Rowland, the building was the first to employ stainless steel as a decorative element, and the extensive use of colored designs in place of traditional ornaments.

New York City's skyline was radically changed by the Chrysler Building in Manhattan (completed in 1930), designed by William Van Alen. It was a giant seventy-seven-floor tall advertisement for Chrysler automobiles. The top was crowned by a stainless steel spire, and was ornamented by deco "gargoyles" in the form of stainless steel radiator cap decorations. The base of the tower, thirty-three stories above the street, was decorated with colorful art deco friezes, and the lobby was decorated with art deco symbols and images expressing modernity.[71]

The Chrysler Building was soon surpassed in height by the Empire State Building by William F. Lamb (1931), in a slightly less lavish Deco style and the RCA Building (now 30 Rockefeller Plaza) by Raymond Hood (1933) which together completely changed New York City's skyline. The tops of the buildings were decorated with Art Deco crowns and spires covered with stainless steel, and, in the case of the Chrysler building, with Art Deco gargoyles modeled after radiator ornaments, while the entrances and lobbies were lavishly decorated with Art Deco sculpture, ceramics, and design. Similar buildings, though not quite as tall, soon appeared in Chicago and other large American cities. Rockefeller Center added a new design element: several tall buildings grouped around an open plaza, with a fountain in the middle.[72]

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American Radiator Building

American Radiator Building

The American Radiator Building is an early skyscraper at 40 West 40th Street, just south of Bryant Park, in the Midtown Manhattan neighborhood of New York City. It was designed by Raymond Hood and André Fouilhoux in the Gothic and Art Deco styles for the American Radiator Company. The original section of the American Radiator Building, a 338 ft-tall (103 m), 23-story tower, was completed in 1924. A five-story annex, to the west of the original tower, was built from 1936 to 1937.

New York (state)

New York (state)

New York, often called New York state to distinguish it from its largest city, New York City, is a state in the Northeastern United States. With 20.2 million people enumerated at the 2020 United States census, its highest decennial count ever, it is the fourth-most populous state in the United States as of 2021, approximately 44% of the state's population lives in New York City, including 25% in the boroughs of Brooklyn and Queens; and 15% of the state's population is on the remainder of Long Island, the most populous island in the United States. With a total area of 54,556 square miles (141,300 km2), New York is the 27th-largest U.S. state by area. The state is bordered by New Jersey and Pennsylvania to its south, and Connecticut, Massachusetts, and Vermont to its east; it shares a maritime border with Rhode Island, east of Long Island; and an international border with the Canadian provinces of Quebec to its north and Ontario to its northwest.

Raymond Hood

Raymond Hood

Raymond Mathewson Hood was an American architect who worked in the Neo-Gothic and Art Deco styles. He is best known for his designs of the Tribune Tower, American Radiator Building, and Rockefeller Center. Through a short yet highly successful career, Hood exerted an outsized influence on twentieth century architecture.

Chrysler Building

Chrysler Building

The Chrysler Building is an Art Deco skyscraper on the East Side of Manhattan in New York City, at the intersection of 42nd Street and Lexington Avenue in Midtown Manhattan. At 1,046 ft (319 m), it is the tallest brick building in the world with a steel framework, and it was the world's tallest building for 11 months after its completion in 1930. As of 2019, the Chrysler is the 11th-tallest building in the city, tied with The New York Times Building.

William Van Alen

William Van Alen

William Van Alen was an American architect, best known as the architect in charge of designing New York City's Chrysler Building (1928–30).

General Electric Building

General Electric Building

The General Electric Building is a skyscraper at the southwestern corner of Lexington Avenue and 51st Street in Midtown Manhattan, New York City. The building, designed by Cross & Cross and completed in 1931, was known as the RCA Victor Building during its construction. The General Electric Building is sometimes known by its address to avoid confusion with 30 Rockefeller Plaza, which was once known as the GE Building.

Cross & Cross

Cross & Cross

Cross & Cross (1907–1942) was a New York City-based architectural firm founded by brothers John Walter Cross and Eliot Cross.

30 Rockefeller Plaza

30 Rockefeller Plaza

30 Rockefeller Plaza is a skyscraper that forms the centerpiece of Rockefeller Center in the Midtown Manhattan neighborhood of New York City. Completed in 1933, the 66-story, 850 ft (260 m) building was designed in the Art Deco style by Raymond Hood, Rockefeller Center's lead architect. 30 Rockefeller Plaza was known for its main tenant, the Radio Corporation of America (RCA), from its opening in 1933 until 1988 and then for General Electric until 2015, when it was renamed for its current owner, Comcast. The building also houses the headquarters and New York studios of television network NBC; the headquarters is sometimes called 30 Rock, a nickname that inspired an NBC sitcom of the same name. The tallest structure in Rockefeller Center, the building is the 28th tallest in New York City and the 60th tallest in the United States.

Empire State Building

Empire State Building

The Empire State Building is a 102-story Art Deco skyscraper in Midtown Manhattan, New York City. The building was designed by Shreve, Lamb & Harmon and built from 1930 to 1931. Its name is derived from "Empire State", the nickname of the state of New York. The building has a roof height of 1,250 feet (380 m) and stands a total of 1,454 feet (443.2 m) tall, including its antenna. The Empire State Building was the world's tallest building until the first tower of the World Trade Center was topped out in 1970; following the September 11 attacks in 2001, the Empire State Building was New York City's tallest building until it was surpassed in 2012. As of 2022, the building is the seventh-tallest building in New York City, the ninth-tallest completed skyscraper in the United States, the 54th-tallest in the world, and the sixth-tallest freestanding structure in the Americas.

Shreve, Lamb & Harmon

Shreve, Lamb & Harmon

Shreve, Lamb, and Harmon, founded as Shreve & Lamb, was an architectural firm, best known for designing the Empire State Building, the tallest building in the world at the time of its completion in 1931.

Guardian Building

Guardian Building

The Guardian Building is a landmark skyscraper in the United States, located at 500 Griswold Street in Downtown Detroit, Michigan, within the Financial District. The Guardian is a class-A office building owned by Wayne County, Michigan and serves as its headquarters. Built in 1928 and finished in 1929, the building was originally called the Union Trust Building and is a bold example of Art Deco architecture, including art moderne designs. At the top of the Guardian Building's spire is a large U.S. flag, complementing the four smaller flags atop nearby 150 West Jefferson. The building has undergone recent award-winning renovations. It was designated a National Historic Landmark on June 29, 1989, and the associated Detroit Financial District is on the National Register of Historic Places. The Guardian building includes retail and a tourist gift shop.

William F. Lamb

William F. Lamb

William Frederick Lamb, was an American architect, chiefly known as one of the principal designers of the Empire State Building.

Late Art Deco

In 1925, two different competing schools coexisted within Art Deco: the traditionalists, who had founded the Society of Decorative Artists; included the furniture designer Emile-Jacques Ruhlmann, Jean Dunand, the sculptor Antoine Bourdelle, and designer Paul Poiret; they combined modern forms with traditional craftsmanship and expensive materials. On the other side were the modernists, who increasingly rejected the past and wanted a style based upon advances in new technologies, simplicity, a lack of decoration, inexpensive materials, and mass production. The modernists founded their own organisation, The French Union of Modern Artists, in 1929. Its members included architects Pierre Chareau, Francis Jourdain, Robert Mallet-Stevens, Corbusier, and, in the Soviet Union, Konstantin Melnikov; the Irish designer Eileen Gray; the French designer Sonia Delaunay; and the jewellers Georges Fouquet and Jean Puiforcat. They fiercely attacked the traditional art deco style, which they said was created only for the wealthy, and insisted that well-constructed buildings should be available to everyone, and that form should follow function. The beauty of an object or building resided in whether it was perfectly fit to fulfil its function. Modern industrial methods meant that furniture and buildings could be mass-produced, not made by hand.[74][75]

The Art Deco interior designer Paul Follot defended Art Deco in this way: "We know that man is never content with the indispensable and that the superfluous is always needed...If not, we would have to get rid of music, flowers, and perfumes..!"[76] However, Le Corbusier was a brilliant publicist for modernist architecture; he stated that a house was simply "a machine to live in", and tirelessly promoted the idea that Art Deco was the past and modernism was the future. Le Corbusier's ideas were gradually adopted by architecture schools, and the aesthetics of Art Deco were abandoned. The same features that made Art Deco popular in the beginning, its craftsmanship, rich materials and ornament, led to its decline. The Great Depression that began in the United States in 1929, and reached Europe shortly afterwards, greatly reduced the number of wealthy clients who could pay for the furnishings and art objects. In the Depression economic climate, few companies were ready to build new skyscrapers.[34] Even the Ruhlmann firm resorted to producing pieces of furniture in series, rather than individual hand-made items. The last buildings built in Paris in the new style were the Museum of Public Works by Auguste Perret (now the French Economic, Social and Environmental Council), the Palais de Chaillot by Louis-Hippolyte Boileau, Jacques Carlu and Léon Azéma, and the Palais de Tokyo of the 1937 Paris International Exposition; they looked out at the grandiose pavilion of Nazi Germany, designed by Albert Speer, which faced the equally grandiose socialist-realist pavilion of Stalin's Soviet Union.

After World War II, the dominant architectural style became the International Style pioneered by Le Corbusier, and Mies van der Rohe. A handful of Art Deco hotels were built in Miami Beach after World War II, but elsewhere the style largely vanished, except in industrial design, where it continued to be used in automobile styling and products such as jukeboxes. In the 1960s, it experienced a modest academic revival, thanks in part to the writings of architectural historians such as Bevis Hillier. In the 1970s efforts were made in the United States and Europe to preserve the best examples of Art Deco architecture, and many buildings were restored and repurposed. Postmodern architecture, which first appeared in the 1980s, like Art Deco, often includes purely decorative features.[34][58][77][78] Deco continues to inspire designers, and is often used in contemporary fashion, jewellery, and toiletries.[79]

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Bucharest

Bucharest

Bucharest is the capital and largest city of Romania. It is described as the cultural, financial, entertainment, and media center in the country with a significant influence in Eastern and Southeastern Europe as well. It is also a city with a significant influence in terms of education, tourism, research, technology, health care, art, fashion, sports, and politics. It is located in the south-east of Romania, on the banks of the Dâmbovița river, less than 60 km (37.3 mi) north of the Danube River and the border with Bulgaria. It is also one of the most populated cities of the European Union (EU) within city limits and the most populated capital in Southeastern Europe. It was the capital of Wallachia from 1659 to 1859 and the capital of the United Principalities of Moldavia and Wallachia from 1859 to 1881.

Bulevardul Magheru

Bulevardul Magheru

Bulevardul Magheru is a major street in central Bucharest. Built in the early 20th century, it is named after General Gheorghe Magheru.

Lincoln Theatre (Miami Beach, Florida)

Lincoln Theatre (Miami Beach, Florida)

The Lincoln Theatre on Lincoln Road in the South Beach neighborhood of Miami Beach, Florida was a movie theater and later a concert hall. It was designed in art deco style by noted cinema and theater designer Thomas W. Lamb and opened in 1936. It functioned as a cinema until the 1980s, then sat vacant for several years, then was used for performances of the New World Symphony, which bought it in 1990. The symphony carried out a multimillion-dollar renovation.

Miami Beach, Florida

Miami Beach, Florida

Miami Beach is a coastal resort city in Miami-Dade County, Florida, United States. It was incorporated on March 26, 1915. The municipality is located on natural and man-made barrier islands between the Atlantic Ocean and Biscayne Bay, the latter of which separates the Beach from the mainland city of Miami. The neighborhood of South Beach, comprising the southernmost 2.5 sq mi (6.5 km2) of Miami Beach, along with Downtown Miami and the PortMiami, collectively form the commercial center of South Florida. Miami Beach's population is 82,890 according to the 2020 census. It has been one of America's pre-eminent beach resorts since the early 20th century.

Louis-Hippolyte Boileau

Louis-Hippolyte Boileau

Louis-Hippolyte Boileau was a French architect.

Jacques Carlu

Jacques Carlu

Jacques Carlu was a French architect and designer, working mostly in Art Deco style, active in France, Canada, and in the United States.

Léon Azéma

Léon Azéma

Léon Azéma was a French architect. He is responsible for many public works in France, especially in and around Paris. His most famous work is 1937 Palais de Chaillot, facing the Eiffel Tower in Paris.

Exposition Internationale des Arts et Techniques dans la Vie Moderne

Exposition Internationale des Arts et Techniques dans la Vie Moderne

The Exposition Internationale des Arts et Techniques dans la Vie Moderne was held from 25 May to 25 November 1937 in Paris, France. Both the Palais de Chaillot, housing the Musée de l'Homme, and the Palais de Tokyo, which houses the Musée d'Art Moderne de la Ville de Paris, were created for this exhibition that was officially sanctioned by the Bureau International des Expositions. A third building, Palais d'Iéna, housing the permanent Museum of Public Works, which was originally to be among the new museums created on the hill of Chaillot on the occasion of the Exhibition, was not built until January 1937 and inaugurated in March 1939.

French Economic, Social and Environmental Council

French Economic, Social and Environmental Council

The Economic, Social and Environmental Council, known as the Economic and Social Council before the constitutional law of 23 July 2008, is a consultative assembly in France. It does not play a role in the adoption of statutes and regulations, but advises the lawmaking bodies on questions of social and economic policies.

Auguste Perret

Auguste Perret

Auguste Perret was a French architect and a pioneer of the architectural use of reinforced concrete. His major works include the Théâtre des Champs-Élysées, the first Art Deco building in Paris; the Church of Notre-Dame du Raincy (1922–23); the Mobilier National in Paris (1937); and the French Economic, Social and Environmental Council building in Paris (1937–39). After World War II he designed a group of buildings in the centre of the port city of Le Havre, including St. Joseph's Church, Le Havre, to replace buildings destroyed by bombing during World War II. His reconstruction of the city is now a World Heritage Site for its exceptional urban planning and architecture.

King City, California

King City, California

King City is a city in Monterey County, California, United States. It is located on the Salinas River 51 miles (82 km) southeast of Salinas, at an elevation of 335 feet (102 m). It lies along U.S. Route 101 in the Salinas Valley of California's Central Coast. King City is a member of the Association of Monterey Bay Area Governments. The population was 13,332 at the 2020 census, up from 12,874 in 2010.

Jean Dunand

Jean Dunand

Jean Dunand (1877–1942) was a Swiss and French painter, sculptor, metal craftsman and interior designer during the Art Deco period. He was particularly known for his lacquered screens and other art objects.

Painting

There was no section set aside for painting at the 1925 Exposition. Art deco painting was by definition decorative, designed to decorate a room or work of architecture, so few painters worked exclusively in the style, but two painters are closely associated with Art Deco. Jean Dupas painted Art Deco murals for the Bordeaux Pavilion at the 1925 Decorative Arts Exposition in Paris, and also painted the picture over the fireplace in the Maison du Collectionneur exhibit at the 1925 Exposition, which featured furniture by Ruhlmann and other prominent Art Deco designers. His murals were also prominent in the décor of the French ocean liner SS Normandie. His work was purely decorative, designed as a background or accompaniment to other elements of the décor.[80]

The other painter closely associated with the style is Tamara de Lempicka. Born in Poland, she emigrated to Paris after the Russian Revolution. She studied under Maurice Denis and André Lhote, and borrowed many elements from their styles. She painted portraits in a realistic, dynamic and colourful Art Deco style.[81]

In the 1930s a dramatic new form of Art Deco painting appeared in the United States. During the Great Depression, the Federal Art Project of the Works Progress Administration was created to give work to unemployed artists. Many were given the task of decorating government buildings, hospitals and schools. There was no specific art deco style used in the murals; artists engaged to paint murals in government buildings came from many different schools, from American regionalism to social realism; they included Reginald Marsh, Rockwell Kent and the Mexican painter Diego Rivera. The murals were Art Deco because they were all decorative and related to the activities in the building or city where they were painted: Reginald Marsh and Rockwell Kent both decorated U.S. postal buildings, and showed postal employees at work while Diego Rivera depicted automobile factory workers for the Detroit Institute of Arts. Diego Rivera's mural Man at the Crossroads (1933) for 30 Rockefeller Plaza featured an unauthorized portrait of Lenin.[82][83] When Rivera refused to remove Lenin, the painting was destroyed and a new mural was painted by the Spanish artist Josep Maria Sert.[84][85][86]

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30 Rockefeller Plaza

30 Rockefeller Plaza

30 Rockefeller Plaza is a skyscraper that forms the centerpiece of Rockefeller Center in the Midtown Manhattan neighborhood of New York City. Completed in 1933, the 66-story, 850 ft (260 m) building was designed in the Art Deco style by Raymond Hood, Rockefeller Center's lead architect. 30 Rockefeller Plaza was known for its main tenant, the Radio Corporation of America (RCA), from its opening in 1933 until 1988 and then for General Electric until 2015, when it was renamed for its current owner, Comcast. The building also houses the headquarters and New York studios of television network NBC; the headquarters is sometimes called 30 Rock, a nickname that inspired an NBC sitcom of the same name. The tallest structure in Rockefeller Center, the building is the 28th tallest in New York City and the 60th tallest in the United States.

New York (state)

New York (state)

New York, often called New York state to distinguish it from its largest city, New York City, is a state in the Northeastern United States. With 20.2 million people enumerated at the 2020 United States census, its highest decennial count ever, it is the fourth-most populous state in the United States as of 2021, approximately 44% of the state's population lives in New York City, including 25% in the boroughs of Brooklyn and Queens; and 15% of the state's population is on the remainder of Long Island, the most populous island in the United States. With a total area of 54,556 square miles (141,300 km2), New York is the 27th-largest U.S. state by area. The state is bordered by New Jersey and Pennsylvania to its south, and Connecticut, Massachusetts, and Vermont to its east; it shares a maritime border with Rhode Island, east of Long Island; and an international border with the Canadian provinces of Quebec to its north and Ontario to its northwest.

Josep Maria Sert

Josep Maria Sert

Josep Maria Sert i Badia was a Spanish muralist, the son of an affluent textile industry family, and friend of Salvador Dalí. He was particularly known for his grisaille style, often in gold and black.

Reginald Marsh (artist)

Reginald Marsh (artist)

Reginald Marsh was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work. He painted in egg tempera and in oils, and produced many watercolors, ink and ink wash drawings, and prints.

Rockwell Kent

Rockwell Kent

Rockwell Kent was an American painter, printmaker, illustrator, writer, sailor, adventurer and voyager.

Russian Revolution

Russian Revolution

The Russian Revolution was a period of political and social revolution that took place in the former Russian Empire, begun during the First World War. This period saw Russia abolish its monarchy and adopt a socialist form of government following two successive revolutions and a bloody civil war. The Russian Revolution can also be seen as the precursor for the other European revolutions that occurred during or in the aftermath of WWI, such as the German Revolution of 1918.

Maurice Denis

Maurice Denis

Maurice Denis was a French painter, decorative artist, and writer. An important figure in the transitional period between impressionism and modern art, he is associated with Les Nabis, symbolism, and later neo-classicism. His theories contributed to the foundations of cubism, fauvism, and abstract art. Following the First World War, he founded the Ateliers d'Art Sacré, decorated the interiors of churches, and worked for a revival of religious art.

André Lhote

André Lhote

André Lhote was a French Cubist painter of figure subjects, portraits, landscapes and still life. He was also active and influential as a teacher and writer on art.

Federal Art Project

Federal Art Project

The Federal Art Project (1935–1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented American design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression. According to American Heritage, “Something like 400,000 easel paintings, murals, prints, posters, and renderings were produced by WPA artists during the eight years of the project’s existence, virtually free of government pressure to control subject matter, interpretation, or style.”

Diego Rivera

Diego Rivera

Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, known as Diego Rivera, was a prominent Mexican painter. His large frescoes helped establish the mural movement in Mexican and international art.

Detroit Institute of Arts

Detroit Institute of Arts

The Detroit Institute of Arts (DIA), located in Midtown Detroit, Michigan, has one of the largest and most significant art collections in the United States. With over 100 galleries, it covers 658,000 square feet (61,100 m2) with a major renovation and expansion project completed in 2007 that added 58,000 square feet (5,400 m2). The DIA collection is regarded as among the top six museums in the United States with an encyclopedic collection which spans the globe from ancient Egyptian and European works to contemporary art. Its art collection is valued in billions of dollars, up to $8.1 billion USD according to a 2014 appraisal. The DIA campus is located in Detroit's Cultural Center Historic District, about 2 miles (3.2 km) north of the downtown area, across from the Detroit Public Library near Wayne State University.

Man at the Crossroads

Man at the Crossroads

Man at the Crossroads (1934) was a fresco by Mexican painter Diego Rivera. Originally slated to be installed in the lobby of the RCA Building at Rockefeller Center in New York City, the fresco showed aspects of contemporary social and scientific culture. As originally installed, it was a three-paneled artwork. A central panel, depicting a worker controlling machinery, flanked by two other panels, The Frontier of Ethical Evolution and The Frontier of Material Development, which respectively represented socialism and capitalism.

Sculpture

Monumental and public sculpture

Sculpture was a very common and integral feature of Art Deco architecture. In France, allegorical bas-reliefs representing dance and music by Antoine Bourdelle decorated the earliest Art Deco landmark in Paris, the Théâtre des Champs-Élysées, in 1912. The 1925 Exposition had major sculptural works placed around the site, pavilions were decorated with sculptural friezes, and several pavilions devoted to smaller studio sculpture. In the 1930s, a large group of prominent sculptors made works for the 1937 Exposition Internationale des Arts et Techniques dans la Vie Moderne at Chaillot. Alfred Janniot made the relief sculptures on the façade of the Palais de Tokyo. The Musée d'Art Moderne de la Ville de Paris, and the esplanade in front of the Palais de Chaillot, facing the Eiffel Tower, was crowded with new statuary by Charles Malfray, Henry Arnold, and many others.[87]

Public art deco sculpture was almost always representational, usually of heroic or allegorical figures related to the purpose of the building or room. The themes were usually selected by the patrons, not the artist. Abstract sculpture for decoration was extremely rare.[88][89]

In the United States, the most prominent Art Deco sculptor for public art was Paul Manship, who updated classical and mythological subjects and themes in an Art Deco style. His most famous work was the statue of Prometheus at Rockefeller Center in New York City, a 20th-century adaptation of a classical subject. Other important works for Rockefeller Center were made by Lee Lawrie, including the sculptural façade and the Atlas statue.

During the Great Depression in the United States, many sculptors were commissioned to make works for the decoration of federal government buildings, with funds provided by the WPA, or Works Progress Administration. They included sculptor Sidney Biehler Waugh, who created stylized and idealized images of workers and their tasks for federal government office buildings.[90] In San Francisco, Ralph Stackpole provided sculpture for the façade of the new San Francisco Stock Exchange building. In Washington D.C., Michael Lantz made works for the Federal Trade Commission building.

In Britain, Deco public statuary was made by Eric Gill for the BBC Broadcasting House, while Ronald Atkinson decorated the lobby of the former Daily Express Building in London (1932).

One of the best known and certainly the largest public Art Deco sculpture is the Christ the Redeemer by the French sculptor Paul Landowski, completed between 1922 and 1931, located on a mountain top overlooking Rio de Janeiro, Brazil.

Studio sculpture

Many early Art Deco sculptures were small, designed to decorate salons. One genre of this sculpture was called the Chryselephantine statuette, named for a style of ancient Greek temple statues made of gold and ivory. They were sometimes made of bronze, or sometimes with much more lavish materials, such as ivory, onyx, alabaster, and gold leaf.

One of the best-known Art Deco salon sculptors was the Romanian-born Demétre Chiparus, who produced colourful small sculptures of dancers. Other notable salon sculptors included Ferdinand Preiss, Josef Lorenzl, Alexander Kelety, Dorothea Charol and Gustav Schmidtcassel.[91] Another important American sculptor in the studio format was Harriet Whitney Frishmuth, who had studied with Auguste Rodin in Paris.

Pierre Le Paguays was a prominent Art Deco studio sculptor, whose work was shown at the 1925 Exposition. He worked with bronze, marble, ivory, onyx, gold, alabaster and other precious materials.[92]

François Pompon was a pioneer of modern stylised animalier sculpture. He was not fully recognised for his artistic accomplishments until the age of 67 at the Salon d'Automne of 1922 with the work Ours blanc, also known as The White Bear, now in the Musée d'Orsay in Paris.[93]

Parallel with these Art Deco sculptors, more avant-garde and abstract modernist sculptors were at work in Paris and New York City. The most prominent were Constantin Brâncuși, Joseph Csaky, Alexander Archipenko, Henri Laurens, Jacques Lipchitz, Gustave Miklos, Jean Lambert-Rucki, Jan et Joël Martel, Chana Orloff and Pablo Gargallo.[94]

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Ceres (mythology)

Ceres (mythology)

In ancient Roman religion, Ceres was a goddess of agriculture, grain crops, fertility and motherly relationships. She was originally the central deity in Rome's so-called plebeian or Aventine Triad, then was paired with her daughter Proserpina in what Romans described as "the Greek rites of Ceres". Her seven-day April festival of Cerealia included the popular Ludi Ceriales. She was also honoured in the May lustratio of the fields at the Ambarvalia festival, at harvest-time, and during Roman marriages and funeral rites. She is usually depicted as a mature woman.

John Storrs (sculptor)

John Storrs (sculptor)

John Henry Bradley Storrs, also known as John Bradley Storrs and John H. Storrs, was an American modernist sculptor best remembered for his art deco sculptures that examined the relationship between architecture and sculpture.

Chicago Board of Trade Building

Chicago Board of Trade Building

The Chicago Board of Trade Building is a 44-story, 604-foot (184 m) Art Deco skyscraper located in the Chicago Loop, standing at the foot of the LaSalle Street canyon. Built in 1930 for the Chicago Board of Trade (CBOT), it has served as the primary trading venue of the CBOT and later the CME Group, formed in 2007 by the merger of the CBOT and the Chicago Mercantile Exchange. In 2012, the CME Group sold the CBOT Building to a consortium of real estate investors, including GlenStar Properties LLC and USAA Real Estate Company.

New York (state)

New York (state)

New York, often called New York state to distinguish it from its largest city, New York City, is a state in the Northeastern United States. With 20.2 million people enumerated at the 2020 United States census, its highest decennial count ever, it is the fourth-most populous state in the United States as of 2021, approximately 44% of the state's population lives in New York City, including 25% in the boroughs of Brooklyn and Queens; and 15% of the state's population is on the remainder of Long Island, the most populous island in the United States. With a total area of 54,556 square miles (141,300 km2), New York is the 27th-largest U.S. state by area. The state is bordered by New Jersey and Pennsylvania to its south, and Connecticut, Massachusetts, and Vermont to its east; it shares a maritime border with Rhode Island, east of Long Island; and an international border with the Canadian provinces of Quebec to its north and Ontario to its northwest.

Lee Lawrie

Lee Lawrie

Lee Oscar Lawrie was an American architectural sculptor and a key figure in the American art scene preceding World War II. Over his long career of more than 300 commissions Lawrie's style evolved through Modern Gothic, to Beaux-Arts, Classicism, and, finally, into Moderne or Art Deco.

Atlas (statue)

Atlas (statue)

Atlas is a bronze statue in Rockefeller Center, within the International Building's courtyard, in Midtown Manhattan in New York City. It is across Fifth Avenue from St. Patrick's Cathedral. The sculpture depicts the ancient Greek Titan Atlas holding the heavens on his shoulders.

Man Controlling Trade

Man Controlling Trade

Man Controlling Trade is the name given to two monumental equestrian statues created by Michael Lantz for the Federal Trade Commission Building in Washington, D.C. under the United States Department of the Treasury Section of Painting and Sculpture. The works were dedicated in 1942. Each of the two limestone groups is approximately 12 feet tall and 16 feet long.

Michael Lantz

Michael Lantz

Michael Lantz was an American sculptor and medalist.

Federal Trade Commission Building

Federal Trade Commission Building

The Federal Trade Commission Building is a federal building which serves as the headquarters of the Federal Trade Commission. Completed in 1938, the building was designated by Congress as a contributing structure to the Pennsylvania Avenue National Historic Site in 1966, and it was subsequently listed in the National Register of Historic Places.

Mail Delivery (sculptures)

Mail Delivery (sculptures)

Mail Delivery is a set of four relief sculptures by Edmond Amateis completed in 1941 for the Section of Painting and Sculpture and displayed at the U.S. Court House and Post Office Building in Philadelphia, now called the Robert N. C. Nix, Sr., Federal Building, at 9th and Market Streets. The reliefs are carved in granite and each measures about 108 inches (2.7 m) in height by 120 inches (3.0 m) in width.

Edmond Amateis

Edmond Amateis

Edmond Romulus Amateis was an American sculptor and educator. He is known for garden-figure sculptures, large architectural sculptures for public buildings and portrait busts.

Eric Gill

Eric Gill

Arthur Eric Rowton Gill, was an English sculptor, letter cutter, typeface designer, and printmaker. Although the Oxford Dictionary of National Biography describes Gill as "the greatest artist-craftsman of the twentieth century: a letter-cutter and type designer of genius", he is also a figure of considerable controversy following revelations of his sexual abuse of two of his daughters.

Graphic arts

The Art Deco style appeared early in the graphic arts, in the years just before World War I. It appeared in Paris in the posters and the costume designs of Léon Bakst for the Ballets Russes, and in the catalogues of the fashion designers Paul Poiret.[95] The illustrations of Georges Barbier, and Georges Lepape and the images in the fashion magazine La Gazette du bon ton perfectly captured the elegance and sensuality of the style. In the 1920s, the look changed; the fashions stressed were more casual, sportive and daring, with the woman models usually smoking cigarettes. American fashion magazines such as Vogue, Vanity Fair and Harper's Bazaar quickly picked up the new style and popularized it in the United States. It also influenced the work of American book illustrators such as Rockwell Kent. In Germany, the most famous poster artist of the period was Ludwig Hohlwein, who created colourful and dramatic posters for music festivals, beers, and, late in his career, for the Nazi Party.[96]

During the Art Nouveau period, posters usually advertised theatrical products or cabarets. In the 1920s, travel posters, made for steamship lines and airlines, became extremely popular. The style changed notably in the 1920s, to focus attention on the product being advertised. The images became simpler, precise, more linear, more dynamic, and were often placed against a single color background. In France, popular Art Deco designers included, Charles Loupot and Paul Colin, who became famous for his posters of American singer and dancer Josephine Baker. Jean Carlu designed posters for Charlie Chaplin movies, soaps, and theatres; in the late 1930s he emigrated to the United States, where, during the World War, he designed posters to encourage war production. The designer Charles Gesmar became famous making posters for the singer Mistinguett and for Air France. Among the best known French Art Deco poster designers was Cassandre, who made the celebrated poster of the ocean liner SS Normandie in 1935.[96]

In the 1930s a new genre of posters appeared in the United States during the Great Depression. The Federal Art Project hired American artists to create posters to promote tourism and cultural events.

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Ballets Russes

Ballets Russes

The Ballets Russes was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there.

Léon Bakst

Léon Bakst

Léon Bakst – born as Leyb-Khaim Izrailevich Rosenberg, Лейб-Хаим Израилевич (Самойлович) Розенберг was a Russian painter and scene and costume designer of Jewish origin. He was a member of the Sergei Diaghilev circle and the Ballets Russes, for which he designed exotic, richly coloured sets and costumes. He designed the décor for such productions as Carnaval (1910), Spectre de la rose (1911), Daphnis and Chloe (1912), The Sleeping Princess (1921) and others.

Deutscher Werkbund

Deutscher Werkbund

The Deutscher Werkbund is a German association of artists, architects, designers and industrialists established in 1907. The Werkbund became an important element in the development of modern architecture and industrial design, particularly in the later creation of the Bauhaus school of design. Its initial purpose was to establish a partnership of product manufacturers with design professionals to improve the competitiveness of German companies in global markets. The Werkbund was less an artistic movement than a state-sponsored effort to integrate traditional crafts and industrial mass production techniques, to put Germany on a competitive footing with England and the United States. Its motto Vom Sofakissen zum Städtebau indicates its range of interest.

Harper's Bazaar

Harper's Bazaar

Harper's Bazaar is an American monthly women's fashion magazine. It was first published in New York City on November 2, 1867, as the weekly Harper's Bazar. Harper's Bazaar is published by Hearst and considers itself to be the style resource for "women who are the first to buy the best, from casual to couture". Since its debut in 1867, as the U.S.'s first fashion magazine, its pages have been home to talent such as the founding editor, author and translator Mary Louise Booth, as well as numerous fashion editors, photographers, illustrators and writers.

Erté

Erté

Romain de Tirtoff, known by the pseudonym Erté, was a Russian-born French artist and designer. He was a 20th-century artist and designer in an array of fields, including fashion, jewellery, graphic arts, costume and set design for film, theatre, and opera, and interior decor.

London Underground

London Underground

The London Underground is a rapid transit system serving Greater London and some parts of the adjacent home counties of Buckinghamshire, Essex and Hertfordshire in England.

Moulin Rouge

Moulin Rouge

Moulin Rouge is a cabaret in Paris, on Boulevard de Clichy, at Place Blanche, the intersection of, and terminus of Rue Blanche.

Jester of Columbia

Jester of Columbia

The Jester of Columbia, or simply the Jester, is a humor magazine at Columbia University in New York City. Founded on April Fool's Day, 1901, it is one of the oldest such publications in the United States. Printed continuously at least through 1997, it was revived in 2001 after a short lapse in publication and again in 2005 after another, shorter one. Jester now produces magazines and sponsors comedy events on Columbia's campus.

Columbia University

Columbia University

Columbia University is a private Ivy League research university in New York City. Established in 1754 as King's College on the grounds of Trinity Church in Manhattan, it is the oldest institution of higher education in New York, the fifth-oldest in the United States, and one of nine colonial colleges founded prior to the Declaration of Independence.

Ludwig Hohlwein

Ludwig Hohlwein

Ludwig Hohlwein was a German poster artist, a pioneer of the Sachplakat style. He trained and practiced as an architect in Munich until 1911, when he moved to Berlin and switched to poster design.

Josephine Baker

Josephine Baker

Freda Josephine Baker, naturalised as Joséphine Baker, was an American-born French dancer, singer and actress. Her career was centered primarily in Europe, mostly in her adopted France. She was the first black woman to star in a major motion picture, the 1927 silent film Siren of the Tropics, directed by Mario Nalpas and Henri Étiévant.

Mistinguett

Mistinguett

Mistinguett was a French actress and singer. She was at one time the highest-paid female entertainer in the world.

Architecture

The architectural style of art deco made its debut in Paris in 1903–04, with the construction of two apartment buildings in Paris, one by Auguste Perret on rue Benjamin Franklin and the other on rue Trétaigne by Henri Sauvage. The two young architects used reinforced concrete for the first time in Paris residential buildings; the new buildings had clean lines, rectangular forms, and no decoration on the facades; they marked a clean break with the art nouveau style.[97] Between 1910 and 1913, Perret used his experience in concrete apartment buildings to construct the Théâtre des Champs-Élysées, 15 avenue Montaigne. Between 1925 and 1928 Sauvage constructed the new art deco façade of La Samaritaine department store in Paris.[98]

After the First World War, art deco buildings of steel and reinforced concrete began to appear in large cities across Europe and the United States. In the United States the style was most commonly used for office buildings, government buildings, cinemas, and railroad stations. It sometimes was combined with other styles; Los Angeles City Hall combined Art Deco with a roof based on the ancient Greek Mausoleum at Halicarnassus, while the Los Angeles railroad station combined Deco with Spanish mission architecture. Art Deco elements also appeared in engineering projects, including the towers of the Golden Gate Bridge and the intake towers of Hoover Dam. In the 1920s and 1930s it became a truly international style, with examples including the Palacio de Bellas Artes (Palace of Fine Arts) in Mexico City by Federico Mariscal [es], the Mayakovskaya Metro Station in Moscow and the National Diet Building in Tokyo by Watanabe Fukuzo.

The Art Deco style was not limited to buildings on land; the ocean liner SS Normandie, whose first voyage was in 1935, featured Art Deco design, including a dining room whose ceiling and decoration were made of glass by Lalique.[99]

"Cathedrals of Commerce"

The grand showcases of American Art deco interior design were the lobbies of government buildings, theaters, and particularly office buildings. Interiors were extremely colorful and dynamic, combining sculpture, murals, and ornate geometric design in marble, glass, ceramics and stainless steel. An early example was the Fisher Building in Detroit, by Joseph Nathaniel French; the lobby was highly decorated with sculpture and ceramics. The Guardian Building (originally the Union Trust Building) in Detroit, by Wirt Rowland (1929), decorated with red and black marble and brightly colored ceramics, highlighted by highly polished steel elevator doors and counters. The sculptural decoration installed in the walls illustrated the virtues of industry and saving; the building was immediately termed the "Cathedral of Commerce". The Medical and Dental Building called 450 Sutter Street in San Francisco by Timothy Pflueger was inspired by Mayan architecture, in a highly stylized form; it used pyramid shapes, and the interior walls were covered with highly stylized rows of hieroglyphs.[100]

In France, the best example of an Art Deco interior during this period was the Palais de la Porte Dorée (1931) by Albert Laprade, Léon Jaussely and Léon Bazin. The building (now the National Museum of Immigration, with an aquarium in the basement) was built for the Paris Colonial Exposition of 1931, to celebrate the people and products of French colonies. The exterior façade was entirely covered with sculpture, and the lobby created an Art Deco harmony with a wood parquet floor in a geometric pattern, a mural depicting the people of French colonies; and a harmonious composition of vertical doors and horizontal balconies.[100]

Movie palaces

Many of the best surviving examples of Art Deco are cinemas built in the 1920s and 1930s. The Art Deco period coincided with the conversion of silent films to sound, and movie companies built large display destinations in major cities to capture the huge audience that came to see movies. Movie palaces in the 1920s often combined exotic themes with art deco style; Grauman's Egyptian Theatre in Hollywood (1922) was inspired by ancient Egyptian tombs and pyramids, while the Fox Theater in Bakersfield, California attached a tower in California Mission style to an Art Deco hall. The largest of all is Radio City Music Hall in New York City, which opened in 1932. Originally designed as theatrical performance space, it quickly transformed into a cinema, which could seat 6,015 customers. The interior design by Donald Deskey used glass, aluminum, chrome, and leather to create a visual escape from reality. The Paramount Theatre in Oakland, California, by Timothy Pflueger, had a colorful ceramic façade, a lobby four stories high, and separate Art Deco smoking rooms for gentlemen and ladies. Similar grand palaces appeared in Europe. The Grand Rex in Paris (1932), with its imposing tower, was the largest cinema in Europe after the 6,000 seats of the Gaumont-Palace (1931-1973). The Gaumont State Cinema in London (1937) had a tower modelled on the Empire State building, covered with cream ceramic tiles and an interior in an Art Deco-Italian Renaissance style. The Paramount Theatre in Shanghai, China (1933) was originally built as a dance hall called The gate of 100 pleasures; it was converted to a cinema after the Communist Revolution in 1949, and now is a ballroom and disco. In the 1930s Italian architects built a small movie palace, the Cinema Impero, in Asmara in what is now Eritrea. Today, many of the movie theatres have been subdivided into multiplexes, but others have been restored and are used as cultural centres in their communities.[101]

Streamline Moderne

In the late 1930s, a new variety of Art Deco architecture became common; it was called Streamline Moderne or simply Streamline, or, in France, the Style Paquebot, or Ocean Liner style. Buildings in the style had rounded corners and long horizontal lines; they were built of reinforced concrete, and were almost always white; and they sometimes had nautical features, such as railings and portholes that resembled those on a ship. The rounded corner was not entirely new; it had appeared in Berlin in 1923 in the Mossehaus by Erich Mendelsohn, and later in the Hoover Building, an industrial complex in the London suburb of Perivale. In the United States, it became most closely associated with transport; Streamline moderne was rare in office buildings, but was often used for bus stations and airport terminals, such as the terminal at La Guardia airport in New York City that handled the first transatlantic flights, via the PanAm Clipper flying boats; and in roadside architecture, such as gas stations and diners. In the late 1930s a series of diners, modelled upon streamlined railroad cars, were produced and installed in towns in New England; at least two examples still remain and are now registered historic buildings.[102]

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Art Deco Architecture: Design, Decoration and Detail from the Twenties and Thirties

Art Deco Architecture: Design, Decoration and Detail from the Twenties and Thirties

Art Deco Architecture: Design, Decoration and Detail from the Twenties and Thirties is an illustrated book by American art historian Patricia Bayer. The book was initially published in October 1992 by Harry N. Abrams. Patricia Bayer is an art historian living in Connecticut and writing extensively on Art Deco design. Her other books include Art Deco Interiors and Art Deco Postcards. The book contains 376 Illustrations, 146 in colour.

Art Deco architecture of New York City

Art Deco architecture of New York City

Art Deco architecture flourished in New York City during the 1920s and 1930s. The style—characterized by ornament and verticality, as well as the use of contemporary materials—is found in government edifices, commercial projects, and residential buildings in all five boroughs. The architecture of the period was influenced not just by worldwide decorative arts trends and the rise of mechanization, but also New York City's 1916 Zoning Resolution which influenced the setback feature in most of the buildings.

List of Art Deco architecture

List of Art Deco architecture

This is a list of buildings that are examples of Art Deco:List of Art Deco architecture in Africa List of Art Deco architecture in Asia List of Art Deco architecture in Europe List of Art Deco architecture in the Americas List of Art Deco architecture in the United States List of Art Deco architecture in Oceania

List of Art Deco buildings in Sydney

List of Art Deco buildings in Sydney

This is a list of buildings in Sydney completed in the Inter-War Art Deco, Streamline Moderne and Functionalist styles that are historically significant.

La Samaritaine

La Samaritaine

La Samaritaine is a large department store in Paris, France, located in the first arrondissement. The nearest métro station is Pont-Neuf, directly in front at the quai du Louvre and the rue de la Monnaie. The company was owned by Ernest Cognacq and Marie-Louise Jaÿ who hired architect Frantz Jourdain to expand their original store. It started as a small apparel shop and expanded to what became a series of department store buildings with a total of 90 different departments. It has been a member of the International Association of Department Stores from 1985 to 1992.

Henri Sauvage

Henri Sauvage

Henri Sauvage was a French architect and designer in the early 20th century. He was one of the most important architects in the French Art nouveau movement, Art Deco, and the beginning of architectural modernism. He was also a pioneer in the construction of public housing buildings in Paris. His major works include the art nouveau Villa Majorelle in Nancy, France and the art-deco building of the La Samaritaine department store in Paris.

John C. Austin

John C. Austin

John Corneby Wilson Austin was an architect and civic leader who participated in the design of several landmark buildings in Southern California, including the Griffith Observatory, Los Angeles City Hall, and the Shrine Auditorium.

Albert C. Martin Sr.

Albert C. Martin Sr.

Albert Carey Martin was an American architect and engineer. He founded the architectural firm of Albert C. Martin & Associates, now known as A.C. Martin Partners, and designed some of Southern California's landmark buildings. Martin is also credited with developing a system of reinforced concrete construction, along with reinforced brick masonry.

Calea Victoriei

Calea Victoriei

Calea Victoriei is a major avenue in central Bucharest. Situated in Sector 1, and having a length of 2.7 kilometres (1.7 mi), it leads from Splaiul Independenței to the north and then northwest up to Piața Victoriei, where Șoseaua Kiseleff continues north.

Bucharest

Bucharest

Bucharest is the capital and largest city of Romania. It is described as the cultural, financial, entertainment, and media center in the country with a significant influence in Eastern and Southeastern Europe as well. It is also a city with a significant influence in terms of education, tourism, research, technology, health care, art, fashion, sports, and politics. It is located in the south-east of Romania, on the banks of the Dâmbovița river, less than 60 km (37.3 mi) north of the Danube River and the border with Bulgaria. It is also one of the most populated cities of the European Union (EU) within city limits and the most populated capital in Southeastern Europe. It was the capital of Wallachia from 1659 to 1859 and the capital of the United Principalities of Moldavia and Wallachia from 1859 to 1881.

Art Nouveau

Art Nouveau

Art Nouveau is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: Jugendstil in German, Stile Liberty in Italian, Modernisme in Catalan, and also known as the Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.

Avenue Montaigne

Avenue Montaigne

Avenue Montaigne is a street in the 8th arrondissement of Paris, France.

Decoration and motifs

Decoration in the Art Deco period went through several distinct phases. Between 1910 and 1920, as Art Nouveau was exhausted, design styles saw a return to tradition, particularly in the work of Paul Iribe. In 1912 André Vera published an essay in the magazine L'Art Décoratif calling for a return to the craftsmanship and materials of earlier centuries, and using a new repertoire of forms taken from nature, particularly baskets and garlands of fruit and flowers. A second tendency of Art Deco, also from 1910 to 1920, was inspired by the bright colours of the artistic movement known as the Fauves and by the colourful costumes and sets of the Ballets Russes. This style was often expressed with exotic materials such as sharkskin, mother of pearl, ivory, tinted leather, lacquered and painted wood, and decorative inlays on furniture that emphasized its geometry. This period of the style reached its high point in the 1925 Paris Exposition of Decorative Arts. In the late 1920s and the 1930s, the decorative style changed, inspired by new materials and technologies. It became sleeker and less ornamental. Furniture, like architecture, began to have rounded edges and to take on a polished, streamlined look, taken from the streamline modern style. New materials, such as nickel or chrome-plated steel, aluminium and bakelite, an early form of plastic, began to appear in furniture and decoration.[103]

Throughout the Art Deco period, and particularly in the 1930s, the motifs of the décor expressed the function of the building. Theatres were decorated with sculpture which illustrated music, dance, and excitement; power companies showed sunrises, the Chrysler building showed stylized hood ornaments; The friezes of Palais de la Porte Dorée at the 1931 Paris Colonial Exposition showed the faces of the different nationalities of French colonies. The Streamline style made it appear that the building itself was in motion. The WPA murals of the 1930s featured ordinary people; factory workers, postal workers, families and farmers, in place of classical heroes.[104]

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Cleveland

Cleveland

Cleveland, officially the City of Cleveland, is a city in the U.S. state of Ohio and the county seat of Cuyahoga County. Located in Northeast Ohio along the southern shore of Lake Erie, it is situated across the U.S. maritime border with Canada and lies approximately 60 miles (97 km) west of Pennsylvania.

Chrysler Building

Chrysler Building

The Chrysler Building is an Art Deco skyscraper on the East Side of Manhattan in New York City, at the intersection of 42nd Street and Lexington Avenue in Midtown Manhattan. At 1,046 ft (319 m), it is the tallest brick building in the world with a steel framework, and it was the world's tallest building for 11 months after its completion in 1930. As of 2019, the Chrysler is the 11th-tallest building in the city, tied with The New York Times Building.

New York (state)

New York (state)

New York, often called New York state to distinguish it from its largest city, New York City, is a state in the Northeastern United States. With 20.2 million people enumerated at the 2020 United States census, its highest decennial count ever, it is the fourth-most populous state in the United States as of 2021, approximately 44% of the state's population lives in New York City, including 25% in the boroughs of Brooklyn and Queens; and 15% of the state's population is on the remainder of Long Island, the most populous island in the United States. With a total area of 54,556 square miles (141,300 km2), New York is the 27th-largest U.S. state by area. The state is bordered by New Jersey and Pennsylvania to its south, and Connecticut, Massachusetts, and Vermont to its east; it shares a maritime border with Rhode Island, east of Long Island; and an international border with the Canadian provinces of Quebec to its north and Ontario to its northwest.

William Van Alen

William Van Alen

William Van Alen was an American architect, best known as the architect in charge of designing New York City's Chrysler Building (1928–30).

Wisconsin Gas Building

Wisconsin Gas Building

The Wisconsin Gas Building is a classic stepped Art Deco tower located in downtown Milwaukee, Wisconsin at 626 East Wisconsin Avenue. It was designed by architects Eschweiler & Eschweiler and completed in 1930 using differing materials on the exterior to graduate from dark to light.

Milwaukee

Milwaukee

Milwaukee, officially the City of Milwaukee, is the most populated city in the U.S. state of Wisconsin and the county seat of Milwaukee County. With a population of 577,222 at the 2020 census, Milwaukee is the 31st largest city in the United States, the fifth-largest city in the Midwestern United States, and the second largest city on Lake Michigan's shore behind Chicago.

Wisconsin

Wisconsin

Wisconsin is a state in the upper Midwestern United States. Wisconsin is the 25th-largest state by total area and the 20th-most populous. It is bordered by Minnesota to the west, Iowa to the southwest, Illinois to the south, Lake Michigan to the east, Michigan to the northeast, and Lake Superior to the north.

Paramount Theatre (Oakland, California)

Paramount Theatre (Oakland, California)

The Paramount Theatre is a 3,040-seat Art Deco concert hall located at 2025 Broadway in Downtown Oakland. When it was built in 1931, it was the largest multi-purpose theater on the West Coast, seating 3,476. Today, the Paramount is the home of the Oakland East Bay Symphony and the Oakland Ballet. It regularly plays host to R&B, jazz, blues, pop, rock, gospel, classical music, as well as ballets, plays, stand-up comedy, lecture series, special events, and screenings of classic movies from Hollywood's Golden Era.

Fauvism

Fauvism

Fauvism /ˈfoʊvɪzm̩/ is the style of les Fauves, a group of early 20th-century modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain, Maurice de Vlaminck, and Henri Matisse.

Bakelite

Bakelite

Bakelite, formally Polyoxybenzylmethyleneglycolanhydride, is a thermosetting phenol formaldehyde resin, formed from a condensation reaction of phenol with formaldehyde. The first plastic made from synthetic components, it was developed by Leo Baekeland in Yonkers, New York in 1907, and patented on December 7, 1909.

Furniture

French furniture from 1910 until the early 1920s was largely an updating of French traditional furniture styles, and the art nouveau designs of Louis Majorelle, Charles Plumet and other manufacturers. French furniture manufacturers felt threatened by the growing popularity of German manufacturers and styles, particularly the Biedermeier style, which was simple and clean-lined. The French designer Frantz Jourdain, the President of the Paris Salon d'Automne, invited designers from Munich to participate in the 1910 Salon. French designers saw the new German style, and decided to meet the German challenge. The French designers decided to present new French styles in the Salon of 1912. The rules of the Salon indicated that only modern styles would be permitted. All of the major French furniture designers took part in Salon: Paul Follot, Paul Iribe, Maurice Dufrêne, André Groult, André Mare and Louis Suë took part, presenting new works that updated the traditional French styles of Louis XVI and Louis Philippe with more angular corners inspired by Cubism and brighter colours inspired by Fauvism and the Nabis.[105]

The painter André Mare and furniture designer Louis Süe both participated the 1912 Salon. After the war the two men joined to form their own company, formally called the Compagnie des Arts Française, but usually known simply as Suë and Mare. Unlike the prominent art nouveau designers like Louis Majorelle, who personally designed every piece, they assembled a team of skilled craftsmen and produced complete interior designs, including furniture, glassware, carpets, ceramics, wallpaper and lighting. Their work featured bright colors and furniture and fine woods, such as ebony encrusted with mother of pearl, abalone and silvered metal to create bouquets of flowers. They designed everything from the interiors of ocean liners to perfume bottles for the label of Jean Patou.The firm prospered in the early 1920s, but the two men were better craftsmen than businessmen. The firm was sold in 1928, and both men left.[106]

The most prominent furniture designer at the 1925 Decorative Arts Exposition was Émile-Jacques Ruhlmann, from Alsace. He first exhibited his works at the 1913 Autumn Salon, then had his own pavilion, the "House of the Rich Collector", at the 1925 Exposition. He used only most rare and expensive materials, including ebony, mahogany, rosewood, ambon and other exotic woods, decorated with inlays of ivory, tortoise shell, mother of pearl, Little pompoms of silk decorated the handles of drawers of the cabinets.[107] His furniture was based upon 18th-century models, but simplified and reshaped. In all of his work, the interior structure of the furniture was completely concealed. The framework usually of oak, was completely covered with an overlay of thin strips of wood, then covered by a second layer of strips of rare and expensive woods. This was then covered with a veneer and polished, so that the piece looked as if it had been cut out of a single block of wood. Contrast to the dark wood was provided by inlays of ivory, and ivory key plates and handles. According to Ruhlmann, armchairs had to be designed differently according to the functions of the rooms where they appeared; living room armchairs were designed to be welcoming, office chairs comfortable, and salon chairs voluptuous. Only a small number of pieces of each design of furniture was made, and the average price of one of his beds or cabinets was greater than the price of an average house.[108]

Jules Leleu was a traditional furniture designer who moved smoothly into Art Deco in the 1920s; he designed the furniture for the dining room of the Élysée Palace, and for the first-class cabins of the steamship Normandie. his style was characterized by the use of ebony, Macassar wood, walnut, with decoration of plaques of ivory and mother of pearl. He introduced the style of lacquered art deco furniture in the late 1920s, and in the late 1930s introduced furniture made of metal with panels of smoked glass.[109] In Italy, the designer Gio Ponti was famous for his streamlined designs.

The costly and exotic furniture of Ruhlmann and other traditionalists infuriated modernists, including the architect Le Corbusier, causing him to write a famous series of articles denouncing the arts décoratif style. He attacked furniture made only for the rich, and called upon designers to create furniture made with inexpensive materials and modern style, which ordinary people could afford. He designed his own chairs, created to be inexpensive and mass-produced.[110]

In the 1930s, furniture designs adapted to the form, with smoother surfaces and curved forms. The masters of the late style included Donald Deskey, who was one of the most influential designers; he created the interior of the Radio City Music Hall. He used a mixture of traditional and very modern materials, including aluminium, chrome, and bakelite, an early form of plastic.[111] Other masters of art deco furniture of the 1930s in the United States included Gilbert Rohde, Warren McArthur, Kem Weber, and Wolfgang Hoffman.

The Waterfall style was popular in the 1930s and 1940s, the most prevalent Art Deco form of furniture at the time. Pieces were typically of plywood finished with blond veneer and with rounded edges, resembling a waterfall.[112]

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Louis Süe

Louis Süe

Louis Süe was a French painter, architect, designer and decorator. He and André Mare co-founded the Compagnie des arts français, which produced Art Deco furniture and interior decorations for wealthy customers. He also designed buildings and interiors, including the interiors of two passenger liners.

André Mare

André Mare

Charles André Mare (1885–1932), or André-Charles Mare, was a French painter and textile designer, and co-founder of the Company of French Art in 1919. He was a designer of colorful textiles, and was one of the founders of the Art Deco movement.

André Groult

André Groult

André Groult was a French decorator and furniture designer., and one of the most prominent figures of the Art Deco style. His work featured curving and organic shapes, and extremely rich materials. His work has been described as compromising between tradition and modernism. For the Exposition Internationale des Arts Décoratifs et Industriels Modernes in 1925, he designed a woman's bedchamber with a pink and gray palette. The room featured tended walls of Soie stitching. The furniture in the room was rounded and covered in natural Galuchat.

Gio Ponti

Gio Ponti

Giovanni "Gio" Ponti was an Italian architect, industrial designer, furniture designer, artist, teacher, writer and publisher.

Michel Roux-Spitz

Michel Roux-Spitz

Michel Roux-Spitz was a French architect.

Jules Leleu

Jules Leleu

Jules Leleu, was a French furniture designer.

Louis Majorelle

Louis Majorelle

Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy.

Charles Plumet

Charles Plumet

Charles Plumet was a French architect, decorator and ceramist.

Biedermeier

Biedermeier

The Biedermeier period was an era in Central Europe between 1815 and 1848 during which the middle class grew in number and the arts appealed to common sensibilities. It began with the Congress of Vienna at the end of the Napoleonic Wars in 1815 and ended with the onset of the Revolutions of 1848. Although the term itself derives from a literary reference from the period, it is used mostly to denote the artistic styles that flourished in the fields of literature, music, the visual arts and interior design. It has influenced later styles, especially those originating in Vienna.

Jean Patou

Jean Patou

Jean Patou was a French fashion designer, and founder of the Jean Patou brand.

Ebony

Ebony

Ebony is a dense black/brown hardwood, coming from several species in the genus Diospyros, which also contains the persimmons. Unlike most woods, ebony is dense enough to sink in water. It is finely textured and has a mirror finish when polished, making it valuable as an ornamental wood. The word ebony comes from the Ancient Egyptian hbny, through the Ancient Greek ἔβενος, into Latin and Middle English.

Mahogany

Mahogany

Mahogany is a straight-grained, reddish-brown timber of three tropical hardwood species of the genus Swietenia, indigenous to the Americas and part of the pantropical chinaberry family, Meliaceae. Mahogany is used commercially for a wide variety of goods, due to its coloring and durable nature. It is naturally found within the Americas, but has also been imported to plantations across Asia and Oceania. The mahogany trade may have begun as early as the 16th century and flourished in the 17th and 18th centuries. In certain countries, mahogany is considered an invasive species.

Design

Streamline was a variety of Art Deco which emerged during the mid-1930s. It was influenced by modern aerodynamic principles developed for aviation and ballistics to reduce aerodynamic drag at high velocities. The bullet shapes were applied by designers to cars, trains, ships, and even objects not intended to move, such as refrigerators, gas pumps, and buildings.[60] One of the first production vehicles in this style was the Chrysler Airflow of 1933. It was unsuccessful commercially, but the beauty and functionality of its design set a precedent; meant modernity. It continued to be used in car design well after World War II.[113][114][115][116]

New industrial materials began to influence the design of cars and household objects. These included aluminium, chrome, and bakelite, an early form of plastic. Bakelite could be easily moulded into different forms, and soon was used in telephones, radios and other appliances.

Grand dining room of the ocean liner SS Normandie by Pierre Patout (1935); bas-reliefs by Raymond Delamarre
Grand dining room of the ocean liner SS Normandie by Pierre Patout (1935); bas-reliefs by Raymond Delamarre

Ocean liners also adopted a style of Art Deco, known in French as the Style Paquebot, or "Ocean Liner Style". The most famous example was the SS Normandie, which made its first transatlantic trip in 1935. It was designed particularly to bring wealthy Americans to Paris to shop. The cabins and salons featured the latest Art Deco furnishings and decoration. The Grand Salon of the ship, which was the restaurant for first-class passengers, was bigger than the Hall of Mirrors of the Palace of Versailles. It was illuminated by electric lights within twelve pillars of Lalique crystal; thirty-six matching pillars lined the walls. This was one of the earliest examples of illumination being directly integrated into architecture. The style of ships was soon adapted to buildings. A notable example is found on the San Francisco waterfront, where the Maritime Museum building, built as a public bath in 1937, resembles a ferryboat, with ship railings and rounded corners. The Star Ferry Terminal in Hong Kong also used a variation of the style.[34]

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Parker Duofold

Parker Duofold

The Parker Duofold is a range of fountain pens produced by the Parker Pen Company.

Philips

Philips

Koninklijke Philips N.V., commonly shortened to Philips, is a Dutch multinational conglomerate corporation that was founded in Eindhoven in 1891. Since 1997, it has been mostly headquartered in Amsterdam, though the Benelux headquarters is still in Eindhoven. Philips was formerly one of the largest electronics companies in the world, but is currently focused on the area of health technology, having divested its other divisions.

Electrolux

Electrolux

Electrolux AB is a Swedish multinational home appliance manufacturer, headquartered in Stockholm. It is consistently ranked the world's second largest appliance maker by units sold, after Whirlpool.

20th Century Limited

20th Century Limited

The 20th Century Limited was an express passenger train on the New York Central Railroad (NYC) from 1902 to 1967. The train traveled between Grand Central Terminal in New York City and LaSalle Street Station in Chicago, Illinois, along the railroad's "Water Level Route".

Chrysler Airflow

Chrysler Airflow

The Chrysler Airflow is a full-size car produced by Chrysler from 1934 to 1937. The Airflow was the first full-size American production car to use streamlining as a basis for building a sleeker automobile, one less susceptible to air resistance. Chrysler made a significant effort at a fundamental change in automotive design with the Chrysler Airflow, but it was ultimately a commercial failure due to a lack of market acceptance and controversial appearance.

Cord (automobile)

Cord (automobile)

Cord was a brand of American luxury automobile manufactured by the Auburn Automobile Company of Connersville, Indiana, from 1929 to 1932 and again in 1936 and 1937.

Phantom Corsair

Phantom Corsair

The Phantom Corsair is a prototype automobile built in 1938. It is a six-passenger 2-door sedan that was designed by Rust Heinz of the H. J. Heinz family and Maurice Schwartz of the Bohman & Schwartz coachbuilding company in Pasadena, California. Although sometimes dismissed as a failure because it never entered production, the Corsair is regarded as ahead of its time because of its futuristic features, and styling cues such as faired-in fenders and a low profile.

Aerodynamics

Aerodynamics

Aerodynamics, from Ancient Greek: ἀήρ aero (air) + Ancient Greek: δυναμική (dynamics), is the study of the motion of air, particularly when affected by a solid object, such as an airplane wing. It involves topics covered in the field of fluid dynamics and its subfield of gas dynamics. The term aerodynamics is often used synonymously with gas dynamics, the difference being that "gas dynamics" applies to the study of the motion of all gases, and is not limited to air. The formal study of aerodynamics began in the modern sense in the eighteenth century, although observations of fundamental concepts such as aerodynamic drag were recorded much earlier. Most of the early efforts in aerodynamics were directed toward achieving heavier-than-air flight, which was first demonstrated by Otto Lilienthal in 1891. Since then, the use of aerodynamics through mathematical analysis, empirical approximations, wind tunnel experimentation, and computer simulations has formed a rational basis for the development of heavier-than-air flight and a number of other technologies. Recent work in aerodynamics has focused on issues related to compressible flow, turbulence, and boundary layers and has become increasingly computational in nature.

Ballistics

Ballistics

Ballistics is the field of mechanics concerned with the launching, flight behaviour and impact effects of projectiles, especially ranged weapon munitions such as bullets, unguided bombs, rockets or the like; the science or art of designing and accelerating projectiles so as to achieve a desired performance.

Refrigerator

Refrigerator

A refrigerator, colloquially fridge, is a commercial and home appliance consisting of a thermally insulated compartment and a heat pump that transfers heat from its inside to its external environment so that its inside is cooled to a temperature below the room temperature. Refrigeration is an essential food storage technique around the world. The lower temperature lowers the reproduction rate of bacteria, so the refrigerator reduces the rate of spoilage. A refrigerator maintains a temperature a few degrees above the freezing point of water. The optimal temperature range for perishable food storage is 3 to 5 °C. A similar device that maintains a temperature below the freezing point of water is called a freezer. The refrigerator replaced the icebox, which had been a common household appliance for almost a century and a half. The United States Food and Drug Administration recommends that the refrigerator be kept at or below 4 °C (40 °F) and that the freezer be regulated at −18 °C (0 °F).

Chrome plating

Chrome plating

Chrome plating is a technique of electroplating a thin layer of chromium onto a metal object. A chrome plated part is called chrome, or is said to have been chromed. The chromium layer can be decorative, provide corrosion resistance, facilitate cleaning, or increase surface hardness. Sometimes, a less expensive substitute for chrome such as nickel may be used for aesthetic purposes.

Bakelite

Bakelite

Bakelite, formally Polyoxybenzylmethyleneglycolanhydride, is a thermosetting phenol formaldehyde resin, formed from a condensation reaction of phenol with formaldehyde. The first plastic made from synthetic components, it was developed by Leo Baekeland in Yonkers, New York in 1907, and patented on December 7, 1909.

Textiles and fashion

Textiles were an important part of the Art Deco style, in the form of colourful wallpaper, upholstery and carpets, In the 1920s, designers were inspired by the stage sets of the Ballets Russes, fabric designs and costumes from Léon Bakst and creations by the Wiener Werkstätte. The early interior designs of André Mare featured brightly coloured and highly stylized garlands of roses and flowers, which decorated the walls, floors, and furniture. Stylized Floral motifs also dominated the work of Raoul Dufy and Paul Poiret, and in the furniture designs of J.E. Ruhlmann. The floral carpet was reinvented in Deco style by Paul Poiret.[117]

The use of the style was greatly enhanced by the introduction of the pochoir stencil-based printing system, which allowed designers to achieve crispness of lines and very vivid colours. Art Deco forms appeared in the clothing of Paul Poiret, Charles Worth and Jean Patou. After World War I, exports of clothing and fabrics became one of the most important currency earners of France.[118]

Late Art Deco wallpaper and textiles sometimes featured stylized industrial scenes, cityscapes, locomotives and other modern themes, as well as stylized female figures, metallic finishes and geometric designs.[118]

Fashion changed dramatically during the Art Deco period, thanks in particular to designers Paul Poiret and later Coco Chanel. Poiret introduced an important innovation to fashion design, the concept of draping, a departure from the tailoring and pattern-making of the past.[119] He designed clothing cut along straight lines and constructed of rectangular motifs.[119] His styles offered structural simplicity[119] The corseted look and formal styles of the previous period were abandoned, and fashion became more practical, and streamlined. with the use of new materials, brighter colours and printed designs.[119] The designer Coco Chanel continued the transition, popularising the style of sporty, casual chic.[120]

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André Mare

André Mare

Charles André Mare (1885–1932), or André-Charles Mare, was a French painter and textile designer, and co-founder of the Company of French Art in 1919. He was a designer of colorful textiles, and was one of the founders of the Art Deco movement.

Metropolitan Museum of Art

Metropolitan Museum of Art

The Metropolitan Museum of Art in New York City, colloquially "the Met", is the largest art museum in the Americas and the most-visited museum in the Western Hemisphere. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately 2-million-square-foot (190,000 m2) building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe.

Paul Iribe

Paul Iribe

Paul Iribe was a French illustrator and designer in the decorative arts. He worked in Hollywood during the 1920s and was Coco Chanel's lover from 1931 to his death.

Ballets Russes

Ballets Russes

The Ballets Russes was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there.

Léon Bakst

Léon Bakst

Léon Bakst – born as Leyb-Khaim Izrailevich Rosenberg, Лейб-Хаим Израилевич (Самойлович) Розенберг was a Russian painter and scene and costume designer of Jewish origin. He was a member of the Sergei Diaghilev circle and the Ballets Russes, for which he designed exotic, richly coloured sets and costumes. He designed the décor for such productions as Carnaval (1910), Spectre de la rose (1911), Daphnis and Chloe (1912), The Sleeping Princess (1921) and others.

Wiener Werkstätte

Wiener Werkstätte

The Wiener Werkstätte, established in 1903 by the graphic designer and painter Koloman Moser, the architect Josef Hoffmann and the patron Fritz Waerndorfer, was a productive association in Vienna, Austria that brought together architects, artists, designers and artisans working in ceramics, fashion, silver, furniture and the graphic arts. The Workshop was "dedicated to the artistic production of utilitarian items in a wide range of media, including metalwork, leatherwork, bookbinding, woodworking, ceramics, postcards and graphic art, and jewelry." It is regarded as a pioneer of modern design, and its influence can be seen in later styles such as Bauhaus and Art Deco.

Raoul Dufy

Raoul Dufy

Raoul Dufy was a French Fauvist painter. He developed a colorful, decorative style that became fashionable for ceramics and textile designs, as well as decorative schemes for public buildings. He is noted for scenes of open-air social events. He was also a draftsman, printmaker, book illustrator, scenic designer, furniture designer and a planner of public spaces.

Paul Poiret

Paul Poiret

Paul Poiret was a French fashion designer, a master couturier during the first two decades of the 20th century. He was the founder of his namesake haute couture house.

Jean Patou

Jean Patou

Jean Patou was a French fashion designer, and founder of the Jean Patou brand.

Coco Chanel

Coco Chanel

Gabrielle Bonheur "Coco" Chanel was a French fashion designer and businesswoman. The founder and namesake of the Chanel brand, she was credited in the post–World War I era with popularizing a sporty, casual chic as the feminine standard of style. This replaced the "corseted silhouette" that was dominant beforehand with a style that was simpler, far less time consuming to put on and remove, more comfortable, and less expensive, all without sacrificing elegance. She is the only fashion designer listed on Time magazine's list of the 100 most influential people of the 20th century. A prolific fashion creator, Chanel extended her influence beyond couture clothing, realizing her aesthetic design in jewellery, handbags, and fragrance. Her signature scent, Chanel No. 5, has become an iconic product, and Chanel herself designed her famed interlocked-CC monogram, which has been in use since the 1920s.

Drapery

Drapery

Drapery is a general word referring to cloths or textiles. It may refer to cloth used for decorative purposes – such as around windows – or to the trade of retailing cloth, originally mostly for clothing, formerly conducted by drapers.

Cécile Sorel

Cécile Sorel

Céline Émilie Seurre, known as Cécile Sorel or the Comtesse de Ségur by marriage, was a French comic actress. She enjoyed great popularity and was known for her extravagant costumes.

Jewelry

In the 1920s and 1930s, designers including René Lalique and Cartier tried to reduce the traditional dominance of diamonds by introducing more colourful gemstones, such as small emeralds, rubies and sapphires. They also placed greater emphasis on very elaborate and elegant settings, featuring less-expensive materials such as enamel, glass, horn and ivory. Diamonds themselves were cut in less traditional forms; the 1925 Exposition saw many diamonds cut in the form of tiny rods or matchsticks. The settings for diamonds also changed; More and more often jewellers used platinum instead of gold, since it was strong and flexible, and could set clusters of stones. Jewellers also began to use more dark materials, such as enamels and black onyx, which provided a higher contrast with diamonds.[121]

Jewellery became much more colourful and varied in style. Cartier and the firm of Boucheron combined diamonds with colourful other gemstones cut into the form of leaves, fruit or flowers, to make brooches, rings, earrings, clips and pendants. Far Eastern themes also became popular; plaques of jade and coral were combined with platinum and diamonds, and vanity cases, cigarette cases and powder boxes were decorated with Japanese and Chinese landscapes made with mother of pearl, enamel and lacquer.[121]

Rapidly changing fashions in clothing brought new styles of jewellery. Sleeveless dresses of the 1920s meant that arms needed decoration, and designers quickly created bracelets of gold, silver and platinum encrusted with lapis-lazuli, onyx, coral, and other colourful stones; Other bracelets were intended for the upper arms, and several bracelets were often worn at the same time. The short haircuts of women in the twenties called for elaborate deco earring designs. As women began to smoke in public, designers created very ornate cigarette cases and ivory cigarette holders. The invention of the wrist-watch before World War I inspired jewelers to create extraordinary decorated watches, encrusted with diamonds and plated with enamel, gold and silver. Pendant watches, hanging from a ribbon, also became fashionable.[122]

The established jewellery houses of Paris in the period, Cartier, Chaumet, Georges Fouquet, Mauboussin, and Van Cleef & Arpels all created jewellery and objects in the new fashion. The firm of Chaumet made highly geometric cigarette boxes, cigarette lighters, pillboxes and notebooks, made of hard stones decorated with jade, lapis lazuli, diamonds and sapphires. They were joined by many young new designers, each with his own idea of deco. Raymond Templier designed pieces with highly intricate geometric patterns, including silver earrings that looked like skyscrapers. Gerard Sandoz was only 18 when he started to design jewelry in 1921; he designed many celebrated pieces based on the smooth and polished look of modern machinery. The glass designer René Lalique also entered the field, creating pendants of fruit, flowers, frogs, fairies or mermaids made of sculpted glass in bright colors, hanging on cords of silk with tassels.[122] The jeweller Paul Brandt contrasted rectangular and triangular patterns, and embedded pearls in lines on onyx plaques. Jean Despres made necklaces of contrasting colours by bringing together silver and black lacquer, or gold with lapis lazuli. Many of his designs looked like highly polished pieces of machines. Jean Dunand was also inspired by modern machinery, combined with bright reds and blacks contrasting with polished metal.[122]

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Cartier (jeweler)

Cartier (jeweler)

Cartier International SNC, or simply Cartier, is a French luxury goods conglomerate that designs, manufactures, distributes, and sells jewellery, leather goods, and watches. Founded by Louis-François Cartier (1819–1904) in Paris in 1847, the company remained under family control until 1964. The company is headquartered in Paris and is a wholly owned subsidiary of the Swiss Richemont Group. Cartier operates more than 200 stores in 125 countries, with three Temples in London, New York, and Paris.

Boucheron

Boucheron

Boucheron is a French luxury jewelry and watch house located in Paris, 26 Place Vendôme, owned by Kering.

Platinum

Platinum

Platinum is a chemical element with the symbol Pt and atomic number 78. It is a dense, malleable, ductile, highly unreactive, precious, silverish-white transition metal. Its name originates from Spanish platina, a diminutive of plata "silver".

Onyx

Onyx

Onyx primarily refers to the parallel banded variety of chalcedony, a silicate mineral. Agate and onyx are both varieties of layered chalcedony that differ only in the form of the bands: agate has curved bands and onyx has parallel bands. The colors of its bands range from black to almost every color. Commonly, specimens of onyx contain bands of black and/or white. Onyx, as a descriptive term, has also been applied to parallel banded varieties of alabaster, marble, calcite, obsidian and opal, and misleadingly to materials with contorted banding, such as "Cave Onyx" and "Mexican Onyx".

Chaumet

Chaumet

The House of Chaumet, founded in 1780, is a jeweller based in Paris.

Mauboussin

Mauboussin

Mauboussin is a French jewellery firm started in 1827.

Jade

Jade

Jade is a mineral used as jewellery or for ornaments. It is typically green, although may be yellow or white. Jade can refer to either of two different silicate minerals: nephrite, or jadeite.

Lapis lazuli

Lapis lazuli

Lapis lazuli, or lapis for short, is a deep-blue metamorphic rock used as a semi-precious stone that has been prized since antiquity for its intense color. As early as the 7th millennium BC, lapis lazuli was mined in the Sar-i Sang mines, in Shortugai, and in other mines in Badakhshan province in nowadays northeast Afghanistan. Lapis lazuli artifacts, dated to 7570 BC, have been found at Bhirrana, which is the oldest site of Indus Valley civilisation. Lapis was highly valued by the Indus Valley Civilisation. Lapis beads have been found at Neolithic burials in Mehrgarh, the Caucasus, and as far away as Mauritania. It was used in the funeral mask of Tutankhamun.

Raymond Templier

Raymond Templier

Raymond Templier was a French jewellery designer. He is best known for his Cubic Art Deco and abstract designs in the 1920s and 1930s. He built coral reefs as well.

Paul Brandt

Paul Brandt

Paul Rennée Belobersycky, known professionally as Paul Brandt, is a Canadian country music artist. Growing up in Calgary, he was a pediatric RN at the time of his big break. In 1996, he made his mark on the country music charts with the single "My Heart Has a History", propelling him to international success and making him the first male Canadian country singer to reach the Top 10 on the Billboard Hot Country Songs chart in the United States since Hank Snow in 1974.

Jean Despres

Jean Despres

Jean Despres (1903–1988) was a perfume industry businessman, known for his work with Coty, Inc.

Jean Dunand

Jean Dunand

Jean Dunand (1877–1942) was a Swiss and French painter, sculptor, metal craftsman and interior designer during the Art Deco period. He was particularly known for his lacquered screens and other art objects.

Glass art

Like the Art Nouveau period before it, Art Deco was an exceptional period for fine glass and other decorative objects, designed to fit their architectural surroundings. The most famous producer of glass objects was René Lalique, whose works, from vases to hood ornaments for automobiles, became symbols of the period. He had made ventures into glass before World War I, designing bottles for the perfumes of François Coty, but he did not begin serious production of art glass until after World War I. In 1918, at the age of 58, he bought a large glass works in Combs-la-Ville and began to manufacture both artistic and practical glass objects. He treated glass as a form of sculpture, and created statuettes, vases, bowls, lamps and ornaments. He used demi-crystal rather than lead crystal, which was softer and easier to form, though not as lustrous. He sometimes used coloured glass, but more often used opalescent glass, where part or the whole of the outer surface was stained with a wash. Lalique provided the decorative glass panels, lights and illuminated glass ceilings for the ocean liners SS Île de France in 1927 and the SS Normandie in 1935, and for some of the first-class sleeping cars of the French railroads. At the 1925 Exposition of Decorative Arts, he had his own pavilion, designed a dining room with a table setting and matching glass ceiling for the Sèvres Pavilion, and designed a glass fountain for the courtyard of the Cours des Métiers, a slender glass column which spouted water from the sides and was illuminated at night.[123]

Other notable Art Deco glass manufacturers included Marius-Ernest Sabino, who specialized in figurines, vases, bowls, and glass sculptures of fish, nudes, and animals. For these he often used an opalescent glass which could change from white to blue to amber, depending upon the light. His vases and bowls featured molded friezes of animals, nudes or busts of women with fruit or flowers. His work was less subtle but more colourful than that of Lalique.[123]

Other notable Deco glass designers included Edmond Etling, who also used bright opalescent colours, often with geometric patterns and sculpted nudes; Albert Simonet, and Aristide Colotte and Maurice Marinot, who was known for his deeply etched sculptural bottles and vases. The firm of Daum from the city of Nancy, which had been famous for its Art Nouveau glass, produced a line of Deco vases and glass sculpture, solid, geometric and chunky in form. More delicate multi-coloured works were made by Gabriel Argy-Rousseau, who produced delicately shaded vases with sculpted butterflies and nymphs, and Francois Decorchemont, whose vases were streaked and marbled.[123]

The Great Depression ruined a large part of the decorative glass industry, which depended upon wealthy clients. Some artists turned to designing stained glass windows for churches. In 1937, the Steuben glass company began the practice of commissioning famous artists to produce glassware.[123] Louis Majorelle, famous for his Art Nouveau furniture, designed a remarkable Art Deco stained glass window portraying steel workers for the offices of the Aciéries de Longwy, a steel mill in Longwy, France.

Amiens Cathedral has a rare example of Art Deco stained glass windows in the Chapel of the Sacred Heart, made in 1932-34 by the Paris glass artist Jean Gaudin based on drawings by Jacques Le Breton.[124]

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René Lalique

René Lalique

René Jules Lalique was a French jeweller, medallist, and glass designer known for his creations of glass art, perfume bottles, vases, jewellery, chandeliers, clocks, and automobile hood ornaments.

Daum (studio)

Daum (studio)

Daum is a crystal studio based in Nancy, France, founded in 1878 by Jean Daum (1825–1885). His sons, Auguste Daum (1853–1909) and Antonin Daum (1864–1931), oversaw its growth during the burgeoning Art Nouveau period. Daum is one of the only crystal manufacturers toe employ the pâte de verre process for art glass and crystal sculptures, a technique in which crushed glass is packed into a refractory mould and then fused in a kiln.

Arnaldo dell'Ira

Arnaldo dell'Ira

Arnaldo Dell'Ira was an Italian architect.

Amiens Cathedral

Amiens Cathedral

The Cathedral Basilica of Our Lady of Amiens, or simply Amiens Cathedral, is a Roman Catholic church. The cathedral is the seat of the Bishop of Amiens. It is situated on a slight ridge overlooking the River Somme in Amiens, the administrative capital of the Picardy region of France, some 120 kilometres north of Paris.

Jean Gaudin (glass artist)

Jean Gaudin (glass artist)

Ernest Jean Gaudin was a French painter, glass and mosaic artist.

François Coty

François Coty

François Coty was a French perfumer, businessman, newspaper publisher, politician and patron of the arts. He was the founder of the Coty perfume company, today a multinational. He is considered the founding father of the modern perfume industry.

Edmond Etling

Edmond Etling

Edmond Laurent Etling was a French art dealer, gallery owner, designer, and a manufacturer of high-quality decorative objects made of bronze, ceramics and art glass in the Art Deco style.

Maurice Marinot

Maurice Marinot

Maurice Marinot was a French artist. He was a painter considered a member of Les Fauves, and then a major artist in glass.

Nancy, France

Nancy, France

Nancy is the prefecture of the northeastern French department of Meurthe-et-Moselle. It was the capital of the Duchy of Lorraine, which was annexed by France under King Louis XV in 1766 and replaced by a province, with Nancy maintained as capital. Following its rise to prominence in the Age of Enlightenment, it was nicknamed the "capital of Eastern France" in the late 19th century. The metropolitan area of Nancy had a population of 511,257 inhabitants at the 2018 census, making it the 16th-largest functional urban area in France and Lorraine's largest. The population of the city of Nancy proper is 104,885.

Louis Majorelle

Louis Majorelle

Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy.

Aciéries de Longwy

Aciéries de Longwy

The Société des aciéries de Longwy was a steelworks located in Longwy, Meurthe-et-Moselle, France.

Longwy

Longwy

Longwy is a commune in the French department of Meurthe-et-Moselle, Lorraine, administrative region of Grand Est, northeastern France.

Metal art

Art Deco artists produced a wide variety of practical objects in the Art Deco style, made of industrial materials from traditional wrought iron to chrome-plated steel. The American artist Norman Bel Geddes designed a cocktail set resembling a skyscraper made of chrome-plated steel. Raymond Subes designed an elegant metal grille for the entrance of the Palais de la Porte Dorée, the centre-piece of the 1931 Paris Colonial Exposition. The French sculptor Jean Dunand produced magnificent doors on the theme "The Hunt", covered with gold leaf and paint on plaster (1935).[125]

Animation

Art Deco visuals and imagery was used in multiple animated films including Batman, Night Hood, All's Fair at the Fair, Merry Mannequins, Page Miss Glory, Fantasia and Sleeping Beauty.[126] The architecture is featured in the fictitious underwater city of Rapture in the Bioshock video game series.

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Batman: The Animated Series

Batman: The Animated Series

Batman: The Animated Series is an American superhero animated television series based on the DC Comics superhero Batman. Developed by Bruce Timm and Eric Radomski, and produced by Warner Bros. Animation, it originally aired on Fox Kids from September 5, 1992 to September 15, 1995 with a total of 85 episodes. After the series ended its original run, a follow-up titled The New Batman Adventures began airing on Kids' WB in 1997 as a continuation of the series, featuring a revamped animation style. Lasting 24 episodes, it has often been included in the same syndicated re-run packages and home media releases.

Night Hood

Night Hood

Night Hood is an animated series inspired by Maurice Leblanc's Arsène Lupin novels, produced by Cinar and France Animation S.A. for television audiences in both English and French-speaking nations. It was set in the 1930s. The series aired in Canada in 1996 on YTV and in 1998 on Teletoon under the English-language title Night Hood, and in francophone markets as Les Exploits d'Arsène Lupin.

All's Fair at the Fair

All's Fair at the Fair

All's Fair at the Fair is a seven-minute cartoon released in 1938. A Color Classic produced by Max Fleischer, it was distributed by Paramount.

Page Miss Glory (1936 film)

Page Miss Glory (1936 film)

Page Miss Glory is a 1936 Warner Bros. Merrie Melodies cartoon directed by Tex Avery. The short was released on March 7, 1936. The film uses Art Deco backgrounds and character designs.

Fantasia (1940 film)

Fantasia (1940 film)

Fantasia is a 1940 American animated musical anthology film produced and released by Walt Disney Productions, with story direction by Joe Grant and Dick Huemer and production supervision by Walt Disney and Ben Sharpsteen. The third Disney animated feature film, it consists of eight animated segments set to pieces of classical music conducted by Leopold Stokowski, seven of which are performed by the Philadelphia Orchestra. Music critic and composer Deems Taylor acts as the film's Master of Ceremonies who introduces each segment in live action.

Sleeping Beauty (1959 film)

Sleeping Beauty (1959 film)

Sleeping Beauty is a 1959 American animated musical fantasy film produced by Walt Disney Productions and released by Buena Vista Distribution. Based on Charles Perrault's 1697 fairy tale of the same title, it is the 16th Disney animated feature film. The production was supervised by Clyde Geronimi, and the film's sequences were directed by Wolfgang Reitherman, Eric Larson, and Les Clark. Featuring the voices of Mary Costa, Bill Shirley, Eleanor Audley, Verna Felton, Barbara Luddy, Barbara Jo Allen, Taylor Holmes, and Bill Thompson, the film's plot follows a young princess Aurora, who was cursed by the evil fairy Maleficent to die from a prick on a spindle of the spinning wheel, but was saved by the three good fairies, who altered the curse so that the princess instead fell into a deep sleep to be awakened by true love's kiss.

Art Deco architecture around the world

Art Deco architecture began in Europe, but by 1939 there were examples in large cities on every continent and in almost every country. This is a selection of prominent buildings on each continent.

For a comprehensive list of existing buildings by country, see: List of Art Deco architecture.

Africa

Most Art Deco buildings in Africa were built during European colonial rule, and often designed by Italian, French and Portuguese architects.

Asia

Many Art Deco buildings in Asia were designed by European architects. But in the Philippines, local architects such as Juan Nakpil, Juan Arellano and others were preeminent. Many Art Deco landmarks in Asia were demolished during the great economic expansion of Asia the late 20th century, but some notable enclaves of the architecture still remain, particularly in Shanghai and Mumbai.

Australia and New Zealand

Melbourne and Sydney, Australia, have several notable Art Deco buildings, including the Manchester Unity Building and the former Russell Street Police Headquarters in Melbourne, the Castlemaine Art Museum in Castlemaine, central Victoria and the Grace Building, AWA Tower and Anzac Memorial in Sydney.

Several towns in New Zealand, including Napier and Hastings were rebuilt in Art Deco style after the 1931 Hawke's Bay earthquake, and many of the buildings have been protected and restored. Napier has been nominated for UNESCO World Heritage Site status, the first cultural site in New Zealand to be nominated.[128][129] Wellington has retained a sizeable number of Art Deco buildings.[130]

North America

In Canada, surviving Art Deco structures are mainly in the major cities; Montreal, Toronto, Hamilton, Ontario, and Vancouver. They range from public buildings like Vancouver City Hall to commercial buildings (College Park) to public works (R. C. Harris Water Treatment Plant).

In Mexico, the most imposing Art Deco example is interior of the Palacio de Bellas Artes (Palace of Fine Arts), finished in 1934 with its elaborate décor and murals. Examples of Art Deco residential architecture can be found in the Condesa district, many designed by Francisco J. Serrano.

In the United States, Art Deco buildings are found from coast to coast, in all the major cities. It was most widely used for office buildings, train stations, airport terminals, and cinemas; residential buildings are rare. During the 1920s and 1930s architects in the Southwestern United States, particularly in the US state of New Mexico, combined Pueblo Revival with Territorial Style and Art Deco to create Pueblo Deco, as seen in the KiMo Theater in Albuquerque. In the 1930s, the more austere streamline style became popular. Many buildings were demolished between 1945 and the late 1960s, but then efforts began to protect the best examples. The City of Miami Beach established the Miami Beach Architectural District to preserve the fine collection of Art Deco buildings found there.

Central America and the Caribbean

Art Deco buildings can be found throughout Central America, including in Cuba.

Europe

The architectural style first appeared in Paris with the Théâtre des Champs-Élysées (1910–13) by Auguste Perret but then spread rapidly around Europe, until examples could be found in nearly every large city, from London to Moscow. In Germany two variations of Art Deco flourished in the 1920s and 30s: The Neue Sachlichkeit style and Expressionist architecture. Notable examples include Erich Mendelsohn's Mossehaus and Schaubühne theater in Berlin, Fritz Höger's Chilehaus in Hamburg and his Kirche am Hohenzollernplatz in Berlin, the Anzeiger Tower in Hanover and the Borsig Tower in Berlin.[132]

One of the largest Art Deco buildings in Western Europe is the National Basilica of the Sacred Heart in Koekelberg, Brussels. In 1925, architect Albert van Huffel won the Grand Prize for Architecture with his scale model of the basilica at the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris.[133]

Spain and Portugal have some striking examples of Art Deco buildings, particularly movie theaters. Examples in Portugal are the Capitólio Theater (1931) and the Éden Cine-Theatre (1937) in Lisbon, the Rivoli Theater (1937) and the Coliseu (1941) in Porto and the Rosa Damasceno Theater (1937) in Santarém. An example in Spain is the Cine Rialto in Valencia (1939).

During the 1930s, Art Deco had a noticeable effect on house design in the United Kingdom,[58] as well as the design of various public buildings.[77] Straight, white-rendered house frontages rising to flat roofs, sharply geometric door surrounds and tall windows, as well as convex-curved metal corner windows, were all characteristic of that period.[78][134][135]

The London Underground is famous for many examples of Art Deco architecture,[136] and there are a number of buildings in the style situated along the Golden Mile in Brentford. Also in West London is the Hoover Building, which was originally built for The Hoover Company and was converted into a superstore in the early 1990s.

Bucharest, Romania

Bucharest, once known as the "Little Paris" of the 19th century, engaged in a new designs after World War I, redirected its inspiration towards New York City. The 1930s brought a new fashion which echoed in the cinema, theatre, dancing styles, art and architecture. Bucharest during the 1930s was marked by more and more art deco architecture from the bigger boulevards like Bulevardul Magheru to the private houses and smaller districts. The Telephone Palace, an early landmark of modern Bucharest, was the first skyscraper of the city. It was the tallest building between 1933 and the 1950s, with a height of 52.5 metres (172 ft). The architects were Louis Weeks and Edmond van Saanen Algi and engineer Walter Troy. The art deco monuments are a crucial part of the character of Bucharest since they describe and mark an important period from its history, the interbellic life (World War I–World War II). Most of the buildings from those years are prone to catastrophe, as Bucharest is located in an earthquake zone.[137]

India

The Indian Institute of Architects, founded in Mumbai in 1929, played a prominent role in propagating the Art Deco movement. In November 1937, this institute organised the 'Ideal Home Exhibition' held in the Town Hall in Mumbai which spanned over 12 days and attracted about one hundred thousand visitors. As a result, it was declared a success by the 'Journal of the Indian Institute of Architects'. The exhibits displayed the 'ideal', or better described as the most 'modern' arrangements for various parts of the house, paying close detail to avoid architectural blunders and present the most efficient and well-thought-out models. The exhibition focused on various elements of a home ranging from furniture, elements of interior decoration as well as radios and refrigerators using new and scientifically relevant materials and methods.[138] Guided by their desire to emulate the west, the Indian architects were fascinated by the industrial modernity that Art Deco offered.[138] The western elites were the first to experiment with the technologically advanced facets of Art Deco, and architects began the process of transformation by the early 1930s.[138]

Mumbai's expanding port commerce in the 1930s resulted in the growth of educated middle class population. It also saw an increase of people migrating to Mumbai in search of job opportunities. This led to the pressing need for new developments through Land Reclamation Schemes and construction of new public and residential buildings.[139] Parallelly, the changing political climate in the country and the aspirational quality of the Art Deco aesthetics led to a whole-hearted acceptance of the building style in the city's development. Most of the buildings from this period can be seen spread throughout the city neighbourhoods in areas such as Churchgate, Colaba, Fort, Mohammed Ali Road, Cumbala Hill, Dadar, Matunga, Bandra and Chembur.[140][141]

South America

Art Deco in South America is especially present in countries which received a great wave of immigration in the first half of the 20th century, with notable works in their richest cities, like São Paulo and Rio de Janeiro in Brazil and Buenos Aires in Argentina. The Kavanagh Building in Buenos Aires (1934), by Sánchez, Lagos and de la Torre, was the tallest reinforced-concrete structure when it was completed, and is a notable example of late Art Deco style.

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List of Art Deco architecture

List of Art Deco architecture

This is a list of buildings that are examples of Art Deco:List of Art Deco architecture in Africa List of Art Deco architecture in Asia List of Art Deco architecture in Europe List of Art Deco architecture in the Americas List of Art Deco architecture in the United States List of Art Deco architecture in Oceania

Fiat Tagliero Building

Fiat Tagliero Building

The Fiat Tagliero Building is a Futurist-style service station in Asmara, Eritrea. It was completed in 1938 and designed by the Italian engineer Giuseppe Pettazzi.

Asmara

Asmara

Asmara, or Asmera, is the capital and most populous city of Eritrea, in the country's Central Region. It sits at an elevation of 2,325 metres (7,628 ft), making it the sixth highest capital in the world by altitude and the second highest capital in Africa. The city is located at the tip of an escarpment that is both the northwestern edge of the Eritrean Highlands and the Great Rift Valley in neighbouring Ethiopia. In 2017, the city was declared as a UNESCO World Heritage Site for its well-preserved modernist architecture. The site of Asmera was first settled in 800 BC with a population ranging from 100 to 1,000. The city was then founded in the 12th century AD after four separate villages unified to live together peacefully after long periods of conflict. Under Italian rule the city of Asmara was made capital of Eritrea in the last years of the 19th century.

Giuseppe Pettazzi

Giuseppe Pettazzi

Giuseppe Pettazzi was an Italian Art Deco and Futurist civil engineer of the 1930s.

Kologdam Building

Kologdam Building

The Kologdam Building is a historic building in Bandung, Indonesia. In the 1920s, Kologdam Building was the main building for the Bandung Jaarbeurs, a complex of buildings and pavilions where annual trade was held. The building is currently a military complex for the Education and Training Command Headquarters of the Siliwangi Division.

Bandung

Bandung

Bandung is the capital city of the Indonesian province of West Java. It has a population of 2,452,943 within its city limits according to the official estimates as at mid 2021, making it the fourth most populous city in Indonesia. Greater Bandung is the country's second-largest metropolitan area, with over 11 million inhabitants. Located 768 metres above sea level, the highest point in the North area with an altitude of 1,050 meters and the lowest in the South is 675 meters above sea level, approximately 140 kilometres southeast of Jakarta, Bandung has cooler year-round temperatures than most other Indonesian cities. The city lies on a river basin surrounded by volcanic mountains that provides a natural defence system, which was the primary reason for the Dutch East Indies government's plan to move the capital from Batavia to Bandung.

Broadway Mansions

Broadway Mansions

Broadway Mansions is a nineteen-floor Art Deco five-star hotel in Shanghai, China. and was for over five decades one of the primary symbols of Shanghai.

Ankara railway station

Ankara railway station

Ankara railway station is the main railway station in Ankara, Turkey, and is a major transportation hub within the city. The station is the eastern terminus of the Istanbul-Ankara railway corridor, as well as the easternmost station in Turkey with high-speed rail service. Ankara station is also a hub for YHT high-speed trains, with its own exclusive platforms and concourse. TCDD Taşımacılık also operates intercity train service to Kars, Tatvan and Kurtalan as well as Başkentray commuter rail service.

Ankara

Ankara

Ankara, historically known as Ancyra and Angora, is the capital of Turkey. Located in the central part of Anatolia, the city has a population of 5.1 million in its urban center and 5.7 million in Ankara Province, making it Turkey's second-largest city after Istanbul.

Dare House

Dare House

Dare House is an art deco building in Chennai, India which houses the offices of the Murugappa Group. Constructed between 1938 and 1940, it is named after William Dare, one of the partners of Parry & Co. from 1819 to 1838. The surrounding neighbourhood of Georgetown is more popularly known as Parry's Corner after EID Parry, the flagship company of the Murugappa Group.

Chennai

Chennai

Chennai, formerly known as Madras, is the capital city of Tamil Nadu, the southernmost Indian state. It is the state's primate city both in area and population and is located on the Coromandel Coast of the Bay of Bengal. According to the 2011 Indian census, Chennai is the sixth-most populous city in India and forms the fourth-most populous urban agglomeration. The Greater Chennai Corporation is the civic body responsible for the city; it is the oldest city corporation of India, established in 1688—the second oldest in the world after London.

Juan Nakpil

Juan Nakpil

Juan Felipe de Jesús Nakpil, KGCR known as Juan Nakpil, was a Filipino architect, teacher and a community leader. In 1973, he was named one of the National Artists for architecture. He was regarded as the Dean of Filipino Architects.

Preservation and Neo Art Deco

In many cities, efforts have been made to protect the remaining Art Deco buildings. In many U.S. cities, historic art deco cinemas have been preserved and turned into cultural centres. Even more modest art deco buildings have been preserved as part of America's architectural heritage; an art deco café and gas station along Route 66 in Shamrock, Texas is an historic monument. The Miami Beach Architectural District protects several hundred old buildings, and requires that new buildings comply with the style. In Havana, Cuba, many Art Deco buildings have badly deteriorated. Efforts are underway to bring the buildings back to their original appearance.

In the 21st century, modern variants of Art Deco, called Neo Art Deco (or Neo-Art Deco), have appeared in some American cities, inspired by the classic Art Deco buildings of the 1920s and 1930s.[142] Examples include the NBC Tower in Chicago, inspired by 30 Rockefeller Plaza in New York City; and Smith Center for the Performing Arts in Las Vegas, Nevada, which includes art deco features from Hoover Dam, 80 km (50 miles) away.[142][143][144][145]

Discover more about Preservation and Neo Art Deco related topics

Miami Beach Architectural District

Miami Beach Architectural District

The Miami Beach Architectural District is a U.S. historic district located in the South Beach neighborhood of Miami Beach, Florida. The area is well known as the district where Italian fashion designer Gianni Versace lived and was assassinated by Andrew Cunanan, in a mansion on Ocean Drive. It is bounded by the Atlantic Ocean to the east, Sixth Street to the south, Alton Road to the west and the Collins Canal and Dade Boulevard to the north. It contains 960 historic buildings.

Calea Victoriei

Calea Victoriei

Calea Victoriei is a major avenue in central Bucharest. Situated in Sector 1, and having a length of 2.7 kilometres (1.7 mi), it leads from Splaiul Independenței to the north and then northwest up to Piața Victoriei, where Șoseaua Kiseleff continues north.

Bucharest

Bucharest

Bucharest is the capital and largest city of Romania. It is described as the cultural, financial, entertainment, and media center in the country with a significant influence in Eastern and Southeastern Europe as well. It is also a city with a significant influence in terms of education, tourism, research, technology, health care, art, fashion, sports, and politics. It is located in the south-east of Romania, on the banks of the Dâmbovița river, less than 60 km (37.3 mi) north of the Danube River and the border with Bulgaria. It is also one of the most populated cities of the European Union (EU) within city limits and the most populated capital in Southeastern Europe. It was the capital of Wallachia from 1659 to 1859 and the capital of the United Principalities of Moldavia and Wallachia from 1859 to 1881.

Romania

Romania

Romania is a country located at the crossroads of Central, Eastern, and Southeastern Europe. It borders Bulgaria to the south, Ukraine to the north, Hungary to the west, Serbia to the southwest, Moldova to the east, and the Black Sea to the southeast. It has a predominantly temperate-continental climate, and an area of 238,397 km2 (92,046 sq mi), with a population of approximately 19 million inhabitants. Romania is the twelfth-largest country in Europe and the sixth-most populous member state of the European Union. Its capital and largest city is Bucharest, followed by Iași, Cluj-Napoca, Timișoara, Constanța, Craiova, Brașov, and Galați.

Monument istoric

Monument istoric

Monument istoric, a "historic monument", is the Romanian term of designation for national heritage sites in Romania.

Romanian language

Romanian language

Romanian is the official and main language of Romania and the Republic of Moldova. As a minority language it is spoken by stable communities in the countries surrounding Romania, and by the large Romanian diaspora. In total, it is spoken by 28–29 million people as an L1+L2 language, of whom c. 24 million are native speakers. In Europe, Romanian is rated as a medium level language, occupying the 10th position among 37 official languages.

Havana

Havana

Havana is the capital and largest city of Cuba. The heart of the La Habana Province, Havana is the country's main port and commercial center. The city has a population of 2.3 million inhabitants, and it spans a total of 728.26 km2 (281.18 sq mi) – making it the largest city by area, the most populous city, and the fourth largest metropolitan area in the Caribbean region.

Las Vegas

Las Vegas

Las Vegas, often known simply as Vegas, is the 25th-most populous city in the United States, the most populous city in the state of Nevada, and the county seat of Clark County. The city anchors the Las Vegas Valley metropolitan area and is the largest city within the greater Mojave Desert. Las Vegas is an internationally renowned major resort city, known primarily for its gambling, shopping, fine dining, entertainment, and nightlife. The Las Vegas Valley as a whole serves as the leading financial, commercial, and cultural center for Nevada.

Nevada

Nevada

Nevada is a state in the Western region of the United States. It is bordered by Oregon to the northwest, Idaho to the northeast, California to the west, Arizona to the southeast, and Utah to the east. Nevada is the 7th-most extensive, the 32nd-most populous, and the 9th-least densely populated of the U.S. states. Nearly three-quarters of Nevada's people live in Clark County, which contains the Las Vegas–Paradise metropolitan area, including three of the state's four largest incorporated cities. Nevada's capital is Carson City. Las Vegas is the largest city in the state.

Istanbul

Istanbul

Istanbul, formerly known as Constantinople, is the largest city in Turkey, serving as the country's economic, cultural and historic hub. The city straddles the Bosporus strait, lying in both Europe and Asia, and has a population of over 15 million residents, comprising 19% of the population of Turkey. Istanbul is the most populous European city, and the world's 15th-largest city.

NBC Tower

NBC Tower

The NBC Tower is an office tower on the Near North Side of Chicago, Illinois located at 454 North Columbus Drive in downtown Chicago's Magnificent Mile area. Completed in 1989, the 37-story building reaches a height of 627 feet. NBC's Chicago offices, studios, and owned-and-operated station WMAQ-TV are located here as of 1989 and on October 1, 1989, WMAQ-TV broadcast its first newscast at 10:00 that evening at its new home, NBC Tower, with the then-weeknight news team of Ron Magers, Carol Marin, John Coleman, and Mark Giangreco. Later, Telemundo O&O WSNS-TV has also occupied the building since its purchase by NBC in 2001. Formerly its former radio sister WMAQ/WSCR was located here. The studios of NBC's former Chicago FM property, WKQX, and its sister station WLUP-FM are located in the NBC Tower.

30 Rockefeller Plaza

30 Rockefeller Plaza

30 Rockefeller Plaza is a skyscraper that forms the centerpiece of Rockefeller Center in the Midtown Manhattan neighborhood of New York City. Completed in 1933, the 66-story, 850 ft (260 m) building was designed in the Art Deco style by Raymond Hood, Rockefeller Center's lead architect. 30 Rockefeller Plaza was known for its main tenant, the Radio Corporation of America (RCA), from its opening in 1933 until 1988 and then for General Electric until 2015, when it was renamed for its current owner, Comcast. The building also houses the headquarters and New York studios of television network NBC; the headquarters is sometimes called 30 Rock, a nickname that inspired an NBC sitcom of the same name. The tallest structure in Rockefeller Center, the building is the 28th tallest in New York City and the 60th tallest in the United States.

Gallery

Discover more about Gallery related topics

Hope Memorial Bridge

Hope Memorial Bridge

The Hope Memorial Bridge is a 4,490-foot-long (1,370 m) art deco truss bridge crossing the Cuyahoga River in Cleveland, Ohio. The bridge connects Lorain Avenue on Cleveland's west side and Carnegie Avenue on the east side, terminating just short of Progressive Field.

Municipal Auditorium (Kansas City, Missouri)

Municipal Auditorium (Kansas City, Missouri)

Municipal Auditorium is a multi-purpose facility located in Kansas City, Missouri. It opened in 1935 and features Streamline Moderne and Art Deco architecture and architectural details.

Kansas City, Missouri

Kansas City, Missouri

Kansas City, Missouri is the largest city in Missouri by population and area. As of the 2020 census, the city had a population of 508,090 in 2020, making it the 36th most-populous city in the United States. It is the central city of the Kansas City metropolitan area, which straddles the Missouri–Kansas state line and has a population of 2,392,035. Most of the city lies within Jackson County, with portions spilling into Clay, Cass, and Platte counties. Kansas City was founded in the 1830s as a port on the Missouri River at its confluence with the Kansas River from the west. On June 1, 1850, the town of Kansas was incorporated; shortly after came the establishment of the Kansas Territory. Confusion between the two ensued, and the name Kansas City was assigned to distinguish them soon after.

Niagara Mohawk Building

Niagara Mohawk Building

The Niagara Mohawk Building is an art deco classic building in Syracuse, New York. The building was built in 1932 and was headquarters for the Niagara Mohawk Power Corporation, what was "then the nation's largest electric utility company".

Palacio de Bellas Artes

Palacio de Bellas Artes

The Palacio de Bellas Artes is a prominent cultural center in Mexico City. It has hosted notable events in music, dance, theatre, opera and literature in Mexico and has held important exhibitions of painting, sculpture and photography. Consequently, the Palacio de Bellas Artes has been called the "Cathedral of Art in Mexico". The building is located on the western side of the historic center of Mexico City next to the Alameda Central park.

Paramount Theatre (Oakland, California)

Paramount Theatre (Oakland, California)

The Paramount Theatre is a 3,040-seat Art Deco concert hall located at 2025 Broadway in Downtown Oakland. When it was built in 1931, it was the largest multi-purpose theater on the West Coast, seating 3,476. Today, the Paramount is the home of the Oakland East Bay Symphony and the Oakland Ballet. It regularly plays host to R&B, jazz, blues, pop, rock, gospel, classical music, as well as ballets, plays, stand-up comedy, lecture series, special events, and screenings of classic movies from Hollywood's Golden Era.

Henryk Kuna

Henryk Kuna

Henryk Kuna was a Polish sculptor, active in the early twentieth century. His long career produced many famous works of arts including several renowned public monuments in his native country of Poland.

Federal Art Project

Federal Art Project

The Federal Art Project (1935–1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented American design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression. According to American Heritage, “Something like 400,000 easel paintings, murals, prints, posters, and renderings were produced by WPA artists during the eight years of the project’s existence, virtually free of government pressure to control subject matter, interpretation, or style.”

Empire State Building

Empire State Building

The Empire State Building is a 102-story Art Deco skyscraper in Midtown Manhattan, New York City. The building was designed by Shreve, Lamb & Harmon and built from 1930 to 1931. Its name is derived from "Empire State", the nickname of the state of New York. The building has a roof height of 1,250 feet (380 m) and stands a total of 1,454 feet (443.2 m) tall, including its antenna. The Empire State Building was the world's tallest building until the first tower of the World Trade Center was topped out in 1970; following the September 11 attacks in 2001, the Empire State Building was New York City's tallest building until it was surpassed in 2012. As of 2022, the building is the seventh-tallest building in New York City, the ninth-tallest completed skyscraper in the United States, the 54th-tallest in the world, and the sixth-tallest freestanding structure in the Americas.

Cincinnati Union Terminal

Cincinnati Union Terminal

Cincinnati Union Terminal is an intercity train station and museum center in the Queensgate neighborhood of Cincinnati, Ohio. Commonly abbreviated as CUT, or by its Amtrak station code, CIN, the terminal is served by Amtrak's Cardinal line, passing through Cincinnati three times weekly. The building's largest tenant is the Cincinnati Museum Center, comprising the Cincinnati History Museum, the Museum of Natural History & Science, Duke Energy Children's Museum, the Cincinnati History Library and Archives, and an Omnimax theater.

Cincinnati

Cincinnati

Cincinnati is a city in the U.S. state of Ohio and the county seat of Hamilton County. Settled in 1788, the city is located at the northern side of the confluence of the Licking and Ohio rivers, the latter of which marks the state line with Kentucky. The city is the economic and cultural hub of the Cincinnati metropolitan area. With an estimated population of 2,256,884, it is Ohio's largest metropolitan area and the nation's 30th-largest, and with a city population of 309,317, Cincinnati is the third-largest city in Ohio and 65th in the United States. Throughout much of the 19th century, it was among the top 10 U.S. cities by population, surpassed only by New Orleans and the older, established settlements of the United States eastern seaboard, as well as being the sixth-most populous city from 1840 until 1860.

Alfred T. Fellheimer

Alfred T. Fellheimer

Alfred T. Fellheimer was an American architect. He began his career with Reed & Stem, where he was lead architect for Grand Central Terminal. Beginning in 1928, his firm Fellheimer & Wagner designed Cincinnati Union Terminal.

Source: "Art Deco", Wikipedia, Wikimedia Foundation, (2023, March 22nd), https://en.wikipedia.org/wiki/Art_Deco.

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See also
References
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Bibliography
External links